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A fact from Ștefan Tita appeared on Wikipedia's Main Page in the Did you know column on 5 July 2024 (check views). The text of the entry was as follows:
Did you know... that educational writer Ștefan Tita gave Romanian students impractical advice on mending damaged bark with bandages of dirt?
Latest comment: 4 months ago3 comments3 people in discussion
The following is an archived discussion of the DYK nomination of the article below. Please do not modify this page. Subsequent comments should be made on the appropriate discussion page (such as this nomination's talk page, the article's talk page or Wikipedia talk:Did you know), unless there is consensus to re-open the discussion at this page. No further edits should be made to this page.
... that Ștefan Tita, one of the Jewish authors banned in 1940s Romania, continued to write unsigned pieces in nominally pro-Nazi newspapers?
Source: Sergiu Dan, "Pentru d. Al. Graur", in Dreptatea, 26 November 1944, p. 2: Se întreabă d. Graur : „Ce facem cu articolele nesemnate sau Cu cele semnate cu alt nume?“ — dar eu am spus răspicat că mă mândresc cu tot ce-am scris în gazeta ghetoului, cu sau fără iscălitură. D. Graur se crede feroce când scrie că „d. Sergiu Dan este şi rămâne solidar cu colegii d-sale“. Mărturisesc că eu n'aş fi solidarizat pe unii camarazi ai d-lui Graur de la gazetele fasciste din vremea dictaturei cu ceilalţi colaboratori ai acelor ziare, dar, iată, vreau să-i fac plăcere antreprenorului de Învăţământ [Graur] şi declar că răspund şi pentru articolele unor hitlerişti inverşunaţi, cum sunt şi erau M. Schwartzfeld, Adrian Verea, A. Luca, Camil Baltazar, Ştefan Tita, Isaia Râcăciuni şi alţii ("Mr Graur asks: 'What of the articles that were unsigned, or were signed with different names?' — to which I answer with no qualms that I myself take pride in all the articles that I have contributed for the [Bucharest] ghetto gazette, be they signed or unsigned. Mr Graur imagines himself a ferocious fella when he says that 'Mr Sergiu Dan continues to express solidarity with his colleagues'. I confess that I would not have established links of solidarity between some of Graur's comrades of the dictatorship-era fascist gazettes and other people who have collaborated on those gazettes, but sure, if it pleases the Educational entrepreneur [Graur], I hereby declare myself responsible for the articles of inveterate, unreformed Hitlerites, such as M. Schwartzfeld, Adrian Verea, A. Luca, Camil Baltazar, Ştefan Tita, Isaia Râcăciuni and various others".)
ALT1: ... that educational writer Ștefan Tita gave Romanian students impractical advice about mending damaged bark with bandages of dirt? Source: Ion Manolescu, "'Epoca de Aur'. Propaganda comunistă în școala primară. Clișeele manualelor (II)", in Observator Cultural, Issues 165–166, April 2003: Dadacirea naturii capata accente patetice in sceneta Pomisorul de Stefan Tita (Caiet de lectura pentru clasa I, autori: Cella Aldea si Viniciu Gafita, EDP, Bucuresti, 1974), unde trei copii cu inima nobila si nume melodioase (Tulache, Lica si Culai) planteaza un pomisor si il ingrijesc pina la sacrificiu: in fata atacului iresponsabil cu pietre azvirlite de o ceata de derbedei, Tulache „a alergat sa apere pomisorul cu trupul lui“ (p. 14). Protejarea isterica a copacelului de catre pionierul cu spirit civic si educatie socialista e urmata de un moment de acalmie psihosomatica, in care cei trei cavaleri ai demnitatii vegetale aplica niste cunostinte de medicina pe cit de rudimentare, pe atit de ineficiente: „Udara pomul si-i lipira rana cu pamint“ (p. 15). Cum o fi aratat „lipitura“ ecologica in imaginatia autorului si cit de mult ar fi rezistat un (si asa inutil) „pansament“ cu pamint sint doua necunoscute ale scenetei, in masura sa-i deruteze si pe cei mai fantezisti dintre cititori. ("The moralizing of nature acquires bathetic tinges in the sketch Pomișorul by Ștefan Tita (First-grade Reading Aid, authored by Cella Aldea and Viniciu Gafița, EDP, Bucharest, 1974), wherein three children with noble hearts and melodious names (Tulache, Lica and Culai) plant a small tree that they then tend to with a self-sacrificing streak: when a gang of bullies proceed to throw rocks, Tulache 'runs to defend the little tree with his own body' (p. 14). The hysterical defense of that tiny tree by a civically-minded, socialist-educated Pioneer is followed by a psychosomatic calmness, with those three knights committed to defending the dignity of plants make use of medical expertise that is as rudimentary as it is inefficient: 'They watered the tree and glued its wound with dirt' (p. 15). How would this ecological 'glue' have looked like in the author's imagination, and for how long would such a (rather evidently useless) 'bandage' of dirt have held on, these are the two mysteries of that sketch, capable of confusing even the most imaginative readers.")