Coldcreation

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Some articles I've created or worked on (English and French) edit

Artwork uploads edit

Jean Metzinger edit

Jean Metzinger, c.1905, Baigneuses, Deux nus dans un jardin exotique (Two Nudes in an Exotic Landscape), oil on canvas, 116 x 88.8 cm, Colección Carmen Thyssen-Bornemisza
Jean Metzinger, c.1905, Baigneuses, Deux nus dans un jardin exotique (Two Nudes in an Exotic Landscape), oil on canvas, 116 x 88.8 cm, Colección Carmen Thyssen-Bornemisza
Jean Metzinger, c.1905-06, Nu dans un paysage, oil on canvas, 73 x 54 cm. 2nd Daniel-Henry Kahnweiler Sale of Sequestered Art, Hôtel Drouot, Paris, 17-18 November 1921, reproduced n. 162
Jean Metzinger, c.1906, Femme au Chapeau (Woman with a Hat), oil on canvas, 44.8 x 36.8 cm, Korban Art Foundation
Jean Metzinger, 1906, Coucher de soleil no. 1 (Landscape), oil on canvas, 72.5 x 100 cm, Rijksmuseum Kröller-Müller, Otterlo, Netherlands
Jean Metzinger, 1906, La danse (Bacchante), oil on canvas, 73 x 54 cm. At the outbreak of World War I this painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at Hôtel Drouot in 1921. Vente de biens allemands ayant fait l'objet d'une mesure de Séquestre de Guerre, Collection Uhde
Jean Metzinger, 1907, Paysage coloré aux oiseaux aquatiques, oil on canvas, 74 x 99 cm, Musée d’Art Moderne de la Ville de Paris
Jean Metzinger, c.1908, Baigneuses (Bathers), illustrated in Gelett Burgess, The Wild Men of Paris, The Architectural Record, Document 3, May 1910, New York, location unknown
Jean Metzinger, 1910, Nu à la cheminée (Nude). Exhibited at the 1910 Salon d'Automne. Published in Les Peintres Cubistes by Guillaume Apollinaire, 1913, dimensions and whereabouts unknown
Jean Metzinger, 1910-11, Deux Nus (Two Nudes, Två kvinnor), oil on canvas, 92 x 66 cm, Gothenburg Museum of Art, Sweden. Exhibited at the first Cubist manifestation, Room 41 of the 1911 Salon des Indépendants, Paris
Jean Metzinger, 1910-11, Deux Nus (Two Nudes, Two Women, Nus dans un paysage), oil on canvas, 92 x 66 cm, Gothenburg Museum of Art, Sweden. Exhibited at the first Cubist manifestation, Room 41 of the 1911 Salon des Indépendants, Paris
Jean Metzinger, 1910-11, Nu (Nu debout), oil on carton, 52 x 35 cm, Montreal Museum of Fine Arts
Jean Metzinger, 1910-11, Nu (Nu debout), oil on carton, 52 x 35 cm, Montreal Museum of Fine Arts (on loan)
Jean Metzinger, 1911, Étude pour Le Goûter, Study for Le goûter (Tea Time), Exposició d'Art Cubista, Galeries J. Dalmau (detail of page from catalogue), Barcelona, 20 April-10 May 1912
Jean Metzinger, 1911, Étude pour Le Goûter, Study for Le goûter (Tea Time), Exposició d'Art Cubista, Galeries J. Dalmau (detail of page from catalogue), Barcelona, 20 April-10 May 1912
Jean Metzinger, 1911, Etude pour Le Goûter, graphite and ink on paper, 19 x 15 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Jean Metzinger, 1911, Le goûter (Tea Time), oil on canvas, 75.9 x 70.2 cm, Philadelphia Museum of Art. Exhibited at the 1911 Salon d'Automne. Published in Fantasio, 15 Oct. 1911, Du "Cubisme" by Jean Metzinger and Albert Gleizes, 1912, and Les Peintres Cubistes by Guillaume Apollinaire, 1913, Paris. André Salmon dubbed this painting "The Mona Lisa of Cubism"
Jean Metzinger, ca 1911, Nature morte (Compotier et cruche décorée de cerfs), oil on canvas, 93.5 by 66.5 cm, published in Nya Konstgalleriet, Flamman, Stockholm, 1917. Public auction November 2008
Jean Metzinger, ca 1911, Nature morte (Compotier et cruche décorée de cerfs), oil on canvas, 93.5 by 66.5 cm, published in Nya Konstgalleriet, Flamman, Stockholm, 1917 (page from catalogue)
Jean Metzinger, 1911, Etude pour le portrait de Guillaume Apollinaire, graphite on paper, 48 x 31.2 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Jean Metzinger, 1911-12, Man with a Pipe (Portrait of an American Smoking), oil on canvas, 92.7 x 65.4 cm (36.5 x 25.75 in), Lawrence University, Appleton, Wisconsin. Reproduced on the catalogue cover of Exhibition of Cubist and Futurist Pictures, Boggs & Buhl Department Store, Pittsburgh, July 1913, lost or stolen (missing since 1998)
Jean Metzinger, 1911-12, Man with a Pipe (Portrait of an American Smoking), oil on canvas, 92.7 x 65.4 cm (36.5 x 25.75 in), Lawrence University, Appleton, Wisconsin (lost in transit, 1998). Cubist Exhibition, Boggs & Buhl Department Store, Pittsburgh, July 1913, catalogue cover
Jean Metzinger, 1911-12, La Femme au Cheval (Woman with a horse), oil on canvas, 162 x 130 cm, Statens Museum for Kunst, National Gallery of Denmark. Published in Apollinaire's 1913 Les Peintres Cubistes, Exhibited at the 1912 Salon des Indépendants. Provenance: Jacques Nayral, Niels Bohr
Jean Metzinger, 1911-12, Le Port (The Harbor). Exhibited at the 1912 Salon des Indépendants, Paris. Reproduced in Du "Cubisme", by Jean Metzinger and Albert Gleizes, 1912, Paris, and Les Peintres Cubistes by Guillaume Apollinaire, 1913. Dimensions and current location unknown
