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This article is a list of compositions by Girolamo Frescobaldi (1583–1643). It is taken from the Frescobaldi Thematic Catalogue Online (FTCO), edited by Dr. Alexander Silbiger of Duke University. The catalogue numbering in the FTCO is, in turn, based on the Opere complete, the thirteen-volume edition of the complete works published by Edizioni Suvini Zerboni between 1975 and 2018, under the auspices of the Società Italiana di Musicologia.
The FTCO is an online thematic catalogue of all compositions attributed to Girolamo Frescobaldi and a database of the early sources, modern and facsimile editions, and literature. The catalogue listings on this page are a subset of the entire catalogue, consisting of all of the published works and those manuscript works that have been associated with Frescobaldi or his assistants. The full catalogue can be browsed at the FTCO site.
Catalogue Organization edit
The FTCO catalogue numbers are based on the volume number from the Opere complete and the order of appearance in the volume, such as F1.02 for the second work in volume 1. A composition with several major parts may have a third number, such as F1.02.03 and a work with several significantly different versions may have a lower-case suffix, such as F1.02a, to distinguish the versions.
The following table shows the thirteen volumes of the Opere complete and the corresponding FTCO catalogue numbers.
| Volume | Title | FTCO |
|---|---|---|
| 1 | Due messe a otto voci e basso continuo (MS) | F1.01 - F1.02 |
| 2 | Il primo libro di toccate d’intavolatura (1615-1637) | F2.01 - F2.37 |
| 3 | Il secondo libro di toccate d’intavolatura (1627-1637) | F3.01 - F3.40 |
| 4 | Il primo libro di capricci (1624-1626) | F4.01 - F4.12 |
| 5 | Il primo libro dei madrigali (1607) | F5.01 - F5.19 |
| 6 | Il primo libro delle fantasie (1608) | F6.01 - F6.12 |
| 7 | Arie Musicali (1630) and arie in printed anthologies | F7.01 - F7.46 |
| 8 | Il primo libro delle canzoni (1628-1635) and canzoni in a printed anthology (1608) | F8.01 - F8.54 |
| 9 | Recercari et canzoni franzese (1615-1642) | F9.01 - F9.15 |
| 10 | Canzoni Alla Francese (1645) | F10.01 - F10.11 |
| 11 | Liber II diversarum modulationum (1627) and motets in printed anthologies | F11.01 - F11.42 |
| 12 | Fiori Musicali (1635) | F12.01 - F12.47 |
| 13 | Opere manoscritte per tastiera, autentiche e di dubbia attribuzione | (F13 - F20) |
Exceptions to this sequential numbering are Volume 8 (the instrumental canzonas) and Volume 13 (the manuscript keyboard works), which are explained below. For more details on the assignment of F numbers, see the FTCO site.
Catalogue of Published Works edit
Volumes 2-12 are devoted to publications from Frescobaldi's lifetime (plus the Canzoni Alla Francese, published by Frescobaldi's associates two years after his death).
| FTCO | Title | Scoring | Main Source | Notes |
|---|---|---|---|---|
Il primo libro di toccate d’intavolatura (1615, 1616, 1637) edit | ||||
| The First Book of Toccatas was first published in 1615 as Toccate e partite d’intavolatura di cimbalo … libro primo, containing 12 toccatas and 3 partitas (variations). A second edition was published the following year, 1615, in which 4 correnti were added, the 3 partitas were replaced with new versions, and a fourth partita was added. Several reprints followed, including one in 1628 in which the title was changed to Il primo libro di toccate d’intavolatura. A final edition, in 1637, added 13 pieces as "Aggiunta" (addition). IMSLP | ||||
| F2.01 | Toccata prima | Keyboard | Toccate I (1615) | |
| F2.02 | Toccata seconda | Keyboard | Toccate I (1615) | |
| F2.03 | Toccata terza | Keyboard | Toccate I (1615) | |
| F2.04 | Toccata quarta | Keyboard | Toccate I (1615) | |
| F2.05 | Toccata quinta | Keyboard | Toccate I (1615) | |
| F2.06 | Toccata sesta | Keyboard | Toccate I (1615) | |
| F2.07 | Toccata settima | Keyboard | Toccate I (1615) | |
| F2.08 | Toccata ottava | Keyboard | Toccate I (1615) | |
| F2.09 | Toccata nona | Keyboard | Toccate I (1615) | |
| F2.10 | Toccata decima | Keyboard | Toccate I (1615) | |
| F2.11 | Toccata undecima | Keyboard | Toccate I (1615) | |
| F2.12 | Toccata duodecima | Keyboard | Toccate I (1615) | |
| F2.13 | Partite sopra l’aria della Romanesca. | Keyboard | Toccate I (1616) | 14 movements. Added in 1616 as replacement for F2.36. |
| F2.14 | Partite sopra la Monica | Keyboard | Toccate I (1616) | 11 movements. Added in 1616 as replacement for F2.37. |
| F2.15 | Partite sopra Ruggiero | Keyboard | Toccate I (1616) | 12 movements. Added in 1616 as replacement for F2.35. |
| F2.16 | Partite sopra Folia | Keyboard | Toccate I (1616) | 6 movements. Added in 1616. |
| F2.17 | Corrente prima | Keyboard | Toccate I (1616) | Added in 1616. |
| F2.18 | Corrente seconda | Keyboard | Toccate I (1616) | Added in 1616. |
| F2.19 | Corrente terza | Keyboard | Toccate I (1616) | Added in 1616. |
| F2.20 | Corrente quarta | Keyboard | Toccate I (1616) | Added in 1616. |
| F2.21 | Balletto | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.22 | Corrente del Balletto | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.23 | Passacagli | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.24 | Balletto secondo | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.25 | Corrente del Balletto | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.26 | Balletto | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.27 | Corrente del Balletto | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.28 | Passacagli | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.29 | Cento partite sopra passacagli | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.30 | Capriccio del Soggetto scritto sopra l’aria di Roggiero | Keyboard | Toccate I (1637) | 6 movements. Added in 1637 as "Aggiunta". |
| F2.31 | Capriccio sopra la Battaglia | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.32 | Balletto e Ciaccone | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.33 | Corrente e Ciaccona | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.34 | Capriccio pastorale | Keyboard | Toccate I (1637) | Added in 1637 as "Aggiunta". |
| F2.35 | Partite sopra Ruggiero | Keyboard | Toccate I (1615) | 8 movements. Replaced by F2.14 in 1616. |
| F2.36 | Partite sopra la Romanesca | Keyboard | Toccate I (1615) | 12 movements. Replaced by F2.13 in 1616. |
| F2.37 | Partite sopra la Monica | Keyboard | Toccate I (1615) | 6 movements. Replaced by F2.15 in 1616. |
Il secondo libro di toccate d’intavolatura (1627) edit | ||||
| The Second Book of Toccatas was first published in 1627 as Il secondo libro di toccate, canzone, versi d’hinni, Magnificat, gagliarde, correnti et altre partite d’intavolatura di cembalo et organo. It contained 11 toccatas and 29 pieces in a variety of forms, as suggested by the title. It was reprinted in 1637, with the last two partitas omitted. IMSLP | ||||
| F3.01 | Toccata prima | Keyboard | Toccate II (1627) | |
| F3.02 | Toccata seconda | Keyboard | Toccate II (1627) | |
| F3.03 | Toccata terza per l’organo da sonarsi all’elevazione | Keyboard | Toccate II (1627) | |
| F3.04 | Toccata quarta per l’organo da sonarsi all’elevazione | Keyboard | Toccate II (1627) | |
| F3.05 | Toccata quinta sopra i pedali per l’organo, e senza | Keyboard | Toccate II (1627) | |
| F3.06 | Toccata sesta per l’organo sopra i pedali, e senza | Keyboard | Toccate II (1627) | |
| F3.07 | Toccata settima | Keyboard | Toccate II (1627) | |
