Wikipedia

User:RAJIVVASUDEV/sandbox

< User:RAJIVVASUDEV
No more Drama
Kitten

Saturday, May 25, 2024 / Wikipedia now has 6,827,338 articles

The difference between

Ordinary

and

Extraordinary

is that little extra.

Essays edit

PYMR edit

To read edit

Proverb

Words edit

Blend word examples are smog blending smoke and fog, and motel, from motor (motorist) and hotel.

Aphorism edit

WP edit

Coats of skin to High tech textiles edit

Lyocell edit

Lyocell[1]

Tools/Short cuts edit

Redirect edit

  1. REDIRECT Technical textile


  • From an alternative name: This is a redirect from a title that is another name or identity such as an alter ego, a nickname, or a synonym of the target, or of a name associated with the target.
    • This redirect leads to the title in accordance with the naming conventions for common names to aid searches and writing. It is not necessary to replace these redirected links with a piped link.
    • If this redirect is an incorrect name for the target, then {{R from incorrect name}} should be used instead.

Gallery edit

In use edit

tools edit

[Wikipedia Library]

Wiktionary edit

transatlantic

RW edit

Human well-being depends upon the energy they produce and exchange with the environment. Human well-being is determined by the amount of energy they generate and exchange with the environment. The energy balance must be kept within the body's tolerance in regard to heat and cold.

  • ALT1 sources removed [1]: 14  [2]
  • dimensional instability is a result of the effect of water on the molecular structure of fibers under external stresses. In the case of cotton, the mechanical stresses imposed by the washing process break the hydrogen bonds between adjacent molecular chains. The presence of water facilitates the slippage between the molecular chains and forms new bonds (reassociation of hydroxyl groups). This new molecular configuration is difficult to recover upon drying unless external effects such as ironing are applied.[2]
  • Vernacular term Rumal
  • cotton wombed (in warp)
  • Also converted from print cloth is longcloth , which is similar to cambric , nainsook , and batiste but heavier and more closely woven . In the absence of standard definitions or minimum specifications for these fabrics , demarcations..[3]

Wikipedia edit

please do not harp on the same(Mum [[9]] )narrative. DRN is a venue for resolving disputes over articles, and We should maintain the decorum WP: EQ, WP: DR of this forum. We had enough discussion on the talk:piecegoodsand talk: textile. Hence we both should not blame each other. Like you are not an expert in the textile field and considered khes is Kesh (Sikhism), I might not know every policy and noticeboard. Let DRN stay focused on the article, not Rajiv, because Rajiv and Roxy is not the topic.[3]

Case closed.

To do edit

But what?

SKRakh edit

TR edit

Pages edit

Autodidacticism T.I.

Oc edit

RL edit

  1. ^ Humphries, Mary (2004). Fabric Reference. Pearson/Prentice Hall. p. 61. ISBN 978-81-317-6570-8.
  2. ^ "Durable Press Finish - an overview | ScienceDirect Topics". www.sciencedirect.com. Retrieved 2022-01-03.
  3. ^ Fletcher, Hazel Marie; Roberts, Sarah Helen (1956). Properties and Serviceability of Selected Household and Clothing Fabrics: Bibliography and Review of Research Findings, 1928-1951. U.S. Department of Agriculture.
  4. ^ Lehnert, Gertrud (1999). Fashion. Internet Archive. London : Laurence King. ISBN 978-1-85669-158-1.

useful links edit

1.[Project Gutenberg eBook of Piece Goods Manual, by A. E. Blanco.]

