Tenor John(xhoni) Athanas (November 4 1925- October 1, 2019), known for his extraordinary interpretation of the role of Scanderbeg in the Opera Scanderbeg of Prenk Jakova, was born on November 4, 1925 in Brockton, Massachusetts. His life has been a journey of interesting paths, some of them unpredictable, but the path of his singing was destined from birth, he was born with an incredible voice that continues to be his divine gift even in his golden years. His parents, Olympia and Thanas, both of Albanian origin, lived in America as immigrants for more than 15 years and returned to Albania in 1927 in the region of Korca, when John was only 2 years old. From 1927 to 1994 John lived in Albania. In 1994 he returned to America where he currently resides. From an early age, he starts to sing Byzantine psalms in the Christian Orthodox Church of Grapsh, where his father served as a minister, as well as Korca's folk songs, which served as a foundation for his later vocal education and as an inspiration for singing and the art of music. His father, who sang himself every night in the church where he practiced and played the clarinet when he lived in America, noticed that his son's voice was a gift and encouraged him to follow his talent. In 1940 he moves to the city of Korca to pursue his passion for music and singing. During the time in Korca he earns valuable experience while participating as a soloist with the Motropolia Chorus and the Group "Lira". He is recognized, at the time, as a tenor with a beautiful and powerful voice. He moves to Tirana in 1947, where he gets involved with the Albanian Military Chorus, under the care of director Gaqo Avrazi,. The Chorus toured in Albania and in many Eastern European countries. During these tours, Athanas earns a significant recognition, while interpreting as a soloist and along with Avni Mula, Ibrahim Tukici, Mentor Xhemali, Luk Kacaj, Ndrek Gjergji, Maliq Herri etc.
In 1952, he was selected as one of the best talents in Albania and earned a scholarship to study at the Tchaikovsky Conservatory in Moscow as an Operatic Tenor. He studies with Professor Alexander Baturin. At the end of his studies in 1957 he was rewarded the second prize in the International Contest of new operatic voices in Moscow, with 110 participants from all over the world. He received the Honorary Degree signed by well known tenor Tito Schipa, then director of the Jury.
After finishing his studies, he returns to Tirana, Albania, and starts his career at the Theater of Opera. During his career there he is distinguished in the roles of Turidu from “Cavalleria Rusticana” of Mascagni, Canio from “Pagliacci” of Leoncavallo, Lenskey from “Eugene Onegin” of Tchaikovsky , Schaunard from "La Boheme" of Puccini, Don Basilio from “The Marriage of Figaro” of Mozart, Dhimitri from “Lulja e kujtimit” of K.Konos, “Bash Murgjini” from “Borana” of A.Mula, “Kuestori” from “Heroina” of V. Nova, Doda from “Mrika” of P. Jakova etc…Apart from interpreting as a soloist at the Theater of Opera in Tirana, he also participates in hundreds of activities, concerts and tours around the world. He tours in Rumania, Soviet Union, China, Mongolia, Korea, Vietnam, Bulgaria, Ukraine, Lithuania, Yugoslavia, Hungary etc. The stage loved him and he loved the stage, everywhere he performed he brought his voice and artistic talent to the wider audience with excellence and an extraordinary ability to communicate with people which often earned him standing ovations. Among others, the Moscow newspaper "Culture" in 1959 writes: “Every theater in the world would be honored to have a tenor like John Athanas". Brymorov, well known professor of the Bulgarian Conservatory has praised the voice of Athanas as “a rare voice that deserves worldly respect”. Toti dal Monte, italian famous soprano, after listening to him in one of the studios in Moscow said: “Athanas is a rare voice of a dramatic tenor ".
In 1960 he marries Sekine Sharofi Athanas, a classical ballerina, his wife of 49 years. He has two daughters, Mirela and Edlira, niece Juia and nephew Easton J.
From his personal diary, written between 1957-1993, we can count 1100 concerts and 450 operatic performances. But the role that raised him in the pedestal of his artistic performance was the role of Scanderbeg, in the Albanian Opera Scanderbeg of Prenk Jakova. Scanderbeg is Albania's greatest hero. Jakova, the composer, loved Athanas' voice and wrote the Opera particularly for his dramatic voice. Scanderbeg, the legendary Albanian hero, staged in 1967 by the Theater of Opera of Tirana, gave Athanas the role of his life, the one role he dedicated so much time preparing for, since it was not only important to interpret it vocally but more importantly the image and strength of the legendary Hero needed to be portrayed truthfully. He studied many books written about Scanderbeg, especially that of Byron. In the days preparing for the role of Scanderbeg, he found himself not only preparing as a vocalist, but as an actor who prepares for a difficult role, and in a very short time, he not only studied the notes but every single move, in accordance to what he had read about the hero and achieved the success of his life. When he entered the stage, his tall and energetic figure, his acting and his powerful voice were a completion of this legendary role, so much so that it looked as if the real Scanderbeg entered the stage. Pictures of him interpreting the role have been used to illustrate Scanderbeg in history lessons.
He taught belcanto at the Academy of Arts in Tirana for about 20 years. He also directed the staging of scenes from Norma, Rigoletto, Tosca, Madame Butterfly and Carmen in the 1990s. Also, he worked on a few singing techniques books like "Singing, a way of expression and communication" and "The breathing techniques for the singer", he also worked on a book with a collection of the most beautiful and rare Albanian folk songs, he remembers this collection, where he had to visit many forgotten little villages of Albania and found songs of treasures, as one of the best experiences of his life.
Another chapter of his life opens when he returns to America, the country where he was born, in 1994. He resides in the Boston area to this day and has had the chance to visit one more time the house where he was born and lived for the first 2 years of his life, in Brockton, a very emotional visit for him, since he had never thought that this would happen in his lifetime. He was given the medallion of Gratitude from the President of Albania in 2006, for interpreting the role of Scanderbeg and for his long career in singing and also, in recognition of his involvement with the Albanian community of Boston, where he sings continuously in gatherings and feast events. He also sings for the Russian and the Italian community of Boston.