| F3.08 | Toccata ottava di durezze e legature | Keyboard | Toccate II (1627) | |
| F3.09 | Toccata nona | Keyboard | Toccate II (1627) | |
| F3.10 | Toccata decima | Keyboard | Toccate II (1627) | |
| F3.11 | Toccata undecima | Keyboard | Toccate II (1627) | |
| F3.12 | “Ancidetemi Pur” d’Arcadelt passaggiato | Keyboard | Toccate II (1627) | Arrangement of a madrigal by Arcadelt. |
| F3.13 | Canzona prima | Keyboard | Toccate II (1627) | |
| F3.14 | Canzona seconda | Keyboard | Toccate II (1627) | |
| F3.15 | Canzona terza | Keyboard | Toccate II (1627) | |
| F3.16 | Canzona quarta | Keyboard | Toccate II (1627) | |
| F3.17 | Canzona quinta | Keyboard | Toccate II (1627) | |
| F3.18 | Canzona sesta | Keyboard | Toccate II (1627) | |
| F3.19 | Inno della Domenica | Keyboard | Toccate II (1627) | |
| F3.20 | Inno degli Apostoli | Keyboard | Toccate II (1627) | |
| F3.21 | Inno Iste confessor | Keyboard | Toccate II (1627) | |
| F3.22 | Inno Ave maris stella | Keyboard | Toccate II (1627) | |
| F3.23 | Magnificat primi toni | Keyboard | Toccate II (1627) | |
| F3.24 | Magnificat secundi toni | Keyboard | Toccate II (1627) | |
| F3.25 | Magnificat sexti toni | Keyboard | Toccate II (1627) | |
| F3.26 | Aria detta balletto | Keyboard | Toccate II (1627) | 8 movements. |
| F3.27 | Gagliarda prima | Keyboard | Toccate II (1627) | |
| F3.28 | Gagliarda seconda | Keyboard | Toccate II (1627) | |
| F3.29 | Gagliarda terza | Keyboard | Toccate II (1627) | |
| F3.30 | Gagliarda quarta | Keyboard | Toccate II (1627) | |
| F3.31 | Gagliarda quinta | Keyboard | Toccate II (1627) | |
| F3.32 | Aria detta la Frescobalda | Keyboard | Toccate II (1627) | 5 movements. |
| F3.33 | Corrente prima | Keyboard | Toccate II (1627) | |
| F3.34 | Corrente seconda | Keyboard | Toccate II (1627) | |
| F3.35 | Corrente seconda alio modo | Keyboard | Toccate II (1627) | |
| F3.36 | Corrente quarta | Keyboard | Toccate II (1627) | |
| F3.37 | Corrente quinta | Keyboard | Toccate II (1627) | |
| F3.38 | Corrente sesta | Keyboard | Toccate II (1627) | |
| F3.39 | Partite sopra ciaccona | Keyboard | Toccate II (1627) | Omitted in the 1637 reprint. |
| F3.40 | Partite sopra passacagli | Keyboard | Toccate II (1627) | Omitted in the 1637 reprint. |
Il primo libro di capricci (1624) edit | ||||
| The First Book of Capriccios was published in Rome in 1624 as Il primo libro di capricci fatti sopra diversi soggetti et arie in partitura, containing 12 capriccios. It was reprinted in Venice in 1626 in an edition combining the capricci with the earlier Recercari, et canzoni franzese. The Opere complete published the original, separate edition of the capricci in Volume 4. | ||||
| F4.01 | Capriccio I sopra Ut, re, mi, fa, sol, la | Keyboard | Capricci (1624) | |
| F4.02 | Capriccio II sopra La, sol, fa, mi, re, ut | Keyboard | Capricci (1624) | |
| F4.03 | Capriccio III sopra il Cucho | Keyboard | Capricci (1624) | |
| F4.04 | Capriccio IV sopra La, sol, fa, re, mi | Keyboard | Capricci (1624) | |
| F4.05 | Capriccio V sopra la Bassa Fiamenga | Keyboard | Capricci (1624) | |
| F4.06 | Capriccio VI sopra la Spagnoletta | Keyboard | Capricci (1624) | |
| F4.07 | Capriccio VII sopra l’aria “Or chè noi rimena” in partite | Keyboard | Capricci (1624) | Omitted from the 1626 and subsequent editions. |
| F4.08 | Capriccio VIII cromatico con ligature al contrario | Keyboard | Capricci (1624) | |
| F4.09 | Capriccio IX di durezze | Keyboard | Capricci (1624) | |
| F4.10 | Capriccio X sopra un soggetto | Keyboard | Capricci (1624) | |
| F4.11 | Capriccio XI obligo di cantare la quinta parte | Keyboard | Capricci (1624) | |
| F4.12 | Capriccio XII sopra l’aria di Ruggiero | Keyboard | Capricci (1624) | |
Il primo libro dei madrigali (1608) edit | ||||
| Frescobaldi's first published collection, consisting of 19 madrigals. Published in Antwerp in 1608. IMSLP | ||||
| F5.01 | Fortunata per me, felice aurora | C, C, A, T, B | Madrigali (1608) | |
| F5.02 | Ahi bella sì, ma cruda mia nemica | C, C, A, T, B | Madrigali (1608) | |
| F5.03 | Se la doglia e’l martire | C, C, A, T, B | Madrigali (1608) | |
| F5.04 | Da qual sfera del ciel fra noi discese | C, C, A, T, B | Madrigali (1608) | |
| F5.05 | Perché spesso a veder la vostra luce | C, C, A, T, B | Madrigali (1608) | |
| F5.06 | Amor ti chiama il mondo | C, C, A, T, B | Madrigali (1608) | |
| F5.07 | Tu pur mi fuggi ancora | C, A, T, T, B | Madrigali (1608) | |
| F5.08 | S’a la gelata mia timida lingua | C, A, T, T, B | Madrigali (1608) | |
| F5.09 | Vezzosissima Filli | C, C, A, T, B | Madrigali (1608) | |
| F5.10 | Perchè fuggi tra’ salci | C, A, T, T, B | Madrigali (1608) | |
| F5.11 | Giunt’è pur, Lidia, il mio | C, C, A, T, B | Madrigali (1608) | |
| F5.12 | S’io miro in te, m’uccidi | C, C, A, T, B | Madrigali (1608) | |
| F5.13 | Amor mio, perchè piangi | C, C, A, T, B | Madrigali (1608) | |
| F5.14 | Lasso, io languisco e moro, e voi, mio sole | C, C, A, T, B | Madrigali (1608) | |
| F5.15 | Cor mio, chi mi t’invola | C, C, A, T, B | Madrigali (1608) | |
| F5.16 | So ch’aveste in lasciarmi | C, C, A, T, B | Madrigali (1608) | |
| F5.17 | Qui dunque, ohimé, qui dove | C, C, A, T, B | Madrigali (1608) | |
| F5.18 | Se lontana voi sete | C, C, A, T, B | Madrigali (1608) | |
| F5.19 | Come perder poss’io | C, A, T, T, B | Madrigali (1608) | |
Il primo libro delle fantasie (1608) edit | ||||
| Frescobaldi's first published collection of keyboard music, consisting of 12 fantasias. Published in Milan in 1608. | ||||
| F6.01 | Fantasia prima sopra un soggietto | Keyboard | Fantasie (1608) | |
| F6.02 | Fantasia seconda sopra un soggietto solo | Keyboard | Fantasie (1608) | |
| F6.03 | Fantasia terza sopra un soggietto solo | Keyboard | Fantasie (1608) | |
| F6.04 | Fantasia quarta sopra doi soggietti | Keyboard | Fantasie (1608) | |
| F6.05 | Fantasia quinta sopra doi soggietti | Keyboard | Fantasie (1608) | |
| F6.06 | Fantasia sesta sopra doi soggietti | Keyboard | Fantasie (1608) | |
| F6.07 | Fantasia settima sopra tre soggietti | Keyboard | Fantasie (1608) | |
| F6.08 | Fantasia ottavo sopra tre soggietti | Keyboard | Fantasie (1608) | |
| F6.09 | Fantasia nona sopra tre soggietti | Keyboard | Fantasie (1608) | |
| F6.10 | Fantasia decima sopra quattro soggietti | Keyboard | Fantasie (1608) | |
| F6.11 | Fantasia undecima sopra quattro soggietti | Keyboard | Fantasie (1608) | |
| F6.12 | Fantasia duodecima sopra quattro soggietti | Keyboard | Fantasie (1608) | |
Arie Musicali edit | ||||
| The two volumes of secular songs (Primo libro d’arie musicali per cantarsi, a 1–3 voci and Secondo libro d’arie musicali per cantarsi, a 1–3 voci) were published in Florence, where Frescobaldi served in the Medici court, in 1630. IMSLP | ||||
Primo libro d'arie musicali (1630) edit | ||||
| F7.01 | Signor, c'hora fra gli ostri [Sonnetto in stile recitativo] | C, Bc | Arie musicali I (1630) | |
| F7.02 | Degnati, O gran Fernando [Canto in stile recitativo] | C, Bc | Arie musicali I (1630) | |
| F7.03 | Ardo, e taccio il mio mal [Canto in stile recitativo] | C, Bc | Arie musicali I (1630) | |
| F7.04 | Dove, dove, Signor quieto ricetto [Sonetto spirituale in stile recitativo] | C, Bc | Arie musicali I (1630) | |
| F7.05 | Dopo si lungo error [Canto spirituale] | C, Bc | Arie musicali I (1630) | |
| F7.06 | A piè della gran Croce [Sonetto spirituale. Maddalena alla Croce] | C, Bc | Arie musicali I (1630) | |
| F7.07 | Dunque dovrò del puro servir mio [Aria di Romanesca] | C, Bc | Arie musicali I (1630) | |
| F7.08 | Se l'onde, ohimé [Aria] | C, Bc | Arie musicali I (1630) | |
