From today's featured articleThe Goldfinch is a painting of a chained goldfinch by Carel Fabritius, a Dutch Golden Age artist. Signed and dated 1654, it is now in the collection of the Mauritshuis in The Hague, Netherlands. The work is a trompe-l'œil oil on panel measuring 33.5 by 22.8 centimetres (13.2 in × 9.0 in) that was once part of a larger structure, perhaps a window jamb or a protective cover. A common and colourful bird with a pleasant song, the goldfinch was used in Italian Renaissance painting as a symbol of Christian redemption and the Passion of Jesus. The Goldfinch is unusual for Dutch Golden Age painting in the simplicity of its composition and use of illusionary techniques. After Fabritius was killed in the gunpowder explosion that destroyed much of the city of Delft in 1654, the painting was lost for more than two centuries before its rediscovery in Brussels. It plays a central role in the Pulitzer Prize-winning novel The Goldfinch by Donna Tartt and its film adaptation. (Full article...)
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This montage of nine photographs, ordered from left to right and from top to bottom, shows a cow calving in a garden in Laos. The first photograph shows the restless cow raising her tail and the amniotic sac bulging from the vulva. As she continues to strain, the calf's front feet become visible, and the nose and eventually the whole head emerges; the head is the largest part of the calf, and this part of labour can be protracted. In photographs 3 and 4, the calf's head and forelimbs are visible. The emergence of the body and hind limbs often happens rapidly, either with the cow lying down, as in photograph 6, or when she is standing, as in photograph 7, in which position gravity assists and the calf slithers to the ground. In a normal birth, the calf soon takes its first breaths and the cow starts to lick it. Photograph credit: Basile Morin
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