Jean Metzinger, c.1912, Paysage (Landscape), location unknown. Reproduced in Du "Cubisme", 1912
Jean Metzinger, 1912, Danseuse au café (Dancer in a café), oil on canvas, 146.1 x 114.3 cm, Albright-Knox Art Gallery, Buffalo, New York. Published in Au Salon d'Automne "Les Indépendants" 1912, Exhibited at the 1912 Salon d'Automne. Wikipedia:Featured picture
Jean Metzinger, 1912, Femme à l'Éventail (Woman with a Fan), oil on canvas, 90.7 x 64.2 cm, Solomon R. Guggenheim Museum, New York
Jean Metzinger, 1912, Femme à l'Éventail (Woman with a Fan), oil on canvas, 90.7 x 64.2 cm, Solomon R. Guggenheim Museum, New York. Published in Les Peintres Cubistes, by Guillaume Apollinaire, 1913
Le Salon Bourgeois, designed by André Mare inside La Maison Cubiste, in the decorative arts section of the Salon d'Automne, 1912, Paris. Jean Metzinger's Femme à l'Éventail is hanging on the wall to the left
Jean Metzinger, 1912, Landscape (Marine, Composition Cubiste), oil on canvas, 51.4 x 68.6 cm, Fogg Art Museum, Harvard University. Published in Herwarth Walden, Einblick in Kunst: Expressionismus, Futurismus, Kubismus (1917), Der Sturm, 1912 - 1917
Jean Metzinger, 1912, Paysage (Landscape), oil on canvas, 59.2 x 73 cm, published in Der Sturm, 5 January 1921, Art Institute of Chicago
Jean Metzinger, 1912, At the Cycle-Race Track (Au Vélodrome), oil and sand on canvas, 130.4 x 97.1 cm (51.4 x 38.25 in.) The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice
Jean Metzinger, 1913, Etude pour L'Oiseau bleu (Study for The Blue Bird), watercolor, graphite and ink on paper, 37 x 29.5 cm, Centre Pompidou, Musée National d'Art Moderne, Paris
Jean Metzinger, 1912-1913, L'Oiseau bleu, (The Blue Bird), oil on canvas, 230 x 196 cm, Musée d'Art Moderne de la Ville de Paris
Jean Metzinger, 1913, La Femme à l'Éventail (Woman with a Fan), oil on canvas, 92.8 x 65.2 cm, Art Institute of Chicago
Jean Metzinger, 1913, En Canot (Im Boot), oil on canvas, 146 x 114 cm (57.5 in × 44.9 in), exhibited at the 1913 Salon d'Automne, Paris; Moderni Umeni, S.V.U. Mánes, Prague, 1914; acquired in 1916 by Georg Muche at the Galerie Der Sturm, confiscated by the Nazis circa 1936, displayed at the Degenerate Art show in Munich, and missing ever since
Jean Metzinger, c.1913, Le Fumeur (Man with Pipe), oil on canvas, 129.7 x 96.68 cm, Carnegie Museum of Art, Pittsburgh. Exhibited at the 1914 Salon des Indépendants, Paris
Jean Metzinger, c.1914, Femme devant le miroir, pencil on paper, 60.3 x 47.6 cm, private collection
Jean Metzinger, 1914-15, Soldat jouant aux échecs (Soldier at a Game of Chess, Le Soldat à la partie d'échecs), oil on canvas, 81.3 x 61 cm (32 x 24 in.), Smart Museum of Art, University of Chicago
X-ray composite overlay on Jean Metzinger, 1914-15, Soldat jouant aux échecs (Soldier at a Game of Chess, Le Soldat à la partie d'échecs), by Coldcreation
Jean Metzinger, 1914-15, Soldat jouant aux échecs (Soldier at a Game of Chess), detail chessboard and table
Jean Metzinger, 1914-15, Soldat jouant aux échecs (Soldier at a Game of Chess), detail head
Jean Metzinger, c.1915, L'infirmière (The Nurse), published in l'Elan, Number 9, 12 February 1916
Jean Metzinger, 1916, Femme au miroir (Femme à sa toilette, Lady at her Dressing Table), oil on canvas, 92.4 x 65.1 cm, private collection
Jean Metzinger, 1916, Femme au miroir, detail
Jean Metzinger, 1916, Fruit and a Jug on a Table, oil and sand on canvas, 115.9 x 81 cm, Museum of Fine Arts, Boston. Published in Paul Erich Küppers, Der Kubismus; ein künstlerisches Formproblem unserer Zeit, 1920
Jean Metzinger, c.1917, Nature morte, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (page from catalogue)
Page from the periodical Fantasio, 15 October 1911, featuring Portrait of Jacques Nayral by Albert Gleizes (1911) and Le goûter (Tea Time) by Jean Metzinger
Jean Metzinger, Le goûter (Tea Time) (1911) and Juan Gris, Hommage à Pablo Picasso (1912)
Entartete Kunst, Degenerate Art Exhibition catalogue, 1937, p. 23, Johannes Molzahn, Jean Metzinger, Kurt Schwitters
Tobeen, Pelotaris (1912), Constantin Brâncuși, Portrait of Mademoiselle Pogany (1912), Jean Metzinger, La Femme à l'Éventail (Woman with a Fan) and En Canot (Im Boot), both of 1913. Zlatá Praha, 13 March 1914, for the occasion of the Mánes Pavilion in Prague
13 March 1914 article showing (center) Jean Metzinger, c.1913, Le Fumeur (Man with Pipe), Carnegie Museum of Art; (left and right) Alexander Archipenko, 1914, Danseuse du Médrano; Pierrot-carrousel, 1913
Jean Metzinger, invitation card for an exhibition at Léonce Rosenberg's Galerie de L'Effort Moderne, January 1919
Jean Metzinger, photograph circa 1912
Jean Metzinger, before 1913. This photograph published in 1913 can be found directly in the 1913 publication, Les Peintres Cubistes by Guillaume Apollinaire

