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Covenstead

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A covenstead is a meeting place of a coven (a group of witches)[1]. The term relates specifically to the meeting place of witches within certain modern religious movements such as Wicca that fall under the collective term Modern Paganism, also referred to as Contemporary Paganism or Neopaganism. It functions to provide a place for the group to conduct rituals, undertake lessons and recognise festivals. It can also be referred to as the home of the coven[2]. A group’s covenstead is often a physical geographical location however it can also be a concept such as an astral temple[1]. A covenstead is commonly located in the house of the priest or priestess or a member of the coven, but it can also be a public area such as a park or a room in a community building[1]. An appropriate location is selected depending on a number of factors including the size of the coven[2]. The types of covensteads recognised by practitioners have developed over time as technology and the various denominations of Neopaganism have evolved[3].

Etymology

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The word ‘coven’ is derived from Old French. In the 1500s it meant a “meeting, gathering, assembly” and around 1660 is also came to mean “a gathering of witches”[4]. The word ‘stead’ comes from the Old English term suede, meaning “place, position”[5].

Origin and history

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Brickett Wood, Hertfordshire, England

Modern pagan witchcraft practices and rituals are largely associated with Gerald Brosseau Gardner (1884-1964) who is attributed to reviving the ancient pagan religion Wicca in the 1950s[6]. Wicca and other religions considered to be derived from pre-Christian traditions are closely associated with nature, spirituality and witchcraft. Various denominations of the Modern Pagan religion also celebrate a number holidays and festivals throughout the year[7]. Gardner founded his own coven in the 1940s and established their covenstead on his land at Brickett Wood in Hertfordshire, north of London. He was responsible for re-writing certain rituals that were practiced by his previous coven using borrowed concepts from magician Aleister Crowley, Charles Godfrey Leland’s Aradia, or the Gospel of the Witches and the medieval spell book Key of Solomon. Gardner’s Brickett Wood covenstead acted as a place in which his coven could carry out these rituals, celebrate the various festivals and hold general meetings[1].

Functions

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There are multiple functions of a covenstead. It is recognised by the group as an established and familiar location and allows members to focus on the proceedings of their meetings[1]. A predominate function is to allow a safe space for sabbats (seasonal festivals recognised by modern Pagans) and esbats (a meeting other than a festival) to take place. It can also be a place to worship the gods and goddesses, to conduct the various rituals and to hold witchcraft classes[1]. It is often used as a location for communal celebration and various social gatherings[8]. An example of a ritual that can take place in a covenstead is an esbat rite. This rite involves the process of the priest or priestess initiating the proceedings, members of the circle giving their thanks, making requests to their gods and goddesses followed by the ringing of a bell. The ritual can also involve music, song and chanting[2].

Types

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Depending on the location of coven members and the size of their group, a covenstead can be established in a number of spaces both indoor and outdoor[2]. As a predominate function of a covenstead is to provide a space to conduct rituals it is typically found somewhere where coven members can remain uninterrupted and able to concentrate, and it can be either permanent or temporary. A room in the house of a priest or priestess is a common location. Other possible spaces include rooms of other coven members’ homes, public parks or rented spaces in community buildings. Another alternative option some covens revert to is an astral temple - a shared non-physical place for coven members to access if they are unable to attend the physical covenstead[1].

The surrounding community can also be a contributing factor when deciding where to establish a covenstead as there is often suspicion and prejudice surrounding the term ‘witch’[8]. Gerald Brosseau Gardner registered his Brickett Wood covenstead under the name of the Ancient British Church - into which he was ordained - as a response to this prejudice and with the aim of making it appear more reputable[9]. A successful example of a coven’s integration into a community is the establishment of the House of Oak Spring’s covenstead in Decatur, Georgia in 2000. The group purchased a secluded home with surrounding acreage with the intention of remodelling the property to act as their common meeting place and to serve their various needs. The group also began developing walking paths through the surrounding land to be accessed and utilised by the coven’s members as well as residents of their suburban community which was well received[8].

Online covensteads

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Various denominations of Neopaganism have adapted alongside technological developments and have found new tools and methods of communication to reach their followers and members including online congregations and rituals. The members of these online communities were dubbed “Technopagans” in a 1995 Wired article[10]. Technopagans don't often meet in person but form close relationships with one another similar to those within covens that meet in person regularly.

