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Jane Austen wrote Pride and Prejudice in 1813, set in a rural and idyllic England of the Napoleonic era it documents the romances and interactions of people ranging from the impoverished gentry to the minor aristocracy. Almost a comedy of manners each family's social status is reinforced by the houses they occupy. Spread throughout the book Austen gives accounts of each property but rarely a full description yet by the end of the book the reader is left with a firm impression of each building from the immensely grand and forbidding Rosings Park or the magnificence that is Pemberly Park to the shabby but comfortable family house, Longbourn, home to Elizabeth Bennet.
Pride and Prejudice has been adapted to film many times with varying amounts of success. However, rarely have the film makers paid any attention to the architecture that Austen describes when choosing their locations for filming.
Longbourn edit
Longbourn House (chapter 22)
Longfield has a library (chapter 3)
"MR. BENNET'S property consisted almost entirely in an estate of two thousand a year, which, unfortunately for his daughters, was entailed, in default of heirs male, on a distant relation; and their mother's fortune, though ample for her situation in life, could but ill supply the deficiency of his. Her father had been an attorney in Meryton, and had left her four thousand pounds" (chapter 7)
"Lydia, my love, ring the bell. I must speak to Hill, this moment" (chapter 13)
"The hall, the dining-room, and all its furniture were examined and praised; and his commendation of every thing would have touched Mrs. Bennet's heart, but for the mortifying supposition of his viewing it all as his own future property. The dinner too, in its turn, was highly admired; and he begged to know to which of his fair cousins, the excellence of its cookery was owing. But here he was set right by Mrs. Bennet, who assured him with some asperity that they were very well able to keep a good cook, and that her daughters had nothing to do in the kitchen" (chapter 13)
"Mr. Bennet, who was most anxious to get rid of him, and have his library to himself; for thither Mr. Collins had followed him after breakfast, and there he would continue, nominally engaged with one of the largest folios in the collection, but really talking to Mr. Bennet, with little cessation, of his house and garden at Hunsford. Such doings discomposed Mr. Bennet exceedingly. In his library he had been always sure of leisure and tranquillity; and though prepared, as he told Elizabeth, to meet with folly and conceit in every other room in the house, he was used to be free from them there"
Netherfield House edit
" Netherfield Park is let" (Chapter 1)
"was pleased with the situation and the principal rooms, satisfied with what the owner said in its praise, and took it immediately" (chapter 4)
"footman with a note for Miss Bennet; it came from Netherfield, and the servant waited for an answer" (chapter 7)
"She was shewn into the breakfast-parlour" (chapter 7)
"on leaving the dining-parlour" (chapter 8)
"joined their party in the drawing room. The loo table, however, did not appear" (chapter 10)
Lucas Lodge edit
"Sir William Lucas had been formerly in trade in Meryton, where he had made a tolerable fortune and risen to the honour of knighthood by an address to the King during his mayoralty. The distinction had perhaps been felt too strongly. It had given him a disgust to his business and to his residence in a small market town; and quitting them both, he had removed with his family to a house about a mile from Meryton, denominated from that period Lucas Lodge, where he could think with pleasure of his own importance, and, unshackled by business" (chapter 5)
Rosings Park edit
Rosings Park is a fictitious English country house from Jane Austen's Pride and Prejudice. Set in the county of Kent in the village of Hunsford[2]near to the town of Westerham [3]. It is the home of the wealthy and domineering Lady Catherine De Bourgh, the aunt of Fitzwilliam Darcy. Jane Austen uses her description of the house to present and describe not only Lady Catherine's wealth but also her personality, in this way Rosings has taken on the personae of its owner [4]. The reader is encouraged to regard Rosings as formal and overpowering the exact reverse of Darcy's house Pemberly.
Rosings is a fine and grand house. Mr Collins, the vicar of Rosing's local church, (of which Lady catherine is patron) and heir to Longbourne (The heroine, Elizabeth Bennet's childhood home) leaves the reader in no doubt of this, comparing every aspect of Longbourn unfavourable to Rosings. His sycophantic musings concerning Rosings and his patroness Lady Catherine are written in such a way by Austen as to both amuse and irritate the reader. He describes: "of all the views which his garden, or which the country, or the kingdom could boast, none were to be compared with the prospect of Rosings, afforded by an opening in the trees......nearly opposite the front of his house [5]. When visiting a friend of the Benenets he compares what is obviously the grandest room of their house the drawing room to the small summer breakfast parlour at Rosings [6] - the meaning being that the drawing room can only be equated with a small secondary reception room at Rosings, unimportant that it is only used at certain times of the year.
Rosings in Film edit
List here some of the films and locations and TV series
The real Rosings edit
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It is doubtful that Jane Austen based Rosings on any one house. It has been said that Rosings was based on Chevening in Kent [7] but this house is far too large to fit Austen's description and if she did, it has never been reported. In truth the Rosings would quite likely have been demolished by now as were so many thousands of English country houses in the 20th century. It is possible though from the limited details she gives us an the book to draw an impression of how she visualised Rosings.
Mr Collins descriptions can be taken as exagerations or elaborations, as he is the token "toady" in the book, and overly sycophantic of all pertaining to Lady Catherine. When attempting to visualise Rosings the following facts can be taken into account:
- Jane Austen was a frequent visitor to Goodenstone while staying with her brother Edward and his wife at nearby Rowling. In 1798, she visited Edward again at Godmersham Park in Kent [8]
- The parsonage is separated only by a lane from Rosings [9]
- Rosings has a chimney piece cost £800 [10]
- The reader is informed of the price Sir Lewis De Bourgh originally paid for the glazing.[11]
- Rosings was a handsome modern building .[12]
- Rosings was well situated on rising ground..[13]
- They ascended the steps to the hall [14].
- From the entrance hall, of which Mr Collins pointed out, the fine proportions and finished ornaments [15].
- they followed the servants through an ante-chamber, to the room where Lady Catherine, her daughter and Mrs Jenkinson were sitting [16].
- They were all sent to one of the windows, to admire the view, Mr Collins attending them to point out its beauties [17].
- for Mr. Collins was walking the whole morning within view of the lodges opening into Hunsford Lane .[18]
- In spite of having been at St. James's, Sir William was so completely awed by the grandeur surrounding him [19]
In addition to these we know that Rosings was intended to be an extension of Lady Catherine's personality - her personae had pervaded the house so what do we know of Lady Catherine.
- She was rich
- Referred to as Lady Catherine tells us she was the daughter of at least an Earl, as she retained her own title she had obviously married beneath her born rank.
- She is the widow of Sir Lewis De Bourgh [20] who had paid for the glazing.
- Her behaviour suggests that of an unhappy woman, she is a megalomaniac who attempts to control the lives of all around her. She has to in charge - she is opressive.
Knowing all these facts we can now build a picture of Rosings:
It is described as modern house, the manuscript of P&P was completed in 1797, hence for the house to be described as modern it can be no more that 40 years old so was obviously built not before 1757. However, we are told that the guest admired the park, this would have taken some years to develop (unless the site were older) so the earliest date is the most likely One ascended steps to the hall which implies the principal floor was raised on at least a semi-basement, and the reception rooms were on a piano nobile, the hall itself is finely proportioned and has finished ornament, this sugests ornate plasterwork, coving and door frames. The part pass through an ante-room to reach the reception room in which Lady Catherine was seated - this suggests we are looking for a larger than a smaller country house - but how big? We know Rosings was recently built by a mere baronet, albeit a baronet married to the daughter of an Earl - however at that time the tendency was to build in a size according to rank. Belton House built by an extremely wealthy baronet some 70 years before Rosings was not huge. Jane Austen when building her picture of the overpoweringly impressive Rosings does not mention wings or courtyards. It seems that the richness and grandeur came from the interior decoration, which is what caused: "In spite of having been at St. James's, Sir William was so completely awed by the grandeur surrounding him" Could Austen have meant that Rosings a newly built baronet's seat was grander than the royal palace in London or did part of the grandeur come from Lady Catherine herself?
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Hence Rosing would have been a moderate sized house, built circa 1757 on high ground. Austen's description describes a classical mansion typical of era which would mean a palladian or neoclassical design on three floors. With a staircase to the first floor front door. Such a wealthy pople as the de Burghs would have employed only the most eminent architects of the day, so who circa 1757 could that have been - if we know the architect we can better visualise the house. The contenders for the architect of Rosings are:
My guess is that the de Burghs employed James Paine for a house similar to Brocket Hall.
Pemberly edit
Pemberly the ancestral home of the Darcy family is located by Austen in Cheshire from the book we know that it is magnificent in everyway from the beauty of ots park and woodland to the fineness of its architecture. Austen describes it as..........
"Do let the portraits of your uncle and aunt Philips be placed in the gallery at Pemberley". (chapter 10)
References edit
- ^ Country Life: September 2nd 2015. P52-P55.
- ^ Chapter 28
- ^ List of Places in the novel Pride and Prejudice
- ^ [Nicolson, Nigel: The World of Jane Austen, Weidenfeld and Nicolson, London, 1991. P175
- ^ Austen, Jane: Pride and Prejudice, Oxford University Press, 1988 p156
- ^ Chapter 16
- ^ [http://www.jasa.net.au/houses/rosings.htm Country Houses in Jane Austen's novels - Pride and Prejudice
- ^ The life of Jane Austen
- ^ Chapter 14
- ^ Chapter 146
- ^ Chapter 29
- ^ Chapter 25
- ^ Chapter 25
- ^ Chapter 29
- ^ Austen, Jane: Pride and Prejudice, Oxford University Press, 1988 p161
- ^ Austen, Jane: Pride and Prejudice, Oxford University Press, 1988 p161
- ^ Chapter 29
- ^ Chapter 30
- ^ Chapter 29
- ^ Chapter 13
External links edit
Mansfield Park edit
Country Life: September 2nd 2015. P52-P55. RH bookcase IV.III
Notes to self edit
"Why is Rosings in Kent? Maggie Lane suggests Kent was chosen so that the characters may travel via London’. However, we know Jane Austen enjoyed the park-like landscape of Kent – just as Elizabeth Bennet does – and at one stage she described Kent as a place where ‘everybody is rich’. Shades of Lady Catherine’s display of wealth? Some have attempted to associate Rosings with an actual house, particularly Chevening, (see page 11) but I agree with Maggie Lane that it is far more likely to be a creation of the author’s mind (Lane, p62)" from [1]
