 | This page may be too long to read and navigate comfortably. (November 2018) |
| Lists of |
| Compositions by Johann Sebastian Bach |
|---|
Johann Sebastian Bach composed cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias. His instrumental music includes concertos, suites, sonatas, fugues, and other works for organ, harpsichord, lute, violin, cello, flute, chamber ensemble and orchestra.
There are over 1000 known compositions by Bach. Nearly all of them are listed in the Bach-Werke-Verzeichnis (BWV), which is the best known and most widely used catalogue of Bach's compositions.
Listing Bach's compositions edit
The earliest lists of Bach's compositions are given by his biographers, starting from his obituary which gives a list of instrumental works printed during the composer's lifetime (from Clavier-Übung I to The Art of Fugue), followed by a list which groups other types of compositions he wrote. The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same setup: its ninth chapter first lists printed works (adding four-part chorales that were published in the second half of the 18th century), followed by a rough overview of the unpublished ones. In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)
BG edit
In the second half of the 19th century the Bach-Gesellschaft (BG) published all of Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA).[1] This offered a unique identification of all of Bach's known works, a system that was quickly adopted, for instance by the biographers: Philipp Spitta used it complementarily to the Peters edition numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.[2]
But there was still a lot of confusion: some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's,... giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).
NBG edit
In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII1 in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).[2]
BWV edit
In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):[3]
- Kantaten (Cantatas), BWV 1–224
- Motetten (Motets), BWV 225–231
- Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
- Passionen, Oratorien (Passions, Oratorios), BWV 244–249
- Vierstimmige Choräle (Four-part chorales), BWV 250–438
- Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
- Werke für Orgel (Works for organ), BWV 525–771
- Werke für Klavier (Keyboard compositions), BWV 772–994
- Werke für Laute (Lute compositions), BWV 995–1000
- Kammermusik (Chamber music), BWV 1001–1040
- Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
- Kanons (Canons), BWV 1072–1078
- Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080
For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ. In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225).[4]
Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).
BWV Anh. edit
The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:
- I – lost works, or works of which only a tiny fraction had survived (Anh. 1–23)
- II – works of dubious authenticity (Anh. 24–155)
- III – works that were once attributed to Bach, but for which it had been established they were not composed by him (Anh. 156–189)
Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.
BWV2a edit
Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example, BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b→" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a→ meant BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183→ indicating it was now considered a spurious work.[5]
In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[6]
New additions (Nachträge) to BWV2/BWV2a included:
A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[7]
Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:
- BWV 243a: 1723 E♭ major version of the 1733 Magnificat in D major BWV 243
- BWV 1071 renumbered to BWV 1046a (early version of the first Brandenburg Concerto)
- BWV Anh. 198 renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149)
Some versions were completely removed from the catalogue, e.g. BWV 655b and c
Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).
21st-century additions edit
Numbers above BWV 1126 were added in the 21st century.
Reconstructed versions edit
An upper case R added to a BWV number indicates a reconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as BWV 1060R.
BWV3 edit
As of mid-2018 the Bach digital website started to implement the new numbers of the 3rd edition of the Bach-Werke-Verzeichnis, which had been announced for publication in that year.[8] For example, the Leipzig version of the Christ lag in Todes Banden cantata used to be BWV 4 in previous versions of the catalogue, and, in BWV3, has become BWV 4.2.[9]
NBA edit
In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,[10] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.
NBArev edit
Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.[11]
BC edit
The Bach Compendium (BC), a catalogue covering Bach's vocal works, was published in 1985.[12] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.[13]
BNB edit
Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach and/or which he (had) copied for performance usually have a BNB number.[14]
SBB edit
The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345.
By opus number, and chronological lists edit
Apart from indicating his first published keyboard composition as Opus 1, Bach didn't use opus numbers, so Bach's works can't be listed by opus number. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.
Listing Bach's works according to their time of composition can't be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.[15] This list was published in 1982 as Guide pratique des cantates de Bach in Paris, ISBN 2-221-00749-2. A revised edition was published in 2005 (ISBN 2747598888).
Other composers edit
Various catalogues with works by other composers have intersections with collections of works associated with Bach:[16]
- BR-WFB (or) BR
- Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49
- Other BRs:
- BR-CPEB: works by Carl Philipp Emanuel Bach (for this composer Helm and/or Wotquenne numbers are however more often used)
- BR-JCFB: works by Johann Christoph Friedrich Bach
- Fk (or) F
- Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2
- H
- Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569
- HWV
- Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605
- TWV
- Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14
- Warb (or) W
- Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22)
- Wq
- Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145
Works in Bach's catalogues and collections edit
There are over 1500 works that feature in a catalogue of works by Bach, like the Bach-Werke-Verzeichnis, and/or in a collection of works associated with Bach (e.g. in one of the Notebooks for Anna Magdalena Bach). Of these around a thousand are original compositions by Bach, that is: more than a mere copy or transcription of an earlier work by himself or another composer.
| BWV (original ranges in parentheses) |
|---|
| 1. Cantatas (1–224) • 2. Motets (225–231) • 3. Masses, Mass movements, Magnificat (232–243) • 4. Passions, Oratorios (244–249) • 5. Four-part chorales (250–438) • 6. Songs, Arias and Quodlibet (439–524) • 7. Works for organ (525–771) • 8. Keyboard compositions (772–994) • 9. Lute compositions (995–1000) • 10. Chamber music (1001–1040) • 11. Works for orchestra (1041–1071) • 12. Canons (1072–1078) • 13. Musical Offering, The Art of Fugue (1079–1080) • Later additions (1081–...) • Reconstructions |
| BWV Anhang (Appendix) |
| I: Lost/fragmentary (1–23) • II: Doubtful (24–155) • III: Spurious (156–189) • N: Nachträge (New additions, 190–213) |
| Not in BWV (BWV deest) |
| Sorted by BC, BGA, BNB, NBA, etc. |
| Color | Meaning |
|---|---|
| green | partial or complete manuscript (copy) by Bach and/or first edition under Bach's supervision |
| yellow | manuscript (copy) in whole or in part by close relative, i.e. brother (J. Christoph), wife (A. M.), son (W. F. / C. P. E. / J. C. F. / J. Christian) or son-in-law (Altnickol) |
| orange-brown | manuscript (copy) by close friend and/or pupil (Kellner, Krebs, Kirnberger, Walther, ...), or distant family member |
- See also Legend to the table below
| BWV | BC | Other Catalogue #s | Date | Name | Title Page Name | Autograph Score Heading Name | Name on Parts | Key | Scoring | NBA | Additional info |
|---|---|---|---|---|---|---|---|---|---|---|---|
| 1. | Cantatas (see also: List of Bach cantatas, Church cantata (Bach) and List of secular cantatas by Johann Sebastian Bach) | ||||||||||
| 1 | A 173 | 1725-03-25 | Cantata Wie schön leuchtet der Morgenstern (Annunciation) | Festo Annunciationis Mariae. Wie schön leuchtet der Morgenstern â 4. Voc. 2 Corn. 2. Hautbois 2. Violini Concert. 2-. Violini Rip. Viola. e Continuo
di Signor J. S.Bach |
F major | stbSATB 2Hn 2Odc 2Vl Str Bc | I/28.2: 3 | ||||
| 2 | A 98 | 1724-06-18 | Cantata Ach Gott, vom Himmel sieh darein (Trinity II) | Domin: 2 post Trin: Ach Gott vom Himel sieh darein â 4 Voc: 4 Tromb: 2 Hautb: 2 Violini Viola e Continuo di Sign. J S. Bach | J. J. Dominica 2 . post Trinitatis. Ach Gott vom Himmel sieh darein | Dominica 2. post Trinit. Ach Gott vom Himel sieh darein â 4. Voc: 4. tromb. 2. Hautbois 2 Violini Viola. e Continuo di Signore J. S.Bach | G minor | atbSATB 4Tbn 2Ob Str Bc | I/16: 81 | ||
| 3 | A 33 | 1725-01-14 | Cantata Ach Gott, wie manches Herzeleid (Epiphany II) | Dominica 2 post Epiphanias. Ach Gott! Wie manches Hertzeleyd. à 4 Voci. 2 Hautb: d'Amour 2 Violini Viola. e Continuo di J. S. Bach | J. J. Dominica 2. post Epiphanias Ach Gott! Wie manches Hertzeleyd. | Dominica 2. post Epiphan. Ach Gott, wie manches Herzeleyd â 4. Voci 2. Hautb: d'Amour 2. Violini Viola e Continuo di J. S.Bach | A major | satbSATB Hn Tbn 2Oba Str Bc | I/5: 189 | ||
| 4.1 | A 54a | 1707-04-24 1708-04-08 |
Cantata Christ lag in Todes Banden (Easter; early version, lost-can be reconstructed) | Feria Paschatos. Christ lag in Todesbanden a.4. Voc: 2 Violini 2 Viole con Continuo Di Signore Joh.Seb.Bach | E minor | satbSATB 2Vl 2Va Bc | I/9 | text by Luther; → BWV 4.2 (Movement 8 (Versus VII) music= Movement 2 (Versus I)) | |||
| 4.2 | A 54b (Version 1724) | 1724-04-09 | Cantata Christ lag in Todes Banden (Easter) | Feria Paschatos. Christ lag in Todesbanden a.4. Voc: 2 Violini 2 Viole con Continuo Di Signore Joh.Seb.Bach | E minor | satbSATB 2Vl 2Va Bc | I/9: 1 | text by Luther; after BWV 4.1 (Movement 8 (Versus VII) four-part chorale) | |||
| 4.3 | A 54b (Version 1725) | 1725-04-01 | Cantata Christ lag in Todes Banden (Easter) | Feria Paschatos. Christ lag in Todesbanden a.4. Voc: Cornetto 3 Trombon. 2 Violini 2 Viole con Continuo Di Signore Joh.Seb.Bach | E minor | satbSATB Cnt 3Tbn Str Bc | I/9: 1 | text by Luther; after BWV 4.2 | |||
| 5 | A 145 | 1724-10-15 rep. 1732/1735 |
Cantata Wo soll ich fliehen hin (Trinity XIX) | Dom: 19 post Trinit. Wo soll ich fliehen hin? Weil ich etc. à 4 Voc: Tromba 2 Hautbois 2 Violini Viola con Continuo di Sign: J. S:Bach | J. J.Dominica 19 post Trinit. Wo soll ich fliehen hin? Concerto | Dominica 19. post Trinit. Wo soll ich fliehen hin, weil ich etc. â 4. Voc: Tromba. 2 Hautbois. 2 Violini Viola e Continuo. di Signore J. S.Bach | G minor | satbSATB Tdt 2Ob Str Bc | I/24: 133 | Repeat performance: without Organ in movements 2-4 & 6 | |
| 6.1 | A 57a | 1725-04-02 | Cantata Bleib bei uns, denn es will Abend werden (Easter 2) | Feria 2 Paschatos. Bleib bey uns, denn es will Abend werden a 4 Voci. 2 Hautb. da Caccia 2 Viol. Viola Viola pomposa e Continuo di J .S.Bach | J.J.Feria 2 Paschatos Xsti. Concerto | Feria 2 Paschatos. Bleib bey uns den es will abend werden â 4. Voc: 2 Hautbois Hautb: da Caccia 2 Violini Viola Viola pomposa e Continuo di Sign: Johann Sebastian Bach. | C minor | satbSATB 2Ob Odc Str Va pomposa Bc | I/10: 43 | → BWV 649 without Violoncello piccolo, substitution: Viola pomposa Movement 2 with Odc | |
| 6.2 | A 57b (Middle Version) | 1727-04-03? | Cantata Bleib bei uns, denn es will Abend werden (Easter 2) | Feria 2 Paschatos. Bleib bey uns, denn es will Abend werden a 4 Voci. 2 Hautb. da Caccia 2 Viol. Viola Violoncello piccolo e Continuo di J .S.Bach | J.J.Feria 2 Paschatos Xsti. Concerto | Feria 2 Paschatos. Bleib bey uns den es will abend werden â 4. Voc: 2 Hautbois Hautb: da Caccia 2 Violini Viola Violoncello piccolo e Continuo di Sign: Johann Sebastian Bach. | C minor | satbSATB 2Ob Odc Str Vc picc Bc | I/10: 43 | → BWV 649 Movement 2 with Va | |
| 6.3 | A 57b (Later Version) | 1736/1740 | Cantata Bleib bei uns, denn es will Abend werden (Easter 2) | Feria 2 Paschatos. Bleib bey uns, denn es will Abend werden a 4 Voci. 2 Hautb. da Caccia 2 Viol. Viola Violoncello piccolo e Continuo di J .S.Bach | J.J.Feria 2 Paschatos Xsti. Concerto | Feria 2 Paschatos. Bleib bey uns den es will abend werden â 4. Voc: 2 Hautbois Hautb: da Caccia 2 Violini Viola Violoncello piccolo e Continuo di Sign: Johann Sebastian Bach. | C minor | satbSATB 2Ob Odc Str Vc picc Bc | I/10: 43 | → BWV 649 Movement 2 with Odc | |
| 7 | A 177 | 1724-06-24 | Cantata Christ unser Herr zum Jordan kam (24 June: feast of John the Baptist) | Fest S.Joannis Bapt. Christ unser Herr zum Jordan kam â 4. Voc. 2 Hautb, d'Am our 2. Violino Conceret. 2. Violini. Viola Violoncello e Continuo di Signore J. S.Bach | E minor | atbSATB 2Oba 2Vl Str Bc | I/29: 25 | Repeat performance possibly with harpsichord in basso continuo | |||
| 8.1 | 1724-09-24 | Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 1st version) | E major | satbSATB Hn Fl Fl 2Oba Str Bc | I/23: 105 | → BWV 8.2 | |||||
| 8.2 | 1747-09-17 | Cantata Liebster Gott, wenn werd ich sterben? (Trinity XVI; 2nd version) | D major | satbSATB Fl 2Oba Tai 2Vl Str Bc | I/23: 163 | after BWV 8.1 | |||||
| 9 | 1732-07-20 | Cantata Es ist das Heil uns kommen her (Trinity VI) | E major | satbSATB Fl Oba Str Bc | I/17.2: 83 | → BWV 648 | |||||
| 10 | 1724-07-02 | Cantata Meine Seel erhebt den Herren a.k.a. German Magnificat (Visitation) | G minor | satbSATB Tr 2Ob Str Bc | I/28.2: 131 | ||||||
| 12 | 1714-04-22
1724-04-30 |
Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; two versions) | F Dorian
G minor |
atbSATB Tr Ob 2Vl 2Va Bas Bc | I/11.2: 1 | text by Franck, S.?; → BWV 69.1/6 | |||||
| 13 | 1726-01-20 | Cantata Meine Seufzer, meine Tränen (Epiphany II) | satbSATB 2Fl Odc Str Bc | I/5: 229 | text by Lehms (except /6) | ||||||
| 14 | 1735-01-30 | Cantata Wär Gott nicht mit uns diese Zeit (Epiphany IV) | stbSATB Hn 2Ob Str Bc | I/6: 139 | |||||||
| 16 | 1726-01-01 | Cantata Herr Gott, dich loben wir (New Year/Circumcision) | C major | atbSATB Hn 2Ob Odc Str Va Bc | I/4: 103 | text by Lehms | |||||
| 17 | 1726-09-22 | Cantata Wer Dank opfert, der preiset mich (Trinity XIV) | satbSATB 2Ob Str Bc |
I/21: 147 | → BWV 236/6 | ||||||
| 18.2 | 1724-02-13 | Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) | A minor Kammer- ton |
stbSATB 2Fl Bas 4Va Vc Bc | I/7: 107 | text by Neumeister; after BWV 18.1 | |||||
| 18.1 | 1715-02-24 | Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima; early version) | G minor Chorton |
stbSATB Bas 4Va Vc Bc | I/7: 81 | text by Neumeister; → BWV 18.2 | |||||
| 19 | 1726-09-29 | Cantata Es erhub sich ein Streit (Michaelmas) | stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc | I/30: 55 | text by Picander | ||||||
| 20 | 1724-06-11 | Cantata O Ewigkeit, du Donnerwort (Trinity I) | atbSATB Tdt Tmp 3Ob Str Bc | I/15: 133 | |||||||
| 21.1 | 1713-10-08 | Cantata Ich hatte viel Bekümmernis (1st version: in ogni tempore; funeral for Amelia Maria Harreß) | C minor | sSATB Ob Str Bc | I/16: 109 | text by Franck, S.?; → BWV 21.2-5 consists of Movements II-VI, IX & X only. | |||||
| 21.2 | before Dec. 1713 | Cantata Ich hatte viel Bekümmernis (2nd version: in ogni tempore; trial for post of Organist at Marktkirche Unser Lieben Frauen, Halle/Saale) | C minor | sbSATB 3Tr Tmp Ob Str Bc | I/16: 109 | text by Franck, S.?; → BWV 21.3-5 | |||||
| 21.3 | 1714-06-17 | Cantata Ich hatte viel Bekümmernis (3rd version: Trinity III) | C minor | tbSATB 3Tr Tmp Ob Str Bc | I/16: 109 | text by Franck, S.?; after BWV 21.2; → BWV 21.4-5 | |||||
| 21.4 | November 1720 | Cantata Ich hatte viel Bekümmernis (4th version: : in ogni tempore; trial for post of Organist at St. James' Church, Hamburg) | D minor | sbSATB 3Tr Tmp Ob Str Bc | I/16 | text by Franck, S.?; after BWV 21.2; → BWV 21.5 | |||||
| 21.5 | 1723-06-13 | Cantata Ich hatte viel Bekümmernis (5th version: Trinity III) | C minor | stbSATB 3Tr Tmp 4Tne Ob Str Bc | I/16 | text by Franck, S.?; after BWV 21.2 | |||||
| 22 | 1723-02-07 | Cantata Jesus nahm zu sich die Zwölfe (Estomihi) | satbSATB Ob Str Bc | I/8: 1 | |||||||
| 23.1 | 1723 | Cantata Du wahrer Gott und Davids Sohn (1st version, 3 movements: Estomihi) | C minor | satbSATB 2Ob Str Bc | I/8: 35 | → BWV 23.2, .3 | |||||
| 23.2 | 1723-02-07 | Cantata Du wahrer Gott und Davids Sohn (2nd version, 4 movements: Estomihi) | B minor | satbSATB Crn 3Tbn 2Oba Str Bc | I/8: 71 | after BWV 23.1; → .3 | |||||
| 23.3 | 1728–1731 | Cantata Du wahrer Gott und Davids Sohn (3rd version, 4 movements: Estomihi) | C minor | satbSATB 2Ob Str Bc | I/8: 35 | after BWV 23.1, .2 | |||||
| 24 | 1723-06-20 | Cantata Ein ungefärbt Gemüte (Trinity IV) | F major | satbSATB Cl 2Ob 2Oba Str Bc | I/17.1: 47 | text by Neumeister | |||||
| 25 | 1723-08-29 | Cantata Es ist nichts Gesundes an meinem Leibe (Trinity XIV) | stbSATB Crn 3Tbn 3Fl 2Ob Str Bc | I/21: 79 | |||||||
| 26 | 1724-11-19 | Cantata Ach wie flüchtig, ach wie nichtig (Trinity XXIV) | A minor | satbSATB Hn Fl 3Ob Str Bc | I/27: 29 | ||||||
| 27 | 1726-10-06 | Cantata Wer weiß, wie nahe mir mein Ende? (Trinity XVI) | satbSSATB Hn 2Ob Odc Str Org Bc | I/23: 221 | after BWV Anh. 170 | ||||||
| 28 | 1725-12-30 | Cantata Gottlob! nun geht das Jahr zu Ende (Christmas I) | A minor | satbSATB Cnt 3Tbn 2Ob Tai Str Bc | I/3.2: 75 | text by Neumeister; → BWV 28/2a, Anh. 160/2 | |||||
| 28/2a | 1725? | Motet Sei Lob und Preis mit Ehren | C major | SATB | III/3: 15 | after BWV 28/2; → Anh. 160/2; was BWV 231 | |||||
| 29 | 1731-08-27 | Cantata Wir danken dir, Gott, wir danken dir (council election) | D major | satbSATB 3Tr Tmp 2Ob Str Org Bc | I/32.2: 1 | after BWV 120.2/4 | |||||
| 30.2 | 1738-06-24 | Cantata Freue dich, erlöste Schar (24 June: feast of John the Baptist) | satbSATB 2Fl 2Ob Oba Vl Str Bc | I/29: 59 | text by Picander?; after BWV 30.1 (parody) | ||||||
| 30.1 | 1737-09-28 | Secular cantata Angenehmes Wiederau (for Hennicke at Wiederau manor) | D major | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc | I/39: 51 | text by Picander?; → BWV 30.2, 195, v2/6, /8 | |||||
| 31.2 | 1724-04-09 | Cantata Der Himmel lacht! Die Erde jubilieret (Leipzig version: Easter) | stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc | I/9: 41 rev 2 |
text by Franck, S; after BWV 31.1 | ||||||
| 31.1 | 1715-04-21 | Cantata Der Himmel lacht! Die Erde jubilieret (Weimar version: Easter) | C major | stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc | I/9 rev 2 |
text by Franck, S; → BWV 31.2 | |||||
| 32 | 1726-01-13 | Cantata Liebster Jesu, mein Verlangen (Epiphany I) | E minor | sbSATB Ob Str Bc | I/5: 143 | text by Lehms | |||||
| 33 | 1724-09-03 | Cantata Allein zu dir, Herr Jesu Christ (Trinity XIII) | A minor | atbSATB 2Ob Str Bc | I/21: 23 | ||||||
| 34.1 | 1727-06-01 | Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecost) | D major | atbSATB 3Tr Tmp 2Fl 2Ob Str Bc | I/13: 129 | → BWV 34.2 | |||||
| 34.2 | after 1727 | Cantata O ewiges Feuer, o Ursprung der Liebe (wedding; incomplete) | satbSATB Vl Va Bc | I/33: 27 | after BWV 34.1 | ||||||
| 35 | 1726-09-08 | Cantata Geist und Seele wird verwirret (Trinity XII) | a 2Ob Tai Str Org Bc | I/20: 215 | text by Lehms | ||||||
| 36.4 | 1725–1730 | Cantata Schwingt freudig euch empor (Advent I; early version) | stbSATB Oba Str Bc | I/1: 17 | after BWV 36.1; → BWV 36.5 | ||||||
| 36.5 | 1731-12-02 | Cantata Schwingt freudig euch empor (Advent I) | satbSATB 2Oba Str Bc | I/1: 41 | after BWV 36.4 | ||||||
| 36.2 | 1726-11-30 or 1725-11-30 |
Secular cantata Steigt freudig in die Luft (birthday of Charlotte Friederike Wilhelmine of Anhalt-Köthen; music lost) | stbSATB Oba Va Str Bc (?) | I/35 | text by Picander; after BWV 36.1/1, /3, /5, /7, /9 | ||||||
| 36.3 | 1735-07-27 | Secular cantata Die Freude reget sich (birthday of Rivinus, J. F.?) | satSATB Fl Oba Str Bc | I/38: 255 | after BWV 36.1/1, /3, /5, /7, /8 | ||||||
| 36.1 | April–May 1725 | Secular cantata Schwingt freudig euch empor (birthday of Mencke, J. B.?) | stbSATB Oba Str Va Bc | I/39: 1 | → BWV 36.2–.4 | ||||||
| 37 | 1724-05-18 | Cantata Wer da gläubet und getauft wird (Ascension) | A major | satbSATB 2Oba Str Bc | I/12: 79 | ||||||
| 38 | 1724-10-29 | Cantata Aus tiefer Not schrei ich zu dir (Trinity XXI) | E minor | satbSATB 2Ob 4Tbn Str Bc | I/25: 217 | ||||||
| 39 | 1726-06-23 | Cantata Brich dem Hungrigen dein Brot (Trinity I) | sabSATB 2Fl 2Ob Str Bc | I/15 179 | |||||||
| 40 | 1723-12-26 | Cantata Darzu ist erschienen der Sohn Gottes (Christmas 2) | F major | atbSATB 2Hn 2Ob Str Bc | I/3.1: 3 | → BWV 233/6 | |||||
| 41 | 1725-01-01 | Cantata Jesu, nun sei gepreiset (New Year) | C major | satbSATB 3Tr Tmp 3Ob Str Vc Bc | I/4: 37 | ||||||
| 42 | 1725-04-08 | Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti) | satbSATB 2Ob Bas Str Bc | I/11.1: 61 | |||||||
| 43 | 1726-05-30 | Cantata Gott fähret auf mit Jauchzen (Ascension) | satbSATB 3Tr Tmp 2Ob Str Bc | I/12: 133 | after BWV 43/11 | ||||||
| 44 | 1724-05-21 | Cantata Sie werden euch in den Bann tun (Exaudi) | satbSATB 2Ob Str Bc | I/12: 165 | |||||||
| 45 | 1726-08-11 | Cantata Es ist dir gesagt, Mensch, was gut ist (Trinity VIII) | E major | atbSATB 2Fl Ob Oba Str Bc | I/18: 197 | ||||||
| 46 | 1723-08-01 | Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinity X) | atbSATB Tdt Hn 2Fl 2Odc Str Bc | I/19: 109 | |||||||
| 47 | 1726-10-13 | Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinity XVII) | G minor | sbSATB 2Ob Str Org Bc | I/23: 319 | text by Helbig | |||||
| 48 | 1723-10-03 | Cantata Ich elender Mensch, wer wird mich erlösen (Trinity XIX) | G minor | atSATB Tr 2Ob Str Bc | I/24: 105 | ||||||
| 49 | 1726-11-03 | Cantata Ich geh und suche mit Verlangen (Trinity XX) | G minor | sb Oba Str Vl Org Bc | I/25: 107 | → BWV 1053/3 | |||||
| 50 | Cantata Nun ist das Heil und die Kraft (single movement; arrangement or fragment of a cantata for Michaelmas?) | D major | 2SATB 3Tr Tmp 3Ob Str Bc | I/30: 141 | text after Rev. 12: 10; in SBB P 136 | ||||||
| 51 | 1730-09-17 | Cantata Jauchzet Gott in allen Landen (Trinity XV) | C major | s (2)Tr (Tmp) Str Bc | I/22: 77 | ||||||
| 52 | 1726-11-24 | Cantata Falsche Welt, dir trau ich nicht (Trinity XXIII) | F major | sSATB 2Hn 3Ob Bas Str Bc | I/26: 131 | text by Birkmann; after BWV 1046a/1 | |||||
| 54 | 1714–1717? | Cantata Widerstehe doch der Sünde (Oculi) | E♭ major | a 2Vl 2Va Bc | I/18: 3 | text by Lehms; → BWV 247/53? | |||||
| 55 | 1726-11-17 | Cantata Ich armer Mensch, ich Sündenknecht (Trinity XXII) | G minor | tSATB Fl Oba Str Bc | I/26: 55 | text by Birkmann | |||||
| 56 | 1726-10-27 | Cantata Ich will den Kreuzstab gerne tragen (Trinity XIX) | bSATB 2Ob Tai Str Vc Bc | I/24: 173 | text by Birkmann | ||||||
| 57 | 1725-12-26 | Cantata Selig ist der Mann (Christmas 2) | G minor | sbSATB 2Ob Tai Str Bc | I/3.1: 83 | text by Lehms | |||||
| 58.2 | 1733-01-04 or 1734-01-03 |
Cantata Ach Gott, wie manches Herzeleid (New Year I) | C major | sb 2Ob Tai Vl Str Bc | I/4: 217 | text by Birkmann; after BWV 58.1 | |||||
| 58.1 | 1727-01-05 | Cantata Ach Gott, wie manches Herzeleid (New Year I; early version) | C major | sb Vl Str Bc | I/4: 241 | text by Birkmann; → BWV 58.2 | |||||
| 59 | 1724-05-28 | Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) | C major | sbSATB 2Tr Tmp Str Bc | I/13: 65 | text by Neumeister; → BWV 74/1 and /2, 175/7 | |||||
| 60 | 1723-11-07 | Cantata O Ewigkeit, du Donnerwort (Trinity XXIV) | D major | atbSATB Hn 2Oba Str Bc | I/27: 1 | ||||||
| 61 | 1714-12-02 | Cantata Nun komm, der Heiden Heiland (Advent I – first setting) | stbSATB Fag 2Vl 2Va Bc | I/1: 1 | text by Neumeister | ||||||
| 62 | 1724-12-03 | Cantata Nun komm, der Heiden Heiland (Advent I – second setting) | B minor | satbSATB Hn 2Ob Str Bc | I/1: 75 | ||||||
| 63 | 1714-12-25 1723-12-25 |
Cantata Christen, ätzet diesen Tag (Christmas; two versions) | C major | satbSATB 4Tr Tmp 3Ob Bas Str Bc | I/2: 1 | text by Heineccius, J. M.? | |||||
| 64 | 1723-12-27 | Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Christmas 3) | E minor | sabSATB Cnt 3Tbn Oba Str Bc | I/3.1: 113 | text by Knauer (modified) | |||||
| 65 | 1724-01-06 | Cantata Sie werden aus Saba alle kommen (Epiphany) | tbSATB 2Hn 2Fl 2Odc Str Bc | I/5: 1 | |||||||
| 66.2 | 1724-04-10 | Cantata Erfreut euch, ihr Herzen (Easter 2) | atbSATB Tr 2Ob Str Bc | I/10: 1 | after BWV 66.1/8, /1–/4 | ||||||
| 66.1 | 1718-12-10 | Secular cantata Der Himmel dacht auf Anhalts Ruhm und Glück (birthday of Leopold of Anhalt-Köthen) | atbSATB 2Ob Bas Str Bc (?) | I/35 | text by Hunold; → BWV 66.2/1–/5 | ||||||
| 67 | 1724-04-16 | Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti) | A major | atbSATB Hn Fl 2Oba Str Bc | I/11.1: 1 | → BWV 234/2 | |||||
| 68 | 1725-05-21 | Cantata Also hat Gott die Welt geliebt (Pentecost 2) | D minor | sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc | I/14: 31 | text by Ziegler, C. M.; after BWV 208/13 and /7 | |||||
| 69.2 | 1748-08-26 | Cantata Lobe den Herrn, meine Seele (council election) | D major | satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | I/32.2: 111 | after BWV 69.1/1, /3 and /5 | |||||
| 69.1 | 1723-08-15 | Cantata Lobe den Herrn, meine Seele (Trinity XII) | satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc | I/20: 117 | text by Knauer (modified); after BWV 12/7; → BWV 69.2/1, /3 and /5 | ||||||
| 70.2 | 1723-11-21 | Cantata Wachet! Betet! Betet! Wachet! (Trinity XXVI) | C major | satbSATB Tr Ob Str Vc Bc | I/27: 107 | text by Franck, S (reworked); after BWV 70.1 | |||||
| 70.1 | 1716-12-06 | Cantata Wachet! Betet! Betet! Wachet! (Advent II) | satbSATB Tr Ob Str Vc Bc | I/1 | text by Franck, S; → BWV 70.2/1, /3, /5, /8, /10, /11 | ||||||
| 71 | 1708-02-04 | Cantata Gott ist mein König (council election) | D major | satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org | I/32.1: 3 | text by Eilmar? | |||||
| 72 | 1726-01-27 | Cantata Alles nur nach Gottes Willen (Epiphany III) | A minor | sabSATB 2Ob Str Bc | I/6: 59 | text by Franck, S; → BWV 235/2 | |||||
