The national flag of Japan is a white flag with a large red disc (representing therising sun) in the center. The flag's official name in Japanese is Nisshōki but the flag is more commonly known as Hinomaru. The Hinomaru was widely used on military banners in the Sengoku (Warring States) period of the 15th and 16th centuries. During the Meiji Restoration the flag was officially adopted for use as the civil ensign by Proclamation No. 57 on February 27, 1870 (27 January, Meiji 3 in the Japanese calendar). However, the flag was not adopted nationally until August 13, 1999, by the Law Regarding the National Flag and National Anthem. Along with the national anthem Kimi ga Yo, the Hinomaru is considered a controversial symbol of the militaristic past of the country. Use of the Hinomaru was also severely restricted during the early years of the American occupation of the country after World War II, although restrictions were later relaxed. Japanese law did not designate any particular flag as the national flag from 1885 until 1999, although the Hinomaru was legally the national flag for the brief period from 1870 until 1885. Despite this, several military banners of Japan are based on the design of the Hinomaru, including the sun-rayed Naval Ensign. The Hinomaru was used as a template to design other Japanese flags for public and private use. The exact origin of the Hinomaru is unknown. However, historically, the sun has had a religious connotation in Japan, and the rising sun has had an important symbolic meaning. (Full article...)
Before the outbreak of World War I, German naval ships were located in the Pacific; Tsingtao developed into a major seaport while the surrounding Kiautschou Bay area was leased to Germany since 1898. During the war, Japanese and British Allied troops besieged the port in 1914 before capturing it from the German and Austro-Hungarian Central Powers, occupying the city and the surrounding region. It served as a base for the exploitation of the natural resources of Shandong province and northern China, and a "New City District" was established to furnish the Japanese colonists with commercial sections and living quarters. Tsingtao eventually reverted to Chinese rule by 1922.
A registration card for Louis Wijnhamer (1904–1975), an ethnic Dutch humanitarian who was captured soon after the Empire of Japan occupied the Dutch East Indies in March 1942. Prior to the occupation, many ethnic Europeans had refused to leave, expecting the Japanese occupation government to keep a Dutch administration in place. When Japanese troops took control of government infrastructure and services such as ports and postal services, 100,000 European (and some Chinese) civilians were interned in prisoner-of-war camps where the death rates were between 13 and 30 per cent. Wijnhamer was interned in a series of camps throughout Southeast Asia and, after the surrender of Japan, returned to what was now Indonesia, where he lived until his death.
This large silk-embroidered wall hanging is part of the Khalili Collection of Japanese Art. The embroidery is worked in long and short silk stitch, with a composite imaginary view of Japan, including flowers, shrines, bridges, lakes and forests, with Mount Fuji rising in the distance. The private collection of decorative art, dating from Meiji-era Japan (1868–1912), was assembled by the British-Iranian scholar Nasser D. Khalili. It includes metalwork, enamels, ceramics, and lacquered objects, including works by artists of the imperial court that were exhibited at the Great Exhibitions of the late 19th century.
The siege of Osaka was a series of battles undertaken by the Japanese Tokugawa shogunate against the Toyotomi clan, and ending in the clan's dissolution. Divided into two stages (the winter campaign and the summer campaign), and lasting from 1614 to 1615, the siege put an end to the last major armed opposition to the shogunate's establishment. This eight-metre-long (26 ft) painting, titled The Summer Battle of Osaka Castle and executed on a Japanese folding screen, illustrates Osaka Castle under siege, and was commissioned by the daimyoKuroda Nagamasa, who took a team of painters with him to the battlefield to record the event. The painting depicts 5071 people and 21 generals, and is held in the collection of Osaka Castle.
The Japanese government-issued dollar was a form of currency issued between 1942 and 1945 for use within the territories of Singapore, Malaya, North Borneo, Sarawak and Brunei, under occupation by Imperial Japan during World War II. The currency, informally referred to as "banana money", was released solely in the form of banknotes, as metals were considered essential to the war effort. The languages used on the notes were reduced to English and Japanese. Each note bears a different obverse and reverse design, but all have a similar layout, and were marked with stamped block letters that begin with "M" for "Malaya". This 1942 ten-cent Japanese-issued banknote is part of the National Numismatic Collection at the Smithsonian Institution.
Other denominations: '"`UNIQ--templatestyles-00000011-QINU`"'
Banknotes: Empire of Japan. Reproduction: National Numismatic Collection, National Museum of American History at the Smithsonian Institution
The Japanese-issued Netherlands Indies gulden was the currency issued by the Japanese Empire when it occupied the Dutch East Indies during World War II. Following the Dutch capitulation in March 1942, the Japanese closed all banks, seized assets and currency, and assumed control of the economy in the territory. They began issuing military banknotes, as had previously been done in other occupied territories. These were printed in Japan, but retained the name of the pre-war currency and replaced the Dutch gulden at par. From 1943 the military banknotes were replaced by identical bank-issued notes printed within the territory, and the currency was renamed the roepiah from 1944. The currency was replaced by the Indonesian rupiah in 1946, one year after the Japanese surrender and the country's independence.
This note, denominated ten gulden, is part of the 1942 series.
Flowering Plum Tree (after Hiroshige), a copy of the ukiyo-e woodblock print Plum Park in Kameido by the Japanese artist Hiroshige. Completed in 1887, this painting is one of several Japanese-influenced works created by Vincent van Gogh after the opening up of Japan. In his copy, van Gogh ignored the shading present in the trunk and background of Hiroshige's image, which there implied age, and instead used colours with more "passion" and "youthfulness".
This panorama by Felice Beato—called Panorama of Yedo from Atagoyama, c.1865—showes daimyō residences in Edo (now Tokyo). Five albumen silver prints were joined together to form the image.
Asahi Breweries is a Japanese global beer, spirits, soft drinks and food business group. This photograph, taken during the blue hour with a full moon, shows the headquarters of Asahi Breweries in Sumida, Tokyo, as viewed from the wharf on the Sumida River near Azuma Bridge. The Asahi Beer Hall, topped by the Asahi Flame, designed by Philippe Starck, is visible on the right, with the Tokyo Skytree in the background on the left.
Drawing of a revealing figure named Sythatia that includes typical manga and anime elements. The drawing also illustrates the term ecchi, which describes vague sexual content such as skimpy clothing, partial or full nudity.
Toyohara Kunichika (Japanese: 豊原 国周; 30 June 1835 – 1 July 1900) was a Japanese woodblock print artist. Talented as a child, at about thirteen he became a student of Tokyo's then-leading print maker, Utagawa Kunisada. His deep appreciation and knowledge of kabuki drama led to his production primarily of yakusha-e, which are woodblock prints of kabuki actors and scenes from popular plays of the time.
An alcoholic and womanizer, Kunichika also portrayed women deemed beautiful (bijinga), contemporary social life, and a few landscapes and historical scenes. He worked successfully in the Edo period, and carried those traditions into the Meiji period. To his contemporaries and now to some modern art historians, this has been seen as a significant achievement during a transitional period of great social and political change in Japan's history. (Full article...)
Okinawa Prefecture is one of Japan's southern prefectures, and consists of hundreds of the Ryukyu Islands in a chain over 1,000 km long, which extends southwest from Kyūshū (the southwesternmost of Japan's main four islands) to Taiwan. Okinawa's capital, Naha, is located in the southern part of the largest and most populous island, Okinawa Island, which is approximately half-way between Kyūshū and Taiwan. The disputed Senkaku Islands (Mandarin: Diaoyu Islands) are also administered as part of Okinawa Prefecture at present. The oldest evidence of human existence in the Ryukyu islands was discovered in Naha and Yaese. Some human bone fragments from the Paleolithic era were unearthed, but there is no clear evidence of Paleolith remains. Japanese Jōmon influences are dominant in the Okinawa Islands, although clay vessels in the Sakishima Islands have a commonality with those in Taiwan. The first mention of the word Ryukyu was written in the Book of Sui. This Ryukyu might refer to Taiwan, not the Ryukyu islands. Okinawa was the Japanese word depicting the islands, first seen in the biography of Jianzhen, written in 779. Agricultural societies begun in the 8th century slowly developed until the 12th century. Since the islands are located in the center of the East China Sea relatively close to Japan, China and South-East Asia, the Ryūkyū Kingdom became a prosperous trading nation. Also during this period, many Gusukus, similar to castles, were constructed. The Ryūkyū Kingdom had a tributary relationship with the Chinese Empire beginning in the 15th century.
Image 10A handscroll painting dated c. 1130, illustrating a scene from the "Bamboo River" chapter of The Tale of Genji (from History of Japan)
Image 11Atomic cloud over Hiroshima, 1945 (from History of Japan)
Image 12Japanese experts inspect the scene of the alleged railway sabotage on South Manchurian Railway that led to the Mukden Incident and the Japanese occupation of Manchuria. (from History of Japan)
Image 21The Kuril Islands, with their Russian names. The borders of the Treaty of Shimoda (1855) and the Treaty of St. Petersburg (1875) are shown in red. Currently, all islands northeast of Hokkaido are administered by Russia. (from Geography of Japan)
Image 22A map of Japan's major cities, main towns and selected smaller centers (from Geography of Japan)
Image 29Minamoto no Yoritomo was the founder of the Kamakura shogunate in 1192. This was the first military government in which the shogun with the samurai were the de facto rulers of Japan. (from History of Japan)
Image 32Mount Aso 4 pyroclastic flow and the spread of Aso 4 tephra (90,000 to 85,000 years ago). The pyroclastic flow reached almost the whole area of Kyushu, and volcanic ash was deposited of 15 cm in a wide area from Kyushu to southern Hokkaido. (from Geography of Japan)
Image 46Samurai could kill a commoner for the slightest insult and were widely feared by the Japanese population. Edo period, 1798 (from History of Japan)
Image 51Two students practicing kendo at Hiroshima University (from Culture of Japan)
Image 52Relief map of the land and the seabed of Japan. It shows the surface and underwater terrain of the Japanese archipelago. (from Geography of Japan)
Image 84A social hierarchy chart based on old academic theories. Such hierarchical diagrams were removed from Japanese textbooks after various studies in the 1990s revealed that peasants, craftsmen, and merchants were in fact equal and merely social categories. Successive shoguns held the highest or near-highest court ranks, higher than most court nobles. (from History of Japan)
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