Rank
|
Page title
|
Views
|
Daily average
|
Assessment
|
Importance
|
1
|
Banksy
|
138,584
|
4,619
|
B
|
Mid
|
2
|
PDF
|
97,180
|
3,239
|
B
|
High
|
3
|
Adobe Photoshop
|
91,733
|
3,057
|
C
|
Mid
|
4
|
Bauhaus
|
53,522
|
1,784
|
B
|
Top
|
5
|
Printing press
|
45,873
|
1,529
|
B
|
High
|
6
|
Dash
|
44,888
|
1,496
|
B
|
Low
|
7
|
Tron
|
43,155
|
1,438
|
B
|
Low
|
8
|
Triptych
|
39,322
|
1,310
|
C
|
Low
|
9
|
Advertising
|
34,188
|
1,139
|
C
|
High
|
10
|
Graphic design
|
32,067
|
1,068
|
C
|
Top
|
11
|
Adobe Illustrator
|
31,727
|
1,057
|
C
|
Mid
|
12
|
Web design
|
27,679
|
922
|
C
|
High
|
13
|
Frutiger Aero
|
25,845
|
861
|
C
|
Low
|
14
|
Helvetica
|
25,358
|
845
|
C
|
High
|
15
|
Susan Kare
|
25,080
|
836
|
B
|
High
|
16
|
Heart symbol
|
23,209
|
773
|
Start
|
Mid
|
17
|
Adobe Acrobat
|
22,542
|
751
|
C
|
Mid
|
18
|
GIMP
|
20,117
|
670
|
B
|
Low
|
19
|
Gender symbol
|
20,085
|
669
|
Start
|
Low
|
20
|
Adobe Flash
|
18,473
|
615
|
C
|
Unknown
|
21
|
Shepard Fairey
|
17,920
|
597
|
B
|
Low
|
22
|
Jumpman (logo)
|
16,595
|
553
|
Start
|
Low
|
23
|
Ideogram
|
16,326
|
544
|
Start
|
Mid
|
24
|
Corporate Memphis
|
16,232
|
541
|
Start
|
Low
|
25
|
Minimalism
|
15,917
|
530
|
C
|
Mid
|
26
|
Typography
|
15,726
|
524
|
C
|
Mid
|
27
|
Typeface
|
15,260
|
508
|
B
|
Mid
|
28
|
Pantone
|
14,307
|
476
|
Start
|
Low
|
29
|
Swoosh
|
13,536
|
451
|
Start
|
Low
|
30
|
Raster graphics
|
13,258
|
441
|
C
|
Low
|
31
|
Voxel
|
13,149
|
438
|
C
|
Unknown
|
32
|
Adobe InDesign
|
13,102
|
436
|
Start
|
High
|
33
|
Barber's pole
|
12,402
|
413
|
B
|
Low
|
34
|
Parsons School of Design
|
12,230
|
407
|
C
|
Low
|
35
|
Paul Rand
|
12,133
|
404
|
B
|
High
|
36
|
Creative director
|
12,099
|
403
|
Start
|
Mid
|
37
|
Mascot
|
12,002
|
400
|
Start
|
Low
|
38
|
Saul Bass
|
11,700
|
390
|
B
|
High
|
39
|
3D computer graphics
|
11,687
|
389
|
C
|
Mid
|
40
|
Procreate (software)
|
11,660
|
388
|
C
|
Mid
|
41
|
Eric Carle
|
11,276
|
375
|
C
|
Low
|
42
|
De Stijl
|
11,031
|
367
|
C
|
Mid
|
43
|
Behance
|
10,291
|
343
|
Stub
|
Low
|
44
|
Eric Haze
|
10,180
|
339
|
Start
|
Unknown
|
45
|
Comparison of European road signs
|
9,813
|
327
|
List
|
Low
|
46
|
I Love New York
|
9,401
|
313
|
Start
|
Low
|
47
|
Graphic designer
|
9,313
|
310
|
Start
|
Top
|
48
|
Stationery
|
9,078
|
302
|
Start
|
Low
|
49
|
Native American mascot controversy
|
9,044
|
301
|
GA
|
Low
|
50
|
Ambigram
|
8,577
|
285
|
B
|
Mid
|
51
|
User interface design
|
8,396
|
279
|
C
|
Low
|
52
|
Visual communication
|
8,290
|
276
|
Start
|
High
|
53
|
Desktop publishing
|
8,123
|
270
|
C
|
Mid
|
54
|
Alfred A. Knopf
|
7,813
|
260
|
C
|
Low
|
55
|
PostScript
|
7,645
|
254
|
C
|
High
|
56
|
No symbol
|
7,372
|
245
|
C
|
Low
|
57
|
Harry Beck
|
7,050
|
235
|
C
|
Low
|
58
|
Alpha compositing
|
6,992
|
233
|
Start
|
Unknown
|
59
|
Mood board
|
6,909
|
230
|
Start
|
Low
|
60
|
Peter Saville (graphic designer)
|
6,847
|
228
|
C
|
Low
|
61
|
Book design
|
6,838
|
227
|
C
|
Unknown
|
62
|
List of airline liveries and logos
|
6,665
|
222
|
List
|
Low
|
63
|
Photograph manipulation
|
6,553
|
218
|
C
|
Low
|
64
|
Style guide
|
6,500
|
216
|
Start
|
Mid
|
65
|
Adobe Dreamweaver
|
6,475
|
215
|
C
|
Mid
|
66
|
Peter Blake (artist)
|
6,472
|
215
|
C
|
High
|
67
|
Harvey Ball
|
6,413
|
213
|
C
|
Low
|
68
|
Image editing
|
6,213
|
207
|
C
|
Mid
|
69
|
Poster
|
6,151
|
205
|
C
|
High
|
70
|
Lisa Frank Incorporated
|
6,016
|
200
|
Start
|
Low
|
71
|
László Moholy-Nagy
|
5,480
|
182
|
C
|
Unknown
|
72
|
Swiss Style (design)
|
5,307
|
176
|
Start
|
Unknown
|
73
|
Josef Albers
|
5,216
|
173
|
C
|
Low
|
74
|
Marker pen
|
5,184
|
172
|
Start
|
Low
|
75
|
Milton Glaser
|
5,087
|
169
|
C
|
Mid
|
76
|
Polyptych
|
5,063
|
168
|
Start
|
Low
|
77
|
Letterpress printing
|
5,013
|
167
|
C
|
High
|
78
|
Edward Tufte
|
4,780
|
159
|
B
|
Mid
|
79
|
Wanted poster
|
4,699
|
156
|
Start
|
Low
|
80
|
Raster graphics editor
|
4,489
|
149
|
Start
|
Low
|
81
|
Spatial anti-aliasing
|
4,423
|
147
|
C
|
Mid
|
82
|
Signage
|
4,413
|
147
|
Start
|
Mid
|
83
|
Outdoor advertising
|
4,259
|
141
|
Start
|
Low
|
84
|
Three hares
|
4,236
|
141
|
B
|
Mid
|
85
|
Mike Winkelmann
|
4,208
|
140
|
Start
|
Low
|
86
|
Paula Scher
|
4,163
|
138
|
C
|
Unknown
|
87
|
Craig Braun
|
4,115
|
137
|
B
|
Unknown
|
88
|
International Typographic Style
|
4,108
|
136
|
Start
|
Unknown
|
89
|
Neon sign
|
4,083
|
136
|
Start
|
Mid
|
90
|
Univers
|
4,025
|
134
|
C
|
Low
|
91
|
Anti-aliasing filter
|
3,954
|
131
|
C
|
Low
|
92
|
Everydays: the First 5000 Days
|
3,881
|
129
|
Stub
|
Low
|
93
|
J. Walter Thompson
|
3,795
|
126
|
Start
|
Low
|
94
|
2D computer graphics
|
3,794
|
126
|
C
|
Mid
|
95
|
Pentagram (design firm)
|
3,748
|
124
|
Start
|
High
|
96
|
Film poster
|
3,744
|
124
|
B
|
Low
|
97
|
Art director
|
3,740
|
124
|
Start
|
Mid
|
98
|
Business card
|
3,682
|
122
|
Start
|
Unknown
|
99
|
Minimalism (visual arts)
|
3,629
|
120
|
C
|
Low
|
100
|
Massimo Vignelli
|
3,562
|
118
|
C
|
High
|
101
|
Letterhead
|
3,411
|
113
|
Unknown
|
Unknown
|
102
|
List of works by Banksy
|
3,393
|
113
|
List
|
Low
|
103
|
Sustainable design
|
3,342
|
111
|
C
|
Mid
|
104
|
D. Udaya Kumar
|
3,318
|
110
|
Start
|
Low
|
105
|
Harvey balls
|
3,208
|
106
|
Start
|
Low
|
106
|
Communication design
|
3,114
|
103
|
Start
|
Low
|
107
|
Global spread of the printing press
|
3,107
|
103
|
B
|
High
|
108
|
Chip Kidd
|
3,042
|
101
|
Start
|
Low
|
109
|
Visual design elements and principles
|
3,016
|
100
|
Disambig
|
NA
|
110
|
Saul Steinberg
|
2,991
|
99
|
Start
|
Mid
|
111
|
Cigarette card
|
2,822
|
94
|
Start
|
Mid
|
112
|
Digital signage
|
2,734
|
91
|
Start
|
Mid
|
113
|
David Carson (graphic designer)
|
2,690
|
89
|
Start
|
Low
|
114
|
Page layout
|
2,654
|
88
|
B
|
Mid
|
115
|
QuarkXPress
|
2,596
|
86
|
Start
|
High
|
116
|
Yinka Ilori
|
2,594
|
86
|
B
|
Mid
|
117
|
Jessica Walsh
|
2,590
|
86
|
C
|
Mid
|
118