| F7.09 | Donna, siam rei di morte [Sonetto] | B, Bc | Arie musicali I (1630) | |
| F7.10 | Entro nave dorata [Aria] | C, Bc | Arie musicali I (1630) | |
| F7.11 | Troppo sotto due stelle [Aria] | B, Bc | Arie musicali I (1630) | |
| F7.12 | Non mi negate, ohime [Aria] | C, Bc | Arie musicali I (1630) | |
| F7.13 | Di Licori un guardo [Canto] | C, Bc | Arie musicali I (1630) | |
| F7.14 | Voi partite mio Sole [Aria] | T, Bc | Arie musicali I (1630) | |
| F7.15 | Se l'aura spira tutta vezzosa [Aria] | C, Bc | Arie musicali I (1630) | |
| F7.16 | Così mi disprezzate [Aria di Passacaglia] | C, Bc | Arie musicali I (1630) | |
| F7.17 | Se m'amate io v'adoro [Madrigale] | C, T, Bc | Arie musicali I (1630) | |
| F7.18 | Begli occhi io non provo [Canto] | C, C, Bc or T, T, Bc | Arie musicali I (1630) | |
| F7.19 | Occhi che sete di voi pomposi [Aria] | C, C, Bc or T, T, Bc | Arie musicali I (1630) | |
| F7.20 | Dove, dove ne vai pensiero [Canzone] | C, T, Bc | Arie musicali I (1630) | |
| F7.21 | Era già tutta mia [Canzona] | C, T, Bc | Arie musicali I (1630) | |
| F7.22 | Corilla danzando [Canzona] | C, A, T, Bc | Arie musicali I (1630) | |
| F7.23 | Con dolcezza e pietate [Canzona] | A, T, B, Bc | Arie musicali I (1630) | |
Secondo libro d'arie musicali (1630) edit | ||||
| F7.24 | Vanne, ò carta amorosa | C, Bc | Arie musicali II (1630) | |
| F7.25 | Ben veggio donna homai [Canto in stile recitativo] | C, Bc | Arie musicali II (1630) | |
| F7.26 | Oscure selve [Canto in stile recitativo] | C, Bc | Arie musicali II (1630) | |
| F7.27 | Ohimè, che fur, che sono [Sonetto spirituale in stile recitativo] | C, Bc | Arie musicali II (1630) | |
| F7.28 | Dove, dove sparir [Sonetto spirituale] | C, Bc | Arie musicali II (1630) | |
| F7.29 | Ti lascio anima mia [Prima parte sopra l’aria di Ruggieri] | C, Bc | Arie musicali II (1630) | |
| F7.30 | Voi partite mio sole [Aria] | C, Bc | Arie musicali II (1630) | |
| F7.31 | La mia pallida faccia [Aria] | C, Bc | Arie musicali II (1630) | |
| F7.32 | A miei pianti al fine un dì [Aria] | T, Bc | Arie musicali II (1630) | |
| F7.33 | O mio cor, dolce mia vita [Aria] | C, Bc | Arie musicali II (1630) | |
| F7.34 | Son ferito, son morto [Aria] | C, Bc | Arie musicali II (1630) | |
| F7.35 | Non vi partite [Aria] | C, T, Bc | Arie musicali II (1630) | |
| F7.36 | Gioite, O selve, O venti [Canzona] | C, T, Bc | Arie musicali II (1630) | |
| F7.37 | Bella tiranna [Madrigale] | T, T, Bc | Arie musicali II (1630) | |
| F7.38 | Soffrir non posso [Canzona] | T, T, Bc | Arie musicali II (1630) | |
| F7.39 | Deh, volate oh mie voci dolenti [Canzona] | A, T, B, Bc | Arie musicali II (1630) | |
| F7.40 | Quanto più sorda sete [Madrigale] | A, T, B, Bc | Arie musicali II (1630) | |
| F7.41 | Deh, vien da me pastorella [Ceccona] | T, T, Bc | Arie musicali II (1630) | |
| F7.42 | Doloroso mio core [Canzona] | A, T, B, Bc | Arie musicali II (1630) | |
| F7.43 | O dolore, O ferita [Canzona] | A, T, B, Bc | Arie musicali II (1630) | |
| Volume 7 of the Opere complete also contains 3 secular songs the appeared in anthologies. | ||||
| F7.44 | O bell'occhi che guerrieri | C, Bc | Giardino musicale (1621) | In the anthology Giardino musicale di varii eccellenti autori published in Rome in 1621. |
| F7.45 | Alla gloria alli honori | C or T, Bc | Ghirlandetta amorosa (1621) | In the anthology Ghirlandetta amorosa, published in Orvieto in 1621. |
| F7.46 | Era l'anima mia | C, C, Bc | L’aurata cintia armonica (1622) | In the anthology L’aurata cintia armonica, arie, madrigali, dialoghi, e villanelle, di diversi eccelentissimi autori, published in Orvieto in 1622. |
Il primo libro delle canzoni (Masotti 1628, Robletti 1628, 1634) edit | ||||
Frescobaldi published three collections of instrumental canzonas:
The contents of these publications are related, but not identical, and the relationships are complicated. A canzona may appear in just one, two, or all three publications, and the versions may be identical, slightly different, or radically different. Their order also differs in each of the publications. All are published in Volume 8 of the Opere complete but in a somewhat random order, so the FTCO orders them by their instrumentation, from fewer to more instruments, and assigns identical numbers to the related pieces in the three publications. The versions are distinguished by the extensions a for Canzoni (Masotti, 1628), b for Canzoni (Robletti, 1628), and c for Canzoni (1634). The appended letters are assigned consistently, regardless of whether there are one, two, or three versions. In other words, the existence of F 8.03b does not imply the existence of F 8.03a, because there is no work in Canzoni (Masotti, 1628) related to that composition. IMSLP (Robletti) IMSLP (1634) | ||||
| F8.01a | Canzona 1 detta la Bonvisia, canto solo | C, Bc | Canzoni (Masotti, 1628) | |
| F8.01c | Canzon 1, canto solo | C, Bc | Canzoni (1634) | |
| F8.02a | Canzona 2 detta la Bernardinia, canto solo | C, Bc | Canzoni (Masotti, 1628) | |
| F8.02b | Canzon 1, canto solo | C, Bc | Canzoni (Robletti, 1628) | |
| F8.02c | Canzon 3, canto solo | C, Bc | Canzoni (1634) | |
| F8.03b | Canzon 2, canto solo | C, Bc | Canzoni (Robletti, 1628) | Only in Robletti. |
| F8.04a | Canzona 3 detta la Lucchesina, canto solo | C, Bc | Canzoni (Masotti, 1628) | |
| F8.04b | Canzon 4, canto solo | C, Bc | Canzoni (Robletti, 1628) | |
| F8.04c | Canzon 2, canto solo | C, Bc | Canzoni (1634) | |
| F8.05a | Canzona 4 detta la Donatina, canto solo | C, Bc | Canzoni (Masotti, 1628) | |
| F8.05b | Canzon 3, canto solo | C, Bc | Canzoni (Robletti, 1628) | |
| F8.05c | Canzon 4, canto solo | C, Bc | Canzoni (1634) | |
| F8.06a | Canzona 5 detta la Tromboncina, basso solo | B, Bc | Canzoni (Masotti, 1628) | |
| F8.06b | Canzon 1, basso solo | B, Bc | Canzoni (Robletti, 1628) | |
| F8.06c | Canzon 1, basso solo | B, Bc | Canzoni (1634) | |
| F8.07a | Canzona 6 detta l’Altera, basso solo | B, Bc | Canzoni (Masotti, 1628) | |
| F8.07b | Canzon 3, basso solo | B, Bc | Canzoni (Robletti, 1628) | |
| F8.07c | Canzon 2, basso solo | B, Bc | Canzoni (1634) | |
| F8.08a | Canzona 7 detta la Superba, basso solo | B, Bc | Canzoni (Masotti, 1628) | |
| F8.08b | Canzon 4, basso solo | B, Bc | Canzoni (Robletti, 1628) | |
| F8.09a | Canzona 8 detta l’Ambitiosa, basso solo | B, Bc | Canzoni (Masotti, 1628) | |
| F8.09b | Canzon 2, basso solo | B, Bc | Canzoni (Robletti, 1628) | |
| F8.09c | Canzon 3, basso solo | B, Bc | Canzoni (1634) | |
| F8.10a | Canzona 9 detta la Gualterina, a due canti | C, C, Bc | Canzoni (Masotti, 1628) | |
| F8.10b | Canzon 1, a due canti | C, C, Bc | Canzoni (Robletti, 1628) | |
| F8.10c | Canzon 1, a due canti | C, C, Bc | Canzoni (1634) | |
| F8.11a | Canzona 10 detta la Henricuccia, a due canti | C, C, Bc | Canzoni (Masotti, 1628) | |
| F8.11b | Canzon 2, a due canti | C, C, Bc | Canzoni (Robletti, 1628) | |
| F8.11c | Canzon 2, a due canti | C, C, Bc | Canzoni (1634) | |
| F8.12a | Canzona 11 detta la Plettenberger, a due canti | C, C, Bc | Canzoni (Masotti, 1628) | |
| F8.12b | Canzon 3, a due canti | C, C, Bc | Canzoni (Robletti, 1628) | |
| F8.12c | Canzon 4, a due canti | C, C, Bc | Canzoni (1634) | |
| F8.13a | Canzona 12 detta la Todeschina, a due canti | C, C, Bc | Canzoni (Masotti, 1628) | |
| F8.13b | Canzon 4, a due canti | C, C, Bc | Canzoni (Robletti, 1628) | |
| F8.14a | Canzona 13 detta la Bianchina, a due canti | C, C, Bc | Canzoni (Masotti, 1628) | |
| F8.14b | Canzon 5, a due canti | C, C, Bc | Canzoni (Robletti, 1628) | |
