Template:Did you know nominations/Pontic Greek culture

The following is an archived discussion of the DYK nomination of the article below. Please do not modify this page. Subsequent comments should be made on the appropriate discussion page (such as this nomination's talk page, the article's talk page or Wikipedia talk:Did you know), unless there is consensus to re-open the discussion at this page. No further edits should be made to this page.

The result was: promoted by SL93 talk 23:16, 19 August 2024 (UTC)

Pontic Greek culture

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Pontic Greek dance, 2013

... that traditional folk dances are an essential part of Pontic Greek culture?

Source: ^[1]^[2]^[3]

ALT1: ... that during traditional Pontic Greek Easter celebrations, a feathered potato keeps an "eye" on the children? Source: ^[4]
ALT2: ... that in a traditional Pontic Greek folktale, a girl with teeth the size of hatchets indiscriminately killed and ate people? Source: ^[5]
Reviewed:
Comment: I know it's a long article, so to make it a bit easier for you to find the references in the text:

The citations for for the first hook are refs 99, 100, and 101 in the article (under the "Dance" section). The citations for the first alt hook is ref 235 under the "Holidays" section, "Lent and Easter" subsection. The citation for the second alt hook is ref 154 under the "Folktales" section.

Created by Kravk (talk). Number of QPQs required: 0. Nominator has less than 5 past nominations.

Kravk (talk) 15:16, 17 July 2024 (UTC).

@Kravk: I'm reviewing this. BorgQueen (talk) 01:54, 15 August 2024 (UTC)

References

^ Georgoulas, Renee; Southcott, Jane (2015). "A case study of a Greek Australian traditional dancer: Embodying identity through musicking". Victorian Journal of Music Education. 1: 12. The Pontians brought their histories, personal narratives, language, religion and dance and from these constructed their collective identity [...] Dance is a vital part of Pontian society.
^ Liddle, Valerie (2016). "Pontic dance: Feeling the absence of homeland". In Hemer, Susan R.; Dundon, Alison (eds.). Emotions, Senses, Spaces: Ethnographic Engagements and Intersections (PDF). University of Adelaide Press. p. 49. ISBN 9781925261271. The movements of the dance outwardly express the passion the dancers feel about what it means to be Pontian.
^ Tyrovola, Vasiliki; Karepidis, Ioakeim K.; Kardaris, Dionysios G. (September 30, 2007). ""Ποντιακοί Χοροί": Παρελθόν και Παρόν Δομική-Μορφολογική και Τυπολογική Προσέγγιση" ["Pontic Dances": Past and Present Structural-Morphological and Typological Approach]. Inquiries in Sport and Physical Education (in Greek). 5 (2): 242. ISSN 1790-3041. Στο πλαίσιο της προσφυγικής αλληλεγγύης και της επικύρωσης της ποντιακής ταυτότητας, ιδρύθηκαν τοπικοί ποντιακοί σύλλογοι, οι οποίοι κυρίως μέσω του χορού και της μουσικής, ενεργοποίησαν, παράλληλα με το κέφι και τη διάδοση της ποντιακής κουλτούρας, αισθήματα κοινοκτημοσύνης και κοινωνικής ταυτότητας.
^ Papadopoulos, Steve (1984). Events and Cultural Characteristics Regarding the Pontian-Greeks and Their Descendants (PhD). New York University. pp. 133–134. Children were watched over by the "koukara", a potato in which seven feathers had been stuck and which was then hung from the roof. Children were told that it would see them and something bad would happen to them if they were to eat anything that should not be eaten during the period of Lent.
^ Papadopoulos, Steve (1984). Events and Cultural Characteristics Regarding the Pontian-Greeks and Their Descendants (PhD). New York University. pp. 112–118. The following tale, told in Amisos Pontos, about a girl whose teeth looked like hatchets is provided [...] 'Once upon a time, in a village of Sampsounta, there was born a wild girl. As days passed, this girl became bigger, and her teeth were getting much bigger as well. When she was ten years old, her teeth looked like hatchets. They would bite anyone who crossed her path. This wild girl also had a brother, two years younger than she. A day did not pass without her biting anyone [...] When she reached fifteen years of age, she ate a young child.'

General: Article is new enough and long enough
New enough: Long enough:

Policy: Article is sourced, neutral, and free of copyright problems
Adequate sourcing: Neutral: Free of copyright violations, plagiarism, and close paraphrasing:

Hook: Hook has been verified by provided inline citation
Cited: - Offline/paywalled citation accepted in good faith Interesting:

Image eligibility:

Freely licensed:
Used in article: - no
Clear at 100px:

QPQ: None required.

Overall: Nice work on a neglected topic. However the picture isn't used in the article so it can't be used for the hook. BorgQueen (talk) 04:20, 15 August 2024 (UTC)

[1] Georgoulas, Renee; Southcott, Jane (2015). "A case study of a Greek Australian traditional dancer: Embodying identity through musicking". Victorian Journal of Music Education. 1: 12. The Pontians brought their histories, personal narratives, language, religion and dance and from these constructed their collective identity [...] Dance is a vital part of Pontian society.

[2] Liddle, Valerie (2016). "Pontic dance: Feeling the absence of homeland". In Hemer, Susan R.; Dundon, Alison (eds.). Emotions, Senses, Spaces: Ethnographic Engagements and Intersections (PDF). University of Adelaide Press. p. 49. ISBN 9781925261271. The movements of the dance outwardly express the passion the dancers feel about what it means to be Pontian.

[3] Tyrovola, Vasiliki; Karepidis, Ioakeim K.; Kardaris, Dionysios G. (September 30, 2007). ""Ποντιακοί Χοροί": Παρελθόν και Παρόν Δομική-Μορφολογική και Τυπολογική Προσέγγιση" ["Pontic Dances": Past and Present Structural-Morphological and Typological Approach]. Inquiries in Sport and Physical Education (in Greek). 5 (2): 242. ISSN 1790-3041. Στο πλαίσιο της προσφυγικής αλληλεγγύης και της επικύρωσης της ποντιακής ταυτότητας, ιδρύθηκαν τοπικοί ποντιακοί σύλλογοι, οι οποίοι κυρίως μέσω του χορού και της μουσικής, ενεργοποίησαν, παράλληλα με το κέφι και τη διάδοση της ποντιακής κουλτούρας, αισθήματα κοινοκτημοσύνης και κοινωνικής ταυτότητας.

[4] Papadopoulos, Steve (1984). Events and Cultural Characteristics Regarding the Pontian-Greeks and Their Descendants (PhD). New York University. pp. 133–134. Children were watched over by the "koukara", a potato in which seven feathers had been stuck and which was then hung from the roof. Children were told that it would see them and something bad would happen to them if they were to eat anything that should not be eaten during the period of Lent.

[5] Papadopoulos, Steve (1984). Events and Cultural Characteristics Regarding the Pontian-Greeks and Their Descendants (PhD). New York University. pp. 112–118. The following tale, told in Amisos Pontos, about a girl whose teeth looked like hatchets is provided [...] 'Once upon a time, in a village of Sampsounta, there was born a wild girl. As days passed, this girl became bigger, and her teeth were getting much bigger as well. When she was ten years old, her teeth looked like hatchets. They would bite anyone who crossed her path. This wild girl also had a brother, two years younger than she. A day did not pass without her biting anyone [...] When she reached fifteen years of age, she ate a young child.'

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