Jean Metzinger, 1912, Danseuse au café (Dancer in a café), oil on canvas, 146.1 x 114.3 cm, Albright-Knox Art Gallery, Buffalo, New York. Published in Au Salon d'Automne "Les Indépendants" 1912, Exhibited at the 1912 Salon d'Automne

Albert Gleizes edit

Du "Cubisme", 1912, Jean Metzinger, Albert Gleizes, Eugène Figuière Editeurs (cover)
Albert Gleizes, c.1920, photograph by Pierre Choumoff
Albert Gleizes, before 1913, photograph from The Cubist Painters, Aesthetic Meditations, 1913, by Guillaume Apollinaire
Albert Gleizes, 1909, Bords de la Marne, oil on canvas, 54 x 65 cm, Musée des Beaux Arts de Lyon
Albert Gleizes, 1910, L'Arbre (The Tree), oil on canvas, 92 x 73.2 cm, private collection
Albert Gleizes, 1910, La Femme aux Phlox (Woman with Phlox), oil on canvas, 81 x 100 cm, exhibited Armory Show, New York, 1913, Museum of Fine Arts, Houston
Albert Gleizes, 1910-12, Les Arbres (The Trees), oil on canvas, 41 x 27 cm. Reproduced in Du "Cubisme", 1912
Albert Gleizes, 1910-11, Paysage (Landscape), oil on canvas, 71 x 91.5 cm. Reproduced frontispiece (titled Les Maisons, dated 1910) catalogue Galeries Dalmau, Barcelona, 1912
Albert Gleizes, 1911, Le Chemin, Paysage à Meudon, Paysage avec personnage, oil on canvas, 146.4 x 114.4 cm. Exhibited at Salon des Indépendants, 1911, Salon des Indépendants, Bruxelles, 1911, Galeria J. Dalmau, Barcelona, 1912, Galerie La Boétie, Salon de La Section d'Or, 1912, stolen by Nazi occupiers from the home of collector Alphonse Kann during World War II, returned to its rightful owners in 1997
Albert Gleizes, 1911, Nature morte (Still Life), reproduced in Les Peintres Cubistes, 1913
Albert Gleizes, 1911, Stilleben, Nature Morte, Der Sturm postcard, Sammlung Walden, Berlin. Collection Paul Citroen, sold 1928 to Kunstausstellung Der Sturm, requisition by the Nazis in 1937, and missing since
Albert Gleizes, 1911, La Chasse (The Hunt), oil on canvas, 123.2 x 99 cm. Published in L'Intransigeant, 10 October 1911, "Les Peintre Cubistes" 1913, by G. Apollinaire, and 'Au Salon d'Automne', Revue d'Europe et d'Amerique, Paris, October 1911. Exhibited at the 1911 Salon d'Automne, Valet de Carreau (Jack of Diamonds), Moscow, 1912, and Galerie de la Boétie, Salon de la Section d'Or, Paris, 1912
Albert Gleizes, 1911, Portrait de Jacques Nayral, oil on canvas, 161.9 x 114 cm, Tate Modern, London. This painting was reproduced in Fantasio: published 15 October 1911, for the occasion of the Salon d'Automne where it was exhibited the same year.
Albert Gleizes, 1911, Dessin pour les Baigneuses, published in La Revue de France et des pays français, February - March 1912
Albert Gleizes, 1912, Les Baigneuses (The Bathers), oil on canvas, 105 x 171 cm. Exhibited at the Salon des Indépendants in Paris during the spring of 1912, and the Salon de la Section d'Or, Galerie La Boétie in Paris, October 1912. Musée d'Art Moderne de la Ville de Paris
Albert Gleizes, 1912, Les Baigneuses, The Bathers, (left) vs. Courbevoie, postcard ca.1912, Les Bord de Seine, L'Ile de la Jatte (right). The Île de la Jatte (or Île de la Grande Jatte) is an island over which Gleizes would have passed on his way to and from the center of Paris. Many similarities can be observed in both images
Albert Gleizes, 1912, l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud), oil on canvas, 195.6 x 114.9 cm (77 x 45 1/4 in.), Philadelphia Museum of Art. Completed the same year that Albert Gleizes co-authored the book Du "Cubisme" with Jean Metzinger. Exhibited at Salon d'Automne, Paris, 1912, Armory show, New York, Chicago, Boston, 1913
Albert Gleizes, 1912, Harvest Threshing (Le Dépiquage des Moissons), oil on canvas, 269 x 353 cm, National Museum of Western Art, Tokyo, Japan
Albert Gleizes, 1912, Les ponts de Paris (Passy), The Bridges of Paris (Passy), oil on canvas, 60.5 x 73.2 cm, Museum Moderner Kunst (mumok), Vienna. Published in Du "Cubisme", 1912
Albert Gleizes, 1912, Landschaft bei Paris, Paysage près de Paris, Paysage de Courbevoie, oil on canvas, 72.8 x 87.1 cm, missing from Hannover since 1937
Albert Gleizes, 1912-13, Les Joueurs de football (Football Players), oil on canvas, 225.4 x 183 cm, National Gallery of Art, Washington D.C.
Albert Gleizes, 1913, Les Bateaux de pêche (Fischerboote), oil on canvas, 165 x 111 cm, Tel Aviv Museum of Art. Exhibited Salon d'Automne, Paris, 1913-14, no. 770, Manes Moderni Umeni, Vystava, Prague, 1914, no. 44
Albert Gleizes, 1913, Portrait de l’éditeur Eugène Figuière (The Publisher Eugene Figuiere), oil on canvas, 143.5 x 101.5 cm, Musée des Beaux-Arts de Lyon
Albert Gleizes, 1913, L'Homme au Hamac (Man in a Hammock), oil on canvas, 130 x 155.5 cm, Albright-Knox Art Gallery, Buffalo, New York