2. [https://garlandmag.com/threads/muslin-story-saiful-islam/mulmul ]

3.[https://goldbook.iupac.org/terms/view/C01001|IUPAC - charge-stripping reaction (C01001)]

Policies edit

Table edit

  1. Scouring is awful


Kaand edit

😜P kaand[1].[2].[3][4].[5].[6].[7].[8][9]

  1. [https://en.wikipedia.org/w/index.php?title=Handkerchief&type=revision&diff=1032908776&oldid=1032889171&diffmode=source]

FOLLOWING edit

WIP edit

1[http://irep.ntu.ac.uk/id/eprint/27755/1/5322_Heinzel.pdf 1]

IDAA edit

History of textiles and Industrial revolution edit

With the invention of the flying shuttle by John Kay in 1733, the spinning jenny by James Hargreaves in 1765, the water frame by Richard Arkwright in 1769, and the steam engine by James Watt in 1765, the beginning of the industrial revolution is commonly associated with the English textile industry of the eighteenth century.

Before the First industrial revolution work was mainly done through two systems: domestic system and craft guilds. In the domestic system merchants took materials to homes where artisans performed the necessary work, craft guilds on the other hand were associations of artisans which passed work from one shop to another, for example: leather was tanned by a tanner, passed to curriers, and finally arrived at shoemakers and saddlers.

Indian textiles

Professor Weber remarked “The skill of the Indians in the production of delicate woven fabrics, in the mixing of colours, the working of metals and precious stones, the preparation of essences and in all manner of technical arts has from early times enjoyed a worldwide celebrity”[10][11][12][13][14][15]

as a means of survival

Marketing edit

Marketing stimulates inventions.

Wikipedia edit

Wikipedia is the best thing ever. Anyone in the world can write anything they want about any subject, so you know you are getting the best possible information.   - Michael Scott   

Policies edit

Wikipedia pages edit

Articles rtindian textile history edit

Lord William Bentinck (1828 Yarmouth ship)

Articles tr edit

Idioms edit

FRAGT edit

There is a history of disagreements between us, as ...they have proposed deletions that I have challenged and successfully defended. Here is the list (,,). They could be seen engaged in disruptive editing on my various pages, provoking me and leading to edit wars. A recent example is the 'Textile' page, among many others. However, listing all instances is not appropriate for this platform. They hold negative views towards my work and are struggling with old grudges. Additionally, they exhibit a lack of interest and an insufficient understanding of history. Thanks

Some troublesome users do not want to change and the community's energies are limited.

A fabric is the culmination of several essential elements, including fiber, yarn, weave structure, and finish. When these four elements are meticulously coordinated and in perfect balance, the resulting fabric can be truly magnificent, resulting in stunning visual and tactile qualities. "A fabric combines fibre, yarn, weave structure and finish. When these 4 elements are in harmony the results can be spectacular."

Essay edit

The battle for Wikipedia's soul[The Guardian]