| F8.14c | Canzon 3, a due canti | C, C, Bc | Canzoni (1634) | |
| F8.15a | Canzona 14 detta la Marina, a due bassi | B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.15b | Canzon 1, a due bassi | B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.15c | Canzon 1, a due bassi | B, B, Bc | Canzoni (1634) | |
| F8.16a | Canzona 15 detta la Lievoratta, a due bassi | B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.16b | Canzon 2, a due bassi | B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.16c | Canzon 3, a due bassi | B, B, Bc | Canzoni (1634) | |
| F8.17a | Canzona 16 detta la Samminiata, a due bassi | B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.17b | Canzon 3, a due bassi | B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.17c | Canzon 2, a due bassi | B, B, Bc | Canzoni (1634) | |
| F8.18a | Canzona 17 detta la Diodata, a due bassi | B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.18b | Canzon 4, a due bassi | B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.18c | Canzon 4, a due bassi | B, B, Bc | Canzoni (1634) | |
| F8.19a | Canzona 18 detta la Masotti a due, canto e basso | C, B, Bc | Canzoni (Masotti, 1628) | |
| F8.19b | Canzon 1 a due, canto e basso | C, B, Bc | Canzoni (Robletti, 1628) | |
| F8.19c | Canzon 1 a 2, canto e basso | C, B, Bc | Canzoni (1634) | |
| F8.20a | Canzona 19 detta la Capriola a due, canto e basso | C, B, Bc | Canzoni (Masotti, 1628) | |
| F8.20b | Canzon 2 a due, canto e basso | C, B, Bc | Canzoni (Robletti, 1628) | |
| F8.20c | Canzon 2 a 2, canto e basso | C, B, Bc | Canzoni (1634) | |
| F8.21a | Canzona 20 detta la Liparella a due, canto e basso | C, B, Bc | Canzoni (Masotti, 1628) | |
| F8.21b | Canzon 3 a due, canto e basso | C, B, Bc | Canzoni (Robletti, 1628) | |
| F8.21c | Canzon 3 a 2, canto e basso | C, B, Bc | Canzoni (1634) | |
| F8.22a | Canzona 21 detta la Tegrimuccia a due, canto e basso | C, B, Bc | Canzoni (Masotti, 1628) | |
| F8.22b | Canzon 4 a due, canto e basso | C, B, Bc | Canzoni (Robletti, 1628) | |
| F8.22c | Canzon 4 a 2, canto e basso | C, B, Bc | Canzoni (1634) | |
| F8.23a | Canzona 22 detta la Nicolina a due, canto e basso | C, B, Bc | Canzoni (Masotti, 1628) | |
| F8.23b | Canzon 5 a due, canto e basso | C, B, Bc | Canzoni (Robletti, 1628) | |
| F8.23c | Canzon 5 a 2, canto e basso | C, B, Bc | Canzoni (1634) | |
| F8.24a | Canzona 23 detta la Franciotta a due, canto e basso | C, B, Bc | Canzoni (Masotti, 1628) | |
| F8.24b | Canzon 6 a due, canto e basso | C, B, Bc | Canzoni (Robletti, 1628) | |
| F8.24c | Canzon 6 a 2, canto e basso | C, B, Bc | Canzoni (1634) | |
| F8.25a | Canzona 24 detta la Nobile a 3, due bassi e canto | C, B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.25b | Canzon 1 a 3, due bassi e canto | C, B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.25c | Canzon 1 a 3, due bassi e canto | C, B, B, Bc | Canzoni (1634) | |
| F8.26a | Canzona 25 detta la Garzoncina a 3, due bassi e canto | C, B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.26b | Canzon 2 a 3, due bassi e canto | C, B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.26c | Canzon 2 a 3, due bassi e canto | C, B, B, Bc | Canzoni (1634) | |
| F8.27a | Canzona 26 detta la Moricona a 3, due bassi e canto | C, B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.27b | Canzon 3 a 3, due bassi e canto | C, B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.28c | Canzon 3 a 3, due bassi e canto | C, B, B, Bc | Canzoni (1634) | Only in the 1634 edition. |
| F8.29c | Canzon 4 a 3, due bassi e canto | C, B, B, Bc | Canzoni (1634) | Only in the 1634 edition. |
| F8.30a | Canzona 27 detta la Lanciona a 3, due canti e basso | C, C, B, Bc | Canzoni (Masotti, 1628) | |
| F8.30b | Canzon 4 a 3, due canti e basso | C, C, B, Bc | Canzoni (Robletti, 1628) | |
| F8.30c | Canzon 4 a 3, due canti e basso | C, C, B, Bc | Canzoni (1634) | |
| F8.31a | Canzona 28 detta la Lanberta a 3, due canti e basso | C, C, B, Bc | Canzoni (Masotti, 1628) | |
| F8.31b | Canzon 5 a 3, due canti e basso | C, C, B, Bc | Canzoni (Robletti, 1628) | |
| F8.32a | Canzona 29 detta la Boccellina a 3, due canti e basso | C, C, B, Bc | Canzoni (Masotti, 1628) | |
| F8.32b | Canzon 6 a 3, due canti e basso | C, C, B, Bc | Canzoni (Robletti, 1628) | |
| F8.32c | Canzon 2 a 3, due canti e basso | C, C, B, Bc | Canzoni (1634) | |
| F8.33c | Canzon 1 a 3, due canti e basso | C, C, B, Bc | Canzoni (1634) | Only in the 1634 edition. |
| F8.34c | Canzon 5 a 3, due canti e basso | C, C, B, Bc | Canzoni (1634) | Only in the 1634 edition. |
| F8.35a | Canzona 30 detta la Cittadellia a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.35b | Canzon 1 a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.35c | Canzon 4 a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (1634) | |
| F8.36a | Canzona 31 detta l’Arnolfinia, a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.36b | Canzon 2 a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.37a | Canzona 32 detta l’Altogradina, a 4. due canti e due bassi | C, C, B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.37b | Canzon 4 a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.38a | Canzona 33 detta la Rovellina, a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.38b | Canzon 5 a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (Robletti, 1628) | |
| F8.38c | Canzon 2 a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (1634) | |
| F8.39a | Canzona 34 detta la Sandoninia, a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (Masotti, 1628) | |
| F8.39c | Canzon 1 a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (1634) | |
| F8.40c | Canzon 3 a 4, due canti e due bassi | C, C, B, B, Bc | Canzoni (1634) | Only in the 1634 edition. |
| F8.41a | Canzona 35 detta l’Alessandrina, a 4, canto, alto, tenore e basso | C, A, T, B, Bc | Canzoni (Masotti, 1628) | |
| F8.41b | Canzon 3 a 4, canto, alto, tenore e basso | C, A, T, B, Bc | Canzoni (Robletti, 1628) | |
| F8.42a | Canzona 36 detta la Capponcina, a 4. canto, alto, tenore e basso | C, A, T, B, Bc | Canzoni (Masotti, 1628) | |
| F8.42b | Canzon 6 a 4, canto, alto, tenore e basso | C, A, T, B, Bc | Canzoni (Robletti, 1628) | |
| F8.42c | Canzon 3 a 4, canto, alto, tenor e basso | C, A, T, B, Bc | Canzoni (1634) | |
| F8.43a | Canzona 37 detta la Sardina, a 4, canto alto, tenore e basso | C, A, T, B, Bc | Canzoni (Masotti, 1628) | Only in Masotti. |
| F8.44c | Canzon 1 a 4, canto, alto, tenor e basso, sopra Rugier | C, A, T, B, Bc | Canzoni (1634) | Only in the 1634 edition. |
| F8.45c | Canzon 2 a 4, canto, alto, tenor e basso, sopra Romanesca | C, A, T, B, Bc | Canzoni (1634) | Only in the 1634 edition. |
| F8.46c | Canzon 4 a 4, canto, alto, tenor e basso | C, A, T, B, Bc | Canzoni (1634) | Only in the 1634 edition. |
| F8.47c | Canzon 5 a 4, canto, alto, tenor e basso | C, A, T, B, Bc | Canzoni (1634) | Only in the 1634 edition. |
| F8.48c | Canzon 6 a 4, canto, alto, tenor e basso | C, A, T, B, Bc | Canzoni (1634) | Only in the 1634 edition. |
| F8.49 | Toccata per Spinettina e Violino | Spinettina, vn, Bc | Canzoni (Masotti, 1628) | Only in Masotti. |
| F8.50 | Toccata per spinettina sola, over liuto | Spinettina or lute, Bc | Canzoni (Masotti, 1628) | Only in Masotti. |
| F8.51 | Canzona ultima detta la Vittoria, spinettina sola | Spinettina, Bc | Canzoni (Masotti, 1628) | Only in Masotti. |
| Volume 8 of the Opere complete also contains 3 instrumental canzonas by Frescobaldi that appeared in the anthology Basso canzoni per sonare con ogni sorte di stromenti, published in Venice in 1608. | ||||