| 73 | 1724-01-23 | Cantata Herr, wie du willt, so schicks mit mir (Epiphany III) | G minor | stbSATB Hn 2Ob Str Bc | I/6: 3 | ||||||
| 74 | 1725-05-20 | Cantata Wer mich liebet, der wird mein Wort halten (Pentecost) | satbSATB 3Tr Tmp 2Ob Odc Str Bc | I/13: 83 | text by Ziegler, C. M.; after BWV 59/1, /4 | ||||||
| 75 | 1723-05-30 | Cantata Die Elenden sollen essen (Trinity I) | satbSATB Tr 2Ob Oba Bas Str Bc | I/15: 85 | → BWV 100/6 | ||||||
| 76 | 1723-06-06 | Cantata Die Himmel erzählen die Ehre Gottes (Trinity II) | C major | satbSATB Tr 2Ob Oba Str Vdg Bc | I/16: 1 | → BWV 528/1 | |||||
| 77 | 1723-08-22 | Cantata Du sollt Gott, deinen Herren, lieben (Trinity XIII) | satbSATB Tdt 2Ob Str Bc | I/21: 1 | text by Knauer | ||||||
| 78 | 1724-09-10 | Cantata Jesu, der du meine Seele (Trinity XIV) | G minor | satbSATB Hn Fl 2Ob Str Vne Bc | I/21: 115 | ||||||
| 79 | 1725-10-31 | Cantata Gott der Herr ist Sonn und Schild (Reformation Day; two versions: Fl associated with 2nd c.1730) | G major | sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc | I/31: 1 | → BWV 236/2, /4, 234/5 | |||||
| 80.3 | 1727-10-31 1731-10-31 |
Cantata Ein feste Burg ist unser Gott (Reformation Day; 2nd Leipzig v.; Tr & Tmp in BGA likely W. F. Bach's addition) | D major | satbSATB 3Ob 2Oba Odc Str Bc | I/31: 71 | text by Franck, S; after BWV 80.1, .2 | |||||
| 80.1 | 1715-03-24 1716-03-16 |
Cantata Alles, was von Gott geboren (Oculi; music lost) | satb(?)SATB Ob Str Bc | I/8.2: V | text by Franck, S; → BWV 80.2, .3 | ||||||
| 80.2 | 1723-10-31 1731-10-31 |
Cantata Ein feste Burg ist unser Gott (Reformation Day; 1st Leipzig version) | sbSATB Ob Str Bc | I/31: 65 | text by Franck, S; after BWV 80.1; → BWV 80.3 | ||||||
| 81 | 1724-01-30 | Cantata Jesus schläft, was soll ich hoffen? (Epiphany IV) | E minor | atbSATB 2Fl 2Oba Str Bc | I/6: 111 | ||||||
| 82.1 | 1727-02-02 | Cantata Ich habe genug (Purification; 1st version) | C minor | b Ob Str Bc | I/28.1: 111 | text by Birkmann; → BWV 82.2–.4 | |||||
| 82.2 | 1731-02-02 | Cantata Ich habe genug (Purification; 2nd version) | E minor | s Fl Str Bc | I/28.1: 155 | text by Birkmann; after BWV 82.1; → 82.3–.4 | |||||
| 82.2/2–/3 | c.1731 (AMB) | Notebook A. M. Bach (1725) No. 34 Recitative "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen" | E minor | s Bc | V/4 | text by Birkmann; after BWV 82.2 | |||||
| 82.2/3 | c.1731 (AMB) | Notebook A. M. Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incomplete) | E minor | s Bc | V/4 | text by Birkmann; after BWV 82.2 | |||||
| 82.3 | c.1735 | Cantata Ich habe genug (Purification; 3rd version) | C minor | b or mezzo Ob Str Bc | I/28.1: 111 | text by Birkmann; after BWV 82.1–.2; → 82.4 | |||||
| 82.4 | 1746–1748 | Cantata Ich habe genug (Purification; 4th version) | C minor | b (or mezzo) Ob Odc Str Bc | I/28.1: 111 | text by Birkmann; after BWV 82.1–.3 | |||||
| 83 | 1724-02-02 | Cantata Erfreute Zeit im neuen Bunde (Purification) | atbSATB 2Hn 2Ob Vl Str Bc | I/28.1: 3 | |||||||
| 84 | 1727-02-09 | Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae) | E minor | sSATB Ob Str Bc | I/7: 21 | text by Picander (reworked)? | |||||
| 85 | 1725-04-15 | Cantata Ich bin ein guter Hirt (Misericordias Domini) | C minor | satbSATB 2Ob Str Vc Bc | I/11.1: 157 | ||||||
| 86 | 1724-05-14 | Cantata Wahrlich, wahrlich, ich sage euch (Rogate) | E major | satbSATB 2Oba Str Bc | I/12: 45 | ||||||
| 87 | 1725-05-06 | Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate) | D minor | atbSATB 2Ob 2Odc Str Bc | I/12: 61 | text by Ziegler, C. M. (reworked) | |||||
| 88 | 1726-07-21 | Cantata Siehe, ich will viel Fischer aussenden (Trinity V) | D major B minor |
satbSATB 2Hn 2Oba Tai Str Bc | I/17.2: 33 | ||||||
| 89 | 1723-10-24 | Cantata Was soll ich aus dir machen, Ephraim? (Trinity XXII) | sabSATB Hn 2Ob Str Bc | I/26: 1 | |||||||
| 90 | 1723-11-14 | Cantata Es reißet euch ein schrecklich Ende (Trinity XXV) | D minor | atbSATB (Tr) Str Bc | I/27: 59 | ||||||
| 91.2 | after 1740 | Cantata Gelobet seist du, Jesu Christ (Christmas; later version) | G major | satbSATB 2Hn Tmp 3Ob Str Bc | I/2: 131 | after BWV 91.1 | |||||
| 91.1 | 1724-12-25 | Cantata Gelobet seist du, Jesu Christ (Christmas; early version) | G major | satbSATB 2Hn Tmp 3Ob Str Bc | I/2: 164 | → BWV 91.2 | |||||
| 92 | 1725-01-28 | Cantata Ich hab in Gottes Herz und Sinn (Septuagesimae) | B minor | satbSATB 2Oba Str Bc | I/7: 41 | ||||||
| 93 | 1724-07-09 | Cantata Wer nur den lieben Gott läßt walten (Trinity V) | C minor | satbSATB 2Ob Str Bc | I/17.2: 3 | → BWV 647 | |||||
| 94 | 1724-08-06 | Cantata Was frag ich nach der Welt (Trinity IX) | D major | satbSATB Fl 2Ob 2Oba Str Bc | I/19: 43 | ||||||
| 95 | 1723-09-12 | Cantata Christus, der ist mein Leben (Trinity XVI) | G major | stbSATB Hn or Cnt 2Ob 2Oba Str Bc | I/23: 65 | ||||||
| 96 | 1724-10-08 | Cantata Herr Christ, der einge Gottessohn (Trinity XVIII) | F major | satbSATB Hn or Tbn Fl/Fl or Vl 2Ob Str Bc | I/24: 1 | ||||||
| 97 | 1734-07-25 ?; after 1735 |
Cantata In allen meinen Taten (two versions; Trinity V?) | B♭ major | satbSATB 2Ob Str Bc | I/34: 197 | text by Fleming | |||||
| 98 | 1726-11-10 | Cantata Was Gott tut, das ist wohlgetan (Trinity XXI) | B♭ major | satbSATB 2Ob Str Bc | I/25: 241 | text by Birkmann | |||||
| 99 | 1724-09-17 | Cantata Was Gott tut, das ist wohlgetan (Trinity XV) | G major | satbSATB Hn Fl Oba Str Bc | I/22: 41 | text by Rodigast (reworked); → BWV 100/1 | |||||
| 100 | 1732–1735 | Cantata Was Gott tut, das ist wohlgetan | G major | satbSATB 2Hn Tmp Fl Oba Str Bc | I/34: 239 | text by Rodigast; after BWV 99/1, 75/7 | |||||
| 101 | 1724-08-13 | Cantata Nimm von uns, Herr, du treuer Gott (Trinity X) | G major | satbSATB 2Hn Tmp Fl Oba Str Bc | I/19: 173 | ||||||
| 102 | 1726-08-25 | Cantata Herr, deine Augen sehen nach dem Glauben (Trinity X) | G minor | atbSATB Fl Vl 2Ob Str Bc | I/19: 229 | → BWV 235/1, 233/4, /5 | |||||
| 103 | 1725-04-22 1731-04-15 |
Cantata Ihr werdet weinen und heulen (Jubilate, 2 versions) | B minor | atSATB Tr Fl Fl (or) Vl 2Oba Str Bc | I/11.2: 25 | text by Ziegler, C. M. | |||||
| 104 | 1724-04-23 | Cantata Du Hirte Israel, höre (Misericordias) | tbSATB 2Ob 2Oba Tai Str Bc | I/11.1: 113 | |||||||
| 105 | 1723-07-25 | Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinity IX) | G minor | satbSATB Hn 2Ob Str Bc | I/19: 1 | ||||||
| 106 | 1708-09-16? | Cantata Gottes Zeit ist die allerbeste Zeit (funeral; "Actus tragicus") | E♭ major | satbSATB 2Fl 2Vdg Bc | I/34: 1 | text by Olearius (reworked) | |||||
| 107 | 1724-07-23 | Cantata Was willst du dich betrüben (Trinity VII) | B minor | stbSATB Hn 2Fl 2Oba Str Bc | I/18: 55 | text by Heermann | |||||
| 108 | 1725-04-29 | Cantata Es ist euch gut, daß ich hingehe (Cantate) | A major B minor |
atbSATB 2Oba Str Bc | I/12: 17 | text by Ziegler, C. M. | |||||
| 109 | 1723-10-17 | Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versions) | D minor | atSATB (Hn) 2Ob Str Bc | I/25: 157 | ||||||
| 110 | 1725-12-25 | Cantata Unser Mund sei voll Lachens (Christmas) | D major B minor |
satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc | I/2: 71 | text by Lehms | |||||
| 111 | 1725-01-25 | Cantata Was mein Gott will, das g'scheh allzeit (Epiphany III) | A minor | satbSATB 2Ob Str Bc | I/6: 27 | ||||||
| 112 | 1731-04-08 | Cantata Der Herr ist mein getreuer Hirt (Misericordias) | G major | satbSATB 2Hn 2Oba Str Bc | I/11.1: 179 | text by Meuslin after Ps. 23 | |||||
| 113 | 1724-08-20 | Cantata Herr Jesu Christ, du höchstes Gut (Trinity XI) | B minor | satbSATB Fl 2Oba Str Bc | I/20: 79 | ||||||
| 114 | 1724-10-01 | Cantata Ach, lieben Christen, seid getrost (Trinity XVII) | G minor | satbSATB Hn Fl 2Ob Str Bc | I/23: 287 | ||||||
| 115 | 1724-11-05 | Cantata Mache dich, mein Geist, bereit (Trinity XXII) | G major | satbSATB Hn Fl Oba Str Vc Bc | I/26: 21 | text by Freystein (reworked) | |||||
| 116 | 1724-11-26 | Cantata Du Friedefürst, Herr Jesu Christ (Trinity XXV) | A major | satbSATB Hn 2Oba Str Bc | I/27: 79 | text by Ebert (reworked) | |||||
| 117 | 1728–1731 | Cantata Sei Lob und Ehr dem höchsten Gut | G major | atbSATB 2Fl 2Ob 2Oba Str Bc | I/34: 151 | text by Schütz, J. J. | |||||
| 119 | 1723-08-30 | Cantata Preise, Jerusalem, den Herrn (council election) | C major | satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc | I/32.1: 129 | ||||||
| 120.1 | 1729 or earlier | Cantata Gott, man lobet dich in der Stille (council election) | satbSATB 3Tr 2Ob 2Oba Vl Str Bc | I/32.2: 53 | ↔ BWV 120.2/6, /1, /3, 1019a/3 ; → BWV 120.3/1, /2, /4, 232II/9 | ||||||
| 120.2 | 1729? | Cantata Herr Gott, Beherrscher aller Dinge (wedding; incomplete) | satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc | I/33: 75 | after BWV 1006/1, 137/5; ↔ BWV 120.1/2, /4, /6, 1019a/3; → BWV 120.3/2, /4, /1, 232II/9, 29/1 | ||||||
| 120.3 | 1730-06-26 | Cantata Gott, man lobet dich in der Stille (200th anniversary of the Augsb. Confess.; music lost, partially reconstructable) | saSATB 3Tr Tmp 2Oba Vl Str Bc ? | I/34 I/32.2 |
text by Picander; after BWV 120.1/1, /2, /4, 120.2/6, /1, /3, 1019a/3; → 232II/9 | ||||||
| 121 | 1724-12-26 | Cantata Christum wir sollen loben schon (Christmas 2) | satbSATB Cnt 3Tbn Oba Str Bc | I/3.1: 57 | |||||||
| 122 | 1724-12-31 | Cantata Das neugeborne Kindelein (Christmas I) | G minor | satbSATB 3Fl 2Ob Tai Str Bc | I/3.2: 53 | ||||||
| 123 | 1725-01-06 | Cantata Liebster Immanuel, Herzog der Frommen (Epiphany) | B minor | atbSATB 2Fl 2Oba Str Bc | I/5: 47 | ||||||
| 124 | 1725-01-07 | Cantata Meinen Jesum laß ich nicht (Epiphany I) | E major | satbSATB Hn Oba Str Bc | I/5: 115 | ||||||
| 125 | 1725-02-02 | Cantata Mit Fried und Freud ich fahr dahin (Purification) | E minor | atbSATB Hn Fl Ob Oba Str Bc | I/28.1: 31 | ||||||
| 126 | 1725-02-04 | Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae) | A minor | atbSATB Tr 2Ob Str Bc | I/7: 155 | ||||||
| 127 | 1725-02-11 | Cantata Herr Jesu Christ, wahr' Mensch und Gott (Estomihi) | F major | stbSATB Tr 2Fl 2Ob Str Bc | I/8: 107 | → BWV 127/1 (variant) | |||||
| 127/1 (var.) | c.1750 | Chorus "Herr Jesu Christ, wahr' Mensch und Gott" (Passion oratorio movement) | E♭ major | SATB 2Fl 2Ob Str Bc | I/41: 95 | after BWV 127/1; → BC D 10 | |||||
| 128 | 1725-05-10 | Cantata Auf Christi Himmelfahrt allein (Ascension) | G major | atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc | I/12: 101 | text by Ziegler, C. M. | |||||
| 129 | 1727-06-08 | Cantata Gelobet sei der Herr, mein Gott (Trinity) | D major | sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc | I/15: 37 | text by Olearius | |||||
| 130.1 | 1724-09-29 | Cantata Herr Gott, dich loben alle wir (Michaelmas; 1st version) | C major | satbSATB 3Tr Tmp Fl 3Ob Str Bc | I/30: 48 | text by Eber (reworked); → BWV 130.2 | |||||
| 130.2 | 1732–1735 | Cantata Herr Gott, dich loben alle wir (Michaelmas; 2nd version) | C major | satbSATB 3Tr Tmp Fl 3Ob Str Bc | I/30: 48 | text by Eber (reworked); after BWV 130.1 | |||||
| 131 | 1707–1708 | Cantata Aus der Tiefen rufe ich, Herr, zu dir | G minor | satbSATB Ob Bas Str Bc | I/34: 67 | text by Bach or Eilmar after Ps. 130; → BWV 131a | |||||
| 132 | 1715-12-22 | Cantata Bereitet die Wege, bereitet die Bahn (Advent IV) | A major | satbSATB Ob Bas Str Vc Bc | I/1: 99 rev 2 |
text by Franck, S. | |||||
| 133 | 1724-12-27 | Cantata Ich freue mich in dir (Christmas 3) | A major | satbSATB Cnt 2Oba Str Bc | I/3.1: 135 | text by Ziegler, C. (/1, /6) | |||||
| 134.3 | 1731-03-27 1735-04-12 |
Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; later version) | atSATB 2Ob Str Bc | I/10: 69 | after BWV 134.2 | ||||||
| 134.2 | 1724-04-11 | Cantata Ein Herz, das seinen Jesum lebend weiß (Easter 3; early version) | atSATB 2Ob Str Bc | I/10: 106 | after BWV 134.1; → BWV 134.3 | ||||||
| 134.1 | 1719-01-01 | Secular cantata Die Zeit, die Tag und Jahre macht (congratulation for New Year) | atSATB 2Ob Str Bc | I/35: 49 | text by Hunold; → BWV 134.2 | ||||||
| 135 | 1724-06-25 | Cantata Ach Herr, mich armen Sünder (Trinity III) | atbSATB Cnt Tbn 2Ob Str Bc | I/16: 197 | |||||||
| 136 | 1723-07-18 | Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinity VIII) | atbSATB Hn 2Ob 2Oba Str Bc | I/18: 129 | → BWV 234/6 | ||||||
| 137 | 1725-08-19 | Cantata Lobe den Herren, den mächtigen König der Ehren (Trinity XII) | satbSATB 3Tr Tmp 2Ob Str Bc | I/20: 171 | text by Neander; → BWV 650 | ||||||
| 138 | 1723-09-05 | Cantata Warum betrübst du dich, mein Herz (Trinity XV) | satbSATB 2Oba Str Bc | I/22: 19 | → BWV 236/3 | ||||||
| 139 | 1724-11-12 | Cantata Wohl dem, der sich auf seinen Gott (Trinity XXIII) | satbSATB 2Oba Str Bc | I/26: 97 | text by Rube (reworked) | ||||||
| 140 | 1731-11-25 | Cantata Wachet auf, ruft uns die Stimme (Trinity XXVII) | stbSATB Hn 2Ob Tai Vl Str Bc | I/27: 149 | text by Nicolai (reworked); → BWV 645 | ||||||
| 143 | Cantata Lobe den Herrn, meine Seele (New Year) | stbSATB 3Hn Tmp Bas Str Bc | I/4: 165 rev 2 |
||||||||
| 144 | 1724-02-06 | Cantata Nimm, was dein ist, und gehe hin (Septuagesima) | satSATB 2Ob Oba Str Bc | I/7: 1 | |||||||
| 145 | 1729-04-19 | Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Easter 3) | stbSATB Tr Fl 2Ob Str Bc | I/10: 111 | text by Picander; after BWV 145/b | ||||||
| 146 | 1726-05-12 | Cantata Wir müssen durch viel Trübsal (Jubilate) | satbSATB Fl 2Ob 2Oba Tai Str Org Bc | I/11.2: 65 | after BWV 1052R/1, /2?; → BWV 1052/1, /2 | ||||||
| 147.2 | 1723-07-02 | Cantata Herz und Mund und Tat und Leben (Visitation) | D major | satbSATB Tr 2Ob Oba 2Odc Str Bc | I/28: 63 | text by Franck, S. (reworked); after BWV 147.1 | |||||
| 147.1 | 1716-12-20 | Cantata Herz und Mund und Tat und Leben (Advent IV) | D major | satbSATB Tr Ob Str Bc | I/1 | text by Franck, S.; → BWV 147.2/1, /3, /7, /5 | |||||
| 148 | 1723-09-19 | Cantata Bringet dem Herrn Ehre seines Namens (Trinity XVII) | atSATB Tr 2Oba Odc Str Bc | I/23: 253 | text by Picander | ||||||
| 149 | 1729-09-29 | Cantata Man singet mit Freuden vom Sieg (Michaelmas) | satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc | I/30: 97 | text by Picander; after BWV 208/15 | ||||||
| 149/1a | Fall 1729 | Cantata opening: "Concerto" (incomplete; abandoned alternative start of BWV 149?) | D major | SATB 3Tr Tmp 2Ob Str Bc | I/40 I/30 |
in SBB P 175; was BWV Anh. 198 | |||||
| 150 | 1707-07-10 | Cantata Nach dir, Herr, verlanget mich (Trinity III) | satbSATB Bas 2Vl Bc | I/41: 3 | |||||||
| 151 | 1725-12-27 | Cantata Süßer Trost, mein Jesus kömmt (Christmas 3) | satbSATB Fl Vl Oba Str Bc | I/3.1: 169 | text by Lehms | ||||||
| 152 | 1714-12-30 | Cantata Tritt auf die Glaubensbahn (Christmas I) | sb Fl Ob Va Vdg Bc | I/3.2: 3 | text by Franck, S.; ↔ BWV 536/2; → 536a/2 | ||||||
| 153 | 1724-01-02 | Cantata Schau, lieber Gott, wie meine Feind (Christmas II) | atbSATB Str Bc | I/4: 199 | |||||||
| 154 | 1724-01-09 | Cantata Mein liebster Jesus ist verloren (Epiphany I) | atbSATB 2Oba Str Hc Bc | I/5: 89 | |||||||
| 155 | 1716-01-19 1724-01-16 |
Cantata Mein Gott, wie lang, ach lange? (Epiphany II) | satbSATB Bas Str Bc | I/5: 173 | text by Franck, S. | ||||||
| 156 | 1729-01-23 | Cantata Ich steh mit einem Fuß im Grabe (Epiphany III) | F major | satbSATB Ob Str Bc | I/6: 91 | text by Picander; after BWV 1056R/2?; → BWV 1056/2 | |||||
| 157.2 | 1727-02-06 | Cantata Ich lasse dich nicht, du segnest mich denn (funeral; later: Purification) | tbSATB Fl Ob Oba Va Str Bc | I/34: 41 | text by Picander; after BWV 157.1 | ||||||
| 157.1 | before 1727-02-06 | Cantata Ich lasse dich nicht, du segnest mich denn (funeral) | tbSATB Fl Oba Va Str Bc | I/34 | text by Picander; → BWV 157.2 | ||||||
| 158 | Cantata Der Friede sei mit dir (Purification; later: Easter 3) | sbSATB Ob Vl Bc | I/10: 129 | in SBB P 1047, St 634 | |||||||
| 159 | 1729-02-27 | Cantata Sehet, wir gehn hinauf gen Jerusalem (Estomihi) | satbSATB Ob Str Bc | I/8: 153 | text by Picander | ||||||
| 161 | 1716-09-27 | Cantata Komm, du süße Todesstunde (Trinity XVI; 1st version) | atSATB 2Fl Str Org Bc | I/23: 1 | text by Franck, S.; → BWV 161, v2 | ||||||
| 161, v2 | 1723–1750? | Cantata Komm, du süße Todesstunde (Trinity XVI; 2nd version) | satSATB 2Fl Str Bc | I/23: 33 | text by Franck, S.; after BWV 161 | ||||||
| 162.1 | 1716-10-25 | Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) | A minor | satbSATB Str Bc | I/25: 1 | text by Franck, S.; → BWV 162.2 | |||||
| 162.2 | 1723-10-10 | Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinity XX) | B minor | satbSATB Hn Str Bc | I/25: 23 | text by Franck, S.; after BWV 162.1 | |||||
| 163 | 1715-11-24 | Cantata Nur jedem das Seine (Trinity XXIII) | satbSATB Str 2Vc Bc | I/26: 77 | text by Franck, S. | ||||||
| 164 | 1725-08-26 | Cantata Ihr, die ihr euch von Christo nennet (Trinity XIII) | satbSATB 2Fl 2Ob Str Bc | I/21: 57 | text by Franck, S. | ||||||
| 165 | 1715-06-16 1724-06-04 |
Cantata O heilges Geist- und Wasserbad (Trinity) | satbSATB Fag Str Bc | I/15: 1 | text by Franck, S.; in SBB Am.B 105 | ||||||
| 166 | 1724-05-07 | Cantata Wo gehest du hin? (Cantate) | satbSATB Ob Str Bc | I/12: 1 | text by Franck, S.; → BWV 584 | ||||||
| 167 | 1723-06-24 | Cantata Ihr Menschen, rühmet Gottes Liebe (24 June: feast of John the Baptist) | satbSATB Tr Ob Odc Str Bc | I/29: 1 | |||||||
| 168 | 1725-07-29 | Cantata Tue Rechnung! Donnerwort (Trinity IX) | satbSATB 2Oba Str Bc | I/19: 87 | text by Franck, S. | ||||||
| 169 | 1726-10-20 | Cantata Gott soll allein mein Herze haben (Trinity XVIII) | aSATB 2Oba Tai Str Org Bc | I/24: 59 | text by Birkmann; → BWV 1053/1, /2 | ||||||
| 170 | 1726-07-28 | Cantata Vergnügte Ruh, beliebte Seelenlust (Trinity VI) | a Oba Fl Str Org Bc | I/17.2: 61 | text by Lehms | ||||||
| 171 | 1729-01-01 | Cantata Gott, wie dein Name, so ist auch dein Ruhm (New Year) | satbSATB 3Tr Tmp 2Ob Str Bc | I/4: 131 | text by Picander; after BWV 205 | ||||||
| 172.1 | 1714-05-20 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 1st version = Weimar version; incomplete) | C major | (SATB) 3Tr Tmp (Fl? Ob 2)Vl 2Va Vc Bas (Bc) | I/13 | text by Franck, S.?; → BWV 172.2 | |||||
| 172.2 | 1724-05-28 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 2nd version = 1st Leipzig version) | D major | satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc | I/13: 1 | text by Franck, S.?; after BWV 172.1; → BWV 172.3 | |||||
| 172.3 | 1731-05-13 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecost; 3rd version = 2nd Leipzig version) | C major | satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc | I/13: 33 | text by Franck, S.?; after BWV 172.2 | |||||
| 173.2 | 1727-06-02 1731-05-14 |
Cantata Erhöhtes Fleisch und Blut (Pentecost 2) | satbSATB 2Fl Str Bc | I/14: 1 | after BWV 173.1 | ||||||
| 173.1 | 1722-12-10 | Secular cantata Durchlauchtster Leopold (birthday of Leopold of Anhalt-Köthen) | satbSATB 2Fl Str Bc | I/35: 95 | → BWV 173.2 | ||||||
| 174 | 1729-06-06 | Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecost 2) | atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc | I/14: 63 | text by Picander; after BWV 1048/1 | ||||||
| 175 | 1725-05-22 | Cantata Er rufet seinen Schafen mit Namen (Pentecost 3) | atbSATB 2Tr 3Fl Str Vc Bc | I/14: 147 | text by Ziegler, C. M. | ||||||
| 176 | 1725-05-27 | Cantata Es ist ein trotzig und verzagt Ding (Trinity) | sabSATB 2Ob Odc Str Bc | I/15: 17 | text by Ziegler, C. M. | ||||||
| 177 | 1732-07-06 | Cantata Ich ruf zu dir, Herr Jesu Christ (Trinity IV) | satSATB 2Ob Odc Bas Vl Str Bc | I/17.1: 77 | text by Agricola, J. | ||||||
| 178 | 1724-07-30 | Cantata Wo Gott der Herr nicht bei uns hält (Trinity VIII) | atbSATB Hn 2Ob 2Oba Str Bc | I/18: 159 | |||||||
| 179 | 1723-08-08 | Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinity XI) | stbSATB 2Ob 2Odc Str Bc | I/20: 55 | → BWV 236/1, /5, 234/4 | ||||||
| 180 | 1724-10-22 | Cantata Schmücke dich, o liebe Seele (Trinity XX) | satbSATB 2Fl Fl Ob Odc Str Vc Bc | I/25: 41 | |||||||
| 181 | 1724-02-13 | Cantata Leichtgesinnte Flattergeister (Sexagesima) | satbSATB Tr Fl Ob Str Bc | I/7: 133 | |||||||
| 182 | 1714-03-25 1724-03-25 1728-03-21 |
Cantata Himmelskönig, sei willkommen (Palm Sunday) | G major | atbSATB Fl (Ob 2)Vl 2Va Bc | I/8.2: 1 | text by Franck, S.? | |||||
| 183 | 1725-05-13 | Cantata Sie werden euch in den Bann tun (Exaudi) | satbSATB 2Oba 2Odc Str Vc Bc | I/12: 187 | text by Ziegler, C. M. | ||||||
| 184.2 | 1724-05-30 1727-06-03 1731-05-15 |
Cantata Erwünschtes Freudenlicht (Pentecost 3) | satSATB 2Fl Str Bc | I/14: 119 | after BWV 184.1/1–/4, /6 | ||||||
| 184.1 | 1721-01-01 | Secular cantata (incomplete) | sb 2Fl Vl Str Bc (?) | I/35 | → BWV 184.2/1–/4, /6 | ||||||
| 185.1 | 1715-07-14 | Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) | satbSATB Ob Str Bc | I/17.1: 1 | text by Franck, S.; → BWV 185.2 | ||||||
| 185.2 | 1723-06-20 | Cantata Barmherziges Herze der ewigen Liebe (Trinity IV) | G minor | satbSATB Tr Ob Str Bc | I/17.1: 1 | text by Franck, S.; after BWV 185.1 | |||||
| 186.2 | 1723-07-11 | Cantata Ärgre dich, o Seele, nicht (Trinity VII) | satbSATB 2Ob Tai Bas Str Bc | I/18: 15 | text by Franck, S. (reworked); after BWV 186.1/1–/5 | ||||||
| 186.1 | 1716-12-13 | Cantata Ärgre dich, o Seele, nicht (Advent III; incomplete) | stbSATB 2Ob Odc Tai Bas Str Bc | I/1 | text by Franck, S.; → BWV 186.2/1, /3, /5, /8, /10 | ||||||
| 187 | 1726-08-04 | Cantata Es wartet alles auf dich (Trinity VII) | sabSATB 2Ob Str Bc | I/18: 91 | → BWV 235/6, /4, /3, /5 | ||||||
| 188 | 1728-10-17 | Cantata Ich habe meine Zuversicht (Trinity XXI) | D minor | satbSATB 2Ob Tai Str Org Bc | I/25: 265 | text by Picander; after BWV 1052R/3?; → BWV 1052/3 | |||||
| 190.1 | 1724-01-01 | Cantata Singet dem Herrn ein neues Lied (New Year; incomplete) | atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | I/4: 1 | → BWV 190.2/1, /2, /3, /5 | ||||||
| 190.2 | 1730-06-25 | Cantata Singet dem Herrn ein neues Lied (200th anniversary of the Augsb. Confess.; incomplete) | atbSATB 3Tr Tmp 3Ob Str Bc (?) | I/34 | text by Picander; after BWV 190/1, /2, /3, /5 | ||||||
| 191 | 1743–1746 | Cantata Gloria in excelsis Deo (Christmas) | stSSATB 3Tr Tmp 2Fl 2Ob Str Bc | I/2: 171 | after BWV 232/4, /5, /8, /12 | ||||||
| 192 | autumn 1730? | Cantata Nun danket alle Gott (incomplete) | sbSATB 2Fl 2Ob Str Bc | I/34: 107 | text by Rinkart | ||||||
| 193.2 | 1727-08-25 | Cantata Ihr Tore zu Zion (council election; incomplete) | saSA(TB) 2Ob Str (Bc) | I/32.1: 201 | after BWV 193.1/1, /7, /9 | ||||||
| 193.1 | 1727-08-03 | Secular cantata Ihr Häuser des Himmels, ihr scheinenden Lichter (name day of Friedrich August II; incomplete) | saSA(TB) 2Ob Str (Bc) | I/36 | text by Picander; → BWV 193.2/1, /3, /5 | ||||||
| 194.3 | 1724-06-04 1731-05-20 |
Cantata Höchsterwünschtes Freudenfest (Trinity; 1st Leipzig version) | B♭ major | stbSATB 3Ob Bas Str Bc | I/31 | after BWV 194.2; → BWV 194.4 | |||||
| 194.4 | 1726-06-16 | Cantata Höchsterwünschtes Freudenfest? (Trinity; 2nd Leipzig version) | B♭ major | stbSATB 3Ob Bas Str Bc | I/31: 235 | after BWV 194.3/12, /2, /3, /4, /5, /7, /10 | |||||
| 194.2 | 1723-11-02 | Cantata Höchsterwünschtes Freudenfest (Störmthal version: consecration of church and organ) | B♭ major | sabSATB 3Ob Bas Str Bc | I/31: 123 | after BWV 194.1/1, /3, /5, /7, /9; → BWV 194.3 | |||||
| 194.1 | 1717–1723? | Secular cantata model for church cantata versions of BWV 194 (incomplete) | B♭ major | 3Ob Str &? | I/35 | → BWV 194.2/1, /3, /5, /8, /10 | |||||
| 195.3 | c.1748–1749 | Cantata Dem Gerechten muß das Licht (wedding; last version) | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc | I/33: 171 | after BWV 195.2 | ||||||
| 195.1 | 1727–1731 | Cantata Dem Gerechten muß das Licht (wedding; 1st version, lost) | SATB 3Tr Tmp 2Fl 2Ob Str Bc | I/33 | → BWV 195.2 | ||||||
| 195.2 | c.1742 | Cantata Dem Gerechten muß das Licht (wedding; 2nd version, incomplete) | SATB &? | I/33 | after BWV 195.1, 30a/5, /1; → BWV 195.3 | ||||||
| 196 | 1708-06-05? | Cantata Der Herr denket an uns (wedding) | stbSATB Str Bc | I/33: 1 | text after Ps. 115: 12–15 | ||||||
| 197.2 | 1736–1737 | Cantata Gott ist unsre Zuversicht (wedding) | sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc | I/33: 117 | after BWV 197.1 | ||||||
| 197.1 | 1728-12-25 | Cantata Ehre sei Gott in der Höhe (Christmas; incomplete) | abSATB 2Fl Oba Bas Str Vc Bc | I/2: 63 | text by Picander; → BWV 197.2 | ||||||
| 198 | 1727-10-17 | Secular cantata Laß, Fürstin, laß noch einen Strahl a.k.a. Trauer-Ode (funeral ceremony for Christiane Eberhardine) | satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc | I/38: 179 | text by Gottsched, J. C.; ↔ BWV 244a, 247 | ||||||
| 199.2 | 1720–1721 | Cantata Mein Herze schwimmt im Blut (Trinity XI; Köthen version; incomplete) | D minor | s Ob Str Vdg Bc | I/20: 48 | text by Lehms; after BWV 199.1; → 199.3 | |||||
| 199.3 | 1723-08-08 | Cantata Mein Herze schwimmt im Blut (Trinity XI; Leipzig version) | D minor | s Ob Str Vc Bc | I/20: 23 | text by Lehms; after BWV 199.2 | |||||
| 199.1 | 1714-08-12 | Cantata Mein Herze schwimmt im Blut (Trinity XI; Weimar version) | C minor | s Ob Str Bc | I/20: 1 | text by Lehms; → BWV 199.2 | |||||
| 200 | 1742–1743 (JSB) | Aria Bekennen will ich seinen Namen (from a cantata for Purification?) | a (2Vl) Bc | I/28.1: 189 | by Stölzel; arr. by Bach | ||||||
| 201 | autumn 1729 | Secular cantata Geschwinde, ihr wirbelnden Winde a.k.a. Der Streit zwischen Phoebus und Pan (dramma per musica) | sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc | I/40: 117 | text by Picander | ||||||
| 202 | c.1718? | Secular cantata Weichet nur, betrübte Schatten (wedding) | G major | s Ob Str Bc | I/40: 1 | in D-LEb Peters Ms. R 8 | |||||
| 203 | c.1720? | Secular cantata Amore traditore | A minor | b Hc | I/41: 31 | ||||||
| 204 | 1726–1727 | Secular cantata Ich bin in mir vergnügt a.k.a. Von der Vergnügsamkeit | B♭ major | s Fl 2Ob Str Bc | I/40: 79 | text by Hunold (reworked) | |||||
| 205.1 | 1725-08-03 | Secular cantata Zerreißet, zersprenget, zertrümmert die Gruft a.k.a. Der zufriedengestellte Aeolus (dramma per musica for August Friedrich Müller) | D major | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | I/38: 1 | text by Picander; → BWV 205.2/1–/7, /9–/11, /13, /15, 171/4, 216/7 | |||||
| 205.2 | 1734-02-19 | Secular cantata Blast Lärmen, ihr Feinde (dramma per musica; music lost but largely reconstructable; coronation of Augustus III) | D major | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | I/37 | after BWV 205.1/1–/7, /9–/11, /13, /15 | |||||
| 206.1 | 1736-10-07 (1734?) |