Women in textiles edit

The textile industry has played a vital role in human history, serving as a source of livelihood, wealth, and artistic expression. Women have played a critical role in the development of the textile industry, from spinning and weaving to the production of high-quality fabrics. In this essay, we will discuss the significant contributions of women to the textile industry. The role of women in the textile industry can be traced back to ancient times. Women were the primary producers of textiles, and they were responsible for every stage of production, from spinning the fibers to weaving them into cloth. The textile industry was an essential part of the economy, and women's skills were crucial to its success. In medieval Europe, women played a crucial role in the textile industry. They spun wool, flax, and hemp into yarn, which was then woven into cloth. Women also worked as embroiderers, creating intricate designs on cloth. Many women worked in the textile industry as apprentices and journeymen, learning the trade from their mothers and other female relatives. During the Industrial Revolution, the textile industry underwent significant changes. The development of machines such as the spinning jenny and power loom meant that textile production could be done on a much larger scale. However, women still played a critical role in the industry. They worked in factories, operating machines and performing other tasks such as carding and spinning. The textile industry continued to be a major employer of women throughout the 19th and 20th centuries. Women worked in all aspects of the industry, from spinning and weaving to designing and selling textiles. Many women also became entrepreneurs, starting their own textile businesses and employing other women. Women played a significant role in the labor movement that emerged in the textile industry during the late 19th and early 20th centuries. They fought for better working conditions, higher wages, and the right to unionize. Women's efforts were essential to the success of the labor movement, and their advocacy helped to improve the lives of textile workers. The textile industry has also been an important site of artistic expression for women. Throughout history, women have used textiles to create beautiful and intricate works of art. Embroidery, weaving, and other textile arts have been used to create clothing, tapestries, and other decorative objects. Women's contributions to the textile arts have enriched cultural traditions around the world. In conclusion, women have played a vital role in the textile industry throughout history. From ancient times to the present day, women have been responsible for every aspect of textile production, from spinning and weaving to designing and selling textiles. Women's skills and contributions have been essential to the success of the textile industry, and their artistic expression has enriched cultural traditions around the world. Despite the challenges they faced, women have always found ways to contribute to the textile industry and shape its development. India has a rich textile history, dating back thousands of years. Women have played a significant role in this history, contributing to every aspect of textile production, from spinning and weaving to designing and selling textiles. In this essay, we will discuss the important contributions of women to the textile industry in India. The role of women in the Indian textile industry can be traced back to ancient times. Women were the primary producers of textiles, and they were responsible for every stage of production, from growing and harvesting cotton to spinning the fibers into thread and weaving them into cloth. The skill and creativity of Indian women in textile production were renowned throughout the world. During the Mughal period, the Indian textile industry reached new heights of sophistication and creativity. Women played a crucial role in this development, creating intricate designs and patterns on cloth using techniques such as block printing, tie-dyeing, and embroidery. These textiles were highly prized both in India and abroad, and they contributed significantly to the country's economy. In the 19th century, the British colonial government introduced machine-made textiles into India, threatening the traditional textile industry. However, Indian women continued to play a vital role in the industry. They worked in mills and factories, operating machines and performing other tasks such as spinning, weaving, and dyeing. Indian women also played a significant role in the labor movement that emerged in the textile industry, fighting for better working conditions and higher wages. In the 20th century, Indian women continued to make important contributions to the textile industry. They became entrepreneurs, starting their own textile businesses and employing other women. Women also played a crucial role in the Indian independence movement, using textile production as a way to assert their cultural identity and resist British colonialism. Today, women continue to play an important role in the Indian textile industry. They work in all aspects of the industry, from spinning and weaving to designing and selling textiles. Women's creativity and skill are still highly valued, and their contributions continue to shape the industry's development. In addition to their economic contributions, Indian women have also used textiles to express their cultural identity and celebrate their heritage. Traditional textiles such as saris and salwar kameez remain an important part of Indian culture, and women's skill in creating these garments has been passed down from generation to generation. In conclusion, women have played a vital role in the textile history of India. From ancient times to the present day, women have been responsible for every aspect of textile production, from growing and harvesting cotton to designing and selling textiles. Women's creativity and skill have contributed to the industry's success and enriched Indian culture. Despite the challenges they have faced, Indian women have always found ways to contribute to the textile industry and shape its development.

History Tissue edit

Historically, the term was used to describe textiles produced during medieval times, which were composed of a combination of silk and gold, as well as silk and silver threads that were intricately interwoven with each other.[16] In medieval times, Tissue fabric was considered the most expensive form of cloth made of gold or silver.[17] It was woven with raised loops of metal thread in various heights and thicknesses above a brocatelle, lampas, or velvet ground. For instance, "eight yerde of sea greene tyssue for double slevis for ridinge gownes" formed a part of the trousseau of Princess Elizabeth Stuart in 1612–13. During the 18th century and beyond, the term "Tissue" began to be used to describe fabrics that were both lightweight and sparkly.[17]

About waves edit

Wavelength (m) Frequency (Hz) Energy (J)
Radio > 1 x 10-1 < 3 x 109 < 2 x 10-24
Microwave 1 x 10-3 - 1 x 10-1 3 x 109 - 3 x 1011 2 x 10-24- 2 x 10-22
Infrared 7 x 10-7 - 1 x 10-3 3 x 1011 - 4 x 1014 2 x 10-22 - 3 x 10-19
Optical 4 x 10-7 - 7 x 10-7 4 x 1014 - 7.5 x 1014 3 x 10-19 - 5 x 10-19
UV 1 x 10-8 - 4 x 10-7 7.5 x 1014 - 3 x 1016 5 x 10-19 - 2 x 10-17
X-ray 1 x 10-11 - 1 x 10-8 3 x 1016 - 3 x 1019 2 x 10-17 - 2 x 10-14
Gamma-ray < 1 x 10-11 > 3 x 1019 > 2 x 10-14
Source:[[NASA[18]