|
Picnik
|
2,589
|
86
|
Start
|
Low
|
119
|
Debbie Millman
|
2,575
|
85
|
Start
|
Low
|
120
|
Ben Day process
|
2,574
|
85
|
Start
|
Mid
|
121
|
Stefan Sagmeister
|
2,475
|
82
|
C
|
High
|
122
|
Cover art
|
2,467
|
82
|
Start
|
High
|
123
|
Web banner
|
2,456
|
81
|
Start
|
Mid
|
124
|
The Medium Is the Massage
|
2,455
|
81
|
Start
|
Low
|
125
|
PGF/TikZ
|
2,384
|
79
|
Start
|
Low
|
126
|
Ed Thrasher
|
2,379
|
79
|
Stub
|
Low
|
127
|
Vector graphics editor
|
2,377
|
79
|
Start
|
Mid
|
128
|
Visiting card
|
2,377
|
79
|
Start
|
Unknown
|
129
|
Comparison of raster graphics editors
|
2,346
|
78
|
C
|
Mid
|
130
|
Pen & Pixel
|
2,303
|
76
|
Start
|
Unknown
|
131
|
Ben Shahn
|
2,248
|
74
|
B
|
Low
|
132
|
History of CAD software
|
2,144
|
71
|
Start
|
Low
|
133
|
Dribbble
|
2,143
|
71
|
Start
|
Low
|
134
|
Digital on-screen graphic
|
2,132
|
71
|
Start
|
Low
|
135
|
Color code
|
2,092
|
69
|
Start
|
Mid
|
136
|
Screen space ambient occlusion
|
2,081
|
69
|
Start
|
Low
|
137
|
History of graphic design
|
2,080
|
69
|
C
|
Unknown
|
138
|
Motion graphic design
|
2,043
|
68
|
Stub
|
Mid
|
139
|
Commercial art
|
1,994
|
66
|
Start
|
Mid
|
140
|
Exit sign
|
1,990
|
66
|
Start
|
Low
|
141
|
Blob emoji
|
1,990
|
66
|
Start
|
Low
|
142
|
Warming stripes
|
1,970
|
65
|
B
|
Mid
|
143
|
Rabbits and hares in art
|
1,943
|
64
|
C
|
Low
|
144
|
Road signs in Spain
|
1,932
|
64
|
C
|
Low
|
145
|
Image stitching
|
1,913
|
63
|
Unknown
|
Low
|
146
|
Richard Saul Wurman
|
1,902
|
63
|
Start
|
Unknown
|
147
|
Big-character poster
|
1,852
|
61
|
B
|
Low
|
148
|
John Kiss (artist)
|
1,836
|
61
|
B
|
Unknown
|
149
|
British Rail Double Arrow
|
1,815
|
60
|
C
|
Low
|
150
|
Atkinson Hyperlegible
|
1,761
|
58
|
C
|
Low
|
151
|
Suki Lopez
|
1,704
|
56
|
C
|
Low
|
152
|
Jan Tschichold
|
1,657
|
55
|
Start
|
Unknown
|
153
|
Isotype (picture language)
|
1,655
|
55
|
Start
|
Low
|
154
|
Cassandre
|
1,625
|
54
|
Start
|
Mid
|
155
|
Herb Lubalin
|
1,606
|
53
|
Start
|
Mid
|
156
|
Otl Aicher
|
1,585
|
52
|
Start
|
High
|
157
|
Josef Müller-Brockmann
|
1,571
|
52
|
Start
|
Unknown
|
158
|
Leo Lionni
|
1,565
|
52
|
C
|
Low
|
159
|
Extinction symbol
|
1,520
|
50
|
Start
|
Low
|
160
|
Matthew Carter
|
1,519
|
50
|
Start
|
Mid
|
161
|
Secession (art)
|
1,505
|
50
|
B
|
Unknown
|
162
|
The Designers Republic
|
1,472
|
49
|
C
|
Low
|
163
|
Adobe FreeHand
|
1,459
|
48
|
B
|
Mid
|
164
|
British Airways ethnic liveries
|
1,452
|
48
|
Start
|
Low
|
165
|
Vignette (graphic design)
|
1,401
|
46
|
Start
|
Mid
|
166
|
Bruno Munari
|
1,398
|
46
|
C
|
Mid
|
167
|
Alfred A. Knopf Sr.
|
1,376
|
45
|
Start
|
Low
|
168
|
Ecological design
|
1,368
|
45
|
Start
|
Low
|
169
|
Michael Bierut
|
1,357
|
45
|
C
|
High
|
170
|
Herbert Bayer
|
1,355
|
45
|
Start
|
Mid
|
171
|
John Maeda
|
1,337
|
44
|
Start
|
Unknown
|
172
|
Grid (graphic design)
|
1,335
|
44
|
Start
|
Low
|
173
|
NCAA Native American mascot decision
|
1,333
|
44
|
C
|
Low
|
174
|
Hermann Zapf
|
1,329
|
44
|
C
|
Low
|
175
|
Graphic communication
|
1,312
|
43
|
C
|
Mid
|
176
|
S. Neil Fujita
|
1,303
|
43
|
Start
|
Low
|
177
|
Emily Carr University of Art and Design
|
1,292
|
43
|
Start
|
Mid
|
178
|
Particle system
|
1,287
|
42
|
C
|
High
|
179
|
Depth map
|
1,282
|
42
|
Start
|
Low
|
180
|
David Dees
|
1,266
|
42
|
Stub
|
Unknown
|
181
|
Chermayeff & Geismar & Haviv
|
1,248
|
41
|
Start
|
High
|
182
|
April Greiman
|
1,237
|
41
|
C
|
Mid
|
183
|
Storyboard artist
|
1,219
|
40
|
Start
|
Mid
|
184
|
Michael Okuda
|
1,208
|
40
|
Start
|
Mid
|
185
|
List of common 3D test models
|
1,208
|
40
|
List
|
Low
|
186
|
Gerald Holtom
|
1,203
|
40
|
Start
|
Low
|
187
|
Obama logo
|
1,179
|
39
|
B
|
Mid
|
188
|
Kuwahara filter
|
1,177
|
39
|
C
|
Low
|
189
|
List of desktop publishing software
|
1,152
|
38
|
List
|
Unknown
|
190
|
Bill Gold
|
1,145
|
38
|
C
|
Low
|
191
|
2020 Summer Olympic pictograms
|
1,135
|
37
|
C
|
Low
|
192
|
Section (typography)
|
1,131
|
37
|
Start
|
Low
|
193
|
Shigetaka Kurita
|
1,125
|
37
|
Start
|
Low
|
194
|
Paste up
|
1,115
|
37
|
Start
|
Low
|
195
|
Alan Fletcher (graphic designer)
|
1,102
|
36
|
Start
|
High
|
196
|
Cartographic design
|
1,082
|
36
|
B
|
Unknown
|
197
|
Bumper sticker
|
1,061
|
35
|
Start
|
Low
|
198
|
Web typography
|
1,059
|
35
|
B
|
Low
|
199
|
For position only
|
1,054
|
35
|
Stub
|
Low
|
200
|
GUI
|
1,038
|
34
|
Redirect
|
NA
|
201
|
Tadanori Yokoo
|
1,035
|
34
|
Start
|
Low
|
202
|
Tibor Kalman
|
1,011
|
33
|
Start
|
Mid
|
203
|
Stanley Morison
|
1,009
|
33
|
Start
|
Mid
|
204
|
Alexey Brodovitch
|
1,007
|
33
|
B
|
Low
|
205
|
Polish School of Posters
|
998
|
33
|
C
|
Low
|
206
|
Maxime Plescia-Büchi
|
996
|
33
|
Start
|
Low
|
207
|
Graphic design occupations
|
988
|
32
|
Start
|
Mid
|
208
|
George Lois
|
984
|
32
|
Start
|
Low
|
209
|
Kirby Jenner
|
980
|
32
|
Start
|
Low
|
210
|
William Addison Dwiggins
|
968
|
32
|
Start
|
Unknown
|
211
|
Visual hierarchy
|
968
|
32
|
B
|
Unknown
|
212
|
ISO 690
|
946
|
31
|
C
|
Unknown
|
213
|
AARON
|
935
|
31
|
Start
|
Low
|
214
|
Municipal device of Chicago
|
920
|
30
|
Stub
|
Low
|
215
|
Design management
|
899
|
29
|
C
|
Top
|
216
|
Page footer
|
892
|
29
|
Start
|
Low
|
217
|
Seymour Chwast
|
878
|
29
|
C
|
Mid
|
218
|
MyPaint
|
869
|
28
|
Start
|
Low
|
219
|
Frederic Goudy
|
839
|
27
|
Start
|
Mid
|
220
|
Print design
|
832
|
27
|
Stub
|
Mid
|
221
|
Adobe ImageReady
|
830
|
27
|
Stub
|
Low
|
222
|
21 21 Design Sight
|
830
|
27
|
Start
|
Low
|
223
|
XX (novel)
|
827
|
27
|
Stub
|
Low
|
224
|
American Institute of Graphic Arts
|
820
|
27
|
Start
|
Unknown
|
225
|
Richard Amsel
|
815
|
27
|
C
|
Low
|
226
|
Joshua Davis (designer)
|
806
|
26
|
Start
|
Low
|
227
|
Plakatstil
|
802
|
26
|
Start
|
Low
|
228
|
Creative Market
|
791
|
26
|
Start
|
Low
|
229
|
Louise Fili
|
780
|
26
|
C
|
Low
|
230
|
Vizrt
|
765
|
25
|
Start
|
Low
|
231
|
You mean a woman can open it?