Secular cantata Schleicht, spielende Wellen (dramma per musica; 1st version: birthday of Augustus III) | D major | satbSATB 3Tr Tmp 3Fl 2Oba Str Bc | I/36: 157 | → BWV 206.2 | |||||
| 206.2 | 1740-08-03 | Secular cantata Schleicht, spielende Wellen (dramma per musica; 2nd version: name day of Augustus III) | D major | satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc | I/36: 157 | after BWV 206.1 | |||||
| 207.1 | 1726-12-11 | Secular cantata Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; appointment of professor Gottlieb Kortte) | D major | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | I/38: 97 | after BWV 1046/3; → BWV 207.2/1, /3, /5, /7–/9 | |||||
| 207.2 | 1735-08-03 | Secular cantata Auf, schmetternde Töne der muntern Trompeten (dramma per musica; name day of Augustus III) | D major | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | I/37: 1 | after BWV 207.1/1, /3, /5, /7–/9 | |||||
| 208.1 | 1713-02-23 | Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (1st version: birthday of Christian of Saxe-Weissenfels) | F major | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | I/35: 1 | text by Franck, S.; → BWV 208.2, 1040, 68/4, /2, 149/1 | |||||
| 208.2 | c.1715 | Secular cantata Was mir behagt, ist nur die muntre Jagd a.k.a. Hunting Cantata (2nd version: for Ernst August I of Saxe-Weimar) | F major | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | I/35: 1 | text by Franck, S.; after BWV 208.1; → BWV 208.3 | |||||
| 1040 | 1713-02-23 | Trio (a.k.a. (Canonic) Trio Sonata; postlude to the Hunting Cantata?) | F major | Vl Ob Bc | I/35: 1 | after BWV 208.1/13; =BWV 208.1/13a | |||||
| 208.3 | 1742-08-03 | Secular cantata Was mir behagt, ist nur die muntre Jagd (3rd version: name day of Augustus III) | F major | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? | I/37 | text by Franck, S.; after BWV 208.2 | |||||
| 209 | 1747? | Secular cantata Non sa che sia dolore (farewell of Lorenz Albrecht Beck?) | B minor | s Fl Str Bc | I/41: 43 | ||||||
| 210.2 | 1741-09-19 | Secular cantata O holder Tag, erwünschte Zeit (wedding) | A major | s Fl Oba Str Hc Vne | I/40: 35 | after BWV 210.1/1–/2, /4, /8, /10 | |||||
| 210.1 | 1729-01-12 | Secular cantata O angenehme Melodei (incomplete; homage to Christian of Saxe-Weissenfels) | A major | s (Fl Oba Str Bc)? | I/39: 141 | → BWV 210.2/1–/2, /4, /8, /10 | |||||
| 211 | c.1734 | Secular cantata Schweigt stille, plaudert nicht a.k.a. Coffee Cantata | G major | stb Fl Str Hc Bc | I/40: 193 | text by Picander | |||||
| 212 | 1742-08-30 | Secular cantata Mer hahn en neue Oberkeet a.k.a. Peasant Cantata (Cantate burlesque; homage to Carl Heinrich von Dieskau) | G major | sb Hn Fl Str Bc | I/39: 151 | text by Picander | |||||
| 213 | 1733-09-05 | Secular cantata Laßt uns sorgen, laßt uns wachen a.k.a. Hercules auf dem Scheidewege (dramma per musica; birthday of Frederick Christian of Saxony) | satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc | I/36: 1 | text by Picander; → BWV 248 | ||||||
| 214 | 1733-12-08 | Secular cantata Tönet, ihr Pauken! Erschallet, Trompeten! (birthday of queen Maria Josepha) | D major | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc | I/36: 89 | text by Picander; → BWV 248 | |||||
| 215 | 1734-10-05 | Secular cantata Preise dein Glücke, gesegnetes Sachsen (anniversary of the election of Augustus III as king of Poland) | D major | stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc | I/37: 85 | text by Clauder | |||||
| 216.1 | 1728-02-05 | Secular cantata Vergnügte Pleißenstadt (wedding; incomplete) | sa &? | I/40: 21 | text by Picander; after BWV 205/13; → BWV 216.2/1, /3, /5, /7 | ||||||
| 216.2 | 1728–1731 | Secular cantata Erwählte Pleißenstadt a.k.a. Apollo et Mercurius (incomplete) | sa &? | I/39 | after BWV 216.1/1, /3, /5, /7 | ||||||
| 1083 | 1745–1747 (JSB) | Cantata Tilge, Höchster, meine Sünden | sa 2Vl Str Vne Vc Bc | I/41: 169 | by Pergolesi; arr. by Bach; text after Ps. 51 | ||||||
| 2. | Motets (see also: List of motets by Johann Sebastian Bach) | ||||||||||
| 225 | 1726–1727 New Year? |
Motet Singet dem Herrn ein neues Lied | B♭ major | 2SATB (+colla parte instruments?) | III/1: 1 | text by Gramann (/2: after Ps. 103), after Ps. 149: 1–3 (/1) and Ps. 150: 2, 6 (/3)[17] | |||||
| 226 | 1729-10-20 | Motet Der Geist hilft unser Schwachheit auf (funeral of Johann Heinrich Ernesti) | B♭ major | 2SATB Str Vc 2Ob Tai Bas | III/1: 39 | text by Luther and after Rom. 8: 26–27[17] | |||||
| 227 | before c.1735 | Motet Jesu, meine Freude (funeral) | E minor | SSATB (+colla parte instr.?) | III/1: 77 | text by Franck, J. and after Rom. 8: 1–2, 9–11[17] | |||||
| 228 | c.1715 | Motet Fürchte dich nicht (funeral) | A major | 2SATB (+colla parte instr.?) | III/1: 107 | text by Gerhardt and after Is. 41: 10 and 43: 1[17] | |||||
| 229 | before 1731–1732 | Motet Komm, Jesu, komm (funeral) | G minor | 2SATB (+colla parte instr.) | III/1: 127 | text by Thymich[17] | |||||
| 230 | ? | Motet Lobet den Herrn, alle Heiden | C major | SATB Bc (+colla parte instr.?) | III/1: 149 | text after Ps. 117[17] | |||||
| 231 |
|
|
|
|
|
see BWV 28/2a | |||||
| 118.1 | 1736–1737 | Motet O Jesu Christ, meins Lebens Licht (funeral) | SATB 2Hn Cnt 3Tbn | III/1: 163 | text by Behm; → BWV 118.2[17] | ||||||
| 118.2 | 1746–1747 | Motet O Jesu Christ, meins Lebens Licht (funeral) | SATB 2Ob Tai Bas 2Hn Str Bc | III/1: 171 | text by Behm; after BWV 118.1[17] | ||||||
| 3. | Masses, Mass movements, Magnificat (see also: List of Masses, Mass movements and Magnificats by Johann Sebastian Bach) | ||||||||||
| 232 | Aug. 1748 – Oct. 1749 (compilation, completion) | Mass a.k.a. Hohe Messe, Mass in B minor | B minor | ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc | II/1 rev 1 |
after BWV 232I e. v., II/1 e. v., III e. v., 171/1, 12/2, 120/2, Anh. 11/1, Anh. 196/3 | |||||
| 232I e. v. | 1733-07-27 | Kyrie–Gloria Mass for the Dresden court (Mass in B Minor, Part I: Missa; early version) | B minor | ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc | II/1a | after BWV 29/1, 46/1; → BWV 191, 232I | |||||
| 233 | 1738–1739? | Kyrie–Gloria Mass | F major | sabSATB 2Hn 2Ob Bas Str Bc | II/2: 197 | after BWV 233a, 102/3, /5, 40/1 | |||||
| 233a | 1708-04-06? | Kyrie "Christe, du Lamm Gottes" | F major | SSATB Bc | II/2: 285 | text after Ordinarium Missae; → BWV 233/1 | |||||
| 234 | c.1738 | Kyrie–Gloria Mass | A major | sabSATB 2Fl Str Bc | II/2: 1 | after BWV 67/6, 138/5, 179/5, 79/2 | |||||
| 235 | 1738–1739? | Kyrie–Gloria Mass | G minor | atbSATB 2Ob Str Bc | II/2: 127 | after BWV 102/1, 72/1, 187/4, /3, /5, /1 | |||||
| 236 | 1738–1739? | Kyrie–Gloria Mass | G major | satbSATB 2Ob Str Bc | II/2: 61 | after BWV 179/1, /3, 79/1, /5, 138/5, 17/1 | |||||
| 1081 | c.1747 – Aug. 1748 | Credo intonation for Mass No. 5 in F major of G. B. Bassani's Acroama Missale | F major | SATB Bc | II/2 | → BNB I/B/48 | |||||
| 237 | 1723-06-24? | Sanctus | C major | SATB 3Tr Tmp 2Ob Str Bc | II/2: 311 | ||||||
| 238 | 1723-12-25 1736–1737 |
Sanctus | D major | SATB Cnt Str Bc | II/2: 325 | ||||||
| 240 | 1742 (JSB) | Sanctus | G major | SATB 2Ob Str Bc | II/9: 3 | ||||||
| 241 | Jul. 1747 – Aug. 1748 (JSB) | Sanctus of Missa superba | D major | 2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc | II/9: 45 | by Kerll; arr. by Bach | |||||
| 242 | 1727–1732 (JSB) | Christe eleison for a Kyrie-Gloria Mass in C minor by F. Durante | G minor | SA Bc | II/2: 295 | → BWV Anh. 26/2 | |||||
| 243.2 | 1733-07-02? 1732–1735 |
Magnificat (2nd version: Visitation?) | D major | ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc | II/3: 65 | after BWV 243.1 | |||||
| 243.1 | 1723-07-02 1723-12-25 |
Magnificat (1st version:Visitation, and with 4 laudes added: Christmas) | E♭ major | ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc | II/3: 1 | → BWV 243.2 | |||||
| 1082 | 1740–1742 (JSB) | Suscepit Israel from a Magnificat by A. Caldara | E minor | SATB 2Vl Bc | II/9: 59 | by Caldara (BNB I/C/1); arr. by Bach | |||||
| 4. | Passions, Oratorios (see also: List of Passions and Oratorios by Johann Sebastian Bach) | ||||||||||
| 244.2 | 1736-03-30 1742-03-23 1743–1746 |
Passion St Matthew Passion (later versions; Good Friday) | E minor | 2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc | II/5 | text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Heyden, Reusner, Rist; after BWV 244.1 | |||||
| 244a |
|
|
|
|
|
see BWV 1143 | |||||
| 244.1 | 1727-04-11 1729-04-15 |
Passion St Matthew Passion (early version; Good Friday) | E minor | satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc | II/5a II/5b |
text by Picander, Albert of Prussia, Decius, Gerhardt, Heermann, Keymann, Reusner, Rist; ↔ BWV 198, 244a; → BWV 244.2 | |||||
| 245.1 | 1724-04-07 | Passion St John Passion (1st version; Good Friday) | satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc | II/4: 40 | text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling, Brockes, Postel, Weise; → BWV 245.1–v4 | ||||||
| 245.2 | 1725-03-30 | Passion St John Passion (2nd version; Good Friday) | satbSATB 2Fl 2Ob 2Odc Str Vdg Bc | II/4: 167 | text by Heyden, Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling, Brockes, Postel, Weise, Birkmann; after BWV 23/4, 245.1; → BWV 244/29, 245.3 | ||||||
| 245.3 | 1732-04-11 | Passion St John Passion (3rd version; Good Friday) | satbSATB 2Fl 2Ob Str Vdg Org Bc | II/4: 206 | text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling, Brockes, Postel, Weise; after BWV 245.1–.2; → BWV 245, inc. rev., v4 | ||||||
| 245.5 | 1739-1749 | Passion St John Passion | satbSATB Fl 2Ob Str Bc | II/4 | text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling, Brockes, Postel, Weise; after BWV 245.1–.3; → BWV 245.4 | ||||||
| 245.4 | 1749-04-04 | Passion St John Passion (4th version; Good Friday) | satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc | II/4 | text by Heermann, Luther, Gerhardt, Stockmann, Weiße, Herberger, Schalling, Brockes, Postel, Weise; after BWV 245.1–inc. rev. | ||||||
| 246/40a | 1743–1745 (JSB) | Chorale Aus der Tiefen rufe ich, No. 40 of St Luke Passion | t Str Bc (?) | II/9: 65 | after BWV 246/40 | ||||||
| 247 | 1731-03-23 1744-04-03 |
Passion St Mark Passion (Good Friday; music lost but in part reconstructable) | satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?) | II/5 | text by Picander, Jonas, Reusner, Gerhardt, Rist, Kritzelmann, Schein, Stockmann, Franck, J., Homburg, Luther, Spee; after BWV 198/1, /5, /3, /8, /10 (or 244a/7), 54/1, 248/28?, /45, 7/2? | ||||||
| 1088 | c.1750? | Arioso So heb ich denn mein Auge sehnlich auf, No. 20 in Passion Oratorio Wer ist der, so von Edom kömmt (Good Friday) | b 2Bas Bc (?) | I/41: 125 | |||||||
| 248I | 1734-12-25 | Cantata ''Jauchzet, frohlocket! Auf, preiset die Tage (Christmas Oratorio, Part I; Christmas) | D major | satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc | II/6 | text by Picander?, Gerhardt, Luther; after BWV 214/1, /7, 213/9 | |||||
| 248II | 1734-12-26 | Cantata Und es waren Hirten in derselben Gegend (Christmas Oratorio, Part II; Christmas 2) | G major | satbSATB 2Fl 2Oba 2Odc Str Bc | II/6 | text by Picander?, Rist, Gerhardt; after BWV 214/5, 213/3 | |||||
| 248III | 1734-12-27 | Cantata Herrscher des Himmels, erhöre das Lallen (Christmas Oratorio, Part III; Christmas 3) | D major | satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc | II/6 | text by Picander?, Gerhardt, Luther, Runge; after BWV 214/9, 213/11 | |||||
| 248IV | 1735-01-01 | Cantata Fallt mit Danken, fallt mit Loben (Christmas Oratorio, Part IV; New Year) | F major | satbSATB 2Hn 2Ob Str Bc | II/6 | text by Picander?, Rist; after BWV 213/1, /5, /7 | |||||
| 248V | 1735-01-02 | Cantata Ehre sei dir, Gott, gesungen (Christmas Oratorio, Part V; New Year I) | A major | satbSATB 2Oba Str Bc | II/6 | text by Picander?, Weissel, Franck, J.; after BWV 247/39b, 215/7 | |||||
| 248VI | 1735-01-06 | Cantata Herr, wenn die stolzen Feinde schnauben (Christmas Oratorio, Part VI; Epiphany) | D major | satbSATB 3Tr Tmp 2Ob 2Oba Str Bc | II/6 | text by Picander?, Gerhardt, Werner; after BWV 248VIa | |||||
| 248VIa | 1734 or earlier | Cantata model for BWV 248VI | D major | satbSATB 3Tr Tmp 2Ob 2Oba Str Bc | II/6 | after BWV Anh. 10/1; → 248/54, /56–/57, /61–/64 | |||||
| 249.5 | 1743–1746 1749-04-06 1750-03-26 |
Oratorio Kommt, eilet und laufet (Easter Oratorio; Easter) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc | II/7: 1 | text by Picander?; after BWV 249.3 | ||||||
| 249.3 | 1725-04-01 c.1738 |
Cantata Kommt, fliehet und eilet (Easter Oratorio, early versions: first version as cantata; Easter) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc | II/7: 97 | text by Picander?; after BWV 249.1; → BWV 249.5 | ||||||
| 249.1 | 1725-02-23 | Secular cantata Entfliehet, verschwindet, entweichet, ihr Sorgen, a.k.a. Shepherd Cantata (birthday of Christian of Saxe-Weissenfels; music lost but in part reconstructable) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc | I/35 | text by Picander; → BWV 249.3/1–/3, /5, /7, /9, /11; 249.2 | ||||||
| 249.2 | 1726-08-25 | Secular cantata Verjaget, zerstreuet, zerrüttet, ihr Sterne a.k.a. Die Feier des Genius (dramma per musica; birthday of Joachim Friedrich von Flemming; music lost but in part reconstructable) | I/39 | text by Picander; after BWV 249.1/1–/3, /5, /7, /9, /11 | |||||||
| 11 | 1735-05-19 | Oratorio Lobet Gott in seinen Reichen (Ascension Oratorio; Ascension) | satbSATB 3Tr Tmp 2Fl 2Ob Str Bc | II/8 | text by Picander?, Rist, Sacer | ||||||
| 5. | Four-part chorales (see also: List of chorale harmonisations by Johann Sebastian Bach) | ||||||||||
| 250 | 1734–1738 | Chorale Was Gott tut, das ist wohlgetan (Three wedding chorales No. 1) | SATB 2Hn Ob Oba Str Bc | III/2.1: 3 | text by Rodigast | ||||||
| 251 | 1734–1738 | Chorale Sei Lob und Ehr dem höchsten Gut (Three wedding chorales No. 2) | SATB 2Hn Ob Oba Str Bc | III/2.1: 4 | text by Schütz, J. J. | ||||||
| 252 | 1734–1738 | Chorale Nun danket alle Gott (Three wedding chorales No. 3) | SATB 2Hn Ob Oba Str Bc | III/2.1: 5 | text by Rinkart | ||||||
| 253 | Chorale Ach bleib bei uns, Herr Jesu Christ | SATB | III/2 | text by Calvisius; ↔ BWV 414 | |||||||
| 254 | Chorale Ach Gott, erhör mein Seufzen | SATB | III/2 | ||||||||
| 255 | Chorale Ach Gott und Herr | SATB | III/2 | ||||||||
| 256 | Chorale Ach lieben Christen, seid getrost | SATB | III/2 | ||||||||
| 259 | Chorale Ach, was soll ich Sünder machen | SATB | III/2 | ||||||||
| 260 | Chorale Allein Gott in der Höh sei Ehr | SATB | III/2 | ||||||||
| 261 | Chorale Allein zu dir, Herr Jesu Christ | SATB | III/2 | ||||||||
| 262 | Chorale Alle Menschen müssen sterben | SATB | III/2 | ||||||||
| 263 | Chorale Alles ist an Gottes Segen | SATB | III/2 | ||||||||
| 264 | Chorale Als der gütige Gott | SATB | III/2 | ||||||||
| 265 | Chorale Als Jesus Christus in der Nacht | SATB | III/2 | ||||||||
| 266 | Chorale Als vierzig Tag nach Ostern warn | SATB | III/2 | ||||||||
| 267 | Chorale An Wasserflüssen Babylon (or) Ein Lämmlein geht und trägt die Schuld | SATB | III/2 | ||||||||
| 268 | Chorale Auf, auf, mein Herz, und du mein ganzer Sinn | SATB | III/2 | ||||||||
| 269 | Chorale Aus meines Herzens Grunde | SATB | III/2 | ||||||||
| 270 | Chorale Befiehl du deine Wege | SATB | III/2 | ||||||||
| 271 | Chorale Befiehl du deine Wege | SATB | III/2 | ||||||||
| 272 | Chorale Befiehl du deine Wege | SATB | III/2 | ||||||||
| 273 | Chorale Christ, der du bist der helle Tag | SATB | III/2 | ||||||||
| 274 | Chorale Christe, der du bist Tag und Licht | SATB | III/2 | ||||||||
| 275 | Chorale Christ, du Beistand deiner Kreuzgemeine | SATB | III/2 | ||||||||
| 276 | Chorale Christ ist erstanden | SATB | III/2 | ||||||||
| 277 | Chorale Christ lag in Todesbanden | SATB | III/2 | ||||||||
| 278 | Chorale Christ lag in Todesbanden | SATB | III/2 | ||||||||
| 279 | Chorale Christ lag in Todesbanden | SATB | III/2 | ||||||||
| 280 | Chorale Christ unser Herr zum Jordan kam | SATB | III/2 | ||||||||
| 281 | Chorale Christus, der ist mein Leben | SATB | III/2 | ||||||||
| 282 | Chorale Christus, der ist mein Leben | SATB | III/2 | ||||||||
| 283 | Chorale Christus, der uns selig macht | SATB | III/2 | ||||||||
| 284 | Chorale Christus ist erstanden, hat überwunden | SATB | III/2 | ||||||||
| 285 | Chorale Da der Herr Christ zu Tische saß | SATB | III/2 | ||||||||
| 286 | Chorale Danket dem Herrn, denn er ist sehr freundlich | SATB | III/2 | ||||||||
| 287 | Chorale Dank sei Gott in der Höhe | SATB | III/2 | ||||||||
| 288 | Chorale Das alte Jahr vergangen ist | SATB | III/2 | ||||||||
| 289 | Chorale Das alte Jahr vergangen ist | SATB | III/2 | ||||||||
| 290 | Chorale Das walt Gott Vater und Gott Sohn | SATB | III/2 | ||||||||
| 291 | Chorale Das walt mein Gott | SATB | III/2 | ||||||||
| 292 | Chorale Den Vater dort oben | SATB | III/2 | ||||||||
| 293 | Chorale Der du bist drei in Einigkeit | SATB | III/2 | ||||||||
| 294 | Chorale Der Tag, der ist so freudenreich | SATB | III/2 | ||||||||
| 295 | Chorale Des Heilgen Geistes reiche Gnad | SATB | III/2 | ||||||||
| 296 | Chorale Die Nacht ist kommen | SATB | III/2 | ||||||||
| 297 | Chorale Die Sonn hat sich mit ihrem Glanz gewendet | SATB | III/2 | ||||||||
| 298 | Chorale Dies sind die heilgen zehn Gebot | SATB | III/2 | ||||||||
| 299 | Chorale Dir, dir, Jehova, will ich singen | SATB | III/2 | ↔ BWV 299 AMB2 | |||||||
| 300 | Chorale Du großer Schmerzensmann | SATB | III/2 | ||||||||
| 301 | Chorale Du, o schönes Weltgebäude | SATB | III/2 | ||||||||
| 302 | Chorale Ein feste Burg ist unser Gott | SATB | III/2 | ||||||||
| 303 | Chorale Ein feste Burg ist unser Gott | SATB | III/2 | ||||||||
| 304 | Chorale Eins ist not, ach Herr, dies Eine | SATB | III/2 | ||||||||
| 305 | Chorale Erbarm dich mein, o Herre Gott | SATB | III/2 | ||||||||
| 306 | Chorale Erstanden ist der heilig Christ | SATB | III/2 | ||||||||
| 307 | Chorale Es ist gewisslich an der Zeit | SATB | III/2 | ||||||||
| 308 | Chorale Es spricht der Unweisen Mund wohl | SATB | III/2 | ||||||||
| 309 | Chorale Es stehn vor Gottes Throne | SATB | III/2 | ||||||||
| 310 | Chorale Es wird schier der letzte Tag herkommen | SATB | III/2 | ||||||||
| 311 | Chorale Es woll uns Gott gnädig sein | SATB | III/2 | ||||||||
| 312 | Chorale Es woll uns Gott gnädig sein | SATB | III/2 | ||||||||
| 327 | Chorale Vor deinen Thron tret ich hiermit | SATB | III/2 | ||||||||
| 313 | Chorale Für Freuden lasst uns springen | SATB | III/2 | ||||||||
| 314 | Chorale Gelobt seist du, Jesu Christ | SATB | III/2 | ||||||||
| 315 | Chorale Gib dich zufrieden und sei stille | SATB | III/2 | text by Gerhardt; ↔ BWV 512 | |||||||
| 316 | Chorale Gott, der du selber bist das Licht | SATB | III/2 | ||||||||
| 317 | Chorale Gott der Vater wohn uns bei | SATB | III/2 | ||||||||
| 318 | Chorale Gottes Sohn ist kommen | SATB | III/2 | ||||||||
| 319 | Chorale Gott hat das Evangelium | SATB | III/2 | ||||||||
| 320 | Chorale Gott lebet noch | SATB | III/2 | ||||||||
| 321 | Chorale Gottlob, es geht nunmehr zum Ende | SATB | III/2 | ||||||||
| 322 | Chorale Gott sei gelobet und gebenedeiet | SATB | III/2 | ||||||||
| 323 | Chorale Gott sei uns gnädig und barmherzig | SATB | III/2 | ||||||||
| 325 | Chorale Heilig, heilig (or) Sanctus, Sanctus Dominus Deus Sabaoth | SATB | III/2 | ||||||||
| 326 | Chorale Herr Gott, dich loben alle wir | SATB | III/2 | ||||||||
| 328 | Chorale Herr Gott, dich loben wir | SATB | III/2 | ||||||||
| 329 | Chorale Herr, ich denk an jene Zeit | SATB | III/2 | ||||||||
| 330 | Chorale Herr, ich habe missgehandelt | SATB | III/2 | ||||||||
| 331 | Chorale Herr, ich habe missgehandelt | SATB | III/2 | ||||||||
| 332 | Chorale Herr Jesu Christ, dich zu uns wend | SATB | III/2 | ||||||||
| 333 | Chorale Herr Jesu Christ, du hast bereit' | SATB | III/2 | ||||||||
| 334 | Chorale Herr Jesu Christ, ich schrei zu dir (or) Herr Jesu Christ, du höchstes Gut | SATB | III/2 | ||||||||
| 335 | Chorale Herr Jesu Christ, meins Lebens Licht (or) O Jesu, du mein Bräutigam | SATB | III/2 | ||||||||
| 336 | Chorale Herr Jesu Christ, wahr' Mensch und Gott | SATB | III/2 | ||||||||
| 337 | Chorale Herr, nun lass in Friede | SATB | III/2 | ||||||||
| 338 | Chorale Herr, straf mich nicht in deinem Zorn | SATB | III/2 | ||||||||
| 339 | Chorale Wer in dem Schutz des Höchsten ist (or) Herr, wie du willt, so schicks mit mir | SATB | III/2 | ||||||||
| 340 | Chorale Herzlich lieb hab ich dich, o Herr | SATB | III/2 | ||||||||
| 341 | Chorale Heut ist, o Mensch, ein großer Trauertag | SATB | III/2 | ||||||||
| 342 | Chorale Heut triumphieret Gottes Sohn | SATB | III/2 | ||||||||
| 343 | Chorale Hilf, Gott, dass mirs gelinge | SATB | III/2 | ||||||||
| 344 | Chorale Hilf, Herr Jesu, lass gelingen | SATB | III/2 | ||||||||
| 345 | Chorale Ich bin ja, Herr, in deiner Macht | SATB | III/2 | ||||||||
| 346 | Chorale Ich dank dir, Gott, für deine Wohltat | SATB | III/2 | ||||||||
| 347 | Chorale Ich dank dir, lieber Herre | SATB | III/2 | ||||||||
| 348 | Chorale Ich dank dir, lieber Herre | SATB | III/2 | ||||||||
| 349 | Chorale Ich dank dir schon durch deinen Sohn | SATB | III/2 | ||||||||
| 350 | Chorale Ich danke dir, Herr Gott, in deinem Throne | SATB | III/2 | ||||||||
| 351 | Chorale Ich hab mein Sach Gott heimgestellt | SATB | III/2 | ||||||||
| 366 | Chorale Ihr Gestirn, ihr hohlen Lüfte | SATB | III/2 | ||||||||
| 367 | Chorale In allen meinen Taten | SATB | III/2 | ||||||||
| 368 | Chorale In dulci jubilo | SATB | III/2 | ||||||||
| 352 | Chorale Jesu, der du meine Seele | SATB | III/2 | ||||||||
| 353 | Chorale Jesu, der du meine Seele | SATB | III/2 | ||||||||
| 354 | Chorale Jesu, der du meine Seele | SATB | III/2 | ||||||||
| 355 | Chorale Jesu, der du selbsten wohl | SATB | III/2 | ||||||||
| 356 | Chorale Jesu, du mein liebstes Leben | SATB | III/2 | ||||||||
| 357 | Chorale Jesu, Jesu, du bist mein | SATB | III/2 | ||||||||
| 358 | Chorale Jesu, meine Freude | SATB | III/2 | ||||||||
| 360 | Chorale Jesu, meiner Seelen Wonne | SATB | III/2 | ||||||||
| 359 | Chorale Jesu, meiner Seelen Wonne | SATB | III/2 | ||||||||
| 361 | Chorale Jesu, meines Herzens Freud | SATB | III/2 | ||||||||
| 362 | Chorale Jesu, nun sei gepreiset | SATB | III/2 | ||||||||
| 364 | Chorale Jesus Christus, unser Heiland, der den Tod überwand | SATB | III/2 | ||||||||
| 363 | Chorale Jesus Christus, unser Heiland | SATB | III/2 | ||||||||
| 365 | Chorale Jesus, meine Zuversicht | SATB | III/2 | ||||||||
| 369 | Chorale Keinen hat Gott verlassen | SATB | III/2 | ||||||||
| 370 | Chorale Komm, Gott Schöpfer, Heiliger Geist | SATB | III/2 | ||||||||
| 371 | Chorale Kyrie, Gott Vater in Ewigkeit | SATB | III/2 | ||||||||
| 372 | Chorale Lass, o Herr, dein Ohr sich neigen | SATB | III/2 | ||||||||
| 373 | Chorale Liebster Jesu, wir sind hier | SATB | III/2 | ||||||||
| 374 | Chorale Lobet den Herren, denn er ist sehr freundlich | SATB | III/2 | ||||||||
| 375 | Chorale Lobt Gott, ihr Christen, allzugleich | SATB | III/2 | ||||||||
| 376 | Chorale Lobt Gott, ihr Christen allzugleich | SATB | III/2 | ||||||||
| 377 | Chorale Machs mit mir, Gott, nach deiner Güt | SATB | III/2 | ||||||||
| 378 | Chorale Mein Augen schließ ich jetzt in Gottes Namen zu | SATB | III/2 | ||||||||
| 379 | Chorale Meinen Jesum lass ich nicht | SATB | III/2 | ||||||||
| 380 | Chorale Meinen Jesum lass ich nicht | SATB | III/2 | ||||||||
| 324 | Chorale Meine Seele erhebet den Herren | SATB | III/2 | ||||||||
| 381 | Chorale Meines Lebens letzte Zeit | SATB | III/2 | ||||||||
| 382 | Chorale Mit Fried und Freud ich fahr dahin | SATB | III/2 | ||||||||
| 383 | Chorale Mitten wir im Leben sind | SATB | III/2 | ||||||||
| 384 | Chorale Nicht so traurig, nicht so sehr | SATB | III/2 | ||||||||
| 385 | Chorale Nun bitten wir den Heiligen Geist | SATB | III/2 | ||||||||
| 386 | Chorale Nun danket alle Gott | SATB | III/2 | ||||||||
| 387 | Chorale Nun freut euch, Gottes Kinder all | SATB | III/2 | ||||||||
| 388 | Chorale Nun freut euch, lieben Christen gmein | SATB | III/2 | ||||||||
| 389 | Chorale Nun lob, mein Seel, den Herren | SATB | III/2 | ||||||||
| 390 | Chorale Nun lob, mein Seel, den Herren | SATB | III/2 | ||||||||
| 391 | Chorale Nun preiset alle Gottes Barmherzigkeit | SATB | III/2 | ||||||||
| 392 | Chorale Nun ruhen alle Wälder | SATB | III/2 | ||||||||
| 396 | Chorale Nun sich der Tag geendet hat | SATB | III/2 | ||||||||
| 397 | Chorale O Ewigkeit, du Donnerwort | SATB | III/2 | text by Rist; ↔ BWV 513 | |||||||
| 398 | Chorale O Gott, du frommer Gott | SATB | III/2 | ↔ BWV 197a/7 | |||||||
| 399 | Chorale O Gott, du frommer Gott | SATB | III/2 | ||||||||
| 400 | Chorale O Herzensangst | SATB | III/2 | ||||||||
| 401 | Chorale O Lamm Gottes, unschuldig | SATB | III/2 | ||||||||
| 402 | Chorale O Mensch, bewein dein Sünde groß | SATB | III/2 | ||||||||
| 403 | Chorale O Mensch, schau Jesum Christum an | SATB | III/2 | ||||||||
| 404 | Chorale O Traurigkeit, o Herzeleid | SATB | III/2 | ||||||||
| 393 | Chorale O Welt, sieh hier dein Leben | SATB | III/2 | ||||||||
| 394 | Chorale O Welt, sieh hier dein Leben | SATB | III/2 | ||||||||
| 395 | Chorale O Welt, sieh hier dein Leben | SATB | III/2 | ||||||||
| 405 | Chorale O wie selig seid ihr doch, ihr Frommen | SATB | III/2 | ||||||||
| 406 | Chorale O wie selig seid ihr doch, ihr Frommen | SATB | III/2 | ||||||||
| 407 | Chorale Es ist gewisslich an der Zeit | SATB | III/2 | ||||||||
| 408 | Chorale Schaut, ihr Sünder | SATB | III/2 | ||||||||
| 409 | Chorale Seelenbräutigam | SATB | III/2 | ||||||||
| 410 | Chorale Sei gegrüßet, Jesu gütig | SATB | III/2 | ||||||||
| 411 | Chorale Singt dem Herrn ein neues Lied | SATB | III/2 | ||||||||
| 412 | Chorale So gibst du nun, mein Jesu, gute Nacht | SATB | III/2 | ||||||||
| 413 | Chorale Sollt ich meinem Gott nicht singen | SATB | III/2 | ||||||||
| 414 | Chorale Uns ist ein Kindlein heut geborn | SATB | III/2 | ||||||||
| 415 | Chorale Valet will ich dir geben | SATB | III/2 | ||||||||
| 416 | Chorale Vater unser im Himmelreich | SATB | III/2 | ||||||||
| 417 | Chorale Von Gott will ich nicht lassen | SATB | III/2 | ||||||||
| 418 | Chorale Von Gott will ich nicht lassen | SATB | III/2 | ||||||||
| 419 | Chorale Helft mir Gotts Güte preisen (or) Von Gott will ich nicht lassen | SATB | III/2 | ||||||||
| 257 | Chorale Wär Gott nicht mit uns diese Zeit | SATB | III/2 | ||||||||
| 420 | Chorale Warum betrübst du dich, mein Herz | SATB | III/2 | ||||||||
| 421 | Chorale Warum betrübst du dich, mein Herz | SATB | III/2 | ||||||||
| 422 | Chorale Warum sollt ich mich denn grämen | SATB | III/2 | ||||||||
| 423 | Chorale Was betrübst du dich, mein Herze | SATB | III/2 | ||||||||