Albert Gleizes, 1914, Woman with Animals (La dame aux bêtes) Madame Raymond Duchamp-Villon, oil on canvas, 77 5/16 x 45 15/16 inches (196.4 x 114.1 cm). The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice
Albert Gleizes, 1914, Cubist Landscape (Paysage cubiste, Arbre et fleuve), oil on canvas, 97 x 130 cm, published in Der Sturm, 5 October 1920
Albert Gleizes, 1914, Paysage avec un arbre (Landscape with Tree), oil on canvas, 100 x 81 cm, private collection
Albert Gleizes, 1914, Paysage avec un arbre, Landscape with trees (Landschaft mit Baumen), oil on canvas, 100 x 81 cm, Marlborough-Gerson Gallery, New York
Albert Gleizes, c.1914, Dessin pour le Portrait de Stravinsky, published in Montjoie!, April-June 1914
Albert Gleizes, 1914-15, Portrait of an Army Doctor (Portrait d'un médecin militaire), oil on canvas, 119.8 x 95.1 cm, Solomon R. Guggenheim Museum
Albert Gleizes, 1915, Retour de Bois-le-Prêtre, wood engraving, 39 x 50 cm, published in Le mot, n. 20, 1 July 1915
Albert Gleizes, 1914-15, Portrait de Florent Schmitt (Le Pianiste), pastel, 36 x 27 cm. This is a study for an oil on canvas titled Portrait de Florent Schmitt, 1914-15, 200 x 152 cm (79 x 60 in.)
Albert Gleizes, 1915, Chal Post, oil and gouache on board, 101.8 x 76.5 cm, Solomon R. Guggenheim Museum, New York
Albert Gleizes, 1915, Broadway, oil on board, 98.5 x 76 cm, private collection
Albert Gleizes, 1915, Composition for "Jazz" (Composition pour "Jazz"), gouache on cardboard, mounted on Masonite, 73 x 73 cm, Solomon R. Guggenheim Museum, New York
Albert Gleizes, 1915, Composition for "Jazz" (Composition pour "Jazz"), gouache on cardboard, mounted on Masonite, 73 x 73 cm, Solomon R. Guggenheim Museum, New York
Albert Gleizes, 1915, Composition for "Jazz" (Composition pour "Jazz"), gouache on cardboard mounted on masonite, 73 x 73 cm. In a photograph first published in the Xeic York Herald, later reprinted in The Literary Digest, 27 October 1915, Gleizes can be seen at work on this painting.
Albert Gleizes, 1915, Brooklyn Bridge (Pont de Brooklyn), oil and gouache on canvas, 102 x 102 cm, Solomon R. Guggenheim Museum, New York
Albert Gleizes, 1915, Le Chant de guerre (Portrait de Florent Schmitt), postage stamp, carnet Du cubisme, La Poste, France, 2012
Albert Gleizes, 1915-16, Esquisse pour le portrait de Jean Cocteau, published in Troços. Segona sèrie. Núm. 2 (Oct. 1917)
Albert Gleizes, 1920, Femme au gant noir (Woman with Black Glove), oil on canvas, 126 x 100 cm (49.6 x 39.4 in), National Gallery of Australia
Albert Gleizes, 1920, Figure, gouache on canvas, 91.4 x 76.2 cm, Los Angeles County Museum of Art
Albert Gleizes, Action, Cahiers Individualistes de philosophie et d'art, Volume 1, No. 1, February 1920
Albert Gleizes, c.1920, Figures planes (Trois personnages assis), dimensions approximately 126 x 100 cm, location unknown. Exhibited Der Sturm, Berlin, 1921 (no. 927) and reproduced in Gleizes 1927, p. 97
Albert Gleizes, 1920, Femme et enfant (Woman and child), reproduced in Der Sturm, 5 October 1921
Albert Gleizes, Woman and child (Frau und Kind), Der Sturm, 5 October 1921
Albert Gleizes, 1920, Ecuyère (Horsewoman), oil on canvas, 130 x 93 cm, Musée des Beaux-Arts de Rouen, published in Broom, An International Magazine of the Arts, November 1921. This 1920 painting was reworked in 1923
Albert Gleizes, 1920-23, Ecuyère (Horsewoman), oil on canvas, 130 x 93 cm, Musée des Beaux-Arts de Rouen (Purchased from the artist in 1951. Dépôt du Centre Pompidou, 1998). This 1920 painting was reworked in 1923
Albert Gleizes, 1920-23, Ecuyère (Horsewoman), oil on canvas, 130 x 93 cm, Musée des Beaux-Arts de Rouen
Albert Gleizes, c.1920, L'Homme dans les maisons, cover illustration of La Vie des Lettres et des Arts, Jacques Povolozky & Cie, Paris, 1920
Albert Gleizes, c.1920, L'Homme dans les maisons. Cover illustration La Vie des Lettres et des Arts, 1920, reproduced in The Little Review, A Magazine of the Arts, Vol. 7, No. 4, 1921
Albert Gleizes, 1920, Femme portant un enfant, Exposition Internationale d'Art Moderne, Geneva, 26 December 1920 - 25 January 1921, No. 185
Albert Gleizes, 1921, Composition bleu et jaune (Composition jaune), oil on canvas, 200.5 x 110 cm
Albert Gleizes, untitled, drawing (zeichnung), published in the cover of Der Sturm, Volume 11, Number 11-12, 5 December 1920
Albert Gleizes, study for Femme au gants noirs, drawing (zeichnung), published on the cover of Der Sturm, 5 June 1920
Abbaye de Créteil: First row- Charles Vildrac, René Arcos, Albert Gleizes, Barzun, Alexandre Mercereau. Second row- Georges Duhamel, Berthold Mahn, d'Otémar
Albert Gleizes, Man on a Balcony, Walt Kuhn scrapbook of press clippings documenting the Armory Show, vol. 2, 1913, page 140
Albert Gleizes, Man on a Balcony, Walt Kuhn scrapbook of press clippings documenting the Armory Show, vol. 2, 1913, page 123