| F8.52 | Canzon 13 a 4 | C, A, T, B, Bc | Canzoni (1608) | |
| F8.53 | Canzon 21 a 5 | C, C, A, T, B, Bc | Canzoni (1608) | |
| F8.54 | Canzon 29 a 8 | C, C, A, A, T, T, B, B, Bc | Canzoni (1608) | |
Recercari, et canzoni franzese (1615) edit | ||||
| Published as Recercari, et canzoni franzese fatte sopra diverse oblighi in partitura … libro primo. It was reprinted in Venice in 1626 in an edition combining the recercars and canzonas with the First Book of Capriccios. The Opere complete published the original, separate edition of the recercari and canzoni in Volume 9. IMSLP | ||||
| F9.01 | Recercar primo | Keyboard | Recercari (1615) | |
| F9.02 | Recercar secondo | Keyboard | Recercari (1615) | |
| F9.03 | Recercar terzo | Keyboard | Recercari (1615) | |
| F9.04 | Recercar quarto sopra mi, re, fa, mi | Keyboard | Recercari (1615) | |
| F9.05 | Recercar quinto | Keyboard | Recercari (1615) | |
| F9.06 | Recercar sesto sopra fa, fa, sol, la, fa | Keyboard | Recercari (1615) | |
| F9.07 | Recercar settimo sopra sol, mi, fa, la, sol | Keyboard | Recercari (1615) | |
| F9.08 | Recercar ottavo, obligo di non uscir mai di grado | Keyboard | Recercari (1615) | |
| F9.09 | Recercar nono con quattro soggetti | Keyboard | Recercari (1615) | |
| F9.10 | Recercar decimo, sopra la, fa, sol, la, re | Keyboard | Recercari (1615) | |
| F9.11 | Canzon prima [Primo tono] | Keyboard | Recercari (1615) | |
| F9.12 | Canzon seconda [Primo tono] | Keyboard | Recercari (1615) | |
| F9.13 | Canzon terza [Secondo tono] | Keyboard | Recercari (1615) | |
| F9.14 | Canzon quarta [Sesto tono] | Keyboard | Recercari (1615) | |
| F9.15 | Canzon quinta [Nono tono] | Keyboard | Recercari (1615) | |
Canzoni alla francese (1645) edit | ||||
| The Canzoni alla francese in partitura was published two years after Frescobaldi's death, by his publisher Vincenti in Venice. They are presumed to be works in progress at the time of his death, and the collection is now generally admitted to the Frescobaldi canon.[1] | ||||
| F10.01 | Canzon Prima detta la Rovetta | Keyboard | Canzoni (1645) | |
| F10.02 | Canzon Seconda detta la Sabbatina | Keyboard | Canzoni (1645) | |
| F10.03 | Canzon Terza detta la Crivelli | Keyboard | Canzoni (1645) | |
| F10.04 | Canzon Quarta detta la Scacchi | Keyboard | Canzoni (1645) | |
| F10.05 | Canzon Quinta detta la Bellerofonte | Keyboard | Canzoni (1645) | |
| F10.06 | Canzon Sesta detta la Pesenti | Keyboard | Canzoni (1645) | |
| F10.07 | Canzon Settima detta la Tarditi | Keyboard | Canzoni (1645) | |
| F10.08 | Canzon Ottava detta la Vincenti | Keyboard | Canzoni (1645) | |
| F10.09 | Canzon Nona detta la Querina | Keyboard | Canzoni (1645) | |
| F10.10 | Canzon Decima detta la Paulini | Keyboard | Canzoni (1645) | |
| F10.11 | Canzon Undecima detta la Gardana | Keyboard | Canzoni (1645) | |
Liber secundus diversarum modulationum (1627) edit | ||||
| This collection of concertato motets (or sacred concertos) for one to four voices and organ continuo was published as a set of part-books in 1627. Only a single copy survives, missing one of the part-books, so some of these works were reconstructed by the editors of Volume 11 of the Opere complete. There was presumably a Liber primus, but it has not been found. | ||||
| F11.01 | Aspice Domine | C, Bc | Liber II diversarum modulationum (1627) | |
| F11.02 | Ipsi sum desponsata | C, Bc | Liber II diversarum modulationum (1627) | |
| F11.03 | Deus noster refugium | C, Bc | Liber II diversarum modulationum (1627) | |
| F11.04 | Exultavit cor meum | T, Bc | Liber II diversarum modulationum (1627) | |
| F11.05 | O Jesu mi dulcissime | T, Bc | Liber II diversarum modulationum (1627) | |
| F11.06 | Vidi speciosam sicut columbam | C, C, Bc | Liber II diversarum modulationum (1627) | |
| F11.07 | De ore prudentis procedit mel | C, C, Bc | Liber II diversarum modulationum (1627) | |
| F11.08 | Sicut mater consolatur filios | C, C, Bc | Liber II diversarum modulationum (1627) | |
| F11.09 | Beatus vir qui suffert tentationem | C, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.10 | O mors illa quam amara | C, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.11 | Benedicta tu Mater sanctissima | C, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.12 | Viri sancti | T, T, Bc | Liber II diversarum modulationum (1627) | |
| F11.13 | Tempus est | A, T, Bc | Liber II diversarum modulationum (1627) | |
| F11.14 | Benedicite Deum | T, T, Bc | Liber II diversarum modulationum (1627) | |
| F11.15 | Tota pulchra es amica mea | C, C, T. Bc | Liber II diversarum modulationum (1627) | |
| F11.16 | Decantabat populus Israel | C, C, T. Bc | Liber II diversarum modulationum (1627) | |
| F11.17 | Exurge Domine | B, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.18 | Reminiscere | B, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.19 | O bone Jesu | C, T, Bc | Liber II diversarum modulationum (1627) | |
| F11.20 | O sacrum convivium | C, C, T. Bc | Liber II diversarum modulationum (1627) | |
| F11.21.01 | Prima Pars: Vox dilecti mei pulsantis | C, C, T. Bc | Liber II diversarum modulationum (1627) | |
| F11.21.02 | Seconda pars: Quam pulchra es, et speciosa virgo | C, C, T. Bc | Liber II diversarum modulationum (1627) | |
| F11.22 | Sic amantem diligite | A, T, T, Bc | Liber II diversarum modulationum (1627) | |
| F11.23 | Ego flos campi | C, C, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.24 | Jesu Rex admirabilis | C, C, T. Bc | Liber II diversarum modulationum (1627) | Alternate version appeared in the anthology Sacri affetti con testi da diversi eccelentissimi autori (1625). |
| F11.25 | Exaudi nos Deus | A, T, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.26 | Ego clamavi | C, A, T, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.27 | Civitas Hierusalem noli flere | C, A, T, T, Bc | Liber II diversarum modulationum (1627) | |
| F11.28 | Ego sum qui sum | C, A, T, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.29 | Corona aurea super caput eius | C, A, T, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.30 | Jesu flos mater Virginis | C, A, T, B, Bc | Liber II diversarum modulationum (1627) | |
| F11.31 | Ave Virgo gloriosa | C, A, T, B, Bc | Liber II diversarum modulationum (1627) | |
| The following motets were published in anthologies, and may have been included in the lost Liber primus. | ||||
| F11.40 | Peccavi super numerum | C, C, T. Bc | Selectae cantiones (1616) | Published in the anthology Selectae cantiones excellentissimorum auctorum (1616). |
| F11.41 | Angelus ad pastores ait | C, T, Bc | Scelta di motetti (1618) | Published in the anthology Scelta di motetti di diversi eccellentissimi autori (1618). |
| F11.42 | Ego sum panis vivus | C, C, T. Bc | Lilia campi (1621) | Published in the anthology Lilia campi binis, ternis, quaternis; vocibus concinnata (1621). |
Fiori musicali (1635) edit | ||||
| The Fiori musicali di diverse compositioni, toccate, kyrie, canzoni, capricci, e recercari, in partitura was published in Venice in 1635. It consists of cycles of music for the Sunday Mass, the Mass of the Apostles and the Mass of the Virgin. IMSLP | ||||
Messa della Domenica edit | ||||
| F12.01 | Toccata avanti la Messa della Domenica | Keyboard | Fiori musicali (1635) | |
| F12.02 | Kyrie della domenica | Keyboard | Fiori musicali (1635) | |
| F12.03 | Kyrie | Keyboard | Fiori musicali (1635) | |
| F12.04 | Christe | Keyboard | Fiori musicali (1635) | |
| F12.05 | Christe alio modo | Keyboard | Fiori musicali (1635) | |