There are examples of online pagan meetings carried out on CompuServe conference rooms in which members participated remotely in rituals such as celebrations of the full moon. Although there was no face to face contact between members of the covens, rituals were still carried out and festivals were celebrated[3]. In this online space where music and chanting aloud cannot be practiced as a group, physical objects and key phrases are simply typed[3]. The online virtual world Second Life is also host to neopagan meetings and ceremonies. The affordances of the site allow for ‘cybercovens’ to meet virtually using avatars to participate in social events and rituals. On Second Life, users can visit a pub or a digital marketplace, meditate, access digital copies of neopagan texts and gather at an altar to carry out rituals and sabbats. The experience can be likened to covensteads situated in the astral temple[11]. More recent examples of online rituals and gatherings of modern Pagans include Youtube channels. Through videos, single practitioners are brought together to collectively partake in these rituals, share knowledge with each other and celebrate the various festivals.

Although online gatherings can allow people from across the globe to connect and participate in religious rituals, there are certain elements of practices carried out online that hinder the smooth procession of the experience such as the loading time of graphics. Often alterations to ritual techniques are necessary in order to make them work in an online format and participants usually exercise a certain amount of imagination during the virtual proceedings[11].

Due to the increasing prevalence of online neopagan gatherings, devices used to participate, such as laptops, are often considered rituals objects that belong on the altar alongside other rituals objects including candles[11].


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'Charmed' House in Los Angeles

Pagan sites and places witches gather to carry out rituals and to worship gods and goddesses have existed in folklore and popular culture for centuries. Chanctonbury Ring, located in South Downs, England with remains as old as 300BC, is believed to be an early pagan site and continues to have pagan ties with reports of groups visiting the land to participate in occult activities[12].

There are various interpretations of paganism and neopaganism in modern popular culture with TV shows, films and novels including American Horror Story: Coven, the Harry Potter series, Charmed, Witches of Eastwick and The Craft[13] all depicting modern representations of ancient practices. As each show, film or novel represent varying interpretations of these revived and renewed ancient religious practices, representations of convensteads also vary with often no identifiable covenstead at all. The 1998 American TV series Charmed, starring Hollie Marie Combs, Alyssa Milano and Rose McGowan, was a highly rated show that depicted the three witch sisters living together in a single house they called the Halliwell Manor[14]. This house was often the place in which they carried out spells and rituals with the Book of Shadows.

References

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Sources I want to include on this page

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'Buckland's complete book of witchcraft', Buckland, R.

'Modern Wicca: A history from Gerald Gardner to the Present', Howard, M.

'The triumph of the moon: A history of modern pagan witchcraft', Hutton, R.

'Coven Craft: Witchcraft for three or more', K, A.

References

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  1. ^ a b c d e f g K, Amber (1998). Covencraft: Witchcraft for Three Or More. Llewellyn Worldwide. ISBN 978-1-56718-018-3.
  2. ^ a b c d Buckland, Raymond (1986). Buckland's Complete Book of Witchcraft. Llewellyn Worldwide. ISBN 978-0-87542-050-9.
  3. ^ a b c O'Leary, Stephen D. "Cyberspace as Sacred Space: Communicating Religion on Computer Networks". Journal of the American Academy of Religion. LXIV/4: 781–808.
  4. ^ "coven | Search Online Etymology Dictionary". www.etymonline.com. Retrieved 2020-05-29.
  5. ^ "stead | Search Online Etymology Dictionary". www.etymonline.com. Retrieved 2020-05-29.
  6. ^ Hutton, Ronald (2019-10-10). The Triumph of the Moon: A History of Modern Pagan Witchcraft. Oxford University Press. ISBN 978-0-19-256228-9.
  7. ^ Editors, History com. "Wicca". HISTORY. Retrieved 2020-05-29. {{cite web}}: |last= has generic name (help)
  8. ^ a b c Smith, Kenny (2008-08-01). ""You've Been Wonderful Neighbors": Key Factors in the Successful Integration of a Wiccan Coven into a Suburban Community in the Southeastern United States". Nova Religio. 12 (1): 103–115. doi:10.1525/nr.2008.12.1.103. ISSN 1092-6690.
  9. ^ Howard, Michael (2010-09-08). Modern Wicca: A History From Gerald Gardner to the Present. Llewellyn Worldwide. ISBN 978-0-7387-2288-7.
  10. ^ Davis, Erik (1995-07-01). "Technopagans". Wired. ISSN 1059-1028. Retrieved 2020-05-29.
  11. ^ a b c Asprem, Egil; Granholm, Kennet (2014-09-11). Contemporary Esotericism. Routledge. ISBN 978-1-317-54357-2.
  12. ^ "Chanctonbury Ring – Mysterious Britain & Ireland". Retrieved 2020-05-29.
  13. ^ Shapiro, Lila (2017-10-31). "What Pop Culture Gets Right and Wrong About Witches, According to a Real Coven". Vulture. Retrieved 2020-05-29.
  14. ^ Charmed, retrieved 2020-05-29
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