Joseph Csaky edit

Joseph Csaky, 1911-1912, Groupe de femmes (Groupe de trois femmes, Groupe de trois personnages), plaster lost. Csaky family archive photograph. Exhibited at the 1912 Salon d'Automne, and Salon des Indépendants, 1913, Paris
Joseph Csaky, 1911-1912, Groupe de femmes, Groupe de trois femmes, Groupe de trois personnages. This Csaky family archive photograph shows a frontal view of the work, revealing three figures rather than two
Joseph Csaky, 1912, Danseuse (Femme à l'éventail, Femme à la cruche), original plaster, was exhibited at the Salon d'Automne of 1912, Paris, n. 405, and the Salon des Indépendants of 1914, n. 813, photo from Csaky archives AC.110
Joseph Csaky, Head, 1913, plaster lost. Photo published in Montjoie, 1914, also Richard, René, 1988
Montjoie, Ricciotto Canudo, André Salmon, sculpture by Joseph Csaky, 3rd issue, 18 March, 1914
Joseph Csaky, 1920, Deux figures, relief, sandstone, polychrome, 80 cm, Kröller-Müller Museum (with 1920 frame)
Joseph Csaky, 1920, Deux figures, relief, limestone, polychrome, 80 cm, Kröller-Müller Museum, Otterlo, Netherlands
Joseph Csaky, Exhibition poster, Galerie l'Effort Moderne, Léonce Rosenberg, 1920
Joseph Csaky, ca. 1920, Tête (Head), limestone, 60 cm, Kröller-Müller Museum, Otterlo
Joseph Csaky, ca 1920, Tête (front and side view), limestone, 60 cm, Kröller-Müller Museum, Otterlo
Joseph Csaky, 1920 Figure (Woman), stone, approx. 80 cm, photograph by Léonce Rosenberg. Reproduced in Action: Cahiers Individualistes de Philosophie et d’art, Volume 1, Number 6, December 1920
Joseph Csaky, 1920, Tête (Head), marble, 28 cm, photograph by Léonce Rosenberg, Kröller-Müller Museum. Reproduced in Cahiers Individualistes de Philosophie et d’art, Volume 1, Number 6, December 1920
Joseph Csaky, 1920, Face (Figure), limestone, 70 cm
Joseph Csaky, 1920, Tête (Tête cubiste), stone, 30 cm
Joseph Csaky, 1921, Figure (Tête), stone, polychrome, 36 cm
Joseph Csaky, 1921, Figure, marble (white, gray, yellow), 64 cm
Joseph Csaky, 1921, Figure, stone, polychrome, 65 x 20 x 6 cm
Joseph Csaky, 1921, Tête (Tête de jeune fille, Tête d'enfant), marble (white), 21.5 cm, Musée National d'Art Moderne, Paris
Joseph Csaky, 1921, Tête (Tête de jeune fille, Tête d'enfant), marble (white), 21.5 cm, (profile), Musée National d'Art Moderne, Paris
Joseph Csaky, 1922, Femme accroupie, bronze, 50 cm, stone base, Kröller-Müller Museum
Joseph Csaky, 1922, Figure abstraite, stone, polychrome, 80 cm
Joseph Csaky, 1922, Tête (Head), marble (white, gray veins), 55 cm