| 424 | Chorale Was bist du doch, o Seele, so betrübet | SATB | III/2 | ||||||||
| 425 | Chorale Was willst du dich, o meine Seele, kränken | SATB | III/2 | ||||||||
| 426 | Chorale Weltlich Ehr und zeitlich Gut | SATB | III/2 | ||||||||
| 427 | Chorale Wenn ich in Angst und Not | SATB | III/2 | ||||||||
| 428 | Chorale Wenn mein Stündlein vorhanden ist | SATB | III/2 | ||||||||
| 429 | Chorale Wenn mein Stündlein vorhanden ist | SATB | III/2 | ||||||||
| 430 | Chorale Wenn mein Stündlein verhanden ist | SATB | III/2 | ||||||||
| 431 | Chorale Wenn wir in höchsten Nöten sein | SATB | III/2 | ||||||||
| 432 | Chorale Wenn wir in höchsten Nöten sein | SATB | III/2 | ||||||||
| 433 | Chorale Wer Gott vertraut, hat wohl gebaut | SATB | III/2 | ||||||||
| 434 | Chorale Wer weiß, wie nahe mir mein Ende (or) Wer nur den lieben Gott lässt walten | SATB | III/2 | ||||||||
| 435 | Chorale Wie bist du, Seele, in mir so gar betrübt | SATB | III/2 | ||||||||
| 436 | Chorale Wie schön leuchtet der Morgenstern | SATB | III/2 | ||||||||
| 437 | Chorale Wir glauben all an einen Gott | SATB | III/2 | ||||||||
| 258 | Chorale Wo Gott der Herr nicht bei uns hält | SATB | III/2 | ||||||||
| 438 | Chorale Wo Gott zum Haus nicht gibt sein Gunst | SATB | III/2 | ||||||||
| 500a | 1726-04-19 | Chorale So gehst du nun, mein Jesu, hin (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) | SATB Str Bc | II/9: 75 | text by Nachtenhöfer; ↔ BWV 500 | ||||||
| 1084 | 1726-04-19 | Chorale O hilf Christe, Gottes Sohn (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) | SATB Str Bc | II/9: 76 | text by Weiße; after BC D 5a/14 | ||||||
| 1089 | Chorale Da Jesus an dem Kreuze stund | SATB | III/2.2: 216 | text by Lilius | |||||||
| 1122 | before c.1735 | Chorale Denket doch, ihr Menschenkinder | SATB | III/2.1: 31 | text by Hübner?; in D-LEb Peters Ms. R 18 | ||||||
| 1123 | before c.1735 | Chorale Wo Gott zum Haus gibt nicht sein Gunst | SATB | III/2.1: 40 | text by Kolrose; in D-LEb Peters Ms. R 18 | ||||||
| 1124 | before c.1735 | Chorale Ich ruf zu dir, Herr Jesu Christ | SATB | III/2.1: 51 | text by Agricola, J.; in D-LEb Peters Ms. R 18 | ||||||
| 1125 | before c.1735 | Chorale O Gott, du frommer Gott | SATB | III/2.1: 79 | text by Heermann; in D-LEb Peters Ms. R 18 | ||||||
| 1126 | Chorale Lobet Gott, unsern Herren | SATB | III/2.2: 218 | ||||||||
| 6. | Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach) | ||||||||||
| 439 | 1736 (or earlier) | Schemellis Gesangbuch No. 831: "Ach, dass nicht die letzte Stunde" (song 56/69) | V Bc | III/2.1: 104 | text by Neumeister | ||||||
| 440 | 1736 (or earlier) | Schemellis Gesangbuch No. 171: "Auf, auf! die rechte Zeit ist hier" (song 11/69) | V Bc | III/2.1: 104 | |||||||
| 441 | 1736 (or earlier) | Schemellis Gesangbuch No. 320: "Auf, auf, mein Herz, mit Freuden" (song 27/69) | V Bc | III/2.1: 104 | |||||||
| 442 | 1736 (or earlier) | Schemellis Gesangbuch No. 570: "Beglückter Stand getreuer Seelen" (song 39/69) | V Bc | III/2.1: 104 | |||||||
| 443 | 1736 (or earlier) | Schemellis Gesangbuch No. 689: "Beschränkt, ihr Weisen dieser Welt" (song 47/69) | V Bc | III/2.1: 104 | |||||||
| 444 | 1736 (or earlier) | Schemellis Gesangbuch No. 303: "Brich entzwei, mein armes Herze" (song 24/69) | V Bc | III/2.1: 104 | |||||||
| 445 | 1736 (or earlier) | Schemellis Gesangbuch No. 335: "Brunnquell aller Güter" (song 29/69) | V Bc | III/2.1: 104 | |||||||
| 446 | 1736 (or earlier) | Schemellis Gesangbuch No. 39: "Der lieben Sonnen Licht und Pracht" (song 2/69) | V Bc | III/2.1: 104 | |||||||
| 447 | 1736 (or earlier) | Schemellis Gesangbuch No. 40: "Der Tag ist hin, die Sonne gehet nieder" (song 3/69) | V Bc | III/2.1: 104 | |||||||
| 448 | 1736 (or earlier) | Schemellis Gesangbuch No. 43: "Der Tag mit seinem Lichte" (song 4/69) | V Bc | III/2.1: 104 | |||||||
| 449 | 1736 (or earlier) | Schemellis Gesangbuch No. 396: "Dich bet ich an, mein höchster Gott" (song 31/69) | V Bc | III/2.1: 104 | |||||||
| 450 | 1736 (or earlier) | Schemellis Gesangbuch No. 258: "Die bittre Leidenszeit beginnet abermal" (song 17/69) | V Bc | III/2.1: 104 | |||||||
| 451 | 1736 (or earlier) | Schemellis Gesangbuch No. 13: "Die güldne Sonne" (song 1/69) | V Bc | III/2.1: 104 | |||||||
| 452 | 1736 (or earlier) | Schemellis Gesangbuch No. 397: "Dir, dir, Jehova, will ich singen" (song 32/69) | V Bc | III/2.1: 104 | |||||||
| 453 | 1736 (or earlier) | Schemellis Gesangbuch No. 112: "Eins ist not! ach Herr, dies Eine" (song 7/69) | V Bc | III/2.1: 104 | |||||||
| 454 | 1736 (or earlier) | Schemellis Gesangbuch No. 187: "Ermuntre dich, mein schwacher Geist" (song 12/69) | V Bc | III/2.1: 104 | |||||||
| 455 | 1736 (or earlier) | Schemellis Gesangbuch No. 580: "Erwürgtes Lamm, das die verwahrten Siegel" (song 43/69) | V Bc | III/2.1: 104 | |||||||
| 456 | 1736 (or earlier) | Schemellis Gesangbuch No. 572: "Es glänzet der Christen inwendiges Leben" (song 40/69) | V Bc | III/2.1: 104 | |||||||
| 457 | 1736 (or earlier) | Schemellis Gesangbuch No. 847: "Es ist nun aus mit meinem Leben" (song 57/69) | V Bc | III/2.1: 104 | |||||||
| 458 | 1736 (or earlier) | Schemellis Gesangbuch No. 306: "Es ist vollbracht! Vergiss ja nicht dies Wort" (song 25/69) | V Bc | III/2.1: 104 | |||||||
| 459 | 1736 (or earlier) | Schemellis Gesangbuch No. 522: "Es kostet viel, ein Christ zu sein" (song 38/69) | V Bc | III/2.1: 104 | |||||||
| 460 | 1736 (or earlier) | Schemellis Gesangbuch No. 647: "Gib dich zufrieden und sei stille" (song 45/69) | V Bc | III/2.1: 104 | |||||||
| 461 | 1736 (or earlier) | Schemellis Gesangbuch No. 488: "Gott lebet noch" (song 37/69) | V Bc | III/2.1: 104 | |||||||
| 462 | 1736 (or earlier) | Schemellis Gesangbuch No. 360: "Gott wie groß ist deine Güte" (song 30/69) | V Bc | III/2.1: 104 | |||||||
| 463 | 1736 (or earlier) | Schemellis Gesangbuch No. 78: "Herr, nicht schicke deine Rache" (song 5/69) | V Bc | III/2.1: 104 | |||||||
| 464 | 1736 (or earlier) | Schemellis Gesangbuch No. 861: "Ich bin ja, Herr, in deiner Macht" (song 58/69) | V Bc | III/2.1: 104 | |||||||
| 465 | 1736 (or earlier) | Schemellis Gesangbuch No. 194: "Ich freue mich in dir" (song 13/69) | V Bc | III/2.1: 104 | |||||||
| 466 | 1736 (or earlier) | Schemellis Gesangbuch No. 657: "Ich halte treulich still" (song 46/69) | V Bc | III/2.1: 104 | |||||||
| 467 | 1736 (or earlier) | Schemellis Gesangbuch No. 734: "Ich lass dich nicht" (song 51/69) | V Bc | III/2.1: 104 | |||||||
| 468 | 1736 (or earlier) | Schemellis Gesangbuch No. 737: "Ich liebe Jesum alle Stund" (song 52/69) | V Bc | III/2.1: 104 | |||||||
| 469 | 1736 (or earlier) | Schemellis Gesangbuch No. 195: "Ich steh an deiner Krippen hier" (song 14/69) | V Bc | III/2.1: 104 | |||||||
| 476 | 1736 (or earlier) | Schemellis Gesangbuch No. 197: "Ihr Gestirn, ihr hohlen Lüfte" (song 15/69) | V Bc | III/2.1: 104 | |||||||
| 471 | 1736 (or earlier) | Schemellis Gesangbuch No. 139: "Jesu, deine Liebeswunden" (song 10/69) | V Bc | III/2.1: 104 | |||||||
| 470 | 1736 (or earlier) | Schemellis Gesangbuch No. 741: "Jesu, Jesu, du bist mein" (song 53/69) | V Bc | III/2.1: 104 | |||||||
| 472 | 1736 (or earlier) | Schemellis Gesangbuch No. 119: "Jesu, meines Glaubens Zier" (song 8/69) | V Bc | III/2.1: 104 | |||||||
| 473 | 1736 (or earlier) | Schemellis Gesangbuch No. 696: "Jesu, meines Herzens Freud" (song 48/69) | V Bc | III/2.1: 104 | |||||||
| 474 | 1736 (or earlier) | Schemellis Gesangbuch No. 463: "Jesus ist das schönste Licht" (song 33/69) | V Bc | III/2.1: 104 | |||||||
| 475 | 1736 (or earlier) | Schemellis Gesangbuch No. 333: "Jesus, unser Trost und Leben" (song 28/69) | V Bc | III/2.1: 104 | |||||||
| 477 | 1736 (or earlier) | Schemellis Gesangbuch No. 869: "Kein Stündlein geht dahin" (song 60/69) | V Bc | III/2.1: 104 | |||||||
| 478 | 1736 (or earlier) | Schemellis Gesangbuch No. 868: "Komm, süßer Tod" (song 59/69) | V Bc | III/2.1: 104 | |||||||
| 479 | 1736 (or earlier) | Schemellis Gesangbuch No. 936: "Kommt, Seelen, dieser Tag" (song 67/69) | V Bc | III/2.1: 104 | |||||||
| 480 | 1736 (or earlier) | Schemellis Gesangbuch No. 938: "Kommt wieder aus der finstern Gruft" (song 68/69) | V Bc | III/2.1: 104 | |||||||
| 481 | 1736 (or earlier) | Schemellis Gesangbuch No. 281: "Lasset uns mit Jesu ziehen" (song 18/69) | V Bc | III/2.1: 104 | |||||||
| 482 | 1736 (or earlier) | Schemellis Gesangbuch No. 467: "Liebes Herz, bedenke doch" (song 34/69) | V Bc | III/2.1: 104 | |||||||
| 483 | 1736 (or earlier) | Schemellis Gesangbuch No. 873: "Liebster Gott, wann werd ich sterben" (song 61/69) | V Bc | III/2.1: 104 | |||||||
| 484 | 1736 (or earlier) | Schemellis Gesangbuch No. 874: "Liebster Herr Jesu, wo bleibst du so lange" (song 62/69) | V Bc | III/2.1: 104 | |||||||
| 485 | 1736 (or earlier) | Schemellis Gesangbuch No. 761: "Liebster Immanuel, Herzog der Frommen" (song 54/69) | V Bc | III/2.1: 104 | |||||||
| 488 | 1736 (or earlier) | Schemellis Gesangbuch No. 881: "Meines Lebens letzte Zeit" (song 63/69) | V Bc | III/2.1: 104 | |||||||
| 486 | 1736 (or earlier) | Schemellis Gesangbuch No. 121: "Mein Jesu, dem die Seraphinen" (song 9/69) | V Bc | III/2.1: 104 | |||||||
| 487 | 1736 (or earlier) | Schemellis Gesangbuch No. 283: "Mein Jesu! was vor Seelenweh" (song 19/69) | V Bc | III/2.1: 104 | |||||||
| 489 | 1736 (or earlier) | Schemellis Gesangbuch No. 574: "Nicht so traurig, nicht so sehr" (song 41/69) | V Bc | III/2.1: 104 | |||||||
| 490 | 1736 (or earlier) | Schemellis Gesangbuch No. 700: "Nur mein Jesus ist mein Leben" (song 49/69) | V Bc | III/2.1: 104 | |||||||
| 491 | 1736 (or earlier) | Schemellis Gesangbuch No. 284: "O du Liebe meiner Liebe" (song 20/69) | V Bc | III/2.1: 104 | |||||||
| 492 | 1736 (or earlier) | Schemellis Gesangbuch No. 891: "O finstre Nacht, wenn wirst du doch vergehen" (song 64/69) | V Bc | III/2.1: 104 | |||||||
| 493 | 1736 (or earlier) | Schemellis Gesangbuch No. 203: "O Jesulein süß, o Jesulein mild" (song 16/69) | V Bc | III/2.1: 104 | |||||||
| 494 | 1736 (or earlier) | Schemellis Gesangbuch No. 575: "O liebe Seele, zieh die Sinnen" (song 42/69) | V Bc | III/2.1: 104 | |||||||
| 495 | 1736 (or earlier) | Schemellis Gesangbuch No. 894: "O wie selig seid ihr doch, ihr Frommen" (song 65/69) | V Bc | III/2.1: 104 | |||||||
| 496 | 1736 (or earlier) | Schemellis Gesangbuch No. 472: "Seelenbräutigam" (song 35/69) | V Bc | III/2.1: 104 | |||||||
| 497 | 1736 (or earlier) | Schemellis Gesangbuch No. 710: "Seelenweide" (song 50/69) | V Bc | III/2.1: 104 | |||||||
| 499 | 1736 (or earlier) | Schemellis Gesangbuch No. 293: "Sei gegrüßet, Jesu gütig" (song 22/69) | V Bc | III/2.1: 104 | |||||||
| 498 | 1736 (or earlier) | Schemellis Gesangbuch No. 292: "Selig, wer an Jesum denkt" (song 21/69) | V Bc | III/2.1: 104 | |||||||
| 500 | 1736 (or earlier) | Schemellis Gesangbuch No. 296: "So gehst du nun, mein Jesu hin" (song 23/69) | V Bc | III/2.1: 104 | text by Nachtenhöfer; ↔ BWV 500a | ||||||
| 501 | 1736 (or earlier) | Schemellis Gesangbuch No. 315: "So gibst du nun, mein Jesu, gute Nacht" (song 26/69) | V Bc | III/2.1: 104 | |||||||
| 502 | 1736 (or earlier) | Schemellis Gesangbuch No. 901: "So wünsch ich mir zu guter Letzt" (song 66/69) | V Bc | III/2.1: 104 | |||||||
| 503 | 1736 (or earlier) | Schemellis Gesangbuch No. 945: "Steh ich bei meinem Gott" (song 69/69) | V Bc | III/2.1: 104 | |||||||
| 504 | 1736 (or earlier) | Schemellis Gesangbuch No. 475: "Vergiss mein nicht" (song 36/69) | V Bc | III/2.1: 104 | |||||||
| 505 | 1736 (or earlier) | Schemellis Gesangbuch No. 627: "Vergiss mein nicht" (song 44/69) | V Bc | III/2.1: 104 | |||||||
| 506 | 1736 (or earlier) | Schemellis Gesangbuch No. 779: "Was bist du doch, o Seele, so betrübt" (song 55/69) | V Bc | III/2.1: 104 | |||||||
| 507 | 1736 (or earlier) | Schemellis Gesangbuch No. 108: "Wo ist mein Schäflein, das ich liebe" (song 6/69) | V Bc | III/2.1: 104 | |||||||
| 508 | after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir" | V Bc | V/4: 102 | by Stölzel | ||||||
| 299 AMB2 | 1725–1735 | Notebook A. M. Bach (1725) No. 39: chorale Dir, dir, Jehova, will ich singen | S(AT)B (V Bc) | V/4: 126 | ↔ BWV 299 | ||||||
| 509 | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke" | V Bc | V/4: 128 | |||||||
| 510 | 1725–1733 | Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille" | F major | V Bc | V/4: 91 | ||||||
| 511 | 1725–1733 | Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille" | G minor | V Bc | V/4: 91 | text by Gerhardt; → BWV 512 | |||||
| 512 | 1725–1733 | Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille" | E minor | V Bc | V/4: 91 | text by Gerhardt; after BWV 511; ↔ 315 | |||||
| 513 | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort" | V Bc | V/4: 129 | text by Rist; ↔ BWV 397 | ||||||
| 514 | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott" | V Bc | V/4: 125 | text by Schmolck | ||||||
| 515 | after 1733–1734 | Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife" | D minor | V Bc | V/4: 98 | by Bach, G. H.?; → BWV 515a | |||||
| 515a | after 1733–1734 | Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife" | G minor | V Bc | V/4: 98 | after BWV 515 | |||||
| 516 | after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich" | V Bc | V/4: 121 | |||||||
| 517 | after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen" | V Bc | V/4: 128 | text by Dreßler | ||||||
| 518 | after 1725 | Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini" | V Bc | V/4: 126 | |||||||
| 519 | c.1736? | Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden" | V Bc | by Krebs, J. L.?; in Spitta III, pp. 401–403 | |||||||
| 520 | c.1736? | Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist" | V Bc | by Krebs, J. L.?; in Spitta III, pp. 401–403 | |||||||
| 521 | c.1736? | Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet" | V | III/3 | by Krebs, J. L.?; in Spitta III, pp. 401–403 | ||||||
| 522 | c.1736? | Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht" | V | by Krebs, J. L.?; in Spitta III, pp. 401–403 | |||||||
| 523 | c.1736? | Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande" | V | by Krebs, J. L.?; in Spitta III, pp. 401–403 | |||||||
| 524 | 1707 – July 1708 | Quodlibet (incomplete; wedding?) | SATB (SBBB) Bc | I/41: 69 | |||||||
| 7. | Works for organ (see also: List of organ compositions by Johann Sebastian Bach) | ||||||||||
| 525 | c.1730 | Trio Sonata No. 1/6 | E♭ major | Organ | IV/7: 1 | → BWV 525a | |||||
| 526 | c.1730 | Trio Sonata No. 2/6 | C minor | Organ | IV/7: 14 | ||||||
| 527 | c.1730 | Trio Sonata No. 3/6 (+e. v. for /1) | D minor | Organ | IV/7: 28 | → BWV 1044/2 | |||||
| 528 | c.1730 | Trio Sonata No. 4/6 (+e. v. for /2, /3) | E minor | Organ | IV/7: 44 | after BWV 76/8 | |||||
| 529 | c.1730 | Trio Sonata No. 5/6 (+e. v. for /2) | C major | Organ | IV/7: 56 | ||||||
| 530 | c.1730 | Trio Sonata No. 6/6 | G major | Organ | IV/7: 76 | ||||||
| 531 | c.1700–1703 | Prelude and Fugue | C major | Organ | IV/5: 3 | in Möllersche Handschrift | |||||
| 532 | c.1708–1712 | Prelude and Fugue | D major | Organ | IV/5: 58 | ↔ BWV 912, 532/2a | |||||
| 532/2a | Fugue | D major | Organ | IV/6: 95 | ↔ BWV 532/2 | ||||||
| 533 | c.1704 | Prelude and Fugue ("Cathedral") | E minor | Organ | IV/5: 90 | ↔ BWV 533a | |||||
| 533a | Prelude and Fugue | E minor | Keyboard | IV/6: 106 | ↔ BWV 533 | ||||||
| 534 | c.1712–1717 | Prelude and Fugue | F minor | Organ | IV/5: 130 | ||||||
| 535 | after 1717 | Prelude and Fugue | G minor | Organ | IV/5: 157 | after BWV 535a | |||||
| 535a | c.1702–1704 | Prelude and Fugue (incomplete) | G minor | Organ | IV/6: 109 | → BWV 535; in Möllersche Handschrift | |||||
| 536 | 1708–1717 | Prelude and Fugue | A major | Organ | IV/5: 180 | ↔ BWV 152/1; → 536a | |||||
| 537 | 1729–1750 | Fantasia and Fugue | C minor | Organ | IV/5: 47 | ||||||
| 538 | 1712–1717 | Toccata and Fugue ("Dorian") | D minor | Organ | IV/5: 76 | ||||||
| 539 | 1724–1750? | Prelude and Fugue | D minor | Organ | IV/5: 70 | after BWV 1001/2, 1000 | |||||
| 540 | c.1712–1717? | Toccata and Fugue | F major | Organ | IV/5: 112 | ||||||
| 541 528/3 |
c.1712–1717? | Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) | G major | Organ | IV/5: 146 | → BWV 528/3 | |||||
| 542 | c.1714–1720? | Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor) | G minor | Organ | IV/5: 167 | ||||||
| 543 | after c.1730 | Prelude and Fugue | A minor | Organ | IV/5: 186 | after BWV 543/1a | |||||
| 543/1a | bef. c.1725 | Prelude | A minor | Organ | IV/6: 121 | → BWV 543/1 | |||||
| 544 | 1725–1728 | Prelude and Fugue | B minor | Organ | IV/5: 198 | ||||||
| 545 529/2 |
1708–1717 after 1722 |
Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722) | C major | Organ | IV/5: 10 | after BWV 545a, b; → 529/2 | |||||
| 545a | 1708–1717 | Prelude and Fugue (early version) | C major | Organ | IV/6: 77 | → BWV 545b, 545 | |||||
| 546 | 1708–1750 | Prelude and Fugue | C minor | Organ | IV/5: 35 | ||||||
| 547 | 1719–1750 | Prelude and Fugue | C major | Organ | IV/5: 20 | ||||||
| 548 | 1725–1728 | Prelude and Fugue ("Wedge") | E minor | Organ | IV/5: 94 | ||||||
| 549 | 1705–1750 | Prelude and Fugue | C minor | Organ | IV/5: 30 | after BWV 549a | |||||
| 549a | c.1701 | Prelude (or: Fantasia) and Fugue | D minor | Organ | IV/6: 101 | → BWV 549; in Möllersche Handschrift | |||||
| 550 | 1706–1708 | Prelude and Fugue | G major | Organ | IV/5: 138 | ||||||
| 551 | c.1699 | Prelude and Fugue | A minor | Organ | IV/6: 63 | ||||||
| 552 | 1739 | Prelude and Fugue ("St Anne") from Clavier-Übung III | E♭ major | Organ | IV/4: 2, 105 | ||||||
| 562 | 1720–c.1748 | Fantasia and Fugue (unfinished fugue added c.1747–1748) | C minor | Organ | IV/5: 54 | ||||||
| 563 | c.1704 | Fantasia and Imitatio | C major | Organ | IV/6: 68 | in Andreas-Bach-Buch | |||||
| 564 | bef. c.1712 | Toccata, Adagio and Fugue | C major | Organ | IV/6: 3 | ||||||
| 565 | c.1704? | Toccata and Fugue | D minor | Organ | IV/6: 31 | ||||||
| 566 | 1700–1750 | Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA) | E major C major |
Organ | IV/6: 40 | ||||||
| 568 | c.1700–1705? | Prelude | G major | Organ | IV/6: 51 | ||||||
| 569 | 1703–c.1704 | Prelude | A minor | Organ | IV/6: 59 | ||||||
| 1121 | 1706–1710 | Fantasia | C minor | Organ | IV/11: 54 | in Andreas-Bach-Buch; was Anh. 205 | |||||
| 570 | c.1698–1704 | Fantasia | C major | Organ | IV/6: 16 | in Andreas-Bach-Buch | |||||
| 572 | 1708–c.1712 | Fantasia, a.k.a. Pièce d'Orgue (+reworked version) | G major | Organ | IV/7: 130, 144 | ||||||
| 573 | c.1722–1725 | Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) | C minor | Keyboard | V/4: 39 IV/6: 18 |
||||||
| 574 | after c.1708? | Fugue on a theme by Legrenzi | C minor | Organ | IV/6: 19 | after BWV 574b; ↔ 574a | |||||
| 574a | after c.1708? | Fugue on a theme by Legrenzi (variant) | C minor | Organ | IV/6: 82 | after BWV 574b; ↔ 574 | |||||
| 574b | c.1707–1713 or earlier | Fugue on a theme by Legrenzi (early version) | C minor | Organ | IV/6: 88 | after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch | |||||
| 575 | 1708–1717? | Fugue | C minor | Organ | IV/6: 26 | ||||||
| 578 | c.1713 or earlier | Fugue ("Little") | G minor | Organ | IV/6: 55 | in Andreas-Bach-Buch | |||||
| 579 | 1708–1717? | Fugue on a theme by Corelli | B minor | Organ | IV/6: 71 | after Corelli (theme) | |||||
| 582 | bef. 1707 1707–1708 |
Passacaglia (and Fugue) | C minor | Organ | IV/7: 98 | in Andreas-Bach-Buch | |||||
| 583 | c.1730 or earlier? | Trio | D minor | Organ | IV/7: 94 | ||||||
| 585 | c.1726–1727 (JSB) | Trio | C minor | Organ | IV/8: 73 | after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach | |||||
| 586 | bef. c.1740 | Trio | G major | Organ | IV/8: 78 | after Telemann? | |||||
| 587 | after 1726 | Aria | F major | Organ | IV/8: 82 | after Couperin, Les NationsIII/4 | |||||
| 588 | c.1704–1707 or earlier | Canzona | D minor | Organ | IV/7: 118 | in Möllersche Handschrift | |||||
| 589 | 1700–1720? | Alla breve | D major | Organ | IV/7: 114 | ||||||
| 590 | bef. c.1727 | Pastorella (/1 incomplete?) | F major | Organ | IV/7: 122 | ||||||
| 592 | c.1714–1717 | Concerto for solo organ | G major | Organ | IV/8: 56 | after J. E. of Saxe-Weimar, Concerto a 8; → BWV 592a | |||||
| 592a | c.1714–1717 | Concerto for solo harpsichord | G major | Keyboard | V/11: 150 | after BWV 592 | |||||
| 593 | c.1714–1717 | Concerto for solo organ | A minor | Organ | IV/8: 16 | after Vivaldi, Op. 3 No. 8 (RV 522) | |||||
| 594 | c.1714–1717 | Concerto for solo organ | C major | Organ | IV/8: 30 | after Vivaldi, RV 208, Grosso Mogul | |||||
| 595 | c.1714–1717 | Concerto for solo organ | C major | Organ | IV/8: 65 | after BWV 984/1 | |||||
| 596 | c.1714–1717 | Concerto for solo organ (arrangement previously attributed to W. F. Bach) | D minor | Organ | IV/8: 3 | after Vivaldi, Op. 3 No. 11 (RV 565) | |||||
| 599 | 1713–1715 or earlier | Chorale prelude Nun komm, der Heiden Heiland (Orgelbüchlein No. 1) | A minor | Organ | IV/1: 3 | ||||||
| 600 | 1713–1715 or earlier | Chorale prelude Gott durch deine Güte (or) Gottes Sohn ist kommen (Orgelbüchlein No. 2) | F major | Organ | IV/1: 4 | ||||||
| 601 | 1713–1715 or earlier | Chorale prelude Herr Christ, der ein'ge Gottes Sohn (or) Herr Gott, nun sei gepreiset (Orgelbüchlein No. 3; also in Neumeister Collection) | A major | Organ | IV/1: 6 | ||||||
| 602 | 1713–1715 or earlier | Chorale prelude Lob sei dem allmächtigen Gott (Orgelbüchlein No. 4) | D minor | Organ | IV/1: 7 | ||||||
| 603 | 1713–1715 or earlier | Chorale prelude Puer natus in Bethlehem (Orgelbüchlein No. 5) | G minor | Organ | IV/1: 8 | ||||||
| 604 | 1713–1715 or earlier | Chorale prelude Gelobet seist du, Jesu Christ (Orgelbüchlein No. 6) | G major | Organ | IV/1: 11 | ||||||
| 605 | 1713–1715 or earlier | Chorale prelude Der Tag, der ist so freudenreich (Orgelbüchlein No. 7) | G major | Organ | IV/1: 11 | ||||||
| 606 | 1713–1715 or earlier | Chorale prelude Vom Himmel hoch, da komm ich her (Orgelbüchlein No. 8) | D major | Organ | IV/1: 13 | ||||||
| 607 | 1713–1715 or earlier | Chorale prelude Vom Himmel kam der Engel Schar (Orgelbüchlein No. 9) | G minor | Organ | IV/1: 14 | ||||||
| 608 | 1713–1715 or earlier | Chorale prelude In dulci jubilo (Orgelbüchlein No. 10) | A major | Organ | IV/1: 16 | ||||||
| 609 | 1713–1715 or earlier | Chorale prelude Lobt Gott, ihr Christen allzugleich (Orgelbüchlein No. 11) | G major | Organ | IV/1: 18 | ||||||
| 610 | 1713–1715 or earlier | Chorale prelude Jesu, meine Freude (Orgelbüchlein No. 12) | C minor | Organ | IV/1: 19 | ||||||
| 611 | 1713–1715 or earlier | Chorale prelude Christum wir sollen loben schon (Orgelbüchlein No. 13) | E minor | Organ | IV/1: 20 | ||||||
| 612 | 1713–1715 or earlier | Chorale prelude Wir Christenleut (Orgelbüchlein No. 14) | G minor | Organ | IV/1: 22 | ||||||
| 613 | after 1724? | Chorale prelude Helft mir Gotts Güte preisen (Orgelbüchlein No. 15) | B minor | Organ | IV/1: 24 | ||||||
| 614 | 1713–1715 or earlier | Chorale prelude Das alte Jahr vergangen ist (Orgelbüchlein No. 16) | A minor | Organ | IV/1: 25 | ||||||
| 615 | 1713–1715 or earlier | Chorale prelude In dir ist Freude (Orgelbüchlein No. 17) | G major | Organ | IV/1: 27 | ||||||
| 616 | 1713–1715 or earlier | Chorale prelude Mit Fried und Freud ich fahr dahin (Orgelbüchlein No. 18) | D minor | Organ | IV/1: 30 | ||||||
| 617 | 1713–1715 or earlier | Chorale prelude Herr Gott, nun schleuß den Himmel auf (Orgelbüchlein No. 19) | A minor | Organ | IV/1: 32 | ||||||
| 618 | 1713–1715 or earlier | Chorale prelude O Lamm Gottes, unschuldig (Orgelbüchlein No. 20) | F major | Organ | IV/1: 34 | ||||||
| 619 | 1713–1715 or earlier | Chorale prelude Christe, du Lamm Gottes (Orgelbüchlein No. 21) | F major | Organ | IV/1: 36 | ||||||
| 620 | after 1724? | Chorale prelude Christus, der uns selig macht (Orgelbüchlein No. 22) | A minor | Organ | IV/1: 37 | after BWV 620a | |||||
| 620a | 1713–1715 or earlier | Chorale prelude Christus, der uns selig macht (Orgelbüchlein No. 22, e. v.) | A minor | Organ | IV/1: 78 | → BWV 620 | |||||
| 621 | 1713–1715 or earlier | Chorale prelude Da Jesus an dem Kreuze stund (Orgelbüchlein No. 23) | A minor | Organ | IV/1: 39 | ||||||
| 622 | 1713–1715 or earlier | Chorale prelude O Mensch, bewein dein Sünde groß (Orgelbüchlein No. 24) | E♭ major | Organ | IV/1: 40 | → BWV 622 (var.) | |||||
| 622 (var.) | 1716–1789 | Chorale prelude O Mensch, bewein dein Sünde groß (variant) | Organ | after BWV 622 | |||||||
| 623 | 1713–1715 or earlier | Chorale prelude Wir danken dir, Herr Jesu Christ (Orgelbüchlein No. 25) | G major | Organ | IV/1: 42 | ||||||
| 624 | 1713–1715 or earlier | Chorale prelude Hilf Gott, dass mir's gelinge (Orgelbüchlein No. 26) | G minor | Organ | IV/1: 44 | ||||||
| 625 | 1713–1715 or earlier | Chorale prelude Christ lag in Todesbanden (Orgelbüchlein No. 27) | D minor | Organ | IV/1: 46 | ||||||
| 626 | 1713–1715 or earlier | Chorale prelude Jesus Christus, unser Heiland, der den Tod überwand (Orgelbüchlein No. 28) | A minor | Organ | IV/1: 48 | ||||||
| 627 | 1713–1715 or earlier | Chorale prelude Christ ist erstanden (Orgelbüchlein No. 29) | D minor | Organ | IV/1: 49 | ||||||
| 628 | 1713–1715 or earlier | Chorale prelude Erstanden ist der heilge Christ (Orgelbüchlein No. 30) | D major | Organ | IV/1: 54 | ||||||
| 629 | 1713–1715 or earlier | Chorale prelude Erschienen ist der herrliche Tag (Orgelbüchlein No. 31) | D minor | Organ | IV/1: 55 | ||||||
| 630 | 1713–1715 or earlier | Chorale prelude Heut triumphieret Gottes Sohn (Orgelbüchlein No. 32) | D minor | Organ | IV/1: 56 | after BWV 630a | |||||
| 630a | bef. 1716 | Chorale prelude Heut triumphieret Gottes Sohn (Orgelbüchlein No. 32, e. v.) | Organ | IV/1: 80 | → BWV 630 | ||||||
| 631 | 1723–1750 | Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Orgelbüchlein No. 33) | D minor | Organ | IV/1: 58 | after BWV 631a | |||||
| 631a | 1713–1715 or earlier | Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Orgelbüchlein No. 33, e. v.) | G major | Organ | IV/1: 82 | → BWV 631 | |||||
| 632 | 1713–1715 or earlier | Chorale prelude Herr Jesu Christ, dich zu uns wend (Orgelbüchlein No. 34) | F major | Organ | IV/1: 59 | ||||||
| 633 | 1713–1715 or earlier | Chorale prelude Liebster Jesu, wir sind hier distinctus (Orgelbüchlein No. 36) | A major | Organ | IV/1: 61 | after BWV 634 | |||||
| 634 | 1713–1715 or earlier | Chorale prelude Liebster Jesu, wir sind hier (Orgelbüchlein No. 35) | A major | Organ | IV/1: 60 | → BWV 633 | |||||
| 635 | 1713–1715 or earlier | Chorale prelude Dies sind die heilgen zehn Gebot (Orgelbüchlein No. 37) | C major | Organ | IV/1: 62 | ||||||
