tipu's tiger
editvegan
edit- "vegan taliban" AN UNHEALTHY APPETITE Eating only what's good for you might not be Katherine Seligman, Chronicle Staff Writer, Sunday, January 6, 2002 | article about "orthorexia nervosa", "a raw/fruitarian group threatened physical violence".
Not relevant.
- gary francione interview in 'the vegan' http://www.abolitionistapproach.com/media/pdf/gary_francione-the_vegan.pdf
- a few quotes about veganism w.r.t. buddhism, hinduism [1]
nature ethics: An Ecofeminist Perspective
[2] french study about pesticide exposure. NOT OUT YET. download then.
[3] first issue of "vegan news", written by watson.
noir
editNaremore, James (1998). More than Night: Film Noir in Its Contexts. University of California Press. p. 15. [4]
Conard, Mark T. (2005), "Nietzsche and the Meaning and Definition of Noir", in Conard, Mark T. (ed.), The Philosophy of Film Noir, University Press of Kentucky, pp. 7–22 [5]
Shearer, Lloyd (August 5, 1945). "Crime Certainly Pays on the Screen". New York Times Magazine. reprinted in Silver, Alain; Ursini, James, eds. (1999). "A New Kind of Police Drama: The Criminal Adventure". Film Noir Reader 2. New York: Limelight Editions. p. 9-14. [6]
Frank, Nino (August 1946). "Un nouveau genre "policier": l'aventure criminelle". 61. L’écran français: 8–9, 14. {{cite journal}}: Cite journal requires |journal= (help)CS1 maint: date and year (link) translated by Alain Silver in Silver, Alain; Ursini, James, eds. (1999). "A New Kind of Police Drama: The Criminal Adventure". Film Noir Reader 2. New York: Limelight Editions. p. 15-19. reprinted in Simpson, Philip; Utterson, Andrew; Shepherdson, Karen J., eds. (2004), Film Theory: Critical Concepts in Media and Cultural Studies, London: Routledge, pp. 137–140[7]
Chartier, Jean-Pierre (November 1946). "Les Américans aussi font des films "noirs"". 1 (2). La Revue du Cinéma: 67–70. {{cite journal}}: Cite journal requires |journal= (help)CS1 maint: date and year (link) translated by Alain Silver in Silver, Alain; Ursini, James, eds. (1999). "Americans also make noir films". Film Noir Reader 2. New York: Limelight Editions. p. 21-23. reprinted in Simpson, Philip; Utterson, Andrew; Shepherdson, Karen J., eds. (2004), Film Theory: Critical Concepts in Media and Cultural Studies, London: Routledge, pp. 141–143 [8]
Mertz, Stephen (May 1978). "In Defense of Carroll John Daly". The MYSTERY FANcier. 2 (3). Retrieved 2009-03-05.{{cite journal}}: CS1 maint: date and year (link)
Gale, Robert L. (May 2003). A Mickey Spillane Companion. Greenwood Press. p. ix-xi.{{cite book}}: CS1 maint: date and year (link) [9]
Schwartz, Ronald (August 2005). Neo-Noir: The New Film Noir Style. The Scarecrow Press. p. ix-xiii.{{cite book}}: CS1 maint: date and year (link)
Spicer, Andrew (July 2002). Film Noir. Longman. p. 11-19.{{cite book}}: CS1 maint: date and year (link)[10]
Borde, Raymond; Chaumeton, Étienne (2002), A panorama of American film noir, 1941-1953, translated by Paul Hammond, Published by City Lights Books, p. 7 [11]
Schrader, Paul (November 1995), "Notes on Film Noir", in Belton, John (ed.), Movies and Mass Culture, Rutgers University Press, p. 166{{citation}}: CS1 maint: date and year (link) [12]
Staiger, Janet (January 2008), "Kiss Me Deadly. Cold War Threats from Spillane to Aldrich, New York to Los Angeles, and the Mafia to the H-Bomb", in Goldstein, Philip; Machor, James L. (eds.), New Directions in American Reception Study, Oxford University Press, pp. 279–284{{citation}}: CS1 maint: date and year (link) [13]
Nicolas, Saada (November 2004). "The Noir Style in Hollywood". In Silver, Alain; Ursini, James (eds.). Film Noir Reader 4. New York: Limelight Editions. p. 175-176.{{cite book}}: CS1 maint: date and year (link)
Telotte, J. P. (December 1988). Voices in the Dark: The Narrative Patterns of Film Noir. University of Illinois Press. p. 12-23.{{cite book}}: CS1 maint: date and year (link) [14]
Mayer, Geoff; McDonnell, Brian (June 2007), Encyclopedia of film noir, Greenwood Press, p. 77{{citation}}: CS1 maint: date and year (link) [15]
Schickel, Richard (January 1992). Double Indemnity. British Film Institute. p. 10.{{cite book}}: CS1 maint: date and year (link)
Conard, Mark T. (January 2007). The Philosophy of Neo-noir. University Press of Kentucky. p. 2.{{cite book}}: CS1 maint: date and year (link) [16]