Alexander Archipenko edit

Alexander Archipenko, Portrait de Mme Kameneff, Folkwang Museum, Hagen. Reproduced in Archipenko-Album, 1921
Alexander Archipenko, 1910, Le baiser (The Kiss). Reproduced in Archipenko-Album, 1921
Alexander Archipenko, 1910-11, Negress (La Negresse), Armory Show catalogue photo
Alexander Archipenko, 1910-11, Venus
Alexander Archipenko, L'Héros (The Hero). Reproduced in Archipenko-Album, 1921
Alexander Archipenko, 1912, La Vie Familiale (Family Life). Exhibited at the 1912 Salon d'Automne, Paris and the 1913 Armory Show in New York, Chicago and Boston. (Photograph in La Comedie Artistique (1912) of the original sculpture (approx six feet tall), later accidentally destroyed)
Alexander Archipenko, 1912, Le Repos, Armory Show postcard, 1913
Alexander Archipenko, 1912, Dancers (Der Tanz), 24 in. original plaster. This first version of Dancers was illustrated on the front cover of "The Sketch", 29 October 1913, London
Alexander Archipenko, 1912, Femme Marchant (Woman Walking). Reproduced in Archipenko-Album, 1921
Alexander Archipenko, 1912. This work is closely related to Woman Walking and Standing Figure, both of 1912
Alexander Archipenko, 1912-13, Roter Tanz (Danse rouge, Blue Dancer)
Alexander Archipenko, 1912-13, Zwei Körper (Two Bodies)
Alexander Archipenko, 1913, Recherche de plastique. Exhibited at Erster Deutscher Herbstsalon, Berlin, 1913, an exhibition organized by Herwarth Walden (Galerie Der Sturm), including Metzinger, Delaunay, Gleizes, Léger, Marcoussis and Picabia
Alexander Archipenko, 1913, Pierrot-carrousel, painted plaster, 61 × 48.6 × 34 cm, Solomon R. Guggenheim Museum, New York. Reproduced in Archipenko-Album, 1921
Alexander Archipenko, 1913, Femme à l'Éventail (Woman with a Fan), 108 x 61.5 x 13.5 cm, Tel Aviv Museum of Art. Reproduced in Archipenko-Album, 1921
Alexander Archipenko, 1914, Danseuse du Médrano (Médrano II), Solomon R. Guggenheim Museum, New York. Reproduced in Archipenko-Album, 1921
Alexander Archipenko, 1916, Statuette
Alexander Archipenko, 1914, Flat Torso
Alexander Archipenko, 1919, Femmes-Vases (Women - Vases). Reproduced in Archipenko-Album, 1921
Alexander Archipenko, before 1920, Sculpto-peinture
Alexander Archipenko, c.1920, Femme assise (Composition), 31.1 x 23.2 cm, gouache on paper

Francis Picabia edit

Francis Picabia, c.1909, Caoutchouc, watercolor, gouache and India ink on cardboard, 45.7 x 61.5 cm, Centre Pompidou, Musée National d'Art Moderne, Paris
Francis Picabia, 1910-11, Horses, oil on canvas, 73.3 x 92.5 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris Published in the New York Times, New York, 16 February 1913, Page 121
Francis Picabia, 1910-11, Paysage à Cassis (Landscape at Cassis), oil on canvas, 50.3 × 61.5 cm, private collection
Francis Picabia, 1910-11, Paysage à Cassis (Landscape at Cassis), oil on canvas, 50.3 × 61.5 cm, private collection
Francis Picabia, c.1912, Grimaldi après la pluie (After the rain), location unknown
Francis Picabia, c. 1912, L'Arbre rouge (Grimaldi après la pluie), oil on canvas, 92.5 x 73.4 cm, Musée National d'Art Moderne]], Centre Pompidou reproduced in The Cubist Painters, Aesthetic Meditations, 1913
Francis Picabia, c. 1912, L'Arbre rouge (Grimaldi après la pluie), oil on canvas, 92.5 x 73.4 cm, Musée National d'Art Moderne]], Centre Pompidou
Francis Picabia, 1912, Tarentelle, oil on canvas, 73.6 x 92.1 cm, Museum of Modern Art, New York. Reproduced in Du "Cubisme"
Francis Picabia, 1912, The Procession, Seville, oil on canvas, 121.9 x 121.9 cm, National Gallery of Art
Francis Picabia, 1912, La Source (The Spring), oil on canvas, 249.6 x 249.3 cm, Museum of Modern Art, New York. Exhibited at the 1912 Salon d'Automne, Paris
Francis Picabia, The Dance at the Spring (Danse à la source), 1912, oil on canvas, 120.5 x 120.6 cm, Philadelphia Museum of Art, Philadelphia. Exhibited at the 1913 Armory Show
Francis Picabia, 1913, Edtaonisl (Ecclesiastic), oil on canvas, 300.4 x 300.7 cm, Art Institute of Chicago
Francis Picabia, 1913, Catch as Catch Can, oil on canvas, 105.4 x 86.4 cm, Philadelphia Museum of Art
Francis Picabia, 1913, Udnie (Young American Girl, The Dance), oil on canvas, 290 x 300 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Francis Picabia, 1913-14, Force Comique, aquarelle et graphite sur papier, 63.4 x 52.7 cm, Berkshire Museum, MA
Francis Picabia, 1915, Fille née sans mère (Girl Born Without a Mother), work on paper, 47.4 x 31.7 cm, Musée d'Orsay
Francis Picabia, (Left) Le saint des saints c'est de moi qu'il s'agit dans ce portrait, 1 July 1915; (center) Portrait d'une jeune fille americaine dans l'état de nudité, 5 July 1915: (right) J'ai vu et c'est de toi qu'il s'agit, De Zayas! De Zayas! Je suis venu sur les rivages du Pont-Euxin, New York, 1915
Francis Picabia, "Ici, c'est ici Stieglitz, foi et amour", cover of 291, No 1, 1915
Francis Picabia, 1915, Voilà Haviland (La poésie est comme lui), Portrait mécanomorphe de Paul B. Haviland
Francis Picabia, 1916-17, Prostitution Universelle (Universal Prostitution), black ink, tempera, metallic paint on cardboard, 74.5 x 94.2 cm, Yale University Art Gallery
Francis Picabia, Flamenca, 391, n. 3, March 1, 1917
Francis Picabia, Francis chante le Coq, 391, n. 14, November 1920
Francis Picabia, Ce numéro est entouré d'une dentelle rose. Page from 391, n. 13, July 1920
Francis Picabia, Lampe Illusion, 391, n. 3, March 1, 1917
Francis Picabia, Marie, Barcelone, 391, n. 3, March 1, 1917
Francis Picabia, Molèculaire, 391, No. 8, February 1919
Francis Picabia, Peigne, Miroir de l'Apparence, 391, n. 2, February 10, 1917
Francis Picabia, Phosphate, Littérature, No. 6, New Series, Paris, 1 November, 1922
Francis Picabia, Américaine, 391, n. 6, July 1917
Francis Picabia, Âne (English: Donkey), 391, July 1917
Francis Picabia, 1919, inside Danse de Saint-Guy, The Little Review, Picabia number, Autumn 1922
Francis Picabia, Dame!, Illustration for the cover of the periodical Dadaphone n. 7, Paris, March 1920
Francis Picabia, Réveil Matin (Alarm Clock), Dada 4-5, Number 5, 15 May 1919
Francis Picabia, 1919, Réveil Matin (Alarm Clock), ink on paper, 31.8 x 23 cm, Tate, London
Francis Picabia, Dada Movement, Dada, Number 5, 15 May 1919
Francis Picabia and F.M. Mansfield with 2 women and a man at outdoor café table in Cassis, France
Francis Picabia, 1920, Portrait of Cézanne, Portrait of Renoir, Portrait of Rembrandt, Toy monkey and oil on cardboard, dimensions and whereabouts unknown. Reproduced in Cannibale, Paris, n. 1, April 25, 1920
Francis Picabia, 1920, La Sainte Vierge (The Blessed Virgin), ink and graphite on paper, 33 x 24 cm, Musée National d'Art Moderne, Paris
Francis Picabia, 1921, L'oeil cacodylate, oil and collage on canvas, 148.6 x 117.4 cm, Musée National d'Art Moderne, Paris
Francis Picabia, c. 1921-22, Optophone I, encre, aquarelle et mine de plomb sur papier, 72 x 60 cm. Reproduced in Galeries Dalmau, Picabia, exhibition catalogue, Barcelona, November 18 - December 8, 1922
Francis Picabia, 1922, Aviation, ink, crayon, watercolor on paper, 79.9 x 54 cm, RISD Museum
Francis Picabia, Astrolabe, Galeries Dalmau exhibition catalogue, 1922
Francis Picabia, Thermomètre pour aveugles (Thermometer for the Blind), Galeries Dalmau exhibition catalogue 1922
Francis Picabia, 1922, Femme Espagnole (Espagnole à la cigarette), watercolor, gouache and pencil on paper, 72 x 51 cm, private collection