| 636 | 1713–1715 or earlier | Chorale prelude Vater unser im Himmelreich (Orgelbüchlein No. 38) | D minor | Organ | IV/1: 64 | ||||||
| 637 | 1713–1715 or earlier | Chorale prelude Durch Adams Fall ist ganz verderbt (Orgelbüchlein No. 39) | A minor | Organ | IV/1: 65 | ||||||
| 638 | 1713–1715 or earlier | Chorale prelude Es ist das Heil uns kommen her (Orgelbüchlein No. 40) | D major | Organ | IV/1: 66 | after BWV 638a | |||||
| 638a | bef. c.1715 | Chorale prelude Es ist das Heil uns kommen her (Orgelbüchlein No. 40, e. v.) | Organ | IV/1: 83 | → BWV 638 | ||||||
| 639 | 1713–1715 or earlier | Chorale prelude Ich ruf zu dir, Herr Jesu Christ (Orgelbüchlein No. 41; also in Neumeister Collection) | F minor | Organ | IV/1: 68 | → BWV Anh. 73 | |||||
| 640 | 1713–1715 or earlier | Chorale prelude In dich hab ich gehoffet, Herr (Orgelbüchlein No. 42) | E minor | Organ | IV/1: 70 | ||||||
| 641 | 1713–1715 or earlier | Chorale prelude Wenn wir in höchsten Nöten sein (Orgelbüchlein No. 43) | G major | Organ | IV/1: 71 | ||||||
| 642 | 1713–1715 or earlier | Chorale prelude Wer nur den lieben Gott lässt walten (Orgelbüchlein No. 44) | A minor | Organ | IV/1: 72 | ||||||
| 643 | 1713–1715 or earlier | Chorale prelude Alle Menschen müssen sterben (Orgelbüchlein No. 45) | G major | Organ | IV/1: 74 | ||||||
| 644 | 1713–1715 or earlier | Chorale prelude Ach wie nichtig, ach wie flüchtig (Orgelbüchlein No. 46) | G minor | Organ | IV/1: 75 | ||||||
| 645 | 1748–1749 | Chorale prelude Wachet auf, ruft uns die Stimme (Schübler Chorales No. 1) | E♭ major | Organ | IV/1: 86 | after BWV 140/4 | |||||
| 646 | 1748–1749 | Chorale prelude Wo soll ich fliehen hin (or) Auf meinen lieben Gott (Schübler Chorales No. 2) | E minor | Organ | IV/1: 90 | ||||||
| 647 | 1748–1749 | Chorale prelude Wer nur den lieben Gott lässt walten (Schübler Chorales No. 3) | C minor | Organ | IV/1: 92 | after BWV 93/4 | |||||
| 648 | 1748–1749 | Chorale prelude Meine Seele erhebt den Herren (Schübler Chorales No. 4) | D minor | Organ | IV/1: 94 | after BWV 10/5 | |||||
| 649 | 1748–1749 | Chorale prelude Ach bleib bei uns, Herr Jesu Christ (Schübler Chorales No. 5) | B♭ major | Organ | IV/1: 95 | after BWV 6/3 | |||||
| 650 | 1748–1749 | Chorale prelude Kommst du nun, Jesu, vom Himmel herunter (Schübler Chorales No. 6) | G major | Organ | IV/1: 98 | after BWV 137/2 | |||||
| 651 | 1747–1748 | Chorale prelude Komm, heiliger Geist (Fantasia; Leipzig Chorales 1/18) | F major | Organ | IV/2: 3 | after BWV 651a | |||||
| 651a | 1708–1717 | Chorale prelude Komm, heiliger Geist, Herre Gott (Fantasia; e. v.: Weimar) | Organ | IV/2: 117 | → BWV 651 | ||||||
| 652 | 1747–1748 | Chorale prelude Komm, heiliger Geist, Herre Gott (alio modo; Leipzig Chorales 2/18) | G major | Organ | IV/2: 13 | after BWV 652a | |||||
| 652a | 1708–1717 | Chorale prelude Komm, heiliger Geist, Herre Gott (e. v.: Weimar) | Organ | IV/2: 121 | → BWV 652 | ||||||
| 653 | 1747–1748 | Chorale prelude An Wasserflüssen Babylon (Leipzig Chorales 3/18) | G major | Organ | IV/2: 22 | after BWV 653a | |||||
| 653a | 1708–1717 | Chorale prelude An Wasserflüssen Babylon (alio modo; 2nd v.: Weimar) | Organ | IV/2: 133 | after BWV 653b; → BWV 653 | ||||||
| 653b | 1708–1717 | Chorale prelude An Wasserflüssen Babylon (à 5; 1st v.: Weimar) | Organ | IV/2: 130 | → BWV 653a | ||||||
| 654 | 1747–1748 | Chorale prelude Schmücke dich, o liebe Seele (Leipzig Chorales 4/18) | E♭ major | Organ | IV/2: 26 | after BWV 654a | |||||
| 654a | 1708–1717 | Chorale prelude Schmücke dich, o liebe Seele (e. v.: Weimar) | Organ | IV/2: 136 | → BWV 654 | ||||||
| 655 | 1747–1748 | Chorale prelude Herr Jesu Christ, dich zu uns wend (Trio; Leipzig Chorales 5/18) | G major | Organ | IV/2: 31 | after BWV 655a; ↔ 655 var. 1–4; → 655b–c | |||||
| 655, var. 1 | 1708–1798 | Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 1) | Organ | ↔ 655(a), var. 2–4 | |||||||
| 655, var. 2 | 1708–1798 | Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 2) | F major | Organ | ↔ 655(a), var. 1, 3–4 | ||||||
| 655, var. 3 | 1708–1798 | Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 3) | Organ | ↔ 655(a), var. 1–2, 4 | |||||||
| 655, var. 4 | 1708–1798 | Chorale prelude Herr Jesu Christ, dich zu uns wend (variant 4) | Organ | ↔ 655(a), var. 1–3 | |||||||
| 655a | 1708–1717 | Chorale prelude Herr Jesu Christ, dich zu uns wend (Trio; e. v.: Weimar) | Organ | IV/2: 140 | → BWV 655(b–c); ↔ 655 var. 1–4 | ||||||
| 656 | 1747–1748 | Chorale prelude O Lamm Gottes, unschuldig (Leipzig Chorales 6/18) | A major | Organ | IV/2: 38 | after BWV 656a | |||||
| 656a | 1708–1717 | Chorale prelude O Lamm Gottes, unschuldig (e. v.: Weimar) | Organ | IV/2: 146 | → BWV 656 | ||||||
| 657 | 1708–1717 | Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18) | G major | Organ | IV/2: 46 | ||||||
| 658 | 1747–1748 | Chorale prelude Von Gott will ich nicht lassen (Leipzig Chorales 8/18) | F minor | Organ | IV/2: 51 | after BWV 658a | |||||
| 658a | 1708–1717 | Chorale prelude Von Gott will ich nicht lassen (Fantasia; e. v.: Weimar) | Organ | IV/2: 154 | → BWV 658 | ||||||
| 659 | 1747–1748 | Chorale prelude Nun komm, der Heiden Heiland (Leipzig Chorales 9/18) | G minor | Organ | IV/2: 55 | after BWV 659a | |||||
| 659a | 1708–1717 | Chorale prelude Nun komm, der Heiden Heiland (Fantasia; e. v.: Weimar) | Organ | IV/2: 157 | → BWV 659 | ||||||
| 660 | 1747–1748 | Chorale prelude Nun komm, der Heiden Heiland (Trio; Leipzig Chorales 10/18) | G minor | Organ | IV/2: 59 | after BWV 660a | |||||
| 660a | 1708–1717 | Chorale prelude Nun komm, der Heiden Heiland (Trio; e. v.: Weimar) | Organ | IV/2: 160 | → BWV 660, 660b | ||||||
| 660b | 1708–1719 | Chorale prelude Nun komm, der Heiden Heiland (arrangement) | Organ | by Krebs, J. T. (arr.)?; after BWV 660a | |||||||
| 661 | 1747–1748 | Chorale prelude Nun komm, der Heiden Heiland (Leipzig Chorales 11/18) | G minor | Organ | IV/2: 62 | after BWV 661a | |||||
| 661a | 1708–1717 | Chorale prelude Nun komm, der Heiden Heiland (e. v.: Weimar) | Organ | IV/2: 164 | → BWV 661 | ||||||
| 662 | 1747–1748 | Chorale prelude Allein Gott in der Höh sei Ehr (Leipzig Chorales 12/18) | A major | Organ | IV/2: 67 | after BWV 662a | |||||
| 662a | 1708–1717 | Chorale prelude Allein Gott in der Höh sei Ehr (e. v.: Weimar) | Organ | IV/2: 168 | → BWV 662 | ||||||
| 663 | 1747–1748 | Chorale prelude Allein Gott in der Höh sei Ehr (Leipzig Chorales 13/18) | G major | Organ | IV/2: 72 | after BWV 663a | |||||
| 663a | 1708–1717 | Chorale prelude Allein Gott in der Höh sei Ehr (e. v.: Weimar) | Organ | IV/2: 172 | → BWV 663 | ||||||
| 664 | 1747–1748 | Chorale prelude Allein Gott in der Höh sei Ehr (Trio; Leipzig Chorales 14/18) | A major | Organ | IV/2: 79 | after BWV 664a–b | |||||
| 664a | 1708–1717 | Chorale prelude Allein Gott in der Höh sei Ehr (Trio; e. v.: Weimar; fair copy) | Organ | IV/2 | after BWV 664b; → BWV 664 | ||||||
| 664b | 1708–1717 | Chorale prelude Allein Gott in der Höh sei Ehr (Trio; e. v.: Weimar; sketch) | Organ | IV/2: 179 | → BWV 664(a) | ||||||
| 665 | 1747–1748 | Chorale prelude Jesus Christus, unser Heiland (Leipzig Chorales 15/18) | E minor | Organ | IV/2: 87 | after BWV 665a | |||||
| 665a | 1708–1717 | Chorale prelude Jesus Christus, unser Heiland (e. v.: Weimar) | Organ | IV/2: 187 | → BWV 665 | ||||||
| 666 | 1708–1748 | Chorale prelude Jesus Christus, unser Heiland (alio modo; Leipzig Chorales 16/18) | E minor | Organ | IV/2: 91 | after BWV 666a | |||||
| 666a | 1708–1717 | Chorale prelude Jesus Christus, unser Heiland (alio modo; e. v.: Weimar) | Organ | IV/2: 191 | → BWV 666 | ||||||
| 667 | 1747–1748 | Chorale prelude Komm, Gott Schöpfer, heiliger Geist (Leipzig Chorales 17/18) | C major | Organ | IV/2: 94 | after BWV 667a | |||||
| 667a | 1708–1717 | Chorale prelude Komm, Gott Schöpfer, heiliger Geist (e. v.: Weimar) | Organ | IV/2 | after BWV 667b; → BWV 667 | ||||||
| 667b | 1708–1717 | Chorale prelude Komm, Gott Schöpfer, heiliger Geist (e. v.: Weimar; sketch) | Organ | IV/2: 194 | → BWV 667(a) | ||||||
| 668 | 1747–1748 | Chorale prelude Vor deinen Thron tret ich hiermit (fragment; Leipzig Chorales 18/18) | G major | Organ | IV/2: 113 | after BWV 668a | |||||
| 668a | 1708–1748 | Chorale prelude Wenn wir in höchsten Nöten (e. v.) | Organ | IV/2: 212 | → BWV 668 | ||||||
| 669 | 1739 | Chorale prelude Kyrie, Gott Vater in Ewigkeit from Clavier-Übung III | Organ | IV/4: 16 | |||||||
| 670 | 1739 | Chorale prelude Christe, aller Welt Trost from Clavier-Übung III | Organ | IV/4: 18 | |||||||
| 671 | 1739 | Chorale prelude Kyrie, Gott heiliger Geist from Clavier-Übung III | Organ | IV/4: 20 | |||||||
| 672 | 1739 | Chorale prelude Kyrie, Gott Vater in Ewigkeit from Clavier-Übung III | Org/man. | IV/4: 27 | |||||||
| 673 | 1739 | Chorale prelude Christe, aller Welt Trost from Clavier-Übung III | Org/man. | IV/4: 28 | |||||||
| 674 | 1739 | Chorale prelude Kyrie, Gott heiliger Geist from Clavier-Übung III | Org/man. | IV/4: 29 | |||||||
| 675 | 1739 | Chorale prelude Allein Gott in der Höh sei Ehr from Clavier-Übung III | Organ | IV/4: 30 | |||||||
| 676 | 1739 | Chorale prelude Allein Gott in der Höh sei Ehr from Clavier-Übung III | Organ | IV/4: 33 | → BWV 676a | ||||||
| 677 | 1739 | Chorale prelude Allein Gott in der Höh sei Ehr (Fughetta) from Clavier-Übung III | Org/man. | IV/4: 41 | |||||||
| 678 | 1739 | Chorale prelude Dies sind die heiligen zehen Gebot from Clavier-Übung III | Organ | IV/4: 42 | |||||||
| 679 | 1739 | Chorale prelude Dies sind die heiligen zehen Gebot (Fughetta) from Clavier-Übung III | Org/man. | IV/4: 49 | |||||||
| 680 | 1739 | Chorale prelude Wir gläuben all an einen Gott from Clavier-Übung III | Organ | IV/4: 52 | |||||||
| 681 | 1739 | Chorale prelude Wir gläuben all an einen Gott (Fughetta) from Clavier-Übung III | Org/man. | IV/4: 57 | |||||||
| 682 | 1739 | Chorale prelude Vater unser im Himmelreich from Clavier-Übung III | Organ | IV/4: 58 | |||||||
| 683 | 1739 | Chorale prelude Vater unser im Himmelreich from Clavier-Übung III | Org/man. | IV/4: 66 | → BWV 683a | ||||||
| 684 | 1739 | Chorale prelude Christ unser Herr zum Jordan kam from Clavier-Übung III | Organ | IV/4: 68 | |||||||
| 685 | 1739 | Chorale prelude Christ unser Herr zum Jordan kam from Clavier-Übung III | Org/man. | IV/4: 73 | |||||||
| 686 | 1739 | Chorale prelude Aus tiefer Not schrei ich zu dir from Clavier-Übung III | Organ | IV/4: 74 | |||||||
| 687 | 1739 | Chorale prelude Aus tiefer Not schrei ich zu dir from Clavier-Übung III | Org/man. | IV/4: 78 | |||||||
| 688 | 1739 | Chorale prelude Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt from Clavier-Übung III | Organ | IV/4: 81 | |||||||
| 689 | 1739 | Chorale prelude Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt (Fugue) from Clavier-Übung III | Org/man. | IV/4: 89 | |||||||
| 690 | c.1700–1717 | Chorale prelude Wer nur den lieben Gott lässt walten (Kirnberger collection No. 1) | Organ | IV/3: 98 | |||||||
| 691 | c.1720 or earlier | Notebook A. M. Bach (1725) No. 11 Chorale prelude Wer nur den lieben Gott lässt walten (WFB No. 3; Kirnb. coll. No. 2) | Organ | V/5: 6 V/4: 90 IV/3: 98 |
→ BWV 691a | ||||||
| 694 | c.1700–1717 | Chorale prelude Wo soll ich fliehen hin (Kirnb. coll. No. 5) | Organ | IV/3: 103 | |||||||
| 695 | c.1700–1717 | Chorale prelude Christ lag in Todesbanden (Fantasia; Kirnb. coll. No. 6) | Organ | IV/3: 20 | → BWV 695a | ||||||
| 695a | 1700–1789 | Chorale prelude Christ lag in Todesbanden (variant) | Organ | after BWV 695 | |||||||
| 696 | c.1700–1717 | Chorale prelude Christum wir sollen loben schon (or) Was fürchtest du Feind, Herodes, sehr (Fughetta; Kirnb. coll. No. 7) | Organ | IV/3: 23 | |||||||
| 697 | c.1700–1717 | Chorale prelude Gelobet seist du, Jesu Christ (Fughetta; Kirnb. coll. No. 8) | Organ | IV/3: 32 | |||||||
| 698 | c.1700–1717 | Chorale prelude Herr Christ, der ein'ge Gottes Sohn (Fughetta; Kirnb. coll. No. 9) | Organ | IV/3: 35 | |||||||
| 699 | c.1700–1717 | Chorale prelude Nun komm, der Heiden Heiland (Fughetta; Kirnb. coll. No. 10) | Organ | IV/3: 73 | |||||||
| 700 | c.1699 | Chorale prelude Vom Himmel hoch da komm ich her (Kirnb. coll. No. 11) | Organ | IV/3: 92 | |||||||
| 701 | c.1700–1717 | Chorale prelude Vom Himmel hoch da komm ich her (Fughetta; Kirnb. coll. No. 12) | Organ | IV/3: 96 | |||||||
| 702 | c.1700–1717 | Chorale prelude Das Jesulein soll doch mein Trost (Fughetta; Kirnb. coll. No. 13) | Organ | IV/3: 45 | |||||||
| 703 | c.1700–1717 | Chorale prelude Gottes Sohn ist kommen (Fughetta; Kirnb. coll. No. 14) | Organ | IV/3: 34 | |||||||
| 704 | c.1700–1717 | Chorale prelude Lob sei dem allmächtigen Gott (Fughetta; Kirnb. coll. No. 15) | Organ | IV/3: 62 | |||||||
| 705 | c.1700–1717 | Chorale prelude Durch Adams Fall ist ganz verderbt (Kirnb. coll. No. 16) | Organ | IV/10: 47 | |||||||
| 706/1 706/2 |
c.1700–1717 | Chorale prelude Liebster Jesu, wir sind hier (/2 = alio modo; Kirnb. coll. No. 17) | Organ | IV/3: 59 | |||||||
| 707 | c.1700–1717 | Chorale prelude Ich hab mein Sach Gott heimgestellt (Kirnb. coll. No. 18) | Organ | IV/10: 87 | |||||||
| 708 | 1700–1789 | Chorale prelude Ich hab mein Sach Gott heimgestellt (alio modo; Kirnb. coll. No. 19) | Organ | ||||||||
| 708a | 1700–1789 | Chorale prelude Ich hab mein Sach Gott heimgestellt | Organ | ||||||||
| 709 | c.1700–1717 | Chorale prelude Herr Jesu Christ, dich zu uns wend (Kirnb. coll. No. 20) | Organ | IV/3: 43 | |||||||
| 710 | c.1700–1717 | Chorale prelude Wir Christenleut habn jetzund Freud (Kirnb. coll. No. 21) | Organ | IV/3: 100 | |||||||
| 711 | c.1700–1717 | Chorale prelude Allein Gott in der Höh sei Ehr (bicinium; Kirnb. coll. No. 22) | Organ | IV/3: 11 | |||||||
| 712 | c.1708 | Chorale prelude In dich hab ich gehoffet, Herr (Kirnb. coll. No. 23) | Organ | IV/3: 48 | |||||||
| 713 | c.1700–1717 | Chorale prelude Jesu, meine Freude (Kirnb. coll. No. 24) | Organ | IV/3: 54 | |||||||
| 713a | 1700–1789 | Chorale prelude Jesu, meine Freude (Fantasia; variant) | Organ | IV/10: 93 | |||||||
| 714 | 1708–1717 | Chorale prelude Ach Gott und Herr (Neumeister Chorales No. 13) | Organ | IV/9: 26 IV/3: 3 |
|||||||
| 715 | 1703–1717 | Chorale prelude Allein Gott in der Höh sei Ehr | Organ | IV/3: 14 | |||||||
| 716 | c.1700–1717 | Chorale prelude Allein Gott in der Höh sei Ehr (Fantasia) | Organ | IV/10: 14 | |||||||
| 717 | 1708–1717 | Chorale prelude Allein Gott in der Höh sei Ehr | Organ | IV/3: 8 | |||||||
| 718 | c.1700–1717 | Chorale prelude Christ lag in Todesbanden | Organ | IV/3: 16 | |||||||
| 719 | c.1704 | Chorale prelude Der Tag, der ist so freudenreich (Neumeister Chorales No. 1) | Organ | IV/9: 2, 72 | |||||||
| 720 | 1709? | Chorale prelude Ein feste Burg ist unser Gott | Organ | IV/3: 24 | by Bach, J. Michael? | ||||||
| 721 | c.1704 | Chorale prelude Erbarm dich mein, o Herre Gott | Organ | IV/3: 28 | |||||||
| 722 | 1708–1717 | Chorale prelude Gelobet seist du, Jesu Christ | Organ | IV/3: 31 | after BWV 722a | ||||||
| 722a | 1709? | Chorale prelude Gelobet seist du, Jesu Christ (sketch) | Organ | IV/3: 30 | → BWV 722 | ||||||
| 723 | c.1700–1717 | Chorale prelude Gelobet seist du, Jesu Christ (also in Neumeister Collection) | Organ | by Bach, J. Michael? | |||||||
| 724 | c.1699 | Chorale prelude Gott durch deine Güte (or) Gottes Sohn ist kommen | Organ | IV/3: 33 | in Andreas-Bach-Buch | ||||||
| 725 | c.1700–1717 | Chorale prelude Herr Gott, dich loben wir | Organ | IV/3: 36 | |||||||
| 726 | 1708–1717 | Chorale prelude Herr Jesu Christ, dich zu uns wend | Organ | IV/3: 45 | |||||||
| 727 | 1708–1717 | Chorale prelude Herzlich tut mich verlangen | Organ | IV/3: 46 | |||||||
| 728 | 1722–1723 or earlier | Notebook A. M. Bach (1722) No. 8 Chorale prelude Jesus, meine Zuversicht | Organ | V/4: 41 IV/3: 58 |
|||||||
| 729 | 1708–1717 | Chorale prelude In dulci jubilo | Organ | IV/3: 52 | after BWV 729a | ||||||
| 729a | 1708–1717 | Chorale prelude In dulci jubilo (sketch) | Organ | IV/3: 50 | → BWV 729 | ||||||
| 730 | 1708–1717 | Chorale prelude Liebster Jesu, wir sind hier | Organ | IV/3: 60 | |||||||
| 731 | 1708–1717 | Chorale prelude Liebster Jesu, wir sind hier | Organ | IV/3: 61 | |||||||
| 732 | 1708–1717 | Chorale prelude Lobt Gott, ihr Christen, allzugleich | Organ | IV/3: 64 | after BWV 732a | ||||||
| 732a | 1708–1717 | Chorale prelude Lobt Gott, ihr Christen, allzugleich (draft) | Organ | IV/3: 63 | → BWV 732 | ||||||
| 733 | 1708–1717 | Chorale prelude Meine Seele erhebt den Herren (fugue) | Organ | IV/3: 65 | by Krebs, J. L.? | ||||||
| 734 | 1708–1717 | Chorale prelude Nun freut euch, lieben Christen g'mein | Organ | IV/3: 70 | → BWV 734a | ||||||
| 734a | 1708–1789 | Chorale prelude Nun freut euch, lieben Christen g'mein | Organ | IV/10 | by Scholz (arr.)?; after BWV 734 | ||||||
| 735 | c.1700–1717 | Chorale prelude Valet will ich dir geben (Fantasia) | Organ | IV/3: 77 | after BWV 735a | ||||||
| 735a | c.1706 | Chorale prelude Valet will ich dir geben (early version) | Organ | IV/3: 81 | → BWV 735 | ||||||
| 736 | 1713–1717 | Chorale prelude Valet will ich dir geben | Org (V Bc) | IV/3: 84 | |||||||
| 737 | c.1704 | Chorale prelude Vater unser im Himmelreich (Neumeister Chorales No. 18) | Organ | IV/9: 36 IV/3: 90 |
|||||||
| 738 | 1708–1717 | Chorale prelude Vom Himmel hoch, da komm ich her | Organ | IV/3: 94 | after BWV 738a | ||||||
| 738a | 1708–1717 | Chorale prelude Vom Himmel hoch, da komm ich her (sketch) | Organ | IV/3: 94 | → BWV 738 | ||||||
| 739 | c.1704 | Chorale prelude Wie schön leuchtet der Morgenstern | Organ | IV/10: 2 | |||||||
| 740 | 1700–1780 | Chorale prelude Wir glauben all an einen Gott | Organ | by Krebs, J. L.? | |||||||
| 741 | c.1701 | Chorale prelude Ach Gott, vom Himmel sieh darein | Organ | IV/3: 4 | |||||||
| 742 | c.1704 | Chorale prelude Ach Herr, mich armen Sünder (Neumeister Chorales No. 14) | Organ | IV/9: 28 | |||||||
| 743 | c.1700–1717 | Chorale prelude Ach, was ist doch unser Leben | Organ | IV/10: 11 | |||||||
| 744 | c.1700–1717 | Chorale prelude Auf meinen lieben Gott | Organ | IV/10: 20 | by Krebs, J. L. | ||||||
| 745 | 1700–1788 | Chorale prelude Aus der Tiefe rufe ich | Organ | IV/10: 22 | by Bach, C. P. E.? | ||||||
| 747 | c.1700–1717 | Chorale prelude Christus, der uns selig macht | Organ | IV/10: 38 | |||||||
| 749 | c.1700–1717 | Chorale prelude Herr Jesu Christ, dich zu uns wend | Organ | IV/10: 80 | by Telemann?; by Bach, J. Christoph? | ||||||
| 750 | c.1700–1703 | Chorale prelude Herr Jesu Christ, meins Lebens Licht | Organ | IV/10: 81 | |||||||
| 752 | c.1700–1717 | Chorale prelude Jesu, der du meine Seele | Organ | ||||||||
| 753 | c.1720 | Chorale prelude Jesu, meine Freude (unfinished; WFB No. 5) | Organ | V/5: 8 | |||||||
| 754 | c.1700–1717 | Chorale prelude Liebster Jesu, wir sind hier | Organ | ||||||||
| 755 | c.1700–1717 | Chorale prelude Nun freut euch, lieben Christen g'mein | Organ | ||||||||
| 756 | c.1700–1717 | Chorale prelude Nun ruhen alle Wälder | Organ | ||||||||
| 757 | c.1700–1717 | Chorale prelude O Herre Gott, dein göttlichs Wort | Organ | ||||||||
| 758 | c.1700–1717 | Chorale prelude O Vater, allmächtiger Gott | Organ | IV/11: 69 | |||||||
| 762 | c.1700–1717 | Chorale prelude Vater unser im Himmelreich | Organ | IV/10: 142 | |||||||
| 763 | c.1700–1717 | Chorale prelude Wie schön leucht uns der Morgenstern | Organ | ||||||||
| 764 | c.1704–1705 | Chorale prelude Wie schön leuchtet der Morgenstern | Organ | IV/10: 6 | |||||||
| 765 | c.1706 | Chorale prelude Wir glauben all an einen Gott | Organ | ||||||||
| 1085 | c.1700–1717 | Chorale prelude O Lamm Gottes unschuldig | Organ | IV/3: 76 | |||||||
| 1090 | c.1704 | Chorale prelude Wir Christenleut (Neumeister Chorales No. 2) | Organ | IV/9: 4 | |||||||
| 1091 | c.1699 | Chorale prelude Das alte Jahr vergangen ist (Neumeister Chorales No. 3) | Organ | IV/9: 6 | |||||||
| 1092 | c.1701 | Chorale prelude Herr Gott, nun schleuß den Himmel auf (Neumeister Chorales No. 4) | Organ | IV/9: 8 | |||||||
| 1093 | c.1704 | Chorale prelude Herzliebster Jesu, was hast du verbrochen (Neumeister Chorales No. 5) | Organ | IV/9: 10 | |||||||
| 1094 | c.1699 | Chorale prelude O Jesu, wie ist dein Gestalt (Neumeister Chorales No. 6) | Organ | IV/9: 12 | |||||||
| 1095 | c.1704 | Chorale prelude O Lamm Gottes unschuldig (Neumeister Chorales No. 7) | Organ | IV/9: 14 | |||||||
| 1097 | c.1699 | Chorale prelude Ehre sei dir Christe, der du leidest Not (Neumeister Chorales No. 9) | Organ | IV/9: 18 | |||||||
| 1098 | c.1704 | Chorale prelude Wir glauben all an einen Gott (Neumeister Chorales No. 10) | Organ | IV/9: 20 | |||||||
| 1099 | c.1701 | Chorale prelude Aus tiefer Not schrei ich zu dir (Neumeister Chorales No. 11) | Organ | IV/9: 22 | |||||||
| 1100 | c.1704 | Chorale prelude Allein zu dir, Herr Jesu Christ (Neumeister Chorales No. 12) | Organ | IV/9: 24 | |||||||
| 1101 | c.1704 | Chorale prelude Durch Adams Fall ist ganz verderbt (Neumeister Chorales No. 15) | Organ | IV/9: 30 | |||||||
| 1102 | c.1706 | Chorale prelude Du Friedefürst, Herr Jesu Christ (Neumeister Chorales No. 16) | Organ | IV/9: 33 | |||||||
| 1103 | 1699–1709 | Chorale prelude Erhalt uns Herr, bei deinem Wort (Neumeister Chorales No. 17) | Organ | IV/9: 35 | |||||||
| 1104 | 1699–1709 | Chorale prelude Wenn dich Unglück tut greifen an (Neumeister Chorales No. 19) | Organ | IV/9: 38 | |||||||
| 1105 | c.1701 | Chorale prelude Jesu, meine Freude (Neumeister Chorales No. 20) | Organ | IV/9: 39 | |||||||
| 1106 | c.1704 | Chorale prelude Gott ist mein Heil, mein Hilf und Trost (Neumeister Chorales No. 21) | Organ | IV/9: 40 | |||||||
| 1107 | c.1704 | Chorale prelude Jesu, meines Lebens Leben (Neumeister Chorales No. 22) | Organ | IV/9: 42 | |||||||
| 1108 | c.1704 | Chorale prelude Als Jesus Christus in der Nacht (Neumeister Chorales No. 23) | Organ | IV/9: 44 | |||||||
| 1109 | 1699–1709 | Chorale prelude Ach Gott, tu dich erbarmen (Neumeister Chorales No. 24) | Organ | IV/9: 46 | |||||||
| 1110 | c.1704 | Chorale prelude O Herre Gott, dein göttlich Wort (Neumeister Chorales No. 25) | Organ | IV/9: 48 | |||||||
| 1111 | c.1701 | Chorale prelude Nun lasset uns den Leib begraben (Neumeister Chorales No. 26) | Organ | IV/9: 50 | |||||||
| 1112 | c.1699 | Chorale prelude Christus, der ist mein Leben (Neumeister Chorales No. 27) | Organ | IV/9: 52 | |||||||
| 1113 | c.1699 | Chorale prelude Ich hab mein Sach Gott heimgestellt (Neumeister Chorales No. 28) | Organ | IV/9: 54 | |||||||
| 1114 | c.1701 | Chorale prelude Herr Jesu Christ, du höchstes Gut (Neumeister Chorales No. 29) | Organ | IV/9: 56 | |||||||
| 1115 | c.1701 | Chorale prelude Herzlich lieb hab ich dich, o Herr (Neumeister Chorales No. 30) | Organ | IV/9: 58 | |||||||
| 1116 | c.1701 | Chorale prelude Was Gott tut, das ist wohlgetan (Neumeister Chorales No. 31) | Organ | IV/9: 60 | |||||||
| 1117 | c.1701 | Chorale prelude Alle Menschen müssen sterben (Neumeister Chorales No. 32) | Organ | IV/9: 62 | |||||||
| 1118 | c.1701 | Chorale prelude Werde munter, mein Gemüte (Neumeister Chorales No. 34) | Organ | IV/9: 66 | |||||||
| 1119 | c.1699 | Chorale prelude Wie nach einer Wasserquelle (Neumeister Chorales No. 35) | Organ | IV/9: 68 | |||||||
| 1120 | c.1704 | Chorale prelude Christ, der du bist der helle Tag (Neumeister Chorales No. 36) | Organ | IV/9: 70 | |||||||
| 957 | c.1701 | Chorale prelude Machs mit mir, Gott, nach deiner Güt (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.) | G major | Organ | IV/9: 64, 74 | ||||||
| 766 | c.1706 | Chorale partita Christ, der du bist der helle Tag | Organ | IV/1: 114 | |||||||
| 767 | c.1708 | Chorale partita O Gott, du frommer Gott | Organ | IV/1: 122 | |||||||
| 768 | 1708–1717 or earlier | Chorale partita Sei gegrüßet, Jesu gütig | Organ | IV/1: 132, 152 | |||||||
| 769 | c.1747–1748 | Chorale variations Vom Himmel hoch da komm ich her (canonic variations; print version) | Organ | IV/2: 197 | → BWV 769a | ||||||
| 769a | c.1747–1748 | Chorale variations Vom Himmel hoch da komm ich her (canonic variations; autograph) | Organ | IV/2: 98 | after BWV 769 | ||||||
| 770 | c.1704 | Chorale variations Ach, was soll ich Sünder machen | Organ | IV/1: 104 | |||||||
| 8. | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | ||||||||||
| 772 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1 | C major | Keyboard | V/5: 48 V/3: 2 |
→ BWV 772a[18][19][20] | |||||
| 772a | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 1a – Invention No. 1a | C major | Keyboard | V/3: 4 | after BWV 772 | |||||
| 773 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15 | C minor | Keyboard | V/5: 76 V/3: 6 |
[18][19][20] | |||||
| 774 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14 | D major | Keyboard | V/5: 74 V/3: 8 |
[18][19][20] | |||||
| 775 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2 | D minor | Keyboard | V/5: 50 V/3: 10 |
[18][19][20] | |||||
| 776 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13 | E♭ major | Keyboard | V/5: 72 V/3: 12 |
[18][19][20] | |||||
| 777 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12 | E major | Keyboard | V/5: 70 V/3: 14 |
[18][19][20] | |||||
| 778 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3 | E minor | Keyboard | V/5: 52 V/3: 16 |
[18][19][20] | |||||
| 779 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4 | F major | Keyboard | V/5: 54 V/3: 18 |
[18][19][20] | |||||
| 780 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11 | F minor | Keyboard | V/5: 68 V/3: 20 |
[18][19][20] | |||||
| 781 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5 | G major | Keyboard | V/5: 56 V/3: 22 |
[18][19][20] | |||||
| 782 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10 | G minor | Keyboard | V/5: 66 V/3: 24 |
[18][19][20] | |||||
| 783 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9 | A major | Keyboard | V/5: 64 V/3: 26 |
[18][19][20] | |||||
| 784 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6 | A minor | Keyboard | V/5: 58 V/3: 28 |
[18][19][20] | |||||
| 785 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8 | B♭ major | Keyboard | V/5: 62 V/3: 30 |
[18][19][20] | |||||
| 786 | 1720-01-22 1725-01-22 |
Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7 | B minor | Keyboard | V/5: 60 V/3: 32 |
[18][19][20] | |||||
| 787 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1 | C major | Keyboard | V/5: 90 V/3: 34 |
[18][19][20] | |||||
| 788 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantas. 15 | C minor | Keyboard | V/5: 118 V/3: 36 |
[18][19][20] | |||||
| 789 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantas. 14 | D major | Keyboard | V/5: 116 V/3: 38 |