Fables edit

Useful tips edit

  • ..xyzabc xyze

  • xyzabcdefg

    hijklmo

    ABCDEFGHIJKLMNO

  • "abcdefghijklmnop" XYZ "abcdefghijklmnop"

References edit

References

  1. ^ "Wikipedia:Articles for deletion/Ninon", Wikipedia, 2021-04-18, retrieved 2021-07-05
  2. ^ "Wikipedia:Articles for deletion/Bolt (fabric)", Wikipedia, 2020-12-29, retrieved 2021-07-05
  3. ^ "Wikipedia:Articles for deletion/Slopseller", Wikipedia, 2021-05-24, retrieved 2021-07-05
  4. ^ "Khes", Wikipedia, 2020-11-30, retrieved 2021-07-05
  5. ^ "Talk:Khes", Wikipedia, 2020-12-04, retrieved 2021-07-05
  6. ^ "Talk:Khes", Wikipedia, 2020-12-04, retrieved 2021-07-05
  7. ^ "Talk:Sussi (cloth)", Wikipedia, 2020-12-15, retrieved 2021-07-05
  8. ^ "Talk:Automotive textile", Wikipedia, 2021-06-22, retrieved 2021-07-05
  9. ^ "Wikipedia:Articles for deletion/Performance (textiles)", Wikipedia, 2021-06-22, retrieved 2021-07-10
  10. ^ "Indian Institute of Technology Madras Alumni Association". www.iitmaa.org. Retrieved 2023-02-06.
  11. ^ "Write a brief note on the trading communities in ancient India Related: Chapter Notes - Nature and Purpose of Business? | EduRev Commerce Question". EDUREV.IN. Retrieved 2023-02-06.
  12. ^ S.Srinivas (2014-05-17). "Trade and Commerce in Ancient India". Ithihas. Retrieved 2023-02-06.
  13. ^ [https://www.ijmra.us/project%20doc/2017/IJRSS_DECEMBER2017/IJMRA-12880.pdf "ORIGIN AND DEVELOPMENT OF COTTAGE INDUSTRIES IN INDIA : A STUDY IN PRE�INDEPENDENCE ERA"] (PDF). {{cite web}}: replacement character in |title= at position 72 (help)
  14. ^ "Origin And Development Of Cottage Industries In India : A Study In Pre-Independence Era". ResearchGate.
  15. ^ Vel, Senthil (2022-10-12). "52 Incredible Indian Folk Art Forms That We Must Protect in Indian Art and Culture - International Indian Folk Art Gallery - Indian Folk Art". International Indian Folk Art Gallery. Retrieved 2023-02-06.
  16. ^ Fairchild's dictionary of textiles. Internet Archive. New York, Fairchild Publications. 1959. p. 559.{{cite book}}: CS1 maint: others (link)
  17. ^ a b Cumming, Valerie (2010). The dictionary of fashion history. Internet Archive. Oxford ; New York : Berg. p. 274. ISBN 978-1-84788-534-0.
  18. ^ "Wavelength, Frequency, and Energy". imagine.gsfc.nasa.gov. Retrieved 2023-05-31.


Cite error: There are <ref group=http://irep.ntu.ac.uk/id/eprint/27755/1/5322_Heinzel.pdf> tags on this page, but the references will not show without a {{reflist|group=http://irep.ntu.ac.uk/id/eprint/27755/1/5322_Heinzel.pdf}} template (see the help page).

Retrieved from "https://en.wikipedia.org/w/index.php?title=User:RAJIVVASUDEV/sandbox&oldid=1172121425"