Robert Delaunay edit

Robert Delaunay, 1906, Paysage au disque, oil on canvas, 54 x 46 cm, Musée National d'Art Moderne
Robert Delaunay, 1906, Portrait de Metzinger, oil on canvas, 55 x 43 cm
Robert Delaunay, 1907, Portrait of Wilhelm Uhde. Robert Delaunay and Sonia Terk met through the German collector/dealer Wilhelm Uhde, with whom Sonia had been married as she said for "convenience"
Robert Delaunay, 1909, Autoportrait, Self-portrait, oil on canvas, 73 x 59.4 cm, MNAM, Centre Georges Pompidou, Paris
Robert Delaunay, 1910-11, La ville no. 2, oil on canvas, 146 x 114 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Robert Delaunay, 1912, Windows Open Simultaneously (First Part, Third Motif), oil on canvas, 45.7 x 37.5 cm, Tate Modern
Robert Delaunay, 1912, Les Fenêtres simultanée sur la ville (Simultaneous Windows on the City), 46 x 40 cm, Kunsthalle Hamburg
Robert Delaunay, 1912-1913, Le Premier Disque, 134 cm (52.7 in), Private collection
Robert Delaunay, 1912, La Ville de Paris, oil on canvas, 267 × 406 cm, Musée National d'Art Moderne
Robert Delaunay, 1913, L'Équipe de Cardiff, oil on canvas, 326 × 208 cm, Musée d'Art Moderne de la Ville de Paris
Robert Delaunay, 1915, Nu à la toilette (Nu à la coiffeuse), oil on canvas, 140 × 142 cm, Musée d'Art Moderne de la Ville de Paris
Sonia Delaunay or Robert Delaunay (or both), 1922, published in Der Sturm, Volume 13, Number 3, 5 March 1922
Robert Delaunay, 1926, Tour Eiffel, oil on canvas, 169 × 86 cm, Musée d'Art Moderne de la Ville de Paris
Robert Delaunay, 1938, Rythme n°1, Decoration for the Salon des Tuileries, oil on canvas, Musée d'Art Moderne de la Ville de Paris
Sonia Delaunay, 1914, Prismes électriques, oil on canvas, 250 x 250 cm, Musée National d'Art Moderne, Centre Pompidou, Paris

Henri Le Fauconnier edit

Henri Le Fauconnier, 1910-11, L'Abondance (Abundance), oil on canvas, 191 x 123 cm (75.25 x 48.5 in.), Gemeentemuseum Den Haag
Henri Le Fauconnier, 1911-12, Le Chasseur (The Huntsman), oil on canvas, 203 x 166.5 cm, Gemeentemuseum Den Haag
Henri Le Fauconnier, 1912, Les Montagnards attaqués par des ours (Mountaineers Attacked by Bears), oil on canvas, 241 x 307 cm, Rhode Island School of Design Museum. Exhibited at the 1912 Salon d'Automne, Paris