|
761
|
25
|
Start
|
Low
|
232
|
Jonathan Hoefler
|
760
|
25
|
Start
|
Unknown
|
233
|
Alston Purvis
|
760
|
25
|
Start
|
Low
|
234
|
Armin Hofmann
|
742
|
24
|
Stub
|
Mid
|
235
|
Retail design
|
732
|
24
|
C
|
Low
|
236
|
Page header
|
728
|
24
|
Stub
|
Low
|
237
|
John Pasche
|
703
|
23
|
Start
|
High
|
238
|
Lucian Bernhard
|
702
|
23
|
Start
|
Mid
|
239
|
Leonard Baskin
|
701
|
23
|
Start
|
Low
|
240
|
99designs
|
696
|
23
|
Start
|
Low
|
241
|
Jonathan Barnbrook
|
691
|
23
|
Start
|
Low
|
242
|
Emory Douglas
|
634
|
21
|
C
|
Low
|
243
|
Design studies
|
630
|
21
|
C
|
Mid
|
244
|
Steven Heller (design writer)
|
629
|
20
|
Start
|
Low
|
245
|
Henry Steiner
|
629
|
20
|
C
|
Unknown
|
246
|
List of graphic designers
|
622
|
20
|
List
|
Low
|
247
|
ASCII porn
|
618
|
20
|
Stub
|
Low
|
248
|
PicMonkey
|
616
|
20
|
Stub
|
Low
|
249
|
Pix4D
|
610
|
20
|
Stub
|
Unknown
|
250
|
Modo (software)
|
607
|
20
|
Start
|
Low
|
251
|
Kyle Cooper
|
601
|
20
|
C
|
Low
|
252
|
Shigeo Fukuda
|
599
|
19
|
Start
|
Low
|
253
|
Dedication (publishing)
|
590
|
19
|
C
|
Low
|
254
|
Separation of content and presentation
|
586
|
19
|
Start
|
High
|
255
|
Reid Miles
|
581
|
19
|
Start
|
Low
|
256
|
Error diffusion
|
576
|
19
|
C
|
Low
|
257
|
Trade card
|
569
|
18
|
Unknown
|
Mid
|
258
|
Zuzana Licko
|
558
|
18
|
C
|
Low
|
259
|
Tomato (design collective)
|
556
|
18
|
Stub
|
Low
|
260
|
Henry Wolf
|
552
|
18
|
Start
|
Unknown
|
261
|
Daniel Sotomayor
|
550
|
18
|
Start
|
Low
|
262
|
Cey Adams
|
549
|
18
|
C
|
Low
|
263
|
Elaine Bass
|
544
|
18
|
C
|
Low
|
264
|
Cipe Pineles
|
524
|
17
|
Start
|
High
|
265
|
Ed Benguiat
|
522
|
17
|
C
|
Low
|
266
|
Chicago Athenaeum
|
522
|
17
|
Start
|
Low
|
267
|
Java 3D
|
521
|
17
|
Start
|
Low
|
268
|
Paul Bacon (designer)
|
517
|
17
|
C
|
Low
|
269
|
Ellen Lupton
|
516
|
17
|
Start
|
Unknown
|
270
|
Gail Anderson (graphic designer)
|
507
|
16
|
C
|
Low
|
271
|
Push Pin Studios
|
502
|
16
|
C
|
Low
|
272
|
Hamid Nadimi
|
501
|
16
|
Redirect
|
NA
|
273
|
Camera-ready
|
487
|
16
|
Start
|
Low
|
274
|
Keith Roberts
|
486
|
16
|
C
|
Low
|
275
|
Consumer Aesthetics Research Institute
|
486
|
16
|
Start
|
Low
|
276
|
Karoly Grosz (illustrator)
|
481
|
16
|
GA
|
Mid
|
277
|
Irma Boom
|
475
|
15
|
Start
|
Unknown
|
278
|
Jules Siegel
|
473
|
15
|
Stub
|
Low
|
279
|
Muriel Cooper
|
468
|
15
|
C
|
Unknown
|
280
|
User experience evaluation
|
468
|
15
|
Start
|
Low
|
281
|
Human Rights Logo
|
468
|
15
|
Start
|
Mid
|
282
|
Kōhei Sugiura
|
452
|
15
|
Unknown
|
Unknown
|
283
|
Noesis (software)
|
446
|
14
|
Start
|
Low
|
284
|
Chimping
|
432
|
14
|
Start
|
Low
|
285
|
Lance Wyman
|
430
|
14
|
Start
|
Unknown
|
286
|
Amos Paul Kennedy Jr.
|
415
|
13
|
C
|
Unknown
|
287
|
Charles Bigelow (type designer)
|
411
|
13
|
Start
|
Low
|
288
|
Bradbury Thompson
|
409
|
13
|
Start
|
Low
|
289
|
Mobirise
|
408
|
13
|
Start
|
Unknown
|
290
|
Reggie Parks
|
408
|
13
|
Start
|
Unknown
|
291
|
Alex Steinweiss
|
407
|
13
|
Start
|
Low
|
292
|
Edward McKnight Kauffer
|
407
|
13
|
Start
|
Mid
|
293
|
Chorochromatic map
|
407
|
13
|
B
|
Unknown
|
294
|
Lester Beall
|
403
|
13
|
Stub
|
Mid
|
295
|
Image fidelity
|
399
|
13
|
Start
|
Low
|
296
|
Duospaced font
|
393
|
13
|
Start
|
Low
|
297
|
Nebiolo Printech
|
384
|
12
|
Start
|
Low
|
298
|
Emigre (magazine)
|
383
|
12
|
Start
|
Mid
|
299
|
Adobe GoLive
|
375
|
12
|
Start
|
Low
|
300
|
Content designer
|
375
|
12
|
Start
|
Mid
|
301
|
23 Envelope
|
375
|
12
|
Start
|
Low
|
302
|
Jessica Wallenfels
|
375
|
12
|
C
|
Low
|
303
|
Georg Olden (graphic designer)
|
373
|
12
|
Stub
|
Low
|
304
|
Album covers of Blue Note Records
|
373
|
12
|
FA
|
Low
|
305
|
Aviary (image editor)
|
365
|
12
|
Start
|
Low
|
306
|
Artkraft Strauss
|
360
|
12
|
Start
|
Low
|
307
|
Irina Blok
|
360
|
12
|
Start
|
Low
|
308
|
Screen space directional occlusion
|
360
|
12
|
Stub
|
Low
|
309
|
Lella Vignelli
|
359
|
11
|
B
|
Mid
|
310
|
Annie Atkins
|
354
|
11
|
Start
|
Low
|
311
|
Ehrenstein illusion
|
352
|
11
|
C
|
Low
|
312
|
Robert Brownjohn
|
349
|
11
|
Start
|
Unknown
|
313
|
News design
|
347
|
11
|
Start
|
High
|
314
|
Michael Wolff (graphic designer)
|
347
|
11
|
Stub
|
Low
|
315
|
Will H. Bradley
|
345
|
11
|
Start
|
Low
|
316
|
Piet Zwart
|
342
|
11
|
Start
|
Low
|
317
|
Oswald Bruce Cooper
|
340
|
11
|
B
|
Low
|
318
|
Haibao
|
340
|
11
|
Stub
|
Low
|
319
|
Jacqueline Casey
|
340
|
11
|
C
|
Unknown
|
320
|
Icon design
|
339
|
11
|
Start
|
Unknown
|
321
|
Bruce Rogers (typographer)
|
339
|
11
|
Start
|
Mid
|
322
|
Emigre Fonts
|
336
|
11
|
Start
|
Low
|
323
|
Yusaku Kamekura
|
335
|
11
|
C
|
Low
|
324
|
Pablo Ferro
|
334
|
11
|
C
|
Low
|
325
|
Web content development
|
331
|
11
|
Start
|
Mid
|
326
|
Sheila Levrant de Bretteville
|
327
|
10
|
C
|
Unknown
|
327
|
Desk pad
|
326
|
10
|
Stub
|
Low
|
328
|
Barbara Stauffacher Solomon
|
321
|
10
|
Start
|
Unknown
|
329
|
Visual variable
|
320
|
10
|
C
|
Mid
|
330
|
ROSTA windows
|
319
|
10
|
Stub
|
Low
|
331
|
Inkie
|
316
|
10
|
Start
|
Mid
|
332
|
SK1 (program)
|
308
|
10
|
Start
|
Mid
|
333
|
Herbert Matter
|
305
|
10
|
Start
|
Mid
|
334
|
Angela Guzman
|
304
|
10
|
Start
|
Unknown
|
335
|
Tom Eckersley
|
301
|
10
|
C
|
Unknown
|
336
|
Lettering guide
|
296
|
9
|
Start
|
Low
|
337
|
Xanti Schawinsky
|
288
|
9
|
Start
|
Unknown
|
338
|
Production artist
|
286
|
9
|
Stub
|
Low
|
339
|
Ruth Ansel
|
285
|
9
|
Start
|
Low
|
340
|
Kii Arens
|
284
|
9
|
C
|
Unknown
|
341
|
Tom Geismar
|
283
|
9
|
Stub
|
Unknown
|
342
|
Leif Podhajsky
|
282
|
9
|
Start
|
Mid
|
343
|
Art Chantry
|
281
|
9
|
Start
|
Mid
|
344
|
Joseph Binder (graphic designer)
|
281
|
9
|
C
|
Low
|
345
|
Bob Noorda
|
280
|
9
|
C
|
Mid
|
346
|
Giorgia Lupi
|
280
|
9
|
Start
|
Low
|
347
|
DTP artist
|
278
|
9
|
Stub
|
Low
|
348
|
Brian Collins (designer)
|
276
|
9
|
C
|
Low
|
349
|
Jan van Krimpen
|
274
|
9
|
Start
|
Mid
|
350
|
Alvin Lustig
|
273
|
9
|
Start
|
Unknown
|
351
|
Peter Corriston
|
271
|
9
|
Stub
|
Low
|
352
|
Seashore (software)
|
270
|
9
|
Start
|
Low
|
353
|
Mick Haggerty
|
270
|
9
|
Stub
|
Unknown
|
354
|
Comprehensive layout
|
268
|
8
|
Start
|
Mid
|
355
|
Ladislav Sutnar
|
268
|
8
|
Stub
|
Low
|
356
|
List of AIGA medalists
|
266
|
8
|
List
|
Unknown
|
357
|
Marian Bantjes
|
266
|
8
|
Start
|
Low
|
358
|
Edward Fella
|
264
|
8
|
Start
|
Mid
|
359
|
Python Anghelo
|
264
|
8
|
Start
|
Low
|
360
|
3D Slash
|
264
|
8
|
Start
|
Low
|
361
|
Dard Hunter
|
263
|
8
|
Start
|
Low
|
362
|
National Design Awards
|
259
|
8
|
List
|
Mid
|
363
|
Brett Wickens
|
255
|
8
|
Start
|
Low
|
364
|
William Rose (illustrator)
|
255
|
8
|
GA
|
Low
|
365
|
Unimark International
|
253
|
8
|
Start
|
Low
|
366
|
John Gilroy (artist)
|
248
|
8
|
Stub
|
Low
|
367
|
Willem Sandberg
|
246
|
8
|
Start
|
Unknown
|
368
|
Paul Brooks Davis
|
245
|
8
|
Start
|
Mid
|
369
|
Bea Feitler
|
244
|
8
|
Start
|
Low
|
370
|
Manhattan Design
|
244
|
8
|
Unknown
|
Unknown
|
371
|
Soren Iverson
|
244
|
8
|
Start
|
Low
|
372
|
German Design Award
|
243
|
8
|
Start
|
Unknown
|
373
|
Goal structuring notation
|
241
|
8
|
Stub
|
Mid
|
374
|
Rudy VanderLans
|
240
|
8
|
Stub
|
Unknown
|
375
|
Peter Mendelsund
|
240
|
8
|
Start
|
Low
|
376
|
The Beatles Illustrated Lyrics
|
237
|
7
|
Start
|
Low
|
377
|
Richard Turley (graphic designer)
|
237
|
7
|
C
|
Low
|
378
|
Henryk Tomaszewski (poster artist)
|
234
|
7
|
Start
|
Low
|
379
|
Paul Kuhr
|
233
|
7
|
Start
|
Low
|
380
|
Ootje Oxenaar
|
232
|
7
|
Stub
|
Unknown
|
381
|
MtPaint
|
228
|
7
|
C
|
Low
|
382
|
Vignelli Associates
|
227
|
7
|
C
|
High
|
383
|
Representative image
|
226
|
7
|
Stub
|
Low
|
384
|
Bob Cato
|
225
|
7
|
Start
|
Low
|
385
|
Kiyoshi Awazu
|
224
|
7
|
C
|
Low
|
386
|
Bob Gill (artist)
|
222
|
7
|
Start
|
Low
|
387
|
Karlsruhe University of Arts and Design
|
215
|
7
|
C
|
Low
|
388
|
Dan Friedman (graphic designer)
|
214
|
7
|
Start
|
Mid
|
389
|
Gary Grimshaw
|
213
|
7
|
B
|
Unknown
|
390
|
Samuel Burgess-Johnson
|
213
|
7
|
Start
|
Low
|
391
|
Mackey Saturday
|
212
|
7
|
Start
|
Mid
|
392
|
International Council of Design
|
204
|
6
|
Start
|
Mid
|
393
|
R. O. Blechman
|
202
|
6
|
Start
|
Low
|
394
|
Away3D
|
202
|
6
|
B
|
Low
|
395
|
Erik Nitsche
|
201
|
6
|
Stub
|
Unknown
|
396
|
Creative brief
|
201
|
6
|
Start
|
Low
|
397
|
Ray-traced ambient occlusion
|
200
|
6
|
Stub
|
Low
|
398
|
List of Art on the Underground Tube map covers
|
200
|
6
|
List
|
Unknown
|
399
|
Out of Home Advertising Association of America
|
199
|
6
|
Stub
|
Low
|
400
|
Philip B. Meggs
|
197
|
6
|
Start
|
Mid
|
401
|
William Golden (graphic designer)
|
196
|
6
|
C
|
Low
|
402
|
Mark Farrow
|
195
|
6
|
Start
|
Mid
|
403
|
Katherine McCoy
|
195
|
6
|
B
|
High
|
404
|
Carlo Vivarelli
|
194
|
6
|
Stub
|
Unknown
|
405
|
Derek Birdsall
|
192
|
6
|
Start
|
Low
|
406
|
First Things First 2000 manifesto
|
191
|
6
|
Start
|
Low
|
407
|
Jean-Pascal Fournier
|
190
|
6
|
Stub
|
Unknown
|
408
|
Rajie Cook
|
189
|
6
|
C
|
Low
|
409
|
John Casado
|
189
|
6
|
Start
|
Mid
|
410
|
Emily Oberman
|
189
|
6
|
C
|
Low
|
411
|
Porter Garnett
|
188
|
6
|
Start
|
Low
|
412
|
Safiya al Bahlani
|
187
|
6
|
Start
|
Low
|
413
|
Gudrun Zapf von Hesse
|
186
|
6
|
B
|
Low
|
414
|
Alliance Graphique Internationale
|
186
|
6
|
Stub
|
Low
|
415
|
Max Huber (graphic designer)
|
186
|
6
|
Start
|
Mid
|
416
|
Richard Hollis
|
184
|
6
|
Stub
|
Unknown
|
417
|
International Design Awards
|
183
|
6
|
Stub
|
Low
|
418
|
Syd Mead's TerraForming
|
183
|
6
|
Stub
|
Low
|
419
|
Bob Salpeter
|
182
|
6
|
Start
|
Low
|
420
|
Tony Chambers
|
182
|
6
|
C
|
Mid
|
421
|
TVBoy
|
182
|
6
|
Start
|
Low
|
422
|
Michael Rock (graphic designer)
|
181
|
6
|
Start
|
Low
|
423
|
Nabil Abou-Harb
|
180
|
6
|
C
|
Low
|
424
|
Armando Testa
|
180
|
6
|
C
|
Low
|
425
|
Daniel Berkeley Updike
|
179
|
5
|
Start
|
Low
|
426
|
Deena Mohamed
|
179
|
5
|
C
|
Low
|
427
|
Ernie Cefalu
|
176
|
5
|
Start
|
Low
|
428
|
Nick de Ville
|
176
|
5
|
Start
|
Unknown
|
429
|
Earnest Elmo Calkins
|
174
|
5
|
C
|
Mid
|
430
|
Corporate design
|
173
|
5
|
Redirect
|
Mid
|
431
|
Michael Cho (illustrator)
|
173
|
5
|
Stub
|
Low
|
432
|
Neue Grafik
|
171
|
5
|
Start
|
Low
|
433
|
Matrix Feminist Design Co-operative
|
171
|
5
|
C
|
Low
|
434
|
Margo Chase
|
170
|
5
|
C
|
Low
|
435
|
Gui Bonsiepe
|
167
|
5
|
Stub
|
Unknown
|
436
|
Design School Kolding
|
167
|
5
|
Start
|
Unknown
|
437
|
Steve Jenkins (author)
|
167
|
5
|
C
|
Low
|
438
|
Visual brand language
|
165
|
5
|
Start
|
Low
|
439
|
Hans Rudi Erdt
|
163
|
5
|
Start
|
Unknown
|
440
|
Deborah Sussman
|
163
|
5
|
C
|
Low
|
441
|
Patrick Clair
|
163
|
5
|
C
|
Low
|
442
|
Web template
|
162
|
5
|
Redirect
|
NA
|
443
|
Impossible Dream (advertisement)
|
162
|
5
|
Start
|
Low
|
444
|
Colin Forbes (graphic designer)
|
162
|
5
|
Stub
|
Mid
|
445
|
Dawn Baillie
|
161
|
5
|
Start
|
Low
|
446
|
M & Co. (design firm)
|
160
|
5
|
Start
|
Mid
|
447
|
Sustainable furniture design
|
159
|
5
|
Stub
|
Low
|
448
|
Jobbing press
|
158
|
5
|
Start
|
Mid
|
449
|
Bob Pepper (illustrator)
|
158
|
5
|
Start
|
Low
|
450
|
Rudolph Ruzicka
|
157
|
5
|
Start
|
Low
|
451
|
Invisible Creature
|
157
|
5
|
Stub
|
Low
|
452
|
P. Scott Makela
|
157
|
5
|
C
|
Low
|
453
|
Rolf Weijburg
|
157
|
5
|
Start
|
Unknown
|
454
|
Rosmarie Tissi
|
157
|
5
|
Stub
|
Unknown
|
455
|
Gilbert (typeface)
|
156
|
5
|
Start
|
Low
|
456
|
Zoltron
|
156
|
5
|
C
|
Unknown
|
457
|
Marc Balet
|
156
|
5
|
Start
|
Low
|
458
|
Ammunition Design Group
|
155
|
5
|
Start
|
Low
|
459
|
Lou Dorfsman
|
154
|
5
|
Start
|
Low
|
460
|
Thomas Spitzer
|
154
|
5
|
Start
|
Low
|
461
|
Broadcast designer
|
153
|
5
|
Stub
|
Mid
|
462
|
Jerry Dior
|
151
|
5
|
Start
|
Low
|
463
|
Marina Willer
|
151
|
5
|
Stub
|
Unknown
|
464
|
Mehemed Fehmy Agha
|
150
|
5
|
Start
|
Mid
|
465
|
European Design Awards
|
148
|
4
|
Stub
|
Low
|
466
|
News Bunny
|
147
|
4
|
Start
|
Low
|
467
|
Quentin Fiore
|
146
|
4
|
C
|
Low
|
468
|
Boxology
|
145
|
4
|
Start
|
Low
|
469
|
Design Professionals of Canada
|
145
|
4
|
Start
|
Low
|
470
|
J. Abbott Miller
|
145
|
4
|
Start
|
Low
|
471
|
Papervision3D
|
145
|
4
|
Start
|
Unknown
|
472
|
Eulindra Lim
|
145
|
4
|
Start
|
Low
|
473
|
Screen reading
|
144
|
4
|
Start
|
Unknown
|
474
|
Noiseless
|
144
|
4
|
Start
|
Low
|
475
|
Art Sims
|
143
|
4
|
Start
|
Unknown
|
476
|
Student design competition
|
141
|
4
|
Start
|
Low
|
477
|
Object co-segmentation
|
141
|
4
|
C
|
Low
|
478
|
Jugate
|
140
|
4
|
C
|
Low
|
479
|
Frank Parkinson Newbould
|
140
|
4
|
Stub
|
Low
|
480
|
Michael Doret
|
140
|
4
|
Start
|
Low
|
481
|
David Costa (graphic designer)
|
138
|
4
|
Start
|
Low
|
482
|
Best Art Vinyl
|
138
|
4
|
List
|
Low
|
483
|
Jessica Helfand
|
137
|
4
|
Start
|
Unknown
|
484
|
Rick Poynor
|
135
|
4
|
Stub
|
Low
|
485
|
Carin Goldberg
|
133
|
4
|
Start
|
Low
|
486
|
Arnold Armitage
|
132
|
4
|
Stub
|
Low
|
487
|
Curve (tonality)
|
132
|
4
|
Stub
|
Mid
|
488
|
Steven Brower
|
132
|
4
|
Start
|
Low
|
489
|
Television presentation
|
129
|
4
|
Start
|
Low
|
490
|
Rudolph de Harak
|
129
|
4
|
Start
|
Low
|
491
|
Jane Davis Doggett
|
129
|
4
|
Start
|
Unknown
|
492
|
Jay Alders
|
128
|
4
|
C
|
Low
|
493
|
Officina Bodoni
|
127
|
4
|
Start
|
Low
|
494
|
MetaDesign
|
126
|
4
|
Start
|
Low
|
495
|
Hansje van Halem
|
125
|
4
|
Start
|
Low
|
496
|
Roger Black (graphic designer)
|
125
|
4
|
Start
|
Low
|
497
|
RAWGraphs
|
125
|
4
|
Start
|
Low
|
498
|
The Ant Farm
|
124
|
4
|
Stub
|
Low
|
499
|
Abraham Nathanson
|
123
|
4
|
Start
|
Low
|
500
|
Dori Tunstall
|
123
|
4
|
C
|
High
|
501
|
Graphical time warping
|
122
|
4
|
C
|
Low
|
502
|
Paul Sahre
|
121
|
4
|
Start
|
Low
|
503
|
Elaine Lustig Cohen
|
120
|
4
|
C
|
Low
|
504
|
See Red Women's Workshop
|
120
|
4
|
Start
|
Unknown
|
505
|
Reynold Ruffins
|
117
|
3
|
C
|
Low
|
506
|
Yorgo Tloupas
|
116
|
3
|
B
|
Low
|
507
|
Bruce Blackburn
|
116
|
3
|
Start
|
Low
|
508
|
Hans Schleger
|
115
|
3
|
C
|
Mid
|
509
|
George Macy
|
114
|
3
|
Start
|
Low
|
510
|
Frederic G. Melcher
|
113
|
3
|
Start
|
Low
|
511
|
Art Directors Club Hall of Fame
|
113
|
3
|
List
|
Low
|
512
|
Carnegie Mellon School of Design
|
112
|
3
|
Start
|
Mid
|
513
|
James Victore
|
112
|
3
|
Stub
|
Unknown
|
514
|
Giovanni Pintori
|
112
|
3
|
Start
|
Mid
|
515
|
Colorway
|
111
|
3
|
Redirect
|
NA
|
516
|
Timothy Cole
|
110
|
3
|
Start
|
Low
|
517
|
E. C. Stoner
|
110
|
3
|
GA
|
Low
|
518
|
William S. Harvey
|
110
|
3
|
Start
|
Low
|
519
|
Sandy Dvore
|
107
|
3
|
Start
|
Low
|
520
|
Lawrence C. Wroth
|
106
|
3
|
Start
|
Low
|
521
|
E-Types
|
106
|
3
|
Stub
|
Low
|
522
|
Tony Lane
|
106
|
3
|
Stub
|
Low
|
523
|
Yiying Lu
|
102
|
3
|
C
|
Unknown
|
524
|
Khoi Vinh
|
100
|
3
|
Stub
|
Low
|
525
|
Michael Schwab (designer)
|
100
|
3
|
Stub
|
Unknown
|
526
|
Michael Patrick Cronan
|
98
|
3
|
C
|
Low
|
527
|
Sun Raster
|
97
|
3
|
Start
|
Low
|
528
|
Pulsonix
|
97
|
3
|
Start
|
Unknown
|
529
|
David Berman (graphic designer)
|
96
|
3
|
Start
|
Low
|
530
|
David Plunkert
|
96
|
3
|
Stub
|
Unknown
|
531
|
Pegasus (artist)
|
96
|
3
|
Start
|
Low
|
532
|
Italpinas
|
96
|
3
|
Stub
|
Low
|
533
|
Simon Halfon
|
95
|
3
|
Stub
|
Low
|
534
|
Association of Registered Graphic Designers
|
95
|
3
|
Start
|
Low
|
535
|
George Tscherny
|
95
|
3
|
Start
|
Mid
|
536
|
Chemical X (artist)
|
95
|
3
|
Start
|
Unknown
|
537
|
Michael Vanderbyl
|
94
|
3
|
Stub
|
Low
|
538
|
Saffron Brand Consultants
|
94
|
3
|
Start
|
Mid
|
539
|
Jim Phillips (illustrator)
|
94
|
3
|
Start
|
Low
|
540
|
Stefan G. Bucher
|
93
|
3
|
C
|
Low
|
541
|
Bruno Monguzzi
|
93
|
3
|
Start
|
Unknown
|
542
|
Template generator
|
93
|
3
|
Start
|
High
|
543
|
Lucille Tenazas
|
93
|
3
|
C
|
Low
|
544
|
Sons of Chaos
|
93
|
3
|
C
|
Low
|
545
|
E-Lab
|
93
|
3
|
B
|
Unknown
|
546
|
Lorraine Wild
|
92
|
3
|
Stub
|
Low
|
547
|
Bram de Does
|
92
|
3
|
Start
|
Mid
|
548
|
Kevin Reagan
|
92
|
3
|
Stub
|
Low
|
549
|
Edley ODowd
|
91
|
3
|
Start
|
Low
|
550
|
Mikhail Sokolov
|
91
|
3
|
Start
|
Low
|
551
|
Clement Mok
|
89
|
2
|
Stub
|
Low
|
552
|
8vo (design)
|
89
|
2
|
Stub
|
Low
|
553
|
Fatpaint
|
89
|
2
|
Start
|
Low
|
554
|
Semi-Permanent
|
89
|
2
|
Start
|
Low
|
555
|
Jer Thorp
|
89
|
2
|
Start
|
Unknown
|
556
|
Norman Ives
|
89
|
2
|
C
|
Low
|
557
|
Matt Willey
|
89
|
2
|
Stub
|
Low
|
558
|
Chrysler Design Award
|
88
|
2
|
List
|
Unknown
|
559
|
Rack card
|
88
|
2
|
Stub
|
Low
|
560
|
Tomoko Miho
|
88
|
2
|
Start
|
Low
|
561
|
Franzisca Baruch
|
88
|
2
|
GA
|
Low
|
562
|
Lo-Type
|
87
|
2
|
Stub
|
Low
|
563
|
Jaap Drupsteen
|
87
|
2
|
Stub
|
Unknown
|
564
|
Graphics coordinator
|
87
|
2
|
Start
|
Low
|
565
|
Chepman and Myllar Press
|
87
|
2
|
C
|
Low
|
566
|
Inge Druckrey
|
87
|
2
|
Start
|
Low
|
567
|
Gordon Andrews (industrial designer)
|
87
|
2
|
C
|
Mid
|
568
|
John J. Graham
|
86
|
2
|
Start
|
Unknown
|
569
|
John Gall (designer)
|
86
|
2
|
Start
|
Low
|
570
|
Michael Hertz Associates
|
85
|
2
|
Start
|
Low
|
571
|
Patrick Thomas (graphic artist)
|
84
|
2
|
Start
|
Low
|
572
|
Andrew Blauvelt
|
84
|
2
|
Start
|
Low
|
573
|
Colin Elgie
|
84
|
2
|
Stub
|
Unknown
|
574
|
Adrian Shaughnessy
|
84
|
2
|
C
|
Low
|
575
|
Mag+
|
83
|
2
|
C
|
Low
|
576
|
Deborah Adler
|
83
|
2
|
Start
|
Low
|
577
|
Digital typography
|
82
|
2
|
Redirect
|
NA
|
578
|
Roy Kuhlman
|
82
|
2
|
Start
|
Low
|
579
|
Rod Dyer
|
82
|
2
|
Stub
|
Low
|
580
|
Burkey Belser
|
81
|
2
|
Start
|
Low
|
581
|
Lisa Strausfeld
|
81
|
2
|
C
|
Low
|
582
|
Base Design
|
81
|
2
|
Stub
|
Unknown
|
583
|
Epica Awards
|
81
|
2
|
Start
|
Low
|
584
|
Antonio Peticov
|
81
|
2
|
C
|
Low
|
585
|
Astrid Stavro
|
80
|
2
|
Start
|
Low
|
586
|
The Gehenna Press
|
80
|
2
|
C
|
Low
|
587
|
Hisui Sugiura
|
78
|
2
|
Start
|
Mid
|
588
|
Mirko Hanák
|
78
|
2
|
Stub
|
Low
|
589
|
Michael Gericke
|
78
|
2
|
C
|
Low
|
590
|
Julia Hasting
|
77
|
2
|
C
|
Unknown
|
591
|
Guo Chunning
|
76
|
2
|
Stub
|
Unknown
|
592
|
Woody Pirtle
|
75
|
2
|
Start
|
Low
|
593
|
Olga Kaljakin
|
74
|
2
|
Stub
|
Low
|
594
|
Artwork (graphic arts)
|
74
|
2
|
Stub
|
Mid
|
595
|
Matt Gondek
|
74
|
2
|
Start
|
Low
|
596
|
Dennis Kois
|
73
|
2
|
Start
|
Low
|
597
|
Alexander Isley
|
73
|
2
|
Start
|
Low
|
598
|
Steve Duenes
|
73
|
2
|
Start
|
Low
|
599
|
Emmett McBain
|
73
|
2
|
Start
|
Unknown
|
600
|
Jurriaan Schrofer
|
73
|
2
|
Stub
|
Unknown
|
601
|
Louis Oppenheim
|
72
|
2
|
Start
|
Low
|
602
|
Angus Hyland
|
72
|
2
|
Start
|
Low
|
603
|
The History of Graphic Design
|
72
|
2
|
Start
|
Low
|
604
|
Lee Moyer
|
71
|
2
|
C
|
Low
|
605
|
Fré Cohen
|
71
|
2
|
Start
|
Low
|
606
|
Autonomous Design Group
|
71
|
2
|
Stub
|
Unknown
|
607
|
May Massee
|
70
|
2
|
C
|
Unknown
|
608
|
Paul Shaw (design historian)
|
70
|
2
|
Stub
|
Low
|
609
|
Jost Hochuli
|
70
|
2
|
Start
|
Low
|
610
|
The Longing for Less
|
70
|
2
|
Stub
|
Low
|
611
|
Germano Facetti
|
69
|
2
|
Stub
|
Low
|
612
|
Robert Blakeley
|
68
|
2
|
C
|
Low
|
613
|
Bayer Cross Leverkusen
|
67
|
2
|
Redirect
|
Low
|
614
|
Jason Munn
|
67
|
2
|
C
|
Low
|
615
|
Antigirl
|
67
|
2
|
C
|
Low
|
616
|
Neal Layton
|
67
|
2
|
Stub
|
Low
|
617
|
Italo Lupi
|
67
|
2
|
Start
|
Low
|
618
|
FXT1
|
66
|
2
|
Start
|
Low
|
619
|
List of Adobe Flash software
|
66
|
2
|
List
|
Low
|
620
|
Kit Hinrichs
|
66
|
2
|
C
|
Low
|
621
|
Deva Pardue
|
66
|
2
|
Start
|
Unknown
|
622
|
Jason Pickleman
|
66
|
2
|
Start
|
Unknown
|
623
|
Lora Lamm
|
66
|
2
|
B
|
Low
|
624
|
Thomas Maitland Cleland
|
65
|
2
|
Start
|
Low
|
625
|
Hussain Almossawi
|
65
|
2
|
C
|
Low
|
626
|
Jennifer Morla
|
64
|
2
|
C
|
Low
|
627
|
Paul Giambarba
|
62
|
2
|
Start
|
Low
|
628
|
Louise Sandhaus
|
62
|
2
|
Start
|
Mid
|
629
|
WRDSMTH
|
62
|
2
|
Start
|
Unknown
|
630
|
Rudolf Modley
|
62
|
2
|
C
|
Unknown
|
631
|
Gene Greif
|
62
|
2
|
Stub
|
Low
|
632
|
ICE Advertisements
|
61
|
2
|
Start
|
Low
|
633
|
Alexis Georgacopoulos
|
61
|
2
|
Start
|
Low
|
634
|
Modern College of Design
|
60
|
2
|
Stub
|
Low
|
635
|
Malcolm Grear
|
60
|
2
|
Start
|
Low
|
636
|
Stefanie Posavec
|
60
|
2
|
Start
|
Unknown
|
637
|
Leon Friend
|
60
|
2
|
Start
|
Low
|
638
|
Paul Soulellis
|
59
|
1
|
C
|
Low
|
639
|
Michael Manwaring
|
59
|
1
|
Start
|
Low
|
640
|
Rick Griffith
|
59
|
1
|
Unknown
|
Unknown
|
641
|
Doremus & Co.