[18][19][20] | |||||
| 790 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2 | D minor | Keyboard | V/5: 92 V/3: 40 |
[18][19][20] | |||||
| 791 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantas. 13 | E♭ major | Keyboard | V/5: 114 V/3: 42 |
→ BWV 791a[18][19][20] | |||||
| 791a | 1723 | Sinfonias and Inventions No. 20a – Sinfonia No. 5a | E♭ major | Keyboard | V/3: 44, 80 | after BWV 791[18][19][20] | |||||
| 792 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantas. 12 | E major | Keyboard | V/5: 112 V/3: 46 |
[18][19][20] | |||||
| 793 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3 | E minor | Keyboard | V/5: 94 V/3: 48 |
[18][19][20] | |||||
| 794 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4 | F major | Keyboard | V/5: 96 V/3: 50 |
[18][19][20] | |||||
| 795 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantas. 11 | F minor | Keyboard | V/5: 110 V/3: 52 |
[18][19][20] | |||||
| 796 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5 | G major | Keyboard | V/5: 98 V/3: 54 |
[18][19][20] | |||||
| 797 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantas. 10 | G minor | Keyboard | V/5: 108 V/3: 56 |
[18][19][20] | |||||
| 798 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9 | A major | Keyboard | V/5: 106 V/3: 58 |
[18][19][20] | |||||
| 799 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6 | A minor | Keyboard | V/5: 100 V/3: 60 |
[18][19][20] | |||||
| 800 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8 | B♭ major | Keyboard | V/5: 104 V/3: 62 |
[18][19][20] | |||||
| 801 | 1720-01-22 1725-01-22 |
Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7 | B minor | Keyboard | V/5: 102 V/3: 64 |
[18][19][20] | |||||
| 802 | 1739 | Duet No. 1 from Clavier-Übung III | E minor | Organ | IV/4: 92 | ||||||
| 803 | 1739 | Duet No. 2 from Clavier-Übung III | F major | Organ | IV/4: 96 | ||||||
| 804 | 1739 | Duet No. 3 from Clavier-Übung III | G major | Organ | IV/4: 99 | ||||||
| 805 | 1739 | Duet No. 4 from Clavier-Übung III | A minor | Organ | IV/4: 102 | ||||||
| 806 | 1714–1723 | English Suite No. 1 | A major | Keyboard | V/7: 2 | ||||||
| 806a | 1714–1717 | English Suite No. 1a | A major | Keyboard | V/7: 116 | ||||||
| 807 | 1725 or earlier | English Suite No. 2 | A minor | Keyboard | V/7: 20 | ||||||
| 808 | 1725 or earlier | English Suite No. 3 | G minor | Keyboard | V/7: 38 | ||||||
| 809 | 1725 or earlier | English Suite No. 4 | F major | Keyboard | V/7: 54 | ||||||
| 810 | 1725 or earlier | English Suite No. 5 | E minor | Keyboard | V/7: 70 | ||||||
| 811 | 1725 or earlier | English Suite No. 6 | D minor | Keyboard | V/7: 90 | ||||||
| 812 AMB1 | 1720–1722 | Notebook A. M. Bach (1722) No. 1 French Suite No. 1 | D minor | Keyboard | V/4: 3 | ||||||
| 812 AMB2 | 1725 (AMB) | Notebook A. M. Bach (1725) No. 30 French Suite No. 1 | D minor | Keyboard | V/4: 109 | ||||||
| 812 v.A | early 1750s | French Suite No. 1 – Version A (Altnickol) | D minor | Keyboard | V/8: 2 | ||||||
| 812 v.B | French Suite No. 1 – Version B | D minor | Keyboard | V/8: 64 | |||||||
| 813 AMB1 | 1720–1722 | Notebook A. M. Bach (1722) No. 2, 9 French Suite No. 2 | C minor | Keyboard | V/4: 10 | ||||||
| 813 AMB2 | 1725 (AMB) | Notebook A. M. Bach (1725) No. 31 French Suite No. 2 | C minor | Keyboard | V/4: 116 | ||||||
| 813 v.A | early 1750s | French Suite No. 2 – Version A (Altnickol) | C minor | Keyboard | V/8: 10 | ||||||
| 813a | French Suite No. 2 – Version B | C minor | Keyboard | V/8: 72 | |||||||
| 814 AMB1 | 1720–1722 | Notebook A. M. Bach (1722) No. 3, 10 French Suite No. 3 | B minor | Keyboard | V/4: 16 | ||||||
| 814 v.A | early 1750s | French Suite No. 3 – Version A (Altnickol) | B minor | Keyboard | V/8: 20 | ||||||
| 814 v.B | French Suite No. 3 – Version B | B minor | Keyboard | ||||||||
| 814a | 1720–1739 | French Suite No. 3 – Variant | B minor | Keyboard | V/8: 166 | after BWV 929 | |||||
| 815 AMB1 | 1720–1722 | Notebook A. M. Bach (1722) No. 4 French Suite No. 4 | E♭ major | Keyboard | V/4: 23 | ||||||
| 815 v.A | early 1750s | French Suite No. 4 – Version A (Altnickol) | E♭ major | Keyboard | V/8: 30 | ||||||
| 815 v.B | French Suite No. 4 – Version B | E♭ major | Keyboard | V/8: 92 | |||||||
| 815a | French Suite No. 4 – Variant | E♭ major | Keyboard | V/8: 176 | |||||||
| 816 AMB1 | 1724–1725 | Notebook A. M. Bach (1722) No. 5 French Suite No. 5 | G major | Keyboard | V/4: 30 | ||||||
| 816 v.A | early 1750s | French Suite No. 5 – Version A (Altnickol) | G major | Keyboard | V/8: 40 | ||||||
| 816 v.B | French Suite No. 5 – Version B | G major | Keyboard | V/8: 102 | |||||||
| 817 v.A | early 1750s | French Suite No. 6 – Version A (Altnickol) | E major | Keyboard | V/8: 52 | ||||||
| 817 v.B | after 1724? | French Suite No. 6 – Version B | E major | Keyboard | V/8: 114 | ||||||
| 818 | 1720–1722 | Suite for keyboard (early version) | A minor | Keyboard | V/8: 129 | ||||||
| 818a | after 1721 | Suite for keyboard (later version) | A minor | Keyboard | V/8: 146 | ||||||
| 819 | before 1726 | Suite for keyboard (early version) | E♭ major | Keyboard | V/8: 136 | ||||||
| 819a | 1725–1728 | Suite for keyboard (later version) | E♭ major | Keyboard | V/8: 156 | ||||||
| 820 | 1705–1713 | Suite (Ouverture) for keyboard | F major | Keyboard | V/10: 43 | ||||||
| 822 | Suite for keyboard | G minor | Keyboard | V/10: 68 | after unknown model? | ||||||
| 823 | before 1727 | Suite for keyboard | F minor | Keyboard | V/10: 50 | ||||||
| 825 | 1725–1726 | Partita No. 1 from Clavier-Übung I | B♭ major | Keyboard | V/1: 2 | ||||||
| 826 | 1725–1727 | Partita No. 2 from Clavier-Übung I | C minor | Keyboard | V/1: 15 | ||||||
| 827 | 1725–1727 | Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I | A minor | Keyboard | V/1: 35 V/4: 47 |
||||||
| 828 | 1725–1728 | Partita No. 4 from Clavier-Übung I | D major | Keyboard | V/1: 50 | ||||||
| 829 | 1725–1730 | Partita No. 5 from Clavier-Übung I | G major | Keyboard | V/1: 72 | ||||||
| 830 | 1725–1730 | Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I | E minor | Keyboard | V/1: 90 V/4: 60 |
after BWV 1019a/3 /5 | |||||
| 831 | 1733–1735 | Overture in the French style (Clavier-Übung II No. 2) | B minor | Harpsichord | V/2: 20 | after BWV 831a | |||||
| 831a | 1727–1733 | Overture in the French style (early version) | C minor | Keyboard | V/2: 43 | → BWV 831 | |||||
| 832 | before 1707 | Suite for keyboard | A major | Keyboard | V/10: 54 | in Möllersche Handschrift | |||||
| 833 | before 1707 | Prelude and partita for keyboard | F major | Keyboard | V/10: 60 | in Möllersche Handschrift | |||||
| 836 | 1720–1721 | Allemande, Klavierbüchlein WFB No. 6 | G minor | Keyboard | V/5: 8 | by Bach, W. F. & J. S.? | |||||
| 837 | 1720–1721 | Allemande, Klavierbüchlein WFB No. 7 (incomplete) | G minor | Keyboard | V/5: 10 | by Bach, W. F. & J. S.? | |||||
| 841 | 1720–1721 | Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1 | G major | Keyboard | V/5: 16 V/4: 44 | by Bach, W. F. & J. S.? | |||||
| 842 | 1720–1721 | Klavierbüchlein WFB No. 12: Menuet 2 | G minor | Keyboard | V/5: 17 | by Bach, W. F. (BR A43) & J. S.? | |||||
| 843 | 1720–1721 | Klavierbüchlein WFB No. 13: Menuet 3 | G major | Keyboard | V/5: 18 | ||||||
| 846 | 1722 | Well-Tempered Clavier I, P. & F. No. 1 | C major | Keyboard | V/6.1: 2 | after BWV 846a | |||||
| 846/1 | 1725 (AMB) | Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1) | C major | Keyboard | V/4: 107 | ||||||
| 846a | 1720 | Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1) | C major | Keyboard | V/5: 19 V/6.1: 127 |
→ BWV 846/1 | |||||
| 847 | 1722 | Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2) | C minor | Keyboard | V/5: 20 V/6.1: 2 |
after BWV 847a | |||||
| 847a | Prelude and Fughetta (early WTC I No. 2) | C minor | Keyboard | V/6.1: 130 | → BWV 847 | ||||||
| 848 | 1722 | Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8]) | C♯ major | Keyboard | V/5: 30 V/6.1: 2 |
after BWV 848a | |||||
| 848a | Prelude and Fughetta (early WTC I No. 3) | C♯ major | Keyboard | V/6.1: 134 | → BWV 848 | ||||||
| 849 | 1722 | Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9]) | C♯ minor | Keyboard | V/5: 32 V/6.1: 2 |
after BWV 849a | |||||
| 849a | Prelude and Fughetta (early WTC I No. 4) | C♯ minor | Keyboard | V/6.1: 140 | → BWV 849 | ||||||
| 850 | 1722 | Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4) | D major | Keyboard | V/5: 23 V/6.1: 2 |
after BWV 850a | |||||
| 850a | Prelude and Fughetta (early WTC I No. 5) | D major | Keyboard | V/6.1: 146 | → BWV 850 | ||||||
| 851 | 1722 | Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3) | D minor | Keyboard | V/5: 22 V/6.1: 2 |
after BWV 851a | |||||
| 851a | Prelude and Fughetta (early WTC I No. 6) | D minor | Keyboard | V/6.1: 150 | → BWV 851 | ||||||
| 852 | 1722 | Well-Tempered Clavier I, P. & F. No. 7 | E♭ major | Keyboard | V/6.1: 32 | after BWV 852a | |||||
| 852a | Prelude and Fughetta (early WTC I No. 7) | E♭ major | Keyboard | V/6.1: 154 | → BWV 852 | ||||||
| 853 | 1722 | Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10]) | E♭ minor D♯ minor |
Keyboard | V/5: 34 V/6.1: 38 |
after BWV 853a; → K. 404a/1 | |||||
| 853a | Prelude and Fughetta (early WTC I No. 8) | E♭ minor D♯ minor |
Keyboard | V/6.1: 160 | → BWV 853 | ||||||
| 854 | 1722 | Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6) | E major | Keyboard | V/5: 26 V/6.1: 44 |
after BWV 854a | |||||
| 854a | Prelude and Fughetta (early WTC I No. 9) | E major | Keyboard | V/6.1: 166 | → BWV 854 | ||||||
| 855 | 1722 | Well-Tempered Clavier I, P. & F. No. 10 | E minor | Keyboard | V/6.1: 48 | after BWV 855a | |||||
| 855a | c.1720 | Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5) | E minor | Keyboard | V/5: 24 V/6.1: 170 |
→ BWV 855 | |||||
| 856 | 1722 | Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7) | F major | Keyboard | V/5: 28 V/6.1: 54 |
after BWV 856a | |||||
| 856a | Prelude and Fughetta (early WTC I No. 11) | F major | Keyboard | V/6.1: 174 | → BWV 856 | ||||||
| 857 | 1722 | Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11]) | F minor | Keyboard | V/5: 36 V/6.1: 58 |
after BWV 857a | |||||
| 857a | Prelude and Fughetta (early WTC I No. 12) | F minor | Keyboard | V/6.1: 178 | → BWV 857 | ||||||
| 858 | 1722 | Well-Tempered Clavier I, P. & F. No. 13 | F♯ major | Keyboard | V/6.1: 64 | after BWV 858a | |||||
| 858a | Prelude and Fughetta (early WTC I No. 13) | F♯ major | Keyboard | V/6.1: 184 | → BWV 858 | ||||||
| 859 | 1722 | Well-Tempered Clavier I, P. & F. No. 14 | F♯ minor | Keyboard | V/6.1: 64 | after BWV 859a | |||||
| 859a | Prelude and Fughetta (early WTC I No. 14) | F♯ minor | Keyboard | V/6.1: 188 | → BWV 859 | ||||||
| 860 | 1722 | Well-Tempered Clavier I, P. & F. No. 15 | G major | Keyboard | V/6.1: 72 | after BWV 860a | |||||
| 860a | Prelude and Fughetta (early WTC I No. 15) | G major | Keyboard | V/6.1: 192 | → BWV 860 | ||||||
| 861 | 1722 | Well-Tempered Clavier I, P. & F. No. 16 | G minor | Keyboard | V/6.1: 78 | after BWV 861a | |||||
| 861a | Prelude and Fughetta (early WTC I No. 16) | G minor | Keyboard | V/6.1: 198 | → BWV 861 | ||||||
| 862 | 1722 | Well-Tempered Clavier I, P. & F. No. 17 | A♭ major | Keyboard | V/6.1: 82 | after BWV 862a | |||||
| 862a | Prelude and Fughetta (early WTC I No. 17) | A♭ major | Keyboard | V/6.1: 202 | → BWV 862 | ||||||
| 863 | 1722 | Well-Tempered Clavier I, P. & F. No. 18 | G♯ minor | Keyboard | V/6.1: 86 | after BWV 863a | |||||
| 863a | Prelude and Fughetta (early WTC I No. 18) | G♯ minor | Keyboard | V/6.1: 206 | → BWV 863 | ||||||
| 864 | 1722 | Well-Tempered Clavier I, P. & F. No. 19 | A major | Keyboard | V/6.1: 90 | after BWV 864a | |||||
| 864a | Prelude and Fughetta (early WTC I No. 19) | A major | Keyboard | V/6.1: 210 | → BWV 864 | ||||||
| 865 | 1722 | Well-Tempered Clavier I, P. & F. No. 20 | A minor | Keyboard | V/6.1: 96 | after BWV 865a | |||||
| 865a | Prelude and Fughetta (early WTC I No. 20) | A minor | Keyboard | V/6.1: 216 | → BWV 865 | ||||||
| 866 | 1722 | Well-Tempered Clavier I, P. & F. No. 21 | B♭ major | Keyboard | V/6.1: 104 | after BWV 866a | |||||
| 866a | Prelude and Fughetta (early WTC I No. 21) | B♭ major | Keyboard | V/6.1: 224 | → BWV 866 | ||||||
| 867 | 1722 | Well-Tempered Clavier I, P. & F. No. 22 | B♭ minor | Keyboard | V/6.1: 108 | after BWV 867a; → Hess 38 | |||||
| 867a | Prelude and Fughetta (early WTC I No. 22) | B♭ minor | Keyboard | V/6.1: 228 | → BWV 867 | ||||||
| 868 | 1722 | Well-Tempered Clavier I, P. & F. No. 23 | B major | Keyboard | V/6.1: 112 | after BWV 868a | |||||
| 868a | Prelude and Fughetta (early WTC I No. 23) | B major | Keyboard | V/6.1: 232 | → BWV 868 | ||||||
| 869 | 1722 | Well-Tempered Clavier I, P. & F. No. 24 | B minor | Keyboard | V/6.1: 116 | after BWV 869a | |||||
| 869a | Prelude and Fughetta (early WTC I No. 24) | B minor | Keyboard | V/6.1: 236 | → BWV 869 | ||||||
| 870b 870/2 |
1739–1742 | Well-Tempered Clavier II, P. & F. No. 1 (version A) | C major | Keyboard | V/6.2: 2, 6, 342 |
||||||
| 871 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 2 | C minor | Keyboard | V/6.2: 8, 160 |
→ K. 405/1 | |||||
| 872 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 3 | C♯ major | Keyboard | V/6.2: 12, 164, 352 |
after BWV 872a | |||||
| 872a/1 | 1739–1740 | Prelude (early WTC II, P. & F. No. 3/1) | C major | Keyboard | V/6.2: 344 | → BWV 872/1 | |||||
| 872a/2 | 1738 | Fughetta (early WTC II, P. & F. No. 3/2) | C major | Keyboard | V/6.2: 358 | → BWV 872/2 | |||||
| 873 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 4 | C♯ minor | Keyboard | V/6.2: 16, 168 |
||||||
| 874 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 5 | D major | Keyboard | V/6.2: 24, 176 |
→ K. 405/5 | |||||
| 875 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 6 | D minor | Keyboard | V/6.2: 30 182, 348, 356 |
after BWV 875a | |||||
| 875a | 1739–1740 | Preambulum (early WTC II, P. & F. No. 6/1) | D minor | Keyboard | V/6.2: 346 | → BWV 875/1 | |||||
| 876 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 7 | E♭ major | Keyboard | V/6.2: 36, 188, 354 |
→ K. 405/2 | |||||
| 877 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 8 | D♯ minor | Keyboard | V/6.2: 42, 194 |
→ K. 405/4 | |||||
| 878 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 9 | E major | Keyboard | V/6.2: 48, 200 |
→ K. 405/3 | |||||
| 879 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 10 | E minor | Keyboard | V/6.2: 54, 206 |
||||||
| 880 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 11 | F major | Keyboard | V/6.2: 62, 215 |
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| 881 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 12 | F minor | Keyboard | V/6.2: 69, 221 |
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| 882 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 13 | F♯ major | Keyboard | V/6.2: 76, 228 |
→ K. 404a/3 | |||||
| 883 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 14 | F♯ minor | Keyboard | V/6.2: 84, 236 |
→ K. 404a/2 | |||||
| 884 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 15 | G major | Keyboard | V/6.2: 90, 242, 350 |
after BWV 902/2 | |||||
| 885 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 16 | G minor | Keyboard | V/6.2: 94, 246 |
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| 886 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 17 | A♭ major | Keyboard | V/6.2: 100, 108, 252 |
after BWV 901/2 | |||||
| 887 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 18 | G♯ minor | Keyboard | V/6.2: 112, 260 |
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| 888 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 19 | A major | Keyboard | V/6.2: 120, 268 |
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| 889 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 20 | A minor | Keyboard | V/6.2: 124, 272 |
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| 890 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 21 | B♭ major | Keyboard | V/6.2: 128, 276 |
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| 891 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 22 | B♭ minor | Keyboard | V/6.2: 134, 282 |
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| 892 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 23 | B major | Keyboard | V/6.2: 142, 290 |
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| 893 | 1739–1742 1744 |
Well-Tempered Clavier II, P. & F. No. 24 | B minor | Keyboard | V/6.2: 150, 298 |
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| 870 | 1744 | Well-Tempered Clavier II, P. & F. No. 1 (version B) | C major | Keyboard | V/6.2: 156 | after BWV 870a | |||||
| 894 | 1710–1717 (JTK) | Prelude and Fugue | A minor | Keyboard | V/9.2: 40 | → BWV 1044/1, /3; in SBB P 801, P 804 | |||||
| 895 | 1709 (JCB) | Prelude and Fugue | A minor | Keyboard | V/9.2: 69 | in Yale LM 4982 | |||||
| 896 | 1704–1707 | Prelude and Fugue | A major | Keyboard | V/9.2: 72 | in Möllersche Handschrift | |||||
| 870a | before 1727 | Prelude and Fughetta | C major | Keyboard | V/6.2: 307, 310 |
→ BWV 870; in SBB P 804, P 1089 | |||||
| 899 | before 1727 | Prelude and Fughetta | D minor | Keyboard | V/6.2: 314 V/12: 8 |
in SBB P 804, P 1089 | |||||
| 900 | before 1727 | Prelude and Fughetta | E minor | Keyboard | V/6.2 V/12: 9 |
in SBB P 804, P 1089 | |||||
| 901 | before 1727 | Prelude and Fughetta | F major | Keyboard | V/6.2: 324 | → BWV 886/2; in SBB P 1089 | |||||
| 902 | c.1729 | Prelude and Fughetta | G major | Keyboard | V/6.2: 328 | → BWV 884/2; in SBB P 804, P 1089 | |||||
| 902/1a | before 1727 | Prelude (previous Prelude to BWV 902/2) | G major | Keyboard | V/6.2: 334, 338 |
→ BWV 884/2; in SBB P 804 | |||||
| 903 | Chromatic Fantasia and Fugue | D minor | Keyboard | V/9.2: 76 | after BWV 903a; in SBB P 803, P 651 | ||||||
| 903a | Fantasia (early BWV 903/1) | D minor | Keyboard | V/9.2: 90 | → BWV 903/1; in D-DS Mus. ms. 69 | ||||||
| 904 | before 1727 | Fantasia and Fugue | A minor | Keyboard | V/9.2 | in SBB P 804 | |||||
| 906 | before 1729 c.1738 |
Fantasia and Fugue (Fugue incomplete) | C minor | Keyboard | V/9.2: 110 | in US-BETbc, D-Dl Mus.2405-T-52 | |||||
| 910 | 1707–1713 | Toccata | F♯ minor | Kb (or) Org | V/9.1: 1 | in Andreas-Bach-Buch | |||||
| 911 | 1707–1713 | Toccata | C minor | Kb (or) Org | V/9.1: 13 | in Andreas-Bach-Buch | |||||
| 912 | 1707–1713 | Toccata | D major | Kb (or) Org | V/9.1: 38 | after BWV 912a; ↔ BWV 532/1 | |||||
| 912a | 1704–1707 | Toccata | D major | Kb (or) Org | V/9.1: 26 | → BWV 912; in Möllersche Handschrift | |||||
| 913 | 1707–1709 | Toccata | D minor | Kb (or) Org | V/9.1: 50, 63 | after BWV 913a | |||||
| 913a | Toccata | D minor | Kb (or) Org | V/9.1: 52 | → BWV 913; publ. 1801 | ||||||
| 914 | 1707–1709 | Toccata | E minor | Kb (or) Org | V/9.1: 78 | ||||||
| 915 | 1707–1709 | Toccata | G minor | Kb (or) Org | V/9.1: 87 | ||||||
| 916 | 1707–1713 | Toccata | G major | Kb (or) Org | V/9.1: 100 | in Andreas-Bach-Buch | |||||
| 917 | 1704–1707 | Fantasia | G minor | Keyboard | V/9.1: 14, 16 | in Möllersche Handschrift | |||||
| 918 | Fantasia on a Rondo | C minor | Keyboard | V/9.1: 14, 18 | |||||||
| 921 | 1707–1713 | Prelude | C minor | Keyboard | V/9.1: 24 | in Andreas-Bach-Buch | |||||
| 922 | 1710–1714 (JTK) | Prelude (Fantasia) | A minor | Keyboard | V/9.2: 27, 34 | in SBB P 803 | |||||
| 923 | c.1723? | Prelude | B minor | Keyboard | V/9.2: 116 | by Pachelbel, W. H.?; → BWV 923a; in SBB P 401 | |||||
| 924 | c.1720 | Twelve Little Preludes No. 1: Preambulum (WFB No. 2) | C major | Keyboard | V/5: 4 | → BWV 924a | |||||
| 924a | 1720–1726 | Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26) | C major | Keyboard | V/5: 41 | after BWV 924; BR A44 F(add) 206 | |||||
| 925 | 1720–1726 | Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27) | D major | Keyboard | V/5: 42 | BR A45 F(add) 206 | |||||
| 926 | c.1720 | Twelve Little Preludes No. 5: Preludium (WFB No. 4) | D minor | Keyboard | V/5: 6 | ||||||
| 927 | 1720–1726 | Twelve Little Preludes No. 8: Preambulum (WFB No. 8) | F major | Keyboard | V/5: 10 | ||||||
| 928 | 1720–1726 | Twelve Little Preludes No. 9: Preludium (WFB No. 10) | F major | Keyboard | V/5: 14 | ||||||
| 929 | 1720–1726 | Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48e) | G minor | Keyboard | V/5: 89 | ||||||
| 930 | 1720–1726 | Twelve Little Preludes No. 11: Preambulum (WFB No. 9) | G minor | Keyboard | V/5: 12 | ||||||
| 931 | 1720–1726 | Preludium, Klavierbüchlein WFB No. 29 | A minor | Keyboard | V/5: 45 | BR A47 F(add) 206 | |||||
| 932 | 1720–1726 | Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete) | E minor | Keyboard | V/5: 44 | BR A46 F(add) 206 | |||||
| 933 | 1717–1723? | Six Little Preludes No. 1 | C major | Keyboard | V/9.2: 3 | in SBB P 542, P 885 | |||||
| 934 | 1717–1723? | Six Little Preludes No. 2 | C minor | Keyboard | V/9.2: 4 | in SBB P 542, P 885 | |||||
| 935 | 1717–1723? | Six Little Preludes No. 3 | D minor | Keyboard | V/9.2: 5 | in SBB P 542, P 885 | |||||
| 936 | 1717–1723? | Six Little Preludes No. 4 | D major | Keyboard | V/9.2: 6 | in SBB P 542, P 885 | |||||
| 937 | 1717–1723? | Six Little Preludes No. 5 | E major | Keyboard | V/9.2: 8 | in SBB P 542, P 885 | |||||
| 938 | 1717–1723? | Six Little Preludes No. 6 | E minor | Keyboard | V/9.2: 10 | in SBB P 542, P 885 | |||||
| 939 | 1726–1727 | Five Little Preludes No. 1 (=12 L. P. No. 2) | C major | Keyboard | V/12: 50 | by Bach?; in SBB P 804 | |||||
| 940 | 1726–1727 | Five Little Preludes No. 2 (=12 L. P. No. 6) | D minor | Keyboard | V/12: 50 | by Bach?; in SBB P 804 | |||||
| 941 | 1726–1727 | Five Little Preludes No. 3 (=12 L. P. No. 7) | E minor | Keyboard | V/12: 51 | by Bach?; in SBB P 804 | |||||
| 942 | 1726–1727 | Five Little Preludes No. 4 (=12 L. P. No. 12) | A minor | Keyboard | V/12: 52 | by Bach?; in SBB P 804 | |||||
| 943 | 1725–1727 | Five Little Preludes No. 5 | C major | Org (Kb?) | V/12: 53 | in SBB P 804 | |||||
| 944 | 1707–1713 | Fantasia and Fugue | A minor | Keyboard | V/9.2: 133 | in Andreas-Bach-Buch | |||||
| 946 | early work? | Fugue on a theme by Albinoni | C major | Keyboard | V/9.2: 153 | after Albinoni, Op. 1, No. 12/4 (theme) | |||||
| 947 | early work? | Fugue | A minor | Keyboard | V/12: 55 | by Bach? | |||||
| 948 | early work? | Fugue | D minor | Keyboard | V/9.2: 156 | in D-B N. Mus. ms. 10580 | |||||
| 949 | 1707–1713 | Fugue | A major | Keyboard | V/9.2: 163 | after Albinoni (theme)?; in Andreas-Bach-Buch | |||||
| 950 | before 1725 | Fugue on a theme by Albinoni | A major G major |
Keyboard | V/9.2: 168 | after Albinoni (theme); in SBB P 804 | |||||
| 951 | 1714–1717 | Fugue on a theme by Albinoni | B minor | Keyboard | V/9.2: 118 | after BWV 951a; in SBB P 801 | |||||
| 951a | 1714–1717 | Fugue on a theme by Albinoni (early version) | B minor | Keyboard | V/9.2: 127 | after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9 | |||||
| 952 | Fugue | C major | Keyboard | V/9.2: 176 | |||||||
| 953 | 1720–1726 | Fugue a 3, Klavierbüchlein WFB No. 31 | C major | Keyboard | V/5: 46 | ||||||
| 954 | early work? | Fugue on a theme by Reincken | B♭ major | Keyboard | V/11: 200 | after Reincken, Hortus Musicus No. 2/2 (theme)[21] | |||||
| 955 | early work | Fugue | B♭ major | Keyboard | V/12: 60 | after BWV 955a; in SBB P 425, P 804 | |||||
| 955a | early work | Fugue | B♭ major | Organ | V/12: 65 | by Erselius?; → BWV 955; in SBB P 247, P 595 | |||||
| 959 | Fugue | A minor | Keyboard | V/9.2: 178 | by Bach? | ||||||
| 961 | ? | Fughetta | C minor | Keyboard | V/9.2: 182 | in SBB P 823 | |||||
| 963 | early work | Sonata for keyboard | D major | Keyboard | V/10: 32 | in SBB P 804 | |||||
| 965 | c.1714–1717 or earlier |
Sonata for keyboard after Reincken | A minor | Keyboard | V/11: 173 | after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803 | |||||
| 966 | c.1714–1717 or earlier |
Sonata for keyboard after Reincken | A minor | Keyboard | V/11: 188 | after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803 | |||||
| 967 | 1704–1707 | Sonata transcription, 1st movement | A minor | Keyboard | V/9.2: 184 | in SBB P 804 | |||||
| 971 | 1733–1735 | Italian Concerto (Clavier-Übung II No. 1) | F major | Harpsichord | V/2: 2 | ||||||
| 972 | July 1713– July 1714 |
Concerto for solo keyboard (1/16) | D major | Keyboard | V/11: 3 | after Vivaldi, Op. 3 No. 9 | |||||
| 972a | July 1713– July 1714 |
Concerto for solo keyboard (1/16), early version | D major | Keyboard | V/11: 161 | after Vivaldi, Op. 3 No. 9 | |||||
| 973 | July 1713– July 1714 |
Concerto for solo keyboard (2/16) | G major | Keyboard | V/11: 12 | after Vivaldi, Op. 7 No. 8 | |||||
| 974 | July 1713– July 1714 |
Concerto for solo keyboard (3/16) | D minor | Keyboard | V/11: 20 | after Marcello, A., Oboe Concerto | |||||
| 975 | July 1713– July 1714 |
Concerto for solo keyboard (4/16) | G minor | Keyboard | V/11: 30 | after Vivaldi, Op. 4 No. 6 | |||||
| 976 | July 1713– July 1714 |
Concerto for solo keyboard (5/16) | C major | Keyboard | V/11: 39 | after Vivaldi, Op. 3 No. 12 | |||||
| 977 | July 1713– July 1714 |
Concerto for solo keyboard (6/16) | C major | Keyboard | V/11: 50 | after unknown model | |||||
| 978 | July 1713– July 1714 |
Concerto for solo keyboard (7/16) | F major | Keyboard | V/11: 56 | after Vivaldi, Op. 3 No. 3 (RV 310) | |||||
| 979 | July 1713– July 1714 |
Concerto for solo keyboard (8/16) | B minor | Keyboard | V/11: 64 | after Vivaldi, RV 813 (previously: Torelli)[22] | |||||
| 980 | July 1713– July 1714 |
Concerto for solo keyboard (9/16) | G major | Keyboard | V/11: 79 | after Vivaldi, Op. 4 No. 1 (RV 381) | |||||
| 981 | July 1713– July 1714 |
Concerto for solo keyboard (10/16) | C minor | Keyboard | V/11: 90 | after Marcello, B., Op. 1 No. 2 | |||||
| 982 | July 1713– July 1714 |
Concerto for solo keyboard (11/16) | B♭ major | Keyboard | V/11: 100 | after J. E. of Saxe-Weimar, Op. 1 No. 1 | |||||
| 983 | July 1713– July 1714 |
Concerto for solo keyboard (12/16) | G minor | Keyboard | V/11: 110 | after unknown model | |||||
| 984 | July 1713– July 1714 |
Concerto for solo keyboard (13/16) | C major | Keyboard | V/11: 118 | after J. E. of Saxe-Weimar, lost Concerto; → BWV 595 | |||||
| 985 | July 1713– July 1714 |
Concerto for solo keyboard (14/16) | G minor | Keyboard | V/11: 128 | after Telemann, TWV 51:g1[23] | |||||
| 986 | July 1713– July 1714 |
Concerto for solo keyboard (15/16) | G minor | Keyboard | V/11: 137 | after unknown model | |||||
| 987 | July 1713– July 1714 |
Concerto for solo keyboard (16/16) | D minor | Keyboard | V/11: 142 | after J. E. of Saxe-Weimar, Op. 1 No. 4 | |||||