Henri Matisse edit

Henri Matisse, 1899, Still Life with Compote, Apples and Oranges (Compotier de pommes et oranges), oil on canvas, 46.4 x 55.6 cm, The Cone Collection, Baltimore Museum of Art
Henri Matisse, 1904, Nu (Carmelita), oil on canvas, 81.3 x 59 cm, Museum of Fine Arts, Boston
Henri Matisse, 1904, Pont Saint-Michel, Scott M. Black Collection
Henri Matisse, 1904, Luxe, Calme et Volupté, oil on canvas, 98.5 × 118.5 cm (37 x 46 in), Musée d'Orsay, Paris. Exhibited at the Salon des Indépendants, 1905
Henri Matisse, 1904, Luxe, Calme et Volupté, detail lower center
Henri Matisse, 1904, Luxe, Calme et Volupté, detail lower left
Henri Matisse, 1905, Woman with a Hat, oil on canvas, 79.4 x 59.7 cm (31 1/4 x 23 1/2 in) San Francisco Museum of Art
Henri Matisse, 1905-06, Le bonheur de vivre, oil on canvas, 175 x 241 cm, Barnes Foundation
Henri Matisse, 1905, Portrait of Madame Matisse (The green line), oil and tempera on canvas, 40.5 x 32.5, cm, Statens Museum for Kunst
Henri Matisse, 1906, Le Tapis rouge, Intérieur au tapis rouge, oil on canvas, 89 x 116 cm, Musée de Grenoble
Henri Matisse, 1906, Portrait de Marguerite (The Reader), Musée de Grenoble
Henri Matisse, 1906, Portrait de Marguerite, oil on canvas, 32 x 24 cm, Marion Smooke Collection
Henri Matisse, 1906, Self-Portrait in a Striped T-shirt
Henri Matisse, 1906-07, Nu couché, I (Reclining Nude, I), exhibited at Montross Gallery, New York, 1915
Henri Matisse, 1915, Nature morte aux fruits (Still life with Fruits), Staatliche Kunsthalle Karlsruhe
Henri Matisse, 1906-07, Portrait de Marguerite, oil on canvas, 65 x 54 cm, Musée Picasso, Paris
Henri Matisse, 1907, Blue Nude (Souvenir de Biskra), Nu bleu: Souvenir de Biskra, oil on canvas, 92.1 x 140.3 cm, Cone collection, Baltimore Museum of Art
Henri Matisse, 1907, Nature morte bleue (Blue Still Life), oil on canvas, 89.5 x 116.8 cm, The Barnes Foundation
Henri Matisse, 1907, La coiffure, oil on canvas, 116 x 89 cm, Staatsgalerie, Stuttgart
Henri Matisse, 1907, Les trois baigneuses (Three Bathers), oil on canvas, 60.3 x 73 cm, Minneapolis Institute of Arts
Henir Matisse, 1907-08, Bathers with a Turtle, oil on canvas, 181.6 x 221 cm, Saint Louis Art Museum
Henri Matisse, 1907-08, Le Luxe II, distemper on canvas, 209.5 x 138 cm (82 1/2 x 54 3/4 in), Statens Museum for Kunst, Copenhagen. Exhibited at the Armory Show, New York, 1913
Henri Matisse, 1908, Statuette and Vases on Oriental Carpet (Still Life in Red of Venice), oil on canvas, 89 x 105 cm, Pushkin Museum, Moscow
Henri Matisse, 1908, Seated Woman, oil on canvas, 80.5 x 52 cm, Hermitage Museum
Henri Matisse, 1909, Algerian Woman (L'Algérienne), oil on canvas, 81 x 65 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Henri Matisse, 1909, L'Espagnole (Spanish Woman with a Tambourine), oil on canvas, 92 x 73 cm, Pushkin Museum, Moscow
Henri Matisse and La Serpentine, fall 1909, Issy-les-Moulineaux, photograph by Edward Steichen
Henri Matisse, 1909, Nude with a White Scarf (Nu à l'écharpe blanche), oil on canvas, 116.5 x 89 cm, Statens Museum for Kunst, Copenhagen
Henri Matisse, 1909, Still Life with Dance, oil on canvas, 89.5 x 117.5 cm, Hermitage Museum, Saint Petersburg
Henri Matisse, 1910, Fruits and Bronze, oil on canvas, 90 x 118 cm, Pushkin Museum, Moscow
Henri Matisse, 1910-12, Les Capucines (Nasturtiums with The Dance II), oil on canvas, 193 x 114 cm, Pushkin Museum
Henri Matisse, 1911, Portrait de la famille du peintre (Painter's Family), oil on canvas, 143 x 194 cm, Hermitage Museum, St. Petersburg
Henri Matisse, 1911-12, La Fenêtre à Tanger (Paysage vu d'une fenêtre Landscape viewed from a window, Tangiers), oil on canvas, 115 x 80 cm, Pushkin Museum
Henri Matisse, 1912-13, Le café Maure (Arab Coffeehouse), oil on canvas, 176 x 210 cm, Hermitage Museum
Henri Matisse, 1913, Portrait of the Artist's Wife, oil on canvas, 146 x 97.7 cm, Hermitage Museum, Saint Petersburg
Henri Matisse, 1913, La glace sans tain (The Blue Window), oil on canvas, 130.8 x 90.5 cm, Museum of Modern Art, New York
Henri Matisse, 1914, Les poissons rouges (Interior with a Goldfish Bowl), oil on canvas, 147 x 97 cm, Centre Georges Pompidou, Paris
Henri Matisse, 1914, Le citron (Still Life with Lemons), oil on canvas, 70.2 x 53.8 cm, Rhode Island School of Design Museum
Henri Matisse, 1915-16, The Moroccans (Les Marocains), oil on canvas, 181.3 x 279.4 cm, Museum of Modern Art
Henri Matisse, 1916, La branche de lierre (Sculpture and Vase of Ivy), oil on canvas, 60 x 73 cm, Centre Georges Pompidou, extended loