When Blackbirds Sing (1962) is the last novel by Australian writer Martin Boyd. It is also the last in the author's "Langton Tetralogy" (which comprises The Cardboard Crown, A Difficult Young Man, Outbreak of Love and When Blackbirds Sing).[1]
 First edition | |
| Author | Martin Boyd |
|---|---|
| Language | English |
| Series | Langton Tetralogy |
| Publisher | Abelard-Schuman, London |
Publication date | 1962 |
| Media type | Print Hardback & Paperback |
| Pages | 256 pp |
| Preceded by | Outbreak of Love |
| Followed by | – |
Plot summary
editDuring World War I Dominic Langton leaves his wife and child behind in Australia and travels to England to enlist in the army. While there he comes to know his English family roots for the first time and is initially seduced by the show of class and privilege. But his experiences in the war gradually change his attitudes, and he finally returns to Australia a very changed man.
Reviews
editMaurice Dunlevy, in a re-examination of the whole tetralogy after it had been re-issued in 1971 by Lansdowne Press, wrote: "Throughout his career Boyd had been wrestling with the conflict between writing a family saga in a form that might be called a schematic fable — the Jamesian novel of total relevance. The sweep required by the saga did not adapt easily to the narrow, more rigid unity of the aesthetically patterned novel and the final attempt to write the, saga as a sequence of self-contained novels was hampered by the necessity to convey the amplitude of the saga in the confines of schematic pattern. "When Blackbirds Sing" seems to be more successful because it throws out almost the whole Langton family and concentrates on the troubled consciousness and feelings of a single member, Dominic Langton, who is the hero not of a saga wedded to the novel of psychological realism, but of the latter alone."[2]
Reviewing the 2014 release from Text in Southerly Shaun Bell notes: "Difficult to define in terms of genre and uneasily placed in canonical formations, the expected and characteristic nostalgia in Boyd’s treatment of a belated anglo-Australianism aligned with British colonialism is curiously absent. The finale of four books, the novel conversely sees Boyd at his most politically engaged and focused on his own time...By the end of Boyd’s Langton novels, Dominic becomes something of a tragic figure. Grappling with surges of violent emotion, traumatising visions of the past, homesickness, ennui, and depression, Dominic is once again in danger of being torn apart by his warring emotions."[3]
Note
editText Publishing re-issued the novel in 2014 as part of its Text Classics series with an introduction by Brenda Niall.[4]