| 988 | 1741–1742 | Goldberg Variations (Clavier-Übung IV) | G major | Harpsichord | V/2: 69 | → BWV 1087 | |||||
| 988/1 | c.1740? (AMB) | Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations | G major | Harpsichord | V/4: 103 | → BWV 1087 | |||||
| 989 | 1707–1713 | Aria variata | A minor | Keyboard | V/10: 21 | in Andreas-Bach-Buch | |||||
| 991 | 1722 | Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete) | C minor | Keyboard | V/4: 40 | ||||||
| 992 | 1704–1707 | Capriccio on the departure of a beloved brother | B♭ major | Keyboard | V/10: 3 | in Möllersche Handschrift | |||||
| 993 | c.1705 | Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis | E major | Keyboard | V/10: 12 | in SBB P 804 | |||||
| 994 | 1720 | Klavierbüchlein WFB No. 1: Applicatio | C major | Keyboard | V/5: 4 | ||||||
| 9. | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | ||||||||||
| 995 | Fall 1727 – Winter 1731 | Suite for lute | G minor | Lu | V/10: 81 | after BWV 1011[24][25][26] [27][28][29][30][31][32] [33][34][35][36][37][38] | |||||
| 996 | 1710–1717 (JGW) | Suite for lute | E minor | Lu (Lw?) | V/10: 94 | in SBB P 801, pp. 385–395[39][40] [30][32][33][41][42][43] | |||||
| 997 | 1720–1739 | Lute Suite in C minor, BWV 997 | C minor | Lu (Lw?) | V/10: 102 | in SBB P 650, MB Lpz III.11.5[27][30][44] [32][33][37][38][41][42] | |||||
| 998 | 1735–1745 | Prelude, Fugue and Allegro | E♭ major | Lu (or) Hc | V/10: 114 | [30][45][46] [31][32][33][38][42][47] | |||||
| 999 | 1717–1723 | Prelude for lute (Twelve Little Preludes No. 3) | C minor | Lu | V/10: 122 | in SBB P 804, pp. 101–103[30][32][48][49] | |||||
| 1000 | after 1720 | Fugue | G minor | Lu | V/10: 124 | after BWV 1001/2; → 539/2; in MB Lpz III.11.4[27][44] [30][32][37][38][41][50] | |||||
| 1006a | c.1736–1737 | Suite for lute | E major | Lu? | V/10: 134 | after BWV 1006[25][30][51] [32][38][47][52][53][54] | |||||
| 10. | Chamber music (see also: List of chamber music works by Johann Sebastian Bach) | ||||||||||
| 1001 | 1720 | Sonatas and partitas for solo violin No. 1 – Sonata No. 1 | G minor | Vl | VI/1: 3 rev 3: 3 |
→ BWV 1000, 539/2 | |||||
| 1002 | 1720 | Partitas and sonatas for solo violin No. 2 – Partita No. 1 | B minor | Vl | VI/1: 10 rev 3: 10 |
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| 1003 | 1720 | Sonatas and partitas for solo violin No. 3 – Sonata No. 2 | A minor | Vl | VI/1: 20 rev 3: 20 |
→ BWV 964 | |||||
| 1004 | 1720 | Partitas and sonatas for solo violin No. 4 – Partita No. 2 | D minor | Vl | VI/1: 30 rev 3: 30 |
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| 1005 | 1720 | Sonatas and partitas for solo violin No. 5 – Sonata No. 3 | C major | Vl | VI/1: 42 rev 3: 42 |
after "Komm, Heiliger Geist, Herre Gott"; → BWV 968 | |||||
| 1006 | 1720 | Partitas and sonatas for solo violin No. 6 – Partita No. 3 | E major | Vl | VI/1: 54 rev 3: 54 |
→ BWV 1006a, 29/1 and 120a/4 | |||||
| 1007 | 1720 (AMB) | Suite for cello No. 1 | G major | Vc | VI/2: 2 | ||||||
| 1008 | 1720 (AMB) | Suite for cello No. 2 | D minor | Vc | VI/2: 8 | ||||||
| 1009 | 1720 (AMB) | Suite for cello No. 3 | C major | Vc | VI/2:14 | ||||||
| 1010 | 1720 (AMB) | Suite for cello No. 4 | E♭ major | Vc | VI/2: 22 | ||||||
| 1011 | 1720 (AMB) | Suite for cello No. 5 | C minor | Vc | VI/2: 32 | → BWV 995 | |||||
| 1012 | 1720 (AMB) | Suite for cello No. 6 | D major | Vc | VI/2:40 | ||||||
| 1013 | 1717–1723? | Partita for flute | A minor | Fl | VI/3: 3 | ||||||
| 1014 | 1717–1723? | Sonata for violin and harpsichord No. 1 | B minor | Vl Hc | VI/1: 83 rev 3: 83 |
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| 1015 | 1717–1723? | Sonata for violin and harpsichord No. 2 | A major | Vl Hc | VI/1: 99 rev 3: 99 |
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| 1016 | 1717–1723? | Sonata for violin and harpsichord No. 3 | E major | Vl Hc | VI/1: 115 rev 3: 115 |
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| 1017 | 1717–1723? | Sonata for violin and harpsichord No. 4 | C minor | Vl Hc | VI/1: 136 rev 3: 136 |
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| 1018 | 1717–1723? | Sonata for violin and harpsichord No. 5 | F minor | Vl Hc | VI/1: 153 rev 3: 153 |
after BWV 1018a | |||||
| 1018a | 1717–1723? | Sonata for violin and harpsichord No. 5a | F minor | Vl Hc | VI/1: 195 rev 3: 194 |
→ BWV 1018 | |||||
| 1019 | after 1729? | Sonata for violin and harpsichord No. 6 | G major | Vl Hc | VI/1: 172 rev 3: 172 |
after BWV 1019a | |||||
| 1019a | 1717–1729? | Sonata for violin and harpsichord No. 6, early versions | G major | Vl Hc | VI/1: 197 rev 3: 196 |
after BWV 120a/4, 830/3, /6; → BWV 120/4, 1019 | |||||
| 1021 | 1732–1733 | Sonata for violin and continuo | G major | Vl Bc | VI/1: 65 rev 3: 65 |
→ BWV 1022, 1038 | |||||
| 1023 | c.1714–1717? | Sonata for violin and continuo | E minor | Vl Bc | VI/1: 73 rev 3: 73 |
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| 1025 | c.1746–1747? | Suite for violin and keyboard | A major | Vl Kb | VI/5: 67 | after Weiss, Suite for Lute in A major | |||||
| 1026 | c.1714–1717 | Fugue for violin and continuo | G minor | Vl Bc | VI/5: 59 | ||||||
| 1027 | c.1742 | Sonata for gamba and harpsichord No. 1 | G major | Gam Hc | VI/4: 3 | after BWV 1039; → 1027/1a /2a /4a | |||||
| 1028 | Sonata for gamba and harpsichord No. 2 | D major | Gam Hc | VI/4: 21 | |||||||
| 1029 | Sonata for gamba and harpsichord No. 3 | G minor | Gam Hc | VI/4: 36 | → BWV 545b | ||||||
| 1030 | 1736–1737 | Sonata for flute and harpsichord | B minor | Fl Hc | VI/3: 33 | after BWV 1030a | |||||
| 1030a | 1717–1736 | Sonata for unknown instrument and harpsichord | G minor | v Hc | VI/3: 89 | → BWV 1030 | |||||
| 1032 | 1736–1737 | Sonata for flute and harpsichord (/1 incomplete) | A major | Fl Hc | VI/3: 54 | → BWV 525a | |||||
| 1034 | 1717–1723? | Sonata for flute and continuo | E minor | Fl Bc | VI/3: 11 | ||||||
| 1035 | 1717–1723? | Sonata for flute and continuo | E major | Fl Bc | VI/3: 23 | ||||||
| 1039 | 1708–1726 | Sonata | G major | 2Fl Bc | VI/3: 71 | → BWV 1027 | |||||
| 11. | Works for orchestra (see also: List of orchestral works by Johann Sebastian Bach) | ||||||||||
| 1041 | 1730 | Concerto for violin and orchestra No. 1 | A minor | Vl Str Bc | VII/3: 3 | → BWV 1058 | |||||
| 1042 | Concerto for violin and orchestra No. 2 | E major | Vl Str Bc | VII/3: 35 | → BWV 1054 | ||||||
| 1043 | 1730–1731 or earlier | Concerto for 2 violins and orchestra – Double Concerto | D minor | 2Vl Str Bc | VII/3: 71 | → BWV 1062 | |||||
| 1044 | 1727 or later |
Concerto for flute, violin, harpsichord and orchestra – Triple Concerto | A minor | Fl Vl Hc Str Bc | VII/3: 105 | after BWV 894/1, 527/2, 894/2 | |||||
| 1045 | 1743–1746 | Cantata opening: "Concerto" (Symphonic movement for violin and orchestra) | D major | Vl 3Tr Tmp 2Ob Str Bc | I/34: 305 | after unknown model by other composer?[55][56][57] | |||||
| 1046 | 1721-03-24 | Brandenburg Concerto No. 1 | F major | 2Nho 3Ob Bas Vlp Str Bc | VII/2: 3 | after BWV 1046a; /3, /7 → BWV 207(a)/1, /5a | |||||
| 1046a | c.1712- 1713? |
Sinfonia (opening of BWV 208?) | F major | 2Nho 3Ob Str Bas Bc | VII/2: 225 | → BWV 1046; /1 → BWV 52/1; was BWV 1071[55] | |||||
| 1047 | 1721-03-24 | Brandenburg Concerto No. 2 | F major | Tr Fl Ob Vl Str Vne Bc | VII/2: 43 | ||||||
| 1048 | 1721-03-24 | Brandenburg Concerto No. 3 | G major | 3Vl 3Vla 3Vc Vne Hc | VII/2: 73 | → BWV 174/1 | |||||
| 1049 | 1721-03-24 | Brandenburg Concerto No. 4 | G major | Vl 2Fl Str Vc Vne Bc | VII/2: 99 | → BWV 1057 | |||||
| 1050 | 1721-03-24 | Brandenburg Concerto No. 5 | D major | Fl Vl Hc Vl Va Vc Vne | VII/2: 145 | after BWV 1050a | |||||
| 1050a | 1720–1721 | Brandenburg Concerto No. 5a | D major | Fl Vl Hc Vl Va Vne | VII/2: 145 | → BWV 1050 | |||||
| 1051 | 1721-03-24 | Brandenburg Concerto No. 6 | B♭ major | 2Vla 2Gam Vc Vne Hc | VII/2: 197 | ||||||
| 1052 | c.1738 | Concerto for harpsichord and orchestra No. 1 | D minor | Hc Str Bc | VII/4: 3 | after BWV 146/1, /2 and 188/1 | |||||
| 1052a | c.1734 | Concerto for harpsichord and orchestra No. 1a | D minor | Hc Str Bc | VII/4: 317 | by Bach, C. P. E.; after BWV 146/1, /2 and 188/1 | |||||
| 1053 | c.1738 | Concerto for harpsichord and orchestra No. 2 | E major | Hc Str Bc | VII/4: 79 | after BWV 169/1, /5 and 49/1 | |||||
| 1054 | c.1738 | Concerto for harpsichord and orchestra No. 3 | D major | Hc Str Bc | VII/4: 127 | after BWV 1042 | |||||
| 1055 | c.1738 | Concerto for harpsichord and orchestra No. 4 | A major | Hc Str Bc | VII/4: 161 | after BWV 1055R? | |||||
| 1056 | c.1738 | Concerto for harpsichord and orchestra No. 5 | F minor | Hc Str Bc | VII/4: 197 | after BWV 1056R?; /2 after BWV 156/1 | |||||
| 1057 | c.1738 | Concerto for harpsichord and orchestra No. 6 | F major | Hc 2Fl Str Bc | VII/4: 221 | after BWV 1049 | |||||
| 1058 | c.1738 | Concerto for harpsichord and orchestra No. 7 | G minor | Hc Str Bc | VII/4: 283 | after BWV 1041 | |||||
| 1059 | c.1738 | Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement) | D minor | Hc Ob Str Bc | VII/4: 313 | after BWV 35/1 and earlier model (for oboe?); completions/ reconstructions usually based on BWV 35/1, /2 and /5 | |||||
| 1060 | c.1736 | Concerto for 2 harpsichords and orchestra No. 1 | C minor | 2Hc Str Bc | VII/5: 3 | after BWV 1060R? | |||||
| 1061 | Concerto for 2 harpsichords and orchestra No. 2 | C major | 2Hc Str Bc | VII/5: 109 | after BWV 1061a | ||||||
| 1061a | 1732–1733 | Concerto for 2 harpsichords (No. 2) | C major | 2Hc | VII/5: 83 | → BWV 1061 | |||||
| 1062 | 1736 | Concerto for 2 harpsichords and orchestra No. 3 | C minor | 2Hc Str Bc | VII/5: 43 | after BWV 1043 | |||||
| 1063 | c.1730 | Concerto for 3 harpsichords and orchestra No. 1 | D minor | 3Hc Str Bc | VII/6: 3 | after unknown model? | |||||
| 1064 | c.1730 | Concerto for 3 harpsichords and orchestra No. 2 | C major | 3Hc Str Bc | VII/6: 55 | after BWV 1064R? | |||||
| 1065 | c.1730 | Concerto for 4 harpsichords and orchestra | A minor | 4Hc Str Bc | VII/6: 117 | after Vivaldi, Op. 3 No. 10 | |||||
| 1066 | May 1724–End 1725 | Orchestral Suite No. 1 | C major | 2Ob Bas Str Bc | VII/1: 3 | Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied | |||||
| 1067 | 1738–1739 | Orchestral Suite No. 2 | B minor | Fl Str Bc | VII/1: 27 | Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie | |||||
| 1068 | c.1730 | Orchestral Suite No. 3 | D major | 3Tr Tmp 2Ob (Vl) Str Bc | VII/1: 49, 119 |
Ouverture Air 2Gavotte Bourrée Gigue | |||||
| 1069 | before late 1727 | Orchestral Suite No. 4 | D major | 3Tr Tmp 2Ob Bas Str Bc | VII/1: 79 | Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 → BWV 110/1 | |||||
| 1071 |
|
|
|
|
|
see BWV 1046a | |||||
| 12. | Canons (see also: List of canons by Johann Sebastian Bach) | ||||||||||
| 1072 | Canon trias harmonica a 8 | D major | 8V | VIII/l: 3, 6 | [33][58] | ||||||
| 1073 | 1713-08-02 | Canon â 4. Voc: perpetuus | A minor | 4V | VIII/l: 3 | in US-CAh bMS Eng 870 (35b)[59][60][61][62][63] | |||||
| 1074 | 1727 | Canon a 4 (for Ludwig Friedrich Hudemann) | A minor | 4V | VIII/l: 3 | [64][65] [33][61][66][67][68][69] | |||||
| 1075 | 1734-01-10 | Canon a 2. perpetuus | D major | 2V | VIII/l: 3 | [61] | |||||
| 1076 | 1746 | Canon triplex a 6 | G major | 6V | VIII/l: 3 | after BWV 1087/13 [47][70][71][72] [33][73][74][75][76][77] | |||||
| 1077 | 1747-10-15 | Canone doppio sopr' il soggetto (dedicated to Johann Fulde) | G major | 4V Bc | VIII/1: 4 IX/2: 81 |
after BWV 1087/11[51][61][77][78] | |||||
| 1078 | 1749-03-01 | Canon Fa Mi, et Mi Fa est Tota Musica, a.k.a. Canon super Fa Mi, a 7. post Tempus Musicum | F major | 7V Bc | VIII/l: 4 | in SBB P 611[61][79][80] | |||||
| 1086 | 1750? | Canon Concordia discors | D major | 2V | VIII/l: 4 III/1: VIII |
in SLB Dresden R 291s[33][81][82][83][84] | |||||
| 1087 | 1747/1748 or earlier | 14 Canons on the first eight notes of the Goldberg ground | G major | 6V | V/2: 119 | after BWV 988/1; /11 → BWV 1077; /13 → 1076; in BN Paris Ms. 17669, Bl. 18v [47][85][86][87][88][89] | |||||
| 13. | Musical Offering, Art of the Fugue (see also: List of late contrapuntal works by Johann Sebastian Bach) | ||||||||||
| 1079 | 1747-07-07 | Musical Offering | Kb Fl 2Vl Bc | VIII/1: 46 | [90] | ||||||
| 1080 | 1742–1750 | The Art of Fugue | 2Kb (etc.?) | VIII/2: 3 | in SBB P 200[91] | ||||||
| Later | Later additions to the main catalogue (above BWV 1128: BWV3) | ||||||||||
| 1127 | 1713-10-30 | Aria "Alles mit Gott und nichts ohn' ihn" | s Str Bc | Sppl: 237 | text by Mylius, J. A. | ||||||
| 1128 | 1725-08-27 | Chorale fantasia Wo Gott der Herr nicht bei uns hält | Organ | was BWV Anh. 71[92] | |||||||
| 1135 | 1724-03-25 | Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation) | was BWV Anh. 199; text extant[93][94][95] | ||||||||
| 1136 | 1708–1717? 1725-09-09? 1727-02-06 |
Cantata Liebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727, with BWV 157.1: funeral in Pomßen) | was BWV Anh. 209; text by Lehms[96][97] | ||||||||
| 1137 | 1729-10-23? | Cantata (sketch: Gott, du Richter der Gedanken for Trinity XIX by Picander?) | SATB Vl Str Bc | III/1 | was BWV Anh. 2; in SBB P 36: 18[98] | ||||||
| 1138.1 | 1709-02-04 | Cantata for Ratswahl in Mühlhausen No. 2 | was BWV Anh. 192[99] | ||||||||
| 1138.2 | 1710-02-04 | Cantata for Ratswahl in Mühlhausen No. 3 | lost | ||||||||
| 1139.1 | 1725-08-27 | Cantata Wünschet Jerusalem Glück (council election) | was BWV Anh. 4; text by Picander; → BWV 1139.2[41][100] | ||||||||
| 1139.2 | 1730-06-27 | Cantata Wünschet Jerusalem Glück (200th anniversary of the Augsburg Confession) | was BWV Anh. 4a; text by Picander; after BWV 1139.1[101] | ||||||||
| 1140 | 1730-08-25 | Cantata Gott, gib dein Gerichte dem Könige (council election) | I/32.2 | was BWV Anh. 3; text by Picander[101][100] | |||||||
| 1141 | 1740-08-29 | Cantata Herrscher des Himmels, König der Ehren (council election) | I/32.2 | was BWV Anh. 193; text extant; last mvt. → BWV 208/15 [102][103][104] | |||||||
| 1142 | 1716-04-02 | Cantata Was ist, das wir Leben nennen (funeral service for Johann Ernst of S.-W.) | text extant | ||||||||
| 1143 | 1729-03-24 | Cantata Klagt, Kinder, klagt es aller Welt (funeral of Leopold of Anhalt-Köthen; music lost but partially reconstructible) | I/34 | was BWV 244a; text by Picander; ↔ BWV 198/1, /10, 244b/6, /8, /39, /49, /57, /23, /20, /65, /13, /68 | |||||||
| 1144 | 1725-02-12 | Cantata Sein Segen fließt daher wie ein Strom (wedding) | was BWV Anh. 14; text extant[105][106] | ||||||||
| 1145 | 1729-01-18 | Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding) | was BWV Anh. 211; text by Picander[107][108] | ||||||||
| 1146 | 1729-07-26 | Cantata Vergnügende Flammen, verdoppelt die Macht (wedding) | was BWV Anh. 212; text by Picander[109][110][108] | ||||||||
| 1147 | 1718-12-10 | Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of A.-K.) | I/34 | was BWV Anh. 5; text by Hunold[111] | |||||||
| 1148 | 1724-04-27 | Cantata Siehe, der Hüter Israel (doctorate) | SATB 3Tr Tmp 2Ob 3Vl Va Bc | I/34 | was BWV Anh. 15; lost[112][113] | ||||||
| 1150 | 1721-01-01? 1722-01-01? |
Cantata Ihr wallenden Wolken (New Year) | b 2Fl Str Vc Hc Bc | I/4 | was BWV Anh. 197; lost[114][115] | ||||||
| 1151 | 1720-01-01 | Secular cantata Dich loben die lieblichen Strahlen der Sonne (New Year) | I/35 | was BWV Anh. 6; text by Hunold[116][117] | |||||||
| 1152 | 1723-01-01 | Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette) | I/35 | was BWV Anh. 8; lost[118] | |||||||
| 1153 | 1720-12-10 | Secular cantata Heut ist gewiß ein guter Tag (birthday of Leopold of Anhalt-Köthen) | I/35 | was BWV Anh. 7; text by Hunold[119][120] | |||||||
| 1154 | 1722-07-29 | Cantata O vergnügte Stunden (birthday of John Augustus of Anhalt-Zerbst) | was BWV Anh. 194; text extant[121][122] | ||||||||
| 1155 | 1723-08-09 | Ode in Latin (birthday of Frederick II of Saxe-Gotha) | I/38 | was BWV Anh. 20; lost[123][124] | |||||||
| 1156 | 1727-05-12 | Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II) | I/36 | was BWV Anh. 9; text by Haupt, C. F.; /1 → BWV 232II/6?[125][126][127] | |||||||
| 1157 | 1732-08-03 | Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II) | I/36 | was BWV Anh. 11; text by Picander; /1 & /11 → BWV 215/1 → 232IV/1=/3; /7 → 248/39?; /9 → 212/14[100][109][128] | |||||||
| 1158 | 1733-08-03 | Secular cantata Frohes Volk, vergnügte Sachsen (name day of Augustus III) | I/36 | was BWV Anh. 12; text by Picander; after BWV Anh. 18; /1 → BWV 11/1[100][109][129] | |||||||
| 1159 | 1739-10-07 | Secular cantata "Serenade" (birthday of Augustus III) | lost | ||||||||
| 1160 | 1731-08-25 | Secular cantata So kämpfet nur, ihr muntern Töne (birthday of Joachim Friedrich von Flemming) | I/39 | was BWV Anh. 10; text by Picander; /1 → BWV 248VIa/1?[109][130] | |||||||
| 1161 | 1738-04-28 | Secular cantata Willkommen! Ihr herrschenden Götter der Erden in honour of the royal couple (Augustus III and Maria Josepha), and for the forthcoming marriage of princess Maria Amalia with Charles of Sicily | I/37 | was BWV Anh. 13; text by Gottsched, J. C. in Riemersche Chronik [100][131][132][133] | |||||||
| 1162 | 1732-06-05 | Secular cantata Froher Tag, verlangte Stunden (inauguration of St. Thomas school after renovation) | I/39 | was BWV Anh. 18; text by Winckler; /1 → BWV 11/1; /1 /3 /5 /6 /8 /10 → BWV Anh. 12[134][135][136] | |||||||
| 1163 | 1725-11-27 | Secular cantata Auf, süß entzückende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke) | I/40 | was BWV Anh. 196; text by Gottsched, C.; /3 → BWV 11/4 → 232IV/4; /5 → BWV 11/8[137][138][139][140] | |||||||
| R | Reconstructions | ||||||||||
| 1052R | 1970 | Concerto | D minor | Vl Str Bc | VII/7: 3 | by Fischer; after BWV 1052[141] | |||||
| 1055R | 1970 | Concerto | A major | Oba Str Bc | VII/7: 33 | by Fischer; after BWV 1055[141] | |||||
| 1056R | 1970 | Concerto | G minor | Vl Str Bc | VII/7: 59 | by Fischer; after BWV 1056[141] | |||||
| 1060R | 1970 | Concerto | C minor | Vl Ob Str Bc | VII/7: 75 | by Fischer; after BWV 1060[141] | |||||
| 1064R | 1970 | Concerto | D major | 3Vl Str Bc | VII/7: 103 | by Fischer; after BWV 1064[141] | |||||
| Anh. I | Fragments – lost works | ||||||||||
| I 1 | 1725-07-15? | Cantata Gesegnet ist die Zuversicht (Trinity VII) | SATB 2Fl Str Bc | by Telemann (TWV 1:617)?; text by Neumeister?[142][143][144] | |||||||
| I 2 |
|
|
|
|
|
see BWV 1137 | |||||
| I 3 |
|
|
|
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|
see BWV 1140 | |||||
| I 4 |
|
|
|
|
|
see BWV 1139.1 | |||||
| I 4a |
|
|
|
|
|
see BWV 1139.2 | |||||
| I 5 |
|
|
|
|
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see BWV 1147 | |||||
| I 6 |
|
|
|
|
|
see BWV 1151 | |||||
| I 7 |
|
|
|
|
|
see BWV 1153 | |||||
| I 8 |
|
|
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|
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see BWV 1152 | |||||
| I 9 |
|
|
|
|
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see BWV 1156 | |||||
| I 10 |
|
|
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see BWV 1160 | |||||
| I 11 |
|
|
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see BWV 1157 | |||||
| I 12 |
|
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|
|
see BWV 1158 | |||||
| I 13 |
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|
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see BWV 1161 | |||||
| I 14 |
|
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see BWV 1144 | |||||
| I 15 |
|
|
|
|
|
see BWV 1148 | |||||
| I 16 | 1735-11-09 | Cantata Schließt die Gruft, ihr Trauerglocken (mourning of Hedwig of Merseburg) | by Roemhildt; text by Hoffmann, B.[145][146][147][148] | ||||||||
| I 17 | Cantata Mein Gott, nimm die gerechte Seele (funeral) | SATB 2Oba Str Bas Bc | I/33 | [149] | |||||||
| I 18 |
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|
|
|
|
see BWV 1162 | |||||
| I 19 | 1734-11-21 | Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school) | I/39 | text by Johann August Landvoigt?; /9 after BWV 201/15?[150][151] | |||||||
| I 20 |
|
|
|
|
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see BWV 1155 | |||||
| N 190 | 1729-04-18 | Cantata Ich bin ein Pilgrim auf der Welt (Easter 2) | b Bc ... | I/33 | text by Picander; fragment of /4 in SBB P 670[152] | ||||||
| N 191 | 1715-05-19 | Cantata Leb ich oder leb ich nicht (Cantate) | text by Franck, S.[153][154] | ||||||||
| N 192 |
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|
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|
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see BWV 1138.1 | |||||
| N 193 |
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see BWV 1141 | |||||
| N 194 |
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see BWV 1154 | |||||
| N 195 | 1723-06-09 | Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus) | text in Acta Lipsiensium Academica (1723)[155] | ||||||||
| N 196 |
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see BWV 1163 | |||||
| N 197 |
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see BWV 1150 | |||||
| N 198 |
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see BWV 149/1a | |||||
| N 199 |
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see BWV 1135 | |||||
| N 200 | c.1713–1715 | Chorale prelude O Traurigkeit, o Herzeleid (unused sketch for Orgelbüchlein) | Organ | IV/1: 46 | in SBB P 283[51] | ||||||
| N 209 |
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|
|
|
|
see BWV 1136 | |||||
| N 210 | 1734-10-04 | Cantata Wo sind meine Wunderwerke (leave-taking of Johann Matthias Gesner) | text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3?[156][157][158] | ||||||||
| N 211 |
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|
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see BWV 1145 | |||||
| N 212 |
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|
|
see BWV 1146 | |||||
| N 213 | Concerto | F major | Org | by Telemann; arr. by Bach | |||||||
| 223 | 1717–1718? | Cantata Meine Seele soll Gott loben | B♭ major | I/34 | by Handel?[159] | ||||||
| 224 | 1732 | Aria "Reißt euch los, bekränkte Sinnen" (fragment) | S | I/41 | by Bach, C. P. E.?; in SBB P 491[160] | ||||||
| Anh. N | New additions to the Anhang | ||||||||||
| — |
| ||||||||||
| 655b | 1708–1789 | Chorale prelude Herr Jesu Christ, dich zu uns wend (alternative version "a" in BGA) | Organ | after BWV 655(a); ↔ 655c | |||||||
| 655c | 1708–1789 | Chorale prelude Herr Jesu Christ, dich zu uns wend (alternative version "b" in BGA) | Organ | after BWV 655(a); ↔ 655b | |||||||
| deest | 1723–1750? (JSB?) |
Motet Der Gerechte kömmt um (Wer ist der, so von Edom kömmt/39; funer. motet?) | E minor | SSATB 2Fl 2Ob Str Bc | I/41: 127 | by Kuhnau? (Tristis est...); arr. by Bach? | |||||
| deest | 1717-03-28? | Passion Weimarer Passion | ?stbSATB 2Fl 2Ob Str Bc | → BWV 23/4 (and 55/3; 244/29; 245a–c; 283?) | |||||||
| deest | 1707 (Kei) before 1713 (JSB) |
Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, Weimar version) | SATB 2Vl 2Va Hc | II/9: 69 | Pasticcio (Keiser G.?, Bach) | ||||||
| deest | 1726-04-19 (JSB) |
Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 1st Leipzig version) | SATB 2Vl 2Va Org | II/9 | Pasticcio after BC D 5a (Keiser G.?, Bach) adding BWV 500a and 1084) | ||||||
| deest | c.1750? | Passion Wer ist der, so von Edom kömmt | D minor | satbSSATB 2Fl 2Ob Str Bc | I/41: 95 | Pasticcio (Graun, C. H.; Telemann; Bach; ...) | |||||
| 1725 (JSB) | Notebook A. M. Bach (1725) No. 21 Menuet fait par Mons. Böhm | G major | Keyboard | V/4: 82 | by Böhm | ||||||
| 1709 (Bas.) c.1738 (JSB) |
6 Masses without Benedictus and Agnus Dei from Acroama missale | 2SATB 3Tbn Str Bc | by Bassani; copied by Bach (BNB I/B/48), later adding BWV 1081[161] | ||||||||
| 1740–1742 (JSB) | Magnificat | C major | SATB 4Tbn Tmp Bc | by Caldara; → BWV 1082; in DBB 2755/1 | |||||||
| deest | before 1719 (Han.) 1743–1748 (JSB) |
Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 2nd Leipzig version) | stSATB 2Ob 2Bas 2Vl 2Va Vc Vne Hc | II/9 | Pasticcio after BC D 5b (Keiser G.?, Bach) and HWV 48/9 /23 /41 /44 /47 /52 /55 (Handel) | ||||||
| deest | 1591 (Pal.) c.1742 (JSB) |
Kyrie–Gloria Mass arranged from Missa sine nomine a 6 | E minor | SSATTB 2Co 4Tro Vne Hc Org | II/9: 13 | by Palestrina after anon. motet Beata Dei genetrix; arr. by Bach | |||||
| 1720-01-22 | Klavierbüchlein WFB, p. 3a: Claves signatae (introduction on clefs) | V/5 | [18][19][20] | ||||||||
| 1720-01-22 | Klavierbüchlein WFB, p. 3b: Explication... (introduction on ornaments) | V/5 | [18][19][20] | ||||||||
| 1720 (WFB) | Klavierbüchlein WFB No. 25: Pièce pour le Clavecin | Keyboard | V/5: 40 | by Richter, J. C.[18][19][20] | |||||||
| deest | 1720 (anon) | Klavierbüchlein WFB No. 30: Bass sketch | G minor | V/5: 45 | by (anonymous)[18][19][20] | ||||||
| 1720 (WFB) | Klavierbüchlein WFB No. 48a–d: Partita | Keyboard | V/5: 82 | by Stölzel[18][19][20] | |||||||
| Voices (see also SATB) | ||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| a | A | b | B | s | S | t | T | v | V | |||
| alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includes parts for unspecified voices or instruments as in some canons) | vocal music for unspecified voice type | |||
| Winds and battery (bold = soloist) | ||||||||||||
| Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
| bassoon (can be part of Bc, see below) | bell(s) (musical bells) | cornett, cornettino | flute (traverso, flauto dolce, piccolo) | natural horn, corno da caccia, corno da tirarsi, lituo | oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi | timpani | tromba (natural trumpet, clarino trumpet) |
| Strings and keyboard (bold = soloist) | ||||||||||||
| Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
| basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org or clavichord) | lute, theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, without pedals) | strings: Vl I, Vl II and Va | viola(s), viola d'amore, violetta | Violoncello(s), violoncello piccolo | viola da gamba | violin(s), violino piccolo | violone(s), violone grosso | |
By genre edit
Cantatas (BWV 1–224) edit
- See #BWV Chapter 1 in the table above
In the 1950 first edition of the BWV the cantatas were largely listed according to their BGA number:
- BWV 1–200: Church cantatas
- BWV 201–216: Secular cantatas
- BWV 217–224: Cantatas with various issues (lost, incomplete, spurious, doubtful)
Additionally Anh. I of the first edition of the BWV started with a list of some 20 lost cantatas, while Anh. III of that edition listed a few cantata (movements) by other composers (Anh. 156–158).