|
58
|
1
|
Stub
|
Low
|
642
|
Rick Valicenti
|
58
|
1
|
C
|
High
|
643
|
Span (design firm)
|
58
|
1
|
Start
|
High
|
644
|
Bitmap textures
|
57
|
1
|
Stub
|
Low
|
645
|
Ernst Bettler
|
57
|
1
|
Start
|
Low
|
646
|
AutoCollage 2008
|
57
|
1
|
Stub
|
Low
|
647
|
Noreen Morioka
|
57
|
1
|
Start
|
Unknown
|
648
|
Number Seventeen (design)
|
56
|
1
|
Stub
|
Unknown
|
649
|
A Smile in the Mind
|
56
|
1
|
Start
|
Unknown
|
650
|
Fabrizio Schiavi
|
56
|
1
|
Start
|
Low
|
651
|
It is. A Magazine for Abstract Art
|
56
|
1
|
B
|
Low
|
652
|
Peter Seitz
|
55
|
1
|
Start
|
Low
|
653
|
Walter Herdeg
|
55
|
1
|
B
|
Mid
|
654
|
Clive Piercy
|
55
|
1
|
C
|
Low
|
655
|
Vicente Rojo Almazán
|
55
|
1
|
Stub
|
Unknown
|
656
|
Document composition
|
54
|
1
|
Stub
|
Mid
|
657
|
Carbone Smolan Agency
|
54
|
1
|
C
|
Low
|
658
|
List of U.S. state welcome signs
|
54
|
1
|
List
|
Low
|
659
|
Rob Carter
|
53
|
1
|
Start
|
Low
|
660
|
Joseph Blumenthal (printer)
|
53
|
1
|
C
|
Mid
|
661
|
Mike Warren (designer)
|
53
|
1
|
C
|
Unknown
|
662
|
Gene Federico
|
53
|
1
|
Start
|
Low
|
663
|
Faride Mereb
|
53
|
1
|
Start
|
Unknown
|
664
|
Hans Neuburg
|
53
|
1
|
Stub
|
Unknown
|
665
|
Carl Fischer (photographer)
|
53
|
1
|
C
|
Low
|
666
|
Fons Hickmann
|
52
|
1
|
Start
|
Low
|
667
|
Paul Bennett (typographer)
|
52
|
1
|
Stub
|
Unknown
|
668
|
Józef Mroszczak
|
52
|
1
|
Start
|
Unknown
|
669
|
Will Burtin
|
52
|
1
|
B
|
Mid
|
670
|
Henry Lewis Bullen
|
52
|
1
|
Start
|
Low
|
671
|
Jarlath Hayes
|
52
|
1
|
Start
|
Low
|
672
|
Decorative Designers
|
52
|
1
|
Start
|
Low
|
673
|
Graphex
|
51
|
1
|
Redirect
|
NA
|
674
|
The Blockhouse of Boston
|
51
|
1
|
C
|
Low
|
675
|
Robert Ballagh postage stamp designs
|
51
|
1
|
List
|
Low
|
676
|
Makoto Saitō (designer)
|
50
|
1
|
Stub
|
Low
|
677
|
Simon C. Page
|
50
|
1
|
Start
|
Low
|
678
|
Paul Clark (designer)
|
50
|
1
|
C
|
Unknown
|
679
|
Lorraine Louie
|
50
|
1
|
Stub
|
Low
|
680
|
ANY (magazine)
|
48
|
1
|
Stub
|
Low
|
681
|
Tod Lippy
|
48
|
1
|
C
|
Low
|
682
|
Rob Roy Kelly
|
48
|
1
|
Start
|
Low
|
683
|
Gertrude Huston
|
48
|
1
|
C
|
Low
|
684
|
William Drenttel
|
47
|
1
|
Start
|
Low
|
685
|
Trevor Johnson (designer)
|
47
|
1
|
Stub
|
Unknown
|
686
|
Outline of advertising
|
47
|
1
|
List
|
High
|
687
|
Sue Crolick
|
47
|
1
|
B
|
Low
|
688
|
Visualizer (advertising)
|
46
|
1
|
Redirect
|
Low
|
689
|
Calori & Vanden-Eynden
|
46
|
1
|
Start
|
Low
|
690
|
Eric Thake
|
46
|
1
|
C
|
Low
|
691
|
Sandra Eisert
|
46
|
1
|
B
|
Mid
|
692
|
Henry Watson Kent
|
46
|
1
|
C
|
Low
|
693
|
Janet Froelich
|
46
|
1
|
Start
|
Low
|
694
|
Michael Mabry
|
46
|
1
|
Stub
|
Unknown
|
695
|
Rufus Segar
|
46
|
1
|
Start
|
Low
|
696
|
Karl Bickel
|
46
|
1
|
C
|
Low
|
697
|
Melbert B. Cary Jr.
|
45
|
1
|
Start
|
Low
|
698
|
Web button
|
45
|
1
|
Redirect
|
Low
|
699
|
Harrie Geelen
|
44
|
1
|
Stub
|
Unknown
|
700
|
Stephen H. Horgan
|
44
|
1
|
Stub
|
Low
|
701
|
Ron Miriello
|
44
|
1
|
C
|
Low
|
702
|
Jayme Odgers
|
44
|
1
|
Stub
|
Low
|
703
|
JESS3
|
42
|
1
|
Start
|
Low
|
704
|
Norman Wilson (graphic designer)
|
42
|
1
|
Start
|
Unknown
|
705
|
Huda Smitshuijzen AbiFarès
|
41
|
1
|
Start
|
Low
|
706
|
Michael Hendrix
|
40
|
1
|
C
|
Low
|
707
|
William A. Kittredge
|
40
|
1
|
Start
|
Low
|
708
|
Tony DiSpigna
|
40
|
1
|
Start
|
Low
|
709
|
Robert E. Pearlman
|
40
|
1
|
C
|
Low
|
710
|
Laurie Haycock Makela
|
40
|
1
|
C
|
Low
|
711
|
Homer Lee
|
39
|
1
|
Stub
|
Low
|
712
|
Will Ransom
|
39
|
1
|
Unknown
|
Unknown
|
713
|
Catherine Zask
|
39
|
1
|
C
|
Low
|
714
|
Amanda Marie
|
39
|
1
|
C
|
Unknown
|
715
|
O'Plérou
|
39
|
1
|
Stub
|
Low
|
716
|
Thomas Letts
|
38
|
1
|
Start
|
Low
|
717
|
Noel Martin
|
37
|
1
|
Start
|
Low
|
718
|
Gideon Amichay
|
37
|
1
|
Start
|
Low
|
719
|
Clarence P. Hornung
|
37
|
1
|
Start
|
Low
|
720
|
Gail Swanlund
|
37
|
1
|
Start
|
Unknown
|
721
|
Jauhien Kulik
|
37
|
1
|
Start
|
Low
|
722
|
Dorothy Shepard
|
37
|
1
|
Start
|
Unknown
|
723
|
Alan Peckolick
|
36
|
1
|
Start
|
Unknown
|
724
|
Jerome Snyder
|
35
|
1
|
Start
|
Low
|
725
|
Dennis Ichiyama
|
35
|
1
|
Start
|
Unknown
|
726
|
Tevfik Fikret Uçar
|
35
|
1
|
Start
|
Low
|
727
|
Wiesław Rosocha
|
34
|
1
|
Stub
|
Low
|
728
|
Ougrapo
|
34
|
1
|
Stub
|
Unknown
|
729
|
Meredith Davis
|
34
|
1
|
Start
|
Low
|
730
|
Georgianna Stout
|
34
|
1
|
Start
|
Low
|
731
|
Dafi Kühne
|
34
|
1
|
C
|
Low
|
732
|
Nico de Haas
|
33
|
1
|
Stub
|
Unknown
|
733
|
Ben Blank
|
33
|
1
|
Start
|
Low
|
734
|
Do Good Design
|
33
|
1
|
Stub
|
Low
|
735
|
Alvin Eisenman
|
33
|
1
|
Stub
|
Low
|
736
|
The Poster
|
33
|
1
|
Stub
|
Low
|
737
|
Stratford Press (Cincinnati)
|
33
|
1
|
C
|
Low
|
738
|
Assil Diab
|
33
|
1
|
Start
|
Low
|
739
|
Paul Dumas
|
33
|
1
|
Start
|
Low
|
740
|
Association of Professional Design Firms
|
32
|
1
|
Stub
|
Low
|
741
|
Robert Rabinowitz
|
32
|
1
|
Stub
|
Low
|
742
|
John Charles Norman
|
32
|
1
|
Stub
|
Low
|
743
|
Hugo Puttaert
|
32
|
1
|
Start
|
Low
|
744
|
Lou Nolan (artist)
|
32
|
1
|
Start
|
Unknown
|
745
|
Helene Nonné-Schmidt
|
32
|
1
|
Start
|
Low
|
746
|
Graphic Thought Facility
|
31
|
1
|
Stub
|
Unknown
|
747
|
Rudi Bass
|
31
|
1
|
Start
|
Unknown
|
748
|
Urso Chappell
|
31
|
1
|
Stub
|
Low
|
749
|
Donald M. Anderson
|
31
|
1
|
Start
|
Low
|
750
|
Maggie Baylis
|
31
|
1
|
Start
|
Unknown
|
751
|
GumCo
|
31
|
1
|
Stub
|
Low
|
752
|
John G. Agar (lawyer)
|
31
|
1
|
Start
|
Low
|
753
|
Anne-Birthe Hove
|
31
|
1
|
Stub
|
Low
|
754
|
Gruye-Vogt Organization
|
31
|
1
|
Start
|
Low
|
755
|
Advertising Producers Association
|
30
|
1
|
Stub
|
Low
|
756
|
Roland Hobart
|
30
|
1
|
C
|
Mid
|
757
|
Henrietta Condak
|
30
|
1
|
Start
|
Unknown
|
758
|
Pablo Martín (graphic designer)
|
30
|
1
|
Start
|
Unknown
|
759
|
Jakup Ferri (artist)
|
30
|
1
|
Stub
|
Low
|
760
|
Pieter Brattinga
|
29
|
0
|
Stub
|
Unknown
|
761
|
Leo Obstbaum
|
29
|
0
|
Start
|
Unknown
|
762
|
Louis Silverstein
|
29
|
0
|
Stub
|
Low
|
763
|
Saul Mandel
|
29
|
0
|
Start
|
Low
|
764
|
Ian Moo-Young
|
29
|
0
|
Start
|
Low
|
765
|
Marget Larsen
|
29
|
0
|
Start
|
Low
|
766
|
Burt Goldblatt
|
29
|
0
|
Start
|
Low
|
767
|
Jianping He
|
29
|
0
|
C
|
Unknown
|
768
|
Basmah Felemban
|
29
|
0
|
Start
|
Low
|
769
|
Gene Mackles
|
29
|
0
|
Unknown
|
Unknown
|
770
|
Friedrich Kurt Fiedler
|
28
|
0
|
Start
|
Unknown
|
771
|
Adam and Sophie Gimbel Design Library
|
28
|
0
|
Stub
|
Low
|
772
|
Ray Nash
|
28
|
0
|
Start
|
Low
|
773
|
Fabio Mochi
|
28
|
0
|
Start
|
Low
|
774
|
Tinc (retail)
|
28
|
0
|
Stub
|
Low
|
775
|
Ismar David
|
28
|
0
|
Stub
|
Low
|
776
|
Frank Rocholl
|
27
|
0
|
C
|
Low
|
777
|
Lita Talarico
|
26
|
0
|
Start
|
Low
|
778
|
Morton Goldsholl Associates
|
26
|
0
|
Start
|
Low
|
779
|
Elmer Adler
|
26
|
0
|
Start
|
Low
|
780
|
LiveQuartz
|
26
|
0
|
Start
|
Low
|
781
|
100 Beste Plakate
|
26
|
0
|
Start
|
Low
|
782
|
Jennifer Kinon
|
26
|
0
|
Stub
|
Unknown
|
783
|
Erik Heyl
|
26
|
0
|
Start
|
Unknown
|
784
|
Francesco Torniello
|
25
|
0
|
Start
|
Low
|
785
|
Elsa Jernås
|
25
|
0
|
Start
|
Low
|
786
|
Evert Bloemsma
|
24
|
0
|
Start
|
Unknown
|
787
|
Jan V. White
|
24
|
0
|
Start
|
Low
|
788
|
Independent Publishing Resource Center
|
24
|
0
|
Start
|
Low
|
789
|
Brett Yasko
|
24
|
0
|
C
|
Low
|
790
|
Suranga Udari
|
24
|
0
|
Start
|
Low
|
791
|
Paul Balin
|
24
|
0
|
Stub
|
Low
|
792
|
Raymond Ameijide
|
23
|
0
|
Stub
|
Low
|
793
|
Ivo Puhonny
|
23
|
0
|
Start
|
Low
|
794
|
Hiwa Pashaei
|
23
|
0
|
C
|
Low
|
795
|
Anna Sipkema
|
23
|
0
|
C
|
Unknown
|
796
|
Fra Paalman
|
23
|
0
|
C
|
Low
|
797
|
Strategy visualization
|
22
|
0
|
Stub
|
Low
|
798
|
Roger Ferriter
|
22
|
0
|
Start
|
Low
|
799
|
Don Trousdell
|
22
|
0
|
Start
|
Low
|
800
|
Jo Mazelis
|
22
|
0
|
C
|
Mid
|
801
|
Alison Forbes
|
22
|
0
|
C
|
Low
|
802
|
Herbert Temple Jr.