| F12.06 | Christe alio modo | Keyboard | Fiori musicali (1635) | |
| F12.07 | Christe alio modo | Keyboard | Fiori musicali (1635) | |
| F12.08 | Kyrie | Keyboard | Fiori musicali (1635) | |
| F12.09 | Kyrie alio modo | Keyboard | Fiori musicali (1635) | |
| F12.10 | Kyrie alio modo | Keyboard | Fiori musicali (1635) | |
| F12.11 | Kyrie ultimo | Keyboard | Fiori musicali (1635) | |
| F12.12 | Kyrie alio modo | Keyboard | Fiori musicali (1635) | |
| F12.13 | Kyrie alio modo | Keyboard | Fiori musicali (1635) | |
| F12.14 | Canzon dopo l’Epistola | Keyboard | Fiori musicali (1635) | |
| F12.15 | Recercar dopo il Credo | Keyboard | Fiori musicali (1635) | |
| F12.16 | Toccata cromaticha per l’elevatione | Keyboard | Fiori musicali (1635) | |
| F12.17 | Canzon post il Comune | Keyboard | Fiori musicali (1635) | |
Messa delli Apostoli edit | ||||
| F12.18 | Toccata avanti la Messa delli Apostoli | Keyboard | Fiori musicali (1635) | |
| F12.19 | Kyrie delli Apostoli | Keyboard | Fiori musicali (1635) | |
| F12.20 | Kyrie | Keyboard | Fiori musicali (1635) | |
| F12.21 | Kyrie | Keyboard | Fiori musicali (1635) | |
| F12.22 | Christe | Keyboard | Fiori musicali (1635) | |
| F12.23 | Christe | Keyboard | Fiori musicali (1635) | |
| F12.24 | Kyrie | Keyboard | Fiori musicali (1635) | |
| F12.25 | Kyrie | Keyboard | Fiori musicali (1635) | |
| F12.26 | Kyrie | Keyboard | Fiori musicali (1635) | |
| F12.27 | Canzon dopo l’Epistola | Keyboard | Fiori musicali (1635) | |
| F12.28 | Toccata avanti il Recercar | Keyboard | Fiori musicali (1635) | |
| F12.29 | Recercar cromaticho post il Credo | Keyboard | Fiori musicali (1635) | |
| F12.30 | Altro Recercar | Keyboard | Fiori musicali (1635) | |
| F12.31 | Toccata per l’elevatione | Keyboard | Fiori musicali (1635) | |
| F12.32 | Recercar con obligo del basso come apare | Keyboard | Fiori musicali (1635) | |
| F12.33 | Canzon quarti toni dopo il post Comune | Keyboard | Fiori musicali (1635) | |
Messa della Madonna edit | ||||
| F12.34 | Toccata avanti la Messa della Madonna | Keyboard | Fiori musicali (1635) | |
| F12.35 | Kyrie della Madonna | Keyboard | Fiori musicali (1635) | |
| F12.36 | Kyrie | Keyboard | Fiori musicali (1635) | |
| F12.37 | Christe | Keyboard | Fiori musicali (1635) | |
| F12.38 | Christe | Keyboard | Fiori musicali (1635) | |
| F12.39 | Kyrie | Keyboard | Fiori musicali (1635) | |
| F12.40 | Kyrie | Keyboard | Fiori musicali (1635) | |
| F12.41 | Canzon dopo l’Epistola | Keyboard | Fiori musicali (1635) | |
| F12.42 | Recercar dopo il Credo | Keyboard | Fiori musicali (1635) | |
| F12.43 | Toccata avanti il Recercar | Keyboard | Fiori musicali (1635) | |
| F12.44 | Recercar con obligo di cantare la quinta parte senza toccarla | Keyboard | Fiori musicali (1635) | |
| F12.45 | Toccata per l’elevatione | Keyboard | Fiori musicali (1635) | |
| F12.46 | Bergamasca | Keyboard | Fiori musicali (1635) | |
| F12.47 | Capriccio sopra la Girolmeta | Keyboard | Fiori musicali (1635) | |
Catalogue of Manuscript Works edit
Volumes 1 and 13 of the Opere complete are devoted to manuscript works, with volume 1 containing the two 8-part masses and volume 13 containing keyboard works. The ordering of the works in Volume 13 is somewhat random, and the FTCO catalogues lost and misattributed compositions that are not in Volume 13. As a result, a different categorization scheme is used for these works.
| F13 | Compositions in manuscripts entered in Frescobaldi’s hand |
| F14 | Compositions entered in the hands of Frescobaldi’s assistants (Borbone and Castellani) |
| F15 | Compositions in early manuscripts (probably or possibly by Frescobaldi) |
| F16-17 | Compositions in later manuscripts (most of doubtful authenticity) |
| F18 | Spurious or misattributed compositions |
| F19 | Compositions by others based on works by Frescobaldi |
| F20 | Lost compositions |
The FTCO further categorizes each work's authenticity as either Definite, Probably, Possibly, Doubtful, Spurious and Disputed. In general, the stylistic comparisons used with other composers, particularly Bach, are less useful for Frescobaldi. His published works are polished and fully-realized. The manuscript works are less so, as they typically represent drafts, experiments and teaching exercises for his students. The manuscript repertory represents a complement, rather than a continuation, of the published repertory. [cite].
Research in recent decades has refined the identification of the handwriting of Frescobaldi and his associates, particularly Nicolò Borbone and Leonardo Castellani, for both music and text. Borbone was the engraver for many of Frescobaldi's publications. Castellani, an organist at the Lateran, is now known to be the original collector of the Chigi manuscripts now held in the Vatican.
| FTCO | Title | Scoring | Main Source | Notes [Authenticity] |
|---|---|---|---|---|
Due messe a otto voci e basso continuo edit | ||||
| The authenticity of the two 8-voice masses has been the subject of lively debate. The attribution to Frescobaldi is based on his signature and several notations on the continuo part of one of the masses. The argument against is that these annotations only suggest that Frescobaldi's involvement was only as the performer of the continuo on the organ. | ||||
| F1.01 | Messa sopra l’aria della Monica | C, C, A, A, T, T, B, B, Bc | Laterano XI n. 8 | [disputed] |
| F1.02 | Messa sopra l’aria di Fiorenza | C, C, A, A, T, T, B, B, Bc | Laterano XI n. 8 | [disputed] |
Compositions in manuscripts entered in Frescobaldi’s hand edit | ||||
| Frescobaldi has been identified as the main scribe of Chigi Q.IV.29, and the works in his hand are now believed to be his compositions,. | ||||
| F13.01 | Toccata | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.02 | Toccata | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.03 | Recercar | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.04 | Toccata per l’elevatione | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.05 | Recercar | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.06 | Canzona | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.07 | Canzona | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.08 | Toccata | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.09 | Recercar | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.10 | Canzona | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.11 | Toccata [incomplete] | Keyboard | Chigi Q.IV.29 | [definite] |
| F13.12 | Ruggieri | Keyboard | Chigi Q.IV.29 | [definite] 3 movements. |
| F13.13 | La Monica | Keyboard | Chigi Q.IV.29 | [definite] 3 movements. |
| F13.14 | [untitled, incomplete] | Keyboard | Chigi Q.IV.29 | [definite] |
| The Paris 64 manuscript, now held at the Bibliothèque nationale de France, dates from 1607-37 in Rome, and has been determined to be in the hand of Frescobaldi. | ||||
| F13.15 | [Toccata] | Keyboard | Paris 64 | [definite] |
| F13.16 | Corrente | Keyboard | Paris 64 | [definite] |
| F13.17 | [Balletto] | Keyboard | Paris 64 | [definite] |
| F13.18 | La Monica | Keyboard | Paris 64 | [definite] |
| F13.19 | Corrente | Keyboard | Paris 64 | [definite] |
| F13.20 | Allamana | Keyboard | Paris 64 | [definite] |
| F13.21 | Ciaccona [fragment] | Keyboard | Paris 64 | [definite] |
| F13.22.01 | Balletto | Keyboard | Paris 64 | [definite] |
| F13.22.02 | Balletto, 2a parte alio modo | Keyboard | Paris 64 | [definite] |
| F13.23 | Sarabanda | Keyboard | Paris 64 | [definite] |
| F13.24 | Aria detta la Frescobalda | Keyboard | Paris 64 | [definite] |
| F13.25 | Toccata | Keyboard | Paris 64 | [definite] |
| F13.26 | Corrente | Keyboard | Paris 64 | [definite] |
| F13.27 | Toccata [fragment] | Keyboard | Paris 64 | [definite] |
| F13.28 | Toccata | Keyboard | Paris 64 | [definite] |
| F13.29 | Toccata avanti la Romanesca | Keyboard | Paris 64 | [definite] |
| Held at the Biblioteca Apostolica Vaticana in Rome, the Barb. lat. 4181 and 4182 manuscripts have been claimed to be in Frescobaldi's hand, but that identification has been disputed. | ||||
| F13.30 | [untitled] | Keyboard | Barb. lat. 4181 | [disputed] |
| F13.31 | Avignon corrente | Keyboard | Barb. lat. 4182 | [disputed] |
| F13.32 | [untitled fragment] | Keyboard | Barb. lat. 4182 | [disputed] |
| F13.33 | [untitled] | Keyboard | Barb. lat. 4182 | [disputed] |
| F13.34 | [untitled fragment] | Keyboard | Barb. lat. 4182 | [disputed] |
| F13.35.01 | Pr[im]o [tono] | Keyboard | Barb. lat. 4182 | [disputed] |
| F13.35.02 | 2o [tono] | Keyboard | Barb. lat. 4182 | [disputed] |
| Chigi Q.VIII.205-206 is a collection of loose fascicles from diverse sources. | ||||
| F13.36S | Alleluia [1] | C, C, Bc | Chigi Q.VIII.205-206 | [spurious] excerpts from Mazzocchi’s Sacri flores (1640) |
| F13.37S | Alleluia [2] [fragment] | C, C, Bc | Chigi Q.VIII.205-206 | |
| F13.38S | Omnes santci | C, C, B, Bc | Chigi Q.VIII.205-206 | |
| F13.39 | Arpeggiate | Keyboard | Chigi Q.VIII.205-206 | [definite] |
| F13.40 | [Verset] | Keyboard | Chigi Q.VIII.205-206 | [possibly] |
| These works in the Chigi Q.IV.19 manuscript are transcriptions for keyboard, in Frescobaldi’s hand, of polyphonic hymns by Victoria and Palestrina, probably in preparation for his hymn settings in Toccate II (1627). | ||||
| F13.41S | In Natali Confessorum: Iste confessor | Keyboard | Chigi Q.IV.19 | Transcriptions (in Frescobaldi's hand) of hymns by Palestrina. |
| F13.42S | In Dominicha per Anum: Lucis creator optime | Keyboard | Chigi Q.IV.19 | |
| F13.43S | In nativitate et circumsisione Domini: Christe Redemptor | Keyboard | Chigi Q.IV.19 | |
| F13.44S | In Communi apostoli et evangelista: Exultet celum laudibus | Keyboard | Chigi Q.IV.19 | |
| F13.45S | In Festo Apostolorum et Evangelistarum Tempore Paschali: tristis erant | Keyboard | Chigi Q.IV.19 | |
| F13.46S | In Communi unius martyris: Deus tuorum militum | Keyboard | Chigi Q.IV.19 | |
| F13.47S | In Festo Beatae Virginis: Ave Maris Stella | Keyboard | Chigi Q.IV.19 | |
| F13.48S | Iste confessor | Keyboard | Chigi Q.IV.19 | Transcriptions (in Frescobaldi's hand) of hymns by Victoria. |
| F13.49S | Nova veniens | Keyboard | Chigi Q.IV.19 | |
| F13.50S | De nativitate Domini; Christe, redemptor omnium | Keyboard | Chigi Q.IV.19 | |
| F13.51S | In Dominicis per Anum: Lucis creator optime | Keyboard | Chigi Q.IV.19 | |
| F13.52S | In Octava Paschae usque ad Ascensionum: Ad coenam Agni provdidi | Keyboard | Chigi Q.IV.19 | |
| F13.53S | De Beata Virgine: Ave maris stella | Keyboard | Chigi Q.IV.19 | |
Compositions entered in the hands of Frescobaldi’s assistants edit | ||||
| F14.01 | Partite sopra l’aria di Fiorenza | Keyboard | Chigi Q.IV.25 | [probably] 3 movements. |
| F14.02.01 | Toccata per organo | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.02.02 | Canzona che seque alla Toccata (Canzona which follows the Toccata [13.62.1]) | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.03.01 | Toccata per organo | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.03.02 | [Capriccio] | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.04 | Capriccio | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.05 | Capriccio fatto sopra il Cucchù | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.06.01 | Toccata per organo con pedali | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.06.02 | Canzona doppo la Toccata | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.07 | Toccata | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.08 | Toccata per organo | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.09 | Canzona | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.10 | Recercare | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.11 | Recercare cromatico [incomplete] | Keyboard | Chigi Q.IV.25 | [probably] |
| F14.12 | Toccata prima | Keyboard | Chigi Q.IV.25 | [possibly] |
| F14.13 | Toccata seconda | Keyboard | Chigi Q.IV.25 | [possibly] |
| F14.14 | Toccata terza | Keyboard | Chigi Q.IV.25 | [possibly] |
Fioretti del Frescobaldi edit | ||||
| The much-studied Fioretti are in Borbone's hand, with some scribblings on the back flyleaf likely in Frescobaldi's hand. Concordances between the Fioretti and other canzonas and the format of the staves suggest that these were originally instrumental canzonas, transcribed for keyboard by Borbone at Frescobaldi's request. The Fioretti are accepted as part of the Fresobaldi canon[2]. | ||||
| F14.15 | Canzona prima [per] cimbalo solo | Keyboard | London 40080 | [probably] |
| F14.16 | Canzona seconda | Keyboard | London 40080 | [probably] |
| F14.17 | Canzona terza | Keyboard | London 40080 | [probably] |
| F14.18 | Canzona quarta | Keyboard | London 40080 | [probably] |
| F14.19 | Canzona quinta | Keyboard | London 40080 | [probably] |
| F14.20 | Canzona sesta | Keyboard | London 40080 | [probably] |
| F14.21 | Canzona settima | Keyboard | London 40080 | [probably] |
| F14.22 | Canzona ottava | Keyboard | London 40080 | [probably] |
| F14.23 | Canzona nona | Keyboard | London 40080 | [probably] |
| F14.24 | Canzona decima | Keyboard | London 40080 | [probably] |
| F14.25 | Canzona undecima | Keyboard | London 40080 | [probably] |
| F14.26 | Toccata | Keyboard | London 40080 | [probably] |
| F14.27 | Toccata sopra li pedali | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.28 | [Ruggiero] | Keyboard | Chigi Q.IV.24 | [probably] 3 movements. |
| F14.29 | Recercare | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.30 | Recercare | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.31 | Canzona | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.32 | Canzona | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.33 | Recercare | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.34 | Canzona | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.35 | Ave maris stella | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.36 | [Toccata] | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.37 | Iste Confessor | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.38 | [Aria di Fiorenza] | Keyboard | Chigi Q.IV.24 | [probably] 3 movements. |
| F14.39 | Recercare | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.40 | Toccata per l’ elevatione [incomplete] | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.41 | Kyrie delli Apostoli | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.42 | Christe | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.43 | [Corrente] | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.44 | [Recercar] | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.45 | [Toccata] | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.46 | Balletto | Keyboard | Chigi Q.IV.24 | [probably] 7 movements. |
| F14.47 | Ciaccona | Keyboard | Chigi Q.IV.24 | [probably] |
| F14.48 | Corrente [incomplete] | Keyboard | Chigi Q.IV.29 | [possibly] |
| F14.49 | Passagalli [incomplete] | Keyboard | Chigi Q.VIII.205-206 | [probably] |
| F14.50 | Ballo a 3 | Vn, Vn, Archlute, Bc | Chigi Q.VIII.205-206 | [probably] |
| F14.51 | [Canzona] a 2 | See Notes | Chigi Q.VIII.205-206 | [probably] |