BWV2a added many more lost cantatas (BWV Anh. 190–199 and 209–212) and alternative versions to known works indicating (partially) lost cantatas or cantata versions, e.g. BWV 244a, the music of which was partially preserved in the St Matthew Passion, BWV 244.
Motets (BWV 225–231) edit
- See #BWV Chapter 2 in the table above
There are over a dozen motets attributed to Bach, about half of which are authentic by all accounts:
- BWV 225–230 are the six compositions that have always been considered motets composed by Bach
- BWV 231 was later renumbered to BWV 28/2a, a variant of the second movement of cantata BWV 28
- BWV 118, published as a cantata in the 19th century, was later recategorised as a motet, following Bach's designation on the score.
- BWV Anh. 159–165 are motets with a doubtful or spurious assignation to Bach, the first of which is however most likely composed by Bach.
Liturgical works in Latin (BWV 232–243) edit
- See #BWV Chapter 3 in the table above
Bach's involvement with Latin church music, as composer, arranger or copyist, includes:
- BWV 232–242: Masses and Mass movements (Mass in B minor; Kyrie–Gloria Masses; separate Mass movements)
- BWV 243: Magnificat
- BWV 1081–1083: later additions to the BWV catalogue
- BWV Anh. 24–30, 166–168: doubtful and spurious works
- BNB I/B/48, I/C/1, I/P/2: copies and arrangements
Passions and oratorios (BWV 244–249) edit
- See #BWV Chapter 4 in the table above
Passions and oratorios composed or contributed to by Bach include:
- BWV 244–247: Passions (St Matthew Passion; St John Passion; St Mark Passion; St Luke Passion)
- BWV 248–249: Oratorios (Christmas Oratorio; Easter Oratorio)
- BWV 11: Ascension Oratorio
- BWV 127/1, 500a, 1084, 1088, deest: St Mark Passion (attributed to Keiser), Weimarer Passion, Wer ist der, so von Edom kömmt
- BWV Anh. 169: passion text by Picander (not set by Bach, apart from using some parts of this text in his St Matthew Passion)
Four-part chorales (BWV 250–438) edit
- See #BWV Chapter 5 in the table above
Bach's chorale settings (usually for SATB choir) are included in:
- BWV 250–438: separate chorale settings
- Cantatas (most prominently in the chorale cantatas), motets, passions, oratorios, Second Notebook for Anna Magdalena Bach
- BWV 1089, 1122–1126: later additions to the BWV catalogue
- BWV Anh. 31, 201–204: doubtful and spurious
Songs and arias (BWV 439–524) edit
- See #BWV Chapter 6 in the table above
Songs and (separate) arias by Bach are included in several collections:
- BWV 439–507: Schemellis Gesangbuch
- BWV 508–518: Second Notebook for Anna Magdalena Bach
- BWV 519–523: D-B Mus. ms. Bach P 802, a manuscript by Johann Ludwig Krebs
- BWV Anh. 32–39: Deutsche Übersetzungen und Gedichte (doubtful)
- BWV Anh. 40–41: Singende Muse an der Pleiße (doubtful)
Associated with the Songs and Arias group:
- BWV 524: (Wedding) Quodlibet for four voices (incomplete)
- BWV 1127 – Alles mit Gott und nichts ohn' ihn (strophic aria rediscovered in 2005)
Works for organ (BWV 525–771) edit
- See #BWV Chapter 7 in the table above
Bach's organ compositions include:
- BWV 525–530: Sonatas
- BWV 531–582: compositions of the type Prelude/Fantasia/Toccata/Adagio/Passacaglia and/or Fugue
- BWV 583–591: various free organ compositions (Trios/Aria/Canzona/Allabreve/Pastorale/Kleines harmonisches Labyrinth )
- BWV 592–597: Concertos (transcriptions)
- BWV 598: Pedal-Exercitium
- BWV 599–764: Chorale preludes (Orgelbüchlein; Schübler Chorales; Leipzig Chorales = Great Eighteen Chorale Preludes; Chorale preludes from Clavier-Übung III; Kirnberger chorale preludes; other chorale preludes)
- BWV 765–768: Chorale partitas
- BWV 769–771: Chorale variations (includes Canonic Variations on "Vom Himmel hoch da komm' ich her")
- BWV 1085–1087, 1121, 1128: various later additions to the BWV catalogue
- BWV 1090–1120: Neumeister Chorales
- BWV Anh. 42–79, 171–178, 200, 206, 208, 213: lost, doubtful and spurious organ pieces
Works for keyboard (BWV 772–994) edit
- See #BWV Chapter 8 in the table above
Bach's works for harpsichord, clavichord and other keyboard instruments include:
- BWV 772–801: Inventions and Sinfonias
- BWV 802–805: Duets from Clavier-Übung III
- BWV 806–845: Suites and suite movements (English Suites; French Suites; Partitas = Clavier-Übung I; Overture in the French style from Clavier-Übung II; etc.)
- BWV 846–893: The Well-Tempered Clavier (book I, book II)
- BWV 894–962: compositions of the type Prelude/Fantasia/Concerto/Toccata and/or Fugue/Fughetta (includes Chromatic Fantasia and Fugue, Six Little Preludes, several parts of the Klavierbüchlein für Wilhelm Friedemann Bach, etc.)
- BWV 963–970: Sonatas and sonata movements
- BWV 971–987: Concertos (includes Italian Concerto from Clavier-Übung II and various concerto transcriptions)
- BWV 988–991: Variations (includes Goldberg Variations = Clavier-Übung IV and Aria variata alla maniera italiana)
- BWV 992–994: Capriccios and Applicatio (includes Capriccio on the departure of a beloved brother)
Works for solo lute (BWV 995–1000) edit
- See #BWV Chapter 9 in the table above
Bach's compositions for lute and/or lute-harpsichord (Lautenwerck) include:
- BWV 995–1000 suites and separate movements for lute and/or lute-harpsichord
- BWV 1006a: transcription of BWV 1006
Chamber music (BWV 1001–1040) edit
- See #BWV Chapter 10 in the table above
Bach wrote chamber music for solo violin, cello or flute, sonatas for harpsichord and an instrumental soloist, and Trio sonatas:
- BWV 1001–1006: Sonatas and partitas for solo violin
- BWV 1007–1012: Cello Suites
- BWV 1013: Partita for solo flute
- BWV 1014–1026: works for accompanied violin (sonatas, suite, fugue for violin and harpsichord; sonatas for violin and basso continuo)
- BWV 1027–1029: sonatas for viola da gamba and harpsichord
- BWV 1030–1035: sonatas for accompanied flute (sonatas for flute and harpsichord; sonatas for flute and basso continuo)
- BWV 1036–1040: trio sonatas
Orchestral works (BWV 1041–1071) edit
- See #BWV Chapter 11 in the table above
Bach wrote concertos and orchestral suites:
- BWV 1041–1045: Violin concertos (in A minor, in E major, Double Concerto); Triple Concerto; Concerto movement/Sinfonia fragment
- BWV 1046–1051: Brandenburg Concertos
- BWV 1052–1065: Harpsichord concertos
- BWV 1066–1071: Orchestral suites and Sinfonia (early version of BWV 1046)
Canons (BWV 1072–1078) edit
- See #BWV Chapter 12 in the table above
Separate canons by Bach are listed in the 12th chapter of the BWV:
- BWV 1072–1078: canons
- BWV 1086–1087: later additions
Late contrapuntal works (BWV 1079–1080) edit
- See #BWV Chapter 13 in the table above
The list of late contrapuntal works contains only two items:
- BWV 1079: The Musical Offering
- BWV 1080: The Art of Fugue
20th-century additions to the BWV catalogue and Anhang edit
Additions as published in BWV2a
Additions to the main catalogue (BWV 1081–1126) edit
- BWV 1081 – Credo in unum Deum in F major (for choir), included in Chapter 3 in BWV2a
- BWV 1082 – Suscepit Israel by Antonio Caldara (for choir), as copied by Bach;[162] Included in Chapter 3 in BWV2a
- BWV 1083 – Tilge, Höchster, meine Sünden (motet, "parody", i.e., reworked version, of Pergolesi's Stabat Mater), included in Chapter 3 in BWV2a
- BWV 1084 – O hilf, Christe, Gottes Sohn (chorale from Bach's Leipzig versions of the St Mark Passion attributed to Keiser), included in Chapter 5 in BWV2a
- BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude), included in Chapter 7 in BWV2a
- BWV 1086 – Canon Concordia discors, included in Chapter 12 in BWV2a
- BWV 1087 – 14 canons on the First Eight Notes of Goldberg Variations Ground (discovered 1974), included in Chapter 12 in BWV2a
- BWV 1088 – "So heb ich denn mein Auge sehnlich auf" (arioso for bass), No. 20 in Wer ist der, so von Edom kömmt (pasticcio Passion oratorio);[163] Included in Chapter 4 in BWV2a
- BWV 1089 – Da Jesus an dem Kreutze stund (four-part chorale), included in Chapter 5 in BWV2a
- BWV 1090–1120 – 31 chorale preludes for organ from the Neumeister Collection, discovered in 1985 in the archives of the Yale University library; Included in Chapter 7 in BWV2a, except for BWV 1096, attributed to Johann Pachelbel,[164][165] which was moved to Anh. III (spurious works).
- BWV 1121, previously Anh. 205 – Fantasie in C minor (organ), included in Chapter 7 in BWV2a
- BWV 1122–1126 – five four-part chorales,[166] moved to Chapter 5 in BWV2a
Additions to the Anhang (BWV Anh. 190–213) edit
BWV Anh. 190–213 were added between the 1950 and 1990s editions of the catalogue
- BWV Anh. 190–197 – Cantatas added to Anh. I (music lost); see also List of Bach cantatas
- BWV Anh. 198 – Abandoned sketch of a cantata opening, renumbered to BWV 149/1a and added to Chapter 1 in BWV2a
- BWV Anh. 199 – Cantata added to Anh. I (music lost); see also List of Bach cantatas
- BWV Anh. 200 – Fragment of a chorale prelude O Traurigkeit, o herzeleid, added to Anh. I (unused sketch for the Orgelbüchlein)
- BWV Anh. 201–204 – Four-part chorales added to Anh. II (doubtful)
- BWV Anh. 205 – Fantasia in C minor, authenticated as BWV 1121 and added to Chapter 7 in BWV2a
- BWV Anh. 206 – Doubtful chorale prelude, added to Anh. II
- BWV Anh. 207 – Doubtful keyboard fugue, added to Anh. II
- BWV Anh. 208 – Spurious organ fugue, added to Anh. III
- BWV Anh. 209–212 – Lost cantatas added to Anh. I; see also List of Bach cantatas
- BWV Anh. 213 – Lost arrangement for organ of an unidentified Telemann concerto, added to Anh. I
21st-century additions to the BWV catalogue (BWV 1127 and higher) edit
- See also #BWV Later in the table above
BWV numbers assigned after the publication of BWV2a:
- BWV 1127: Strophic aria "Alles mit Gott und nichts ohn' ihn" (discovered June 2005)[167]
- BWV Anh. 71 → BWV 1128: Organ chorale fantasia Wo Gott der Herr nicht bei uns hält (BWV Anh. II 71 was authenticated as a composition by Bach after Wilhelm Rust's 1877 copy was recovered in March 2008).[168][169]
Derivative works edit
There is not much system in the way works derived from Bach's compositions are listed. The "R" addition to the BWV number is only well-established for the reconstructions included in NBA VII/7 (e.g. solo violin reconstructions of BWV 565 are not usually indicated as BWV 565R, neither is the system used for reconstructed vocal works). For some series of transcriptions and arrangements works catalogues of these transcribers/arrangers may hold sublists with works derived from compositions by Bach.
Reconstructed concertos edit
- See also #Reconstructions in the table above
Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for 'reconstructed'). Other reconstructions and completions of for instance BWV 1059 have been indicated as BWV 1059,[170] or BWV 1059a.[171]
Adaptations edit
Transcriptions and arrangements in the catalogues of works by other composers include:
- Ferruccio Busoni
- BV B 20 to 115, many of these published in the Bach-Busoni Editions.
See also edit
References edit
For abbreviations used in the references see also Bibliography at www
- ^ Bach-Gesellschaft Ausgabe: Scores at the International Music Score Library Project
- ^ a b Johann Nikolaus Forkel translated (with notes and appendices) by Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work New York: Harcourt, Brace and Howe; London: Constable. 1920. Appendix III, pp. 225–286
- ^ Wolfgang Schmieder (editor). Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach. Leipzig: Breitkopf & Härtel, 1950. Unaltered up unto its eighth printing in 1986.
- ^ OCLC 18856743 at www
.worldcat .org - ^ (BWV2) Thematisch-systematisches Verzeichnis der musikalischen Werke von Johann Sebastian Bach: Bach-Werke-Verzeichnis, überarbeitete und erweiterte Ausgabe. Wiesbaden: Breitkopf & Härtel, 1990. ISBN 3765102555 – ISBN 978-3765102554
- ^ (BWV2a) Alfred Dürr, Yoshitake Kobayashi (eds.), Kirsten Beißwenger. Bach Werke Verzeichnis: Kleine Ausgabe, nach der von Wolfgang Schmieder vorgelegten 2. Ausgabe. Preface in English and German. Wiesbaden: Breitkopf & Härtel, 1998. ISBN 3765102490 – ISBN 978-3765102493
- ^ Fantasia, c BWV 1121 [BWV 1998]; BWV Anh. 205 / Anh. II 45→ at www
.bachdigital .de - ^ "Das neue Bach-Werke-Verzeichnis: Das revidierte BWV enthält Neuerkenntnisse aus 15 Jahren Bachforschung" at Bach Archive website
- ^ Work 00004 at the Bach digital website, as updated 6 July 2018.
- ^ Johann Sebastian Bach (1685–1750): New Edition of the Complete Works at www
.baerenreiter .com - ^ Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition at the Bärenreiter website
- ^ Hans-Joachim Schulze and Christoph Wolff. Bach Compendium: Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs, Vol. 1 (Part 1–4). Leipzig 1985ff.
- ^ Der Gerechte kömmt um BWV deest (BC C 8) at www
.bachdigital .de - ^ Kirsten Beißwenger (1992). Johann Sebastian Bachs Notenbibliothek. Kassel: Bärenreiter. ISBN 3-7618-1036-9
- ^ Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmeider at www
.musiqueorguequebec .ca - ^ Works Catalogues at www
.bachdigital .de - ^ a b c d e f g h Melamed, Daniel R. (1995). J.S. Bach and the German Motet. Cambridge University Press. ISBN 0-52-141864-X. p. 102
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj Johann Sebastian Bach, Wilhelm Friedemann Bach, Johann Christoph Richter, Gottfried Heinrich Stölzel, Georg Philipp Telemann and various anonymous contributors. Clavier-Büchlein vor Wilhelm Friedemann Bach, angefangen in Cöthen den 22. Januar Ao. 1720., facsimile at brbl-dl
.library .yale .edu - ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj Klavierbüchlein für Wilhelm Friedemann Bach at IMSLP
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj Wolfgang Plath, editor. Klavierbüchlein für Wilhelm Friedemann (NBA Series V, Volume 5). Bärenreiter (1962), second edition: 1973, third edition: 1981
- ^ Philipp Spitta. Musikgeschichtliche Aufsätze. Berlin (1894), 117f
- ^ Talbot, Michael (2011). The Vivaldi Compendium. Boydell Press. p. 54. ISBN 9781843836704.
- ^ Johann Sebastian Bach: Concerti nach Vivaldi u.a. – III at www
.crescendo-music .com - ^ Johann Sebastian Bach, edited by Hermann Scherchen, preface by Charles van den Borren. Facsimile of BR Bruxelles II. 4805, appendix in Musica viva, Vol. III. Brussels (1936)
- ^ a b Johann Sebastian Bach, edited by E. Capriani. "Documenti storici" in Opere per Liuto, Vol. III. Rovereto (1977)
- ^ MB Lpz III. 11. 3
- ^ a b c Johann Sebastian Bach, introduction by Hans-Joachim Schulze. Drei Lautenkompositionen in zeitgenössischer Tabulatur (BWV 995, 997, 1000). Leipzig (1975)
- ^ Artzt. "The third Lute Suite by Bach: Three Manuscripts and their Implications" in Journal of the Lute Society of America (1968), pp. 9ff
- ^ Grossman. "Der Intavolator als Interpret: Johann Sebastian Bachs Lautensuite g-moll, BWV 995, im Autograph und in zeitgenössischer Tabulatur" in Basler Jahrbuch (1986), pp. 223–244
- ^ a b c d e f g Henning. Bericht Stgt II, pp. 465–469
- ^ a b Junghänel. "Bach und die zeitgenössische Lautenpraxis" in Bericht Duisburg
- ^ a b c d e f g Radke. Fs Engel, pp. 271ff
- ^ a b c d e f g h Schulze, Dok III
- ^ Schulze. Mf 1968, pp. 203f
- ^ Schulze. "«Monsieur Schouster» – ein vergessener Zeitgenosse Johann Sebastian Bachs" in Fs Dürr, pp. 243ff
- ^ Schulze. St
- ^ a b c Schulze. "Wer intavolierte Johann Sebastian Bachs Lautentabulaturen?" in Mf 1966, pp. 32ff
- ^ a b c d e Siegele Diss
- ^ Beißwenger, Acht Präl: 27
- ^ Dömling/Kohlhase, AcM 1971: 108f
- ^ a b c d Schulze St
- ^ a b c Spitta I: 768; II: 646
- ^ Wiemer, BJ 1987: 29ff
- ^ a b Dreyfus Cont Gr
- ^ Johann Sebastian Bach with an introduction by Hiroshi Hoshino. "The Manuscript Copy of J. S. Bach's Prelude, Fugue and Allegro for Lute or Harpsichord, E-flat major (BWV 998), in the Possession of Ueno Gakuen" (contains facsimile of Prelude pour la Luth. ò Cembal. par J. S. Bach.) in Fs for Ueno Gakuen. Tokyo (1974), pp. 171ff
- ^ Dombois. "The Allegro from J. S. Bachs Prelude, Fugue and Allegro in E-flat major" in Lute Society Journal (1972), pp. 25ff, 51ff
- ^ a b c d Kobayashi Chr
- ^ Badura-Skoda
- ^ Spitta I: 663
- ^ Kilian, Mf 1961: 323 (regarding BWV 539)
- ^ a b c Dadelsen TBSt 4/5
- ^ Hofmann, Fs Scheide: 14~154
- ^ Spitta I: 707
- ^ Zingel. "Bach auf der Harfe" in Schweizerische Musikzeitung (1964), pp. 286ff
- ^ a b Johann Nikolaus Forkel, translated with notes and appendices by Charles Sanford Terry. Johann Sebastian Bach: His Life, Art, and Work. (e-version at Gutenberg.org). New York: Harcourt, Brace and Howe; London: Constable (1920), p. 137 (footnote 4), pp. 234–235 and p. 242
- ^ BWV 1045 at www
.bach-cantatas .com - ^ BWV 1045 at www
.jsbachcantatas .com - ^ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge Vol. 2. Berlin (1754), TAB XXXVII
- ^ Herz BQA
- ^ Neumann/Schulze, Dok I, Nr. 147
- ^ a b c d e Schulze. "Johann Sebastian Bachs Kanonwidmungen" in BJ 1967, pp. 82ff
- ^ Spitta I: 386
- ^ Wolff, Mf 1973: 217ff
- ^ Georg Philipp Telemann. Der getreue Music-Meister. Hamburg (1728), p. 68
- ^ Johann Mattheson. Der vollkommene Capellmeister. Hamburg (1739), p. 412
- ^ Lorenz Christoph Mizler. Neu eröffnete musikalische Bibliothek Vol. III. Leipzig (1747), p. 482ff
- ^ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge nach den Grundsätzen und Exemplen der besten deutschen und ausländischen Meister entworfen ... Vol. 2. Berlin (1754), TAB XXXIII, Fig. 2–3
- ^ Neumann/Schulze, Dok I, Nr. 158; Dok II, Nr. 325, 564
- ^ Spitta II: p. 478 / 798
- ^ Johann Sebastian Bach. Canon triplex à 6 Voc:. Leipzig (1747)
- ^ C. L. Hilgenfeldt. Johann Sebastian Bach's Leben, Wirken und Werke: ein Beitrag zur Kunstgeschichte des achtzehnten Jahrhunderts. Leipzig: Friedrich Hofmeister (1850), p. 212
- ^ Clement
- ^ Neumann/Schulze, Dok II, Nr. 559
- ^ Smend. Johann Sebastian Bach bei seinem Namen gerufen: Eine Noteninschrift und ihre Deutung. Kassel (1950). Reprint in: Smend Bach-St: 176ff
- ^ Nowak. "Ein Bach-Fund" in Fontes artis musicae (1966), pp. 95ff
- ^ Spitta II, p. 506 / p. 747
- ^ a b Wolff Stile antico
- ^ Neumann/Schulze, Dok I, Nr. 174
- ^ Neumann/Schulze, Dok I, Nr. 177
- ^ Spitta Vol. II, pp. 717ff / Anh. p. 19
- ^ NBA VIII/1 Krit. Bericht: 36f
- ^ Neumann/Schulze, Dok II, Nr. 602, 603
- ^ Reich. "Johann Sebastian Bach und Johann Gottfried Müthel – zwei unbekannte Kanons" in Mf 1960, pp. 449f
- ^ Stam, Mf 1968: 317ff, bes. 319
- ^ BN Paris Ms. 17669, Bl. 18v at gallica
.bnf .fr - ^ Alain. "Un supplément inédit aux Variations Goldberg de J. S. Bach" in Revue de Musicologie (1975), pp. 244ff
- ^ Gárdonyi. "Zu einigen Kanons von J. S. Bach" in Studia Musicologica: Academiae Seientiarum Hungaricae Vol. 28 (1986), pp. 321–324
- ^ Kennyon. "A newly discovered Group of Canons by Bach" in MT (1976), pp. 391ff
- ^ Wolff. "Bach's Handexemplar of the Goldberg Variations" in JAMS (1976), pp. 224ff
- ^ Johann Sebastian Bach. Musicalisches Opfer. Leipzig, 7 July 1747.
- ^ Johann Sebastian Bach. Die Kunst der Fuge, edited by Carl Philipp Emanuel Bach. Leipzig, c.1751.
- ^ "Bach: Choralfantasie BWV 1128/Org". Bach: Choralfantasie BWV 1128/Org. Echo Musikproduction. Retrieved 26 January 2009.
- ^ Texte / Zur Leipziger / Kirchen-Music, / Auf den andern, dritten, vierdten Sonntage / nach der Erscheinung Christi, / Das Fest Mariä Reinigung, / Und die Sonntage / Septuagesimae, Sexagesimae, / Esto mihi, / Ingleichen / Auf das Fest / der Verkündigung Mariä. Leipzig: Immanuel Tietzen (1724)
- ^ Hobohm, BJ 1973: 5ff
- ^ Neumann BT: 159, 427
- ^ Hofmann, BJ 1982: 51ff
- ^ Christine Blanken. "A Cantata-Text Cycle of 1728 from Nuremberg: a Preliminary Report on a Discovery relating to J. S. Bach's so-called 'Third Annual Cantata Cycle'", pp. 9–30 in Understanding Bach, Vol. 10, 2015
- ^ Häfner, BJ 1975: 99ff
- ^ Brinkmann. "Neues über J. S. Bach in Mühlhausen" in Mühihäuser Geschichtsblätter Vol. 31 (1932): 242ff
- ^ a b c d e Geiringer JSB 1971
- ^ a b Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume III. Leipzig: Joh. Theod. Boetii Tochter (1732); 2nd printing 1737
- ^ Nützliche Nachrichten Von Denen Bemühen derer Gelehrten und andern Begebenheiten in Leipzig. Leipzig (1740)
- ^ NBA I/35, Krit. Bericht: 45
- ^ Neumann. "Eine verschollene Ratswechselkantate J. S. Bachs" in BJ 1961: 52–57
- ^ Hudson, NBA I/33, Krit. Bericht: 31ff
- ^ BC: Werk [B 12]
- ^ Schaumburg-Lippische Hofbibliothek Bückeburg, V 1OO F, No. 31
- ^ a b Tiggemann, BJ 1994: 7–22
- ^ a b c d Picander (=Christian Friedrich Henrici). Ernst-Schertzhaffte und Satyrische Gedichte, Volume IV. Leipzig: Friedrich Matthias Friesen (1737).
- ^ Schaumburg-Lippische Hofbibliothek Bückeburg, Cb 76 II, Nr. 214
- ^ Smend Köthen: 27f, 169, 184f
- ^ Breitkopf-Werke, 1. Ausgabe: 33
- ^ Neumann BT: 184
- ^ Verzeichniß der von dem verstorbenen Doctor und Musikdirector Forkel in Göttingen nachgelassenen Bücher und Musikalien. Göttingen (1819), Nr. 94
- ^ Neumann, NBA I/4, Krit. Bericht: 118
- ^ Dürr, NBA I/35, Krit. Bericht: 117
- ^ Smend Köthen: 27, 69, 195–198
- ^ Dürr, NBA I/35, Krit. Bericht: 120, 275f
- ^ Dürr, NBA I/35, Krit. Bericht: 118f
- ^ Smend Köthen: 27, 69, 199ff
- ^ Wäschke. "Die Zerbster Hofkapelle unter Fasch" in Zerbster Jahrbuch II (1906): 47ff
- ^ Wäschke. "Eine noch unbekannte Komposition J. S. Bachs" in SIMG 10 (1908/09): 633f
- ^ Leipziger Post-Zeitungen (10 August 1723)
- ^ Neumann, NBA I/38, Krit. Bericht: 10
- ^ Christoph Ernst Sicul. Das frohlockende Leipzig. Leipzig (1727), pp. 3ff
- ^ Neumann, NBA I/36, Krit. Bericht: 11ff
- ^ Schulze, BJ 1985; 166ff
- ^ Neumann, NBA I/36, Krit. Bericht: 20ff
- ^ Neumann, NBA I/36, Krit. Bericht: 24ff
- ^ Neumann, NBA I/39, Krit. Bericht: 42
- ^ Dürr, Bericht Duisburg
- ^ Neumann, NBA I/37, Krit. Bericht: 97ff
- ^ Wolff, Bericht Duisburg
- ^ Als die / von / E. Hoch=Edlen / und / Hoch=Weisen Rathe / der Stadt Leipzig / neugebauete und eingerichtete / Schule zu S. Thomae / den 5. Jun. durch etliche Reden eingeweyhet wurde, / ward folgende / CANTATA / dabey verfertiget und aufgeführet / von / Joh. Sebastian Bach, / Fürstl. Sächs. Weissfels. Capellmeister, und besagter Schulen Cantore / und / M. Johann Heinrich Winckler, / Collega IV Leipzig: Bernhard Christoph Breitkopf (1732)
- ^ Dürr, Gs Albrecht: 121ff
- ^ Neumann, NBA I/39, Krit. Bericht: 14f
- ^ Christoph Gottsched. Versuch einer Critischen Dichtkunst vor die Deutschen ... Leipzig (1730): 371ff
- ^ Neumann, NBA I/40, Krit. Bericht: 22ff
- ^ Smend, Bach-Gs 1950: 42ff
- ^ Peter Freiherr von Hohenthal at www
.geni .com - ^ a b c d e Wilfried Fischer. Verschollene Solokonzerte in Rekonstruktionen: Fünf Konzerte nach BWV 1052, 1055, 1056, 1060, 1064 (NBA VII/7 Supplement). Bärenreiter 1970.
- ^ Breitkopf-Werke, 3. Ausgabe: 9
- ^ Dürr, BJ 1952: 41f
- ^ Dürr, NBA I/18, Krit. Bericht: 118f
- ^ (in German) Marc-Roderich Pfau. "Ein unbekanntes Leipziger Kantatenheft aus dem Jahr 1735: Neues zum Thema Bach und Stölzel", pp. 99–122 in Bach-Jahrbuch 2008.
- ^ Balthasar Hoffmann. Der Deutschen Gesellschaft in Leipzig Oden und Cantaten in vier Büchern Leipzig (1738), pp. 143ff
- ^ v. Hase, BJ 1913: 93ff
- ^ Schulze, BJ 1959: 169
- ^ Breitkopf-Werke, 1. Ausgabe: 23
- ^ "Freudiger Willkomm, / Womit / Dem Hochedlen, Grossachtbaren und Hochgelahrten / HERRN / M. Johann August / Ernesti, / Ihrem neuerwehlten Rector, / Aus gehorsamster Pflicht und treuer Ergebenheit empfangen / Die Alumni der Thomana" in Riemers Chronik. Leipzig: Bernhard Christoph Breitkopf. (1734)
- ^ Neumann, NBA I/39, Krit. Bericht: 16
- ^ Dürr, Mf 1958: 422
- ^ Salomon Franck. Evangelisches Andachtsopffer.... Weimar (1715)
- ^ Dürr St 2: 67, 244f
- ^ Acta Lipsiensium Academica Vol. 5 (1723), pp. 516–619
- ^ Universitätsbibliothek Göttingen, 2° Poet. Germ. I, 6425: 4 Rara
- ^ Fröde, BJ 1991: 184f
- ^ Hofmann. "Wo sind meine Wunderwerke" in BJ 1988, pp. 211–218
- ^ Spitta I: 339f
- ^ Dadelsen TBSt 1: 39 – Glöckner, BJ 1981: 51f
- ^ D-B Mus. ms. 1160 at www
.bachdigital .de - ^ Kirsten Beißwenger (ed.) Werke zweifelhafter Echtheit, Bearbeitungen fremder Kompositionen (Volume 9 of Series II: Masses, Passions, Oratorios from the New Bach Edition). Bärenreiter, 2000.
- ^ Wer ist der, so von Edom kömmt by Johann Christoph Altnikol et al.: Scores at the International Music Score Library Project
- ^ Williams 2003, 549.
- ^ Perreault 2004, 56.
- ^ Marx, Wolfgang (2000). Bach: Chorales, Motet BWV 118, Quodlibet, Notenbüchlein for A.M. Bach (Bach 2000, Vol. 87) (Media notes). Koopman, Gritton, et al. Teldec Classics. p. 8.
- ^ Alles mit Gott und nichts ohn' ihn (aria) BWV 1127 at www
.bachdigital .de - ^ Wo Gott der Herr nicht bei uns hält BWV 1128; BWV Anh. 71; Emans 195 at www
.bachdigital .de - ^ Joel H. Kuznik. "BWV 1128: A recently discovered Bach organ work" pp. 22–23[permanent dead link] in The Diapason, Vol. 99 No. 22. December 2008. (archived July 21, 2011)
- ^ Igor Kipnis, The London Strings, Neville Mariner. Bach: The Harpsichord Concertos. CBS 1989
- ^ André Isoir, Le Parlement de Musique, Martin Gester. Johann Sebastian Bach: L'oeuvre pour orgue et orchestre. Calliope 1993
Bibliography
- Basso, Alberto. 1979. Frau Musika: la vita e le opere di J.S. Bach, EDT. ISBN 978-88-7063-011-4
- Perreault, Jean M. 2004. The Thematic Catalogue of the Musical Works of Johann Pachelbel. Scarecrow Press, Lanham, Md. ISBN 0-8108-4970-4
- Williams, Peter. 2003. The Organ Music of J.S. Bach, Cambridge University Press. ISBN 0-521-89115-9, ISBN 978-0-521-89115-8
External links edit
Wikimedia Commons has media related to Compositions by Johann Sebastian Bach.
- List of works by Johann Sebastian Bach at the International Music Score Library Project
- List of works by Johann Sebastian Bach with certification rating at the Classical Music DB
- Dave's J.S. Bach Works Catalog – A version of the BWV catalogue
- The BWV catalogue online – Another version of the BWV catalogue, in French
- The J.S. Bach Home Page – A comprehensive database of Bach's compositions with details and reviews of recordings of each work
- Bach Cantatas Website – Extensive resource of information on Bach's Cantatas and other vocal works. Includes full texts translated into many languages
- Canons & Fugues of J.S. Bach – Extensive resource, contains music and colourful analyses
- Mutopia – The Mutopia project provides more than 200 scores available for download in PDF, PostScript and MIDI format
- Wolf's Thematic Index of the Works of the Great Composers (in English, German, and French)
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