|
22
|
0
|
C
|
Low
|
803
|
Péter Pócs
|
22
|
0
|
Start
|
Low
|
804
|
Norman T.A. Munder
|
21
|
0
|
C
|
Mid
|
805
|
Communicate: Independent British Graphic Design since the Sixties
|
21
|
0
|
Stub
|
Unknown
|
806
|
Stanisław Czerski
|
21
|
0
|
Stub
|
Unknown
|
807
|
The Electronic Font Foundry
|
21
|
0
|
Stub
|
Low
|
808
|
Karen TenEyck
|
21
|
0
|
Start
|
Unknown
|
809
|
Robert L. Leslie
|
21
|
0
|
Start
|
Low
|
810
|
Kim Rees
|
21
|
0
|
Start
|
Unknown
|
811
|
Söre Popitz
|
21
|
0
|
Start
|
Low
|
812
|
Joel Robinson (graphic designer)
|
21
|
0
|
Start
|
Low
|
813
|
Demian Conrad
|
21
|
0
|
C
|
Unknown
|
814
|
Marion Sampler
|
21
|
0
|
C
|
Low
|
815
|
Gyorgy Bp. Szabo
|
20
|
0
|
Start
|
Low
|
816
|
Erkki Ruuhinen
|
20
|
0
|
Start
|
Unknown
|
817
|
Trickett & Webb
|
20
|
0
|
Unknown
|
Unknown
|
818
|
P. J. Conkwright
|
20
|
0
|
Start
|
Low
|
819
|
Ryszard Grzyb
|
20
|
0
|
Stub
|
Low
|
820
|
Edward Epstean
|
20
|
0
|
Start
|
Low
|
821
|
Linas Garsys
|
20
|
0
|
Stub
|
Low
|
822
|
Kijuro Yahagi
|
20
|
0
|
Start
|
Low
|
823
|
Linked by Air
|
20
|
0
|
C
|
High
|
824
|
Sally Carns
|
19
|
0
|
Stub
|
Low
|
825
|
Sony Ziris
|
19
|
0
|
Start
|
Mid
|
826
|
Harry Lapow
|
19
|
0
|
C
|
Low
|
827
|
Moses Bahelfer
|
19
|
0
|
Start
|
Unknown
|
828
|
Carl Purington Rollins
|
19
|
0
|
Start
|
Low
|
829
|
Willy de Majo
|
18
|
0
|
C
|
Unknown
|
830
|
Carl Max Schultheiss
|
18
|
0
|
Start
|
Low
|
831
|
Alioum Moussa
|
18
|
0
|
Start
|
Low
|
832
|
Ivan Ivanitsky
|
18
|
0
|
Start
|
Low
|
833
|
Société des designers graphiques du Québec
|
17
|
0
|
Start
|
Low
|
834
|
Ann Willoughby
|
17
|
0
|
C
|
Low
|
835
|
Michel Wlassikoff
|
17
|
0
|
Stub
|
Low
|
836
|
J. Thompson Willing
|
17
|
0
|
Start
|
Low
|
837
|
Alfred H. Howard
|
17
|
0
|
Stub
|
Unknown
|
838
|
Agrafka Creative Workshop
|
17
|
0
|
Start
|
Low
|
839
|
Bernie Haynes Robynson
|
17
|
0
|
Start
|
Low
|
840
|
List of trademarks featuring Native Americans
|
16
|
0
|
List
|
Low
|
841
|
The Firecracker Press
|
16
|
0
|
Start
|
Low
|
842
|
Andriy Chebykin
|
16
|
0
|
Start
|
Low
|
843
|
75B
|
15
|
0
|
Start
|
Low
|
844
|
Warren Group – Studio Deluxe
|
15
|
0
|
Start
|
Low
|
845
|
Monica Ulmanu
|
15
|
0
|
Stub
|
Unknown
|
846
|
Romana Javitz
|
14
|
0
|
C
|
Low
|
847
|
Glenn Goluska
|
14
|
0
|
Stub
|
Unknown
|
848
|
Axel Bertram
|
14
|
0
|
C
|
Unknown
|
849
|
Signal (typeface)
|
13
|
0
|
Start
|
Low
|
850
|
Standing Committee of Trade Unions in the Graphic Industry
|
13
|
0
|
Stub
|
Low
|
851
|
Pino Tovaglia
|
13
|
0
|
Start
|
Mid
|
852
|
Burton Emmett
|
12
|
0
|
Start
|
Unknown
|
853
|
Harmen Liemburg
|
12
|
0
|
Start
|
Unknown
|
854
|
Boudewijn Ietswaart
|
12
|
0
|
C
|
Low
|
855
|
América Sánchez
|
12
|
0
|
Stub
|
Low
|
856
|
Karmele Leizaola
|
12
|
0
|
C
|
Unknown
|
857
|
Institute of Designers in Ireland
|
11
|
0
|
Start
|
Low
|
858
|
Piet Gerards
|
11
|
0
|
Start
|
Unknown
|
859
|
Adobe Illustrator CS6 (Macintosh)
|
10
|
0
|
Redirect
|
NA
|
860
|
Jacques Koeweiden
|
10
|
0
|
Start
|
Low
|
861
|
Futuracha Pro
|
10
|
0
|
Stub
|
Low
|
862
|
Jabbar Gasimov
|
10
|
0
|
Start
|
Low
|
863
|
Marie Victor Poterlet
|
10
|
0
|
Start
|
Low
|
864
|
Charles Burki
|
10
|
0
|
Stub
|
Low
|
865
|
3D Artist
|
9
|
0
|
Redirect
|
Low
|
866
|
Yang Sung-chun
|
8
|
0
|
Start
|
Low
|
867
|
Péter Virágvölgyi
|
8
|
0
|
C
|
Low
|
868
|
Gerrit Willem Ovink
|
8
|
0
|
Stub
|
Low
|
869
|
Spectrum Award for Advertising
|
7
|
0
|
Redirect
|
Low
|
870
|
Pierre Kleykamp
|
7
|
0
|
Start
|
Unknown
|
871
|
Abel Mignon
|
6
|
0
|
Start
|
Low
|
872
|
VertigoXmedia
|
5
|
0
|
Stub
|
Low
|
873
|
Comparison of user features of chatbots
|
5
|
0
|
Redirect
|
NA
|
874
|
Ari Forman
|
4
|
0
|
Redirect
|
NA
|
875
|
I Heart New York
|
1
|
0
|
Redirect
|
Low
|
876
|
AIGA, the professional association for design
|
1
|
0
|
Redirect
|
NA
|
877
|
Graphical design
|
1
|
0
|
Redirect
|
NA
|