| F14.52 | Canzona a 2 | Vn, Theorbo, Bc | Chigi Q.VIII.205-206 | [probably] |
| F14.53 | Canzona a due, canto e basso | C, B, Bc | Chigi Q.VIII.205-206 | [probably] |
| F14.54 | Canzona, Violino Solo | Vn, Bc | Chigi Q.VIII.205-206 | [probably] |
| F14.55 | Dominus Virtutum, Basso solo | Not Specified | Chigi Q.VIII.205-206 | [possibly] |
| F14.56 | Fantasia | Keyboard | Chigi Q.VIII.205-206 | [possibly] |
| F14.57 | Recercare | Keyboard | Chigi Q.VIII.205-206 | [probably] |
| F14.58 | Toccata [incomplete] | Keyboard | Chigi Q.VIII.205-206 | [probably] |
| F14.59 | Toccata | Keyboard | Chigi Q.VIII.205-206 | [disputed] |
| F14.60 | Toccata | Keyboard | Chigi Q.VIII.205-206 | [doubtful] |
| F14.61 | Balletto | Keyboard | Chigi Q.VIII.205-206 | [disputed] |
| F14.62 | Corrente | Keyboard | Chigi Q.VIII.205-206 | [disputed] |
| F14.64 | Ruggiero | Keyboard | Chigi Q.VIII.205-206 | [probably] 3 movements. |
| F14.65 | Hinno per le domeniche di tutto l’anno: Lucis creator optime | Keyboard | Chigi Q.VIII.205-206 | [probably] |
| F14.66 | Hinno della pentecoste: Veni creator spiritus | Keyboard | Chigi Q.VIII.205-206 | [probably] |
| F14.67 | Hinno degli Apostoli | Keyboard | Chigi Q.VIII.205-206 | [probably] |
| F14.68 | Hinno di Natale: Christe redemptor omnium | Keyboard | Chigi Q.VIII.205-206 | [probably] |
| F14.69 | Balletto [incomplete] | Keyboard | Chigi Q.VIII.205-206 | [probably] 2 movements. |
| F14.70 | Toccata | Keyboard | Chigi Q.VIII.205-206 | [probably] |
| F14.71 | Corrente | Keyboard | Chigi Q.VIII.205-206 | [possibly] |
| F14.72 | Corrente | Keyboard | Chigi Q.IV.27 | [possibly] |
| F14.73 | Toccata | Keyboard | Chigi Q.IV.27 | [probably] |
| F14.74 | Corrente | Keyboard | Chigi Q.IV.27 | [probably] |
Compositions in early manuscripts (probably or possibly by Frescobaldi) edit | ||||
| F15.01 | Corrente | Keyboard | Prontera 1 | [probably] |
| F15.02 | Romanesca | Keyboard | Prontera 1 | [probably] 4 movements. |
| F15.03 | Toccata | Keyboard | Turin Giordano 1 | [probably] |
| F15.04a | Toccata del Frescobaldi | Keyboard | Turin Giordano 1 | [probably] |
| F15.04b | [Toccata] 3. toni | Keyboard | Munich 1581 | [probably] |
| F15.05 | Toccata del Sigr Frescobaldi | Keyboard | Turin Giordano 1 | [probably] |
| F15.06 | Toccata F. Baldi | Keyboard | Turin Giordano 1 | [probably] |
| F15.07 | Toccata del Sigr Frescobaldi | Keyboard | Turin Giordano 1 | [probably] |
| F15.08 | Toccata F. Baldi | Keyboard | Turin Giordano 1 | [probably] |
| F15.09 | Toccata di Frescobaldi | Keyboard | Turin Giordano 1 | [probably] |
| F15.10 | Toccata del Sigr Frescobaldi | Keyboard | Turin Giordano 1 | [probably] |
| F15.11 | Toccata per l’organo col contrabasso overo pedale di Frescobaldi | Keyboard | Turin Giordano 1 | [probably] |
| F15.13 | Corrente | Keyboard | Turin Foa 6 | [probably] |
| F15.14 | Corrente | Keyboard | Turin Foa 6 | [probably] |
| F15.15 | Corrente | Keyboard | Turin Foa 6 | [probably] |
| F15.16a | Corrente | Keyboard | Rome Doria 250 B | [possibly] |
| F15.16b | Corrente | Keyboard | Chigi Q.VIII.205-206 | [possibly] |
| F15.16c | Corrente | Keyboard | Ravenna 545 | [possibly] |
| F15.17 | Capriccio | Keyboard | Ravenna 545 | [possibly] |
| F15.18 | Capriccio | Keyboard | Ravenna 545 | [possibly] |
| F15.19 | Canzon | Keyboard | Ravenna 545 | [possibly] |
| F15.20 | Verso | Keyboard | Ravenna 545 | [possibly] |
| F15.22 | Prima Toccata | Keyboard | Cologny T.II.1 | [possibly] |
| F15.23 | Seconda Toccata | Keyboard | Cologny T.II.1 | [possibly] |
| F15.24 | Terza Toccata odi Canzona | Keyboard | Cologny T.II.1 | [possibly] |
| F15.25 | Piva / Quarto Toccata | Keyboard | Cologny T.II.1 | [possibly] |
| F15.26 | Capriccio | Keyboard | Paris Bauyn | [probably] |
| F15.26.01 | Capriccio | Keyboard | Paris Bauyn | [possibly] |
| F15.26.02 | Capriccio; but see F 15.26 | Keyboard | Paris Bauyn | [possibly] |
| F15.27 | Trio | Keyboard | Paris Bauyn | [doubtful] |
| F15.28 | Fantasie | Keyboard | Paris Bauyn | [possibly] |
| F15.29 | Durezze | Keyboard | Oldham MS | [possibly] |
| F15.30 | Partite sopra un aria Romana detta la Manista [Monaca] | Keyboard | Krakow [formerly Berlin] 40316 | [probable] 6 movements. |
| F15.32 | Toccata | Keyboard | Krakow [formerly Berlin] 40316 | [doubtful] |
| F15.33 | Canzona | Keyboard | Munich 1581 | [possibly] |
| F15.35a | Fuga | Keyboard | Munich 1581 | [possibly] |
| F15.35b | Verso primo: octavi toni | Keyboard | Munich 5368 | [possibly] |
| F15.36 | Canzona | Keyboard | Munich 1581 | [possibly] |
| F15.37 | Canzona | Keyboard | Munich 1581 | [possibly] |
| F15.38 | Canzona | Keyboard | Munich 1581 | [possibly] |
| F15.39 | Canzona | Keyboard | Munich 1581 | [possibly] |
| F15.40 | Canzona | Keyboard | Munich 1581 | [possibly] |
| F15.41 | Canzona | Keyboard | Munich 1581 | [possibly] |
| F15.42a | Fuga gu gu | Keyboard | Munich 1581 | [possibly] |
| F15.42b | Fuga sopra Gu Gu [fragment] | Keyboard | Berlin 40615 | [possibly] |
| F15.42c | [Canzona] sopra il Gu Gu | Keyboard | Krakow [formerly Berlin] 40316 | [possibly] |
| F15.43 | Fuga primi toni | Keyboard | Munich 5368 | [possibly] |
| F15.44a | Canzona secundi toni | Keyboard | Munich 5368 | [possibly] |
| F15.44b | Canzon 2 | Keyboard | Berlin 40615 | [possibly] |
| F15.45 | [Tocate per l’] elevatione [1] | Keyboard | Berlin L122 | [possibly] |
| F15.46 | [Tocate per l’] elevatione [2] | Keyboard | Berlin L122 | [possibly] |
| F15.47 | [Untitled] | Keyboard | Berlin L122 | [possibly] |
| F15.48 | Toccata | Keyboard | Berlin SHM IV.82++ [?] | [possibly] |
| F15.49 | Canzona | Keyboard | Berlin SHM IV.82++ [?] | [possibly] |
| F15.50 | Toccata di Roma sexti toni | Keyboard | London 23623 | [probably] |
| F15.51 | Canzona | Keyboard | London 36661 | [probably] |
| F15.52 | Toccata | Keyboard | London 36661 | [probably] |
| F15.53 | Toccata | Keyboard | London 36661 | [probably] |
| F15.54 | Canzona | Keyboard | London 36661 | [probably] |
| F15.55 | Toccata | Keyboard | London 36661 | [probably] |
| F15.56 | Corrente | Keyboard | Collina | [doubtful] |
| F15.56a | Corrente | Keyboard | Bologna AA/360 | [doubtful] |
| F15.57 | Jod manum suam | C, Bc | Bologna Q/43 | [possibly] |
| F15.58 | O vera digna hostia | C, B, Bc | Sacri canti (1629) | [possibly] |
| F15.59 | Corrente | Keyboard | Ravenna 545 | [possibly] |
| F15.60 | Sonata prima [Partite sopra la Romanesca] | Keyboard | Turin Foa 8 | [probably] 5 movements. |
| F15.61 | Sonata seconda [Partite sopra la Monica] | Keyboard | Turin Foa 8 | [probably] 9 movements. |
| F15.62 | Corrente | Keyboard | Katz MS | [probably] |
| F15.63 | Canzona | Keyboard | Katz MS | [probably] |
| F15.65 | Corrente | Keyboard | Turin Foa 6 | [probably] |
| F15.66 | Corrente | Keyboard | Turin Foa 6 | [probably] |
For compositions in later manuscripts (F16, F17), spurious or misattributed compositions (F18), compositions by others based on works by Frescobaldi (F19) and lost compositions (F20), refer to the FTCO site,
Notes edit
- ^ Hammond 2020, Section 18.46.
- ^ Hammond 2020, Section 18.41.
References edit
- Hammond, Frederick; Silbiger, Alexander (2001). "Frescobaldi, Girolamo [Gerolamo, Girolimo] Alessandro". Grove Music Online. Oxford: Oxford University Press.
- Hammond, Frederick (1983). Girolamo Frescobaldi. Cambridge, Massachusetts: Harvard University Press. ISBN 0-674-35438-9.
- Hammond, Frederick (2020). Girolamo Frescobaldi: An Extended Biography.
- Silbiger, Alexander (1980). Italian Manuscript Sources of 17th Century Keyboard Music. Ann Arbor, Michigan: UMI Research Press. pp. 152–165. ISBN 0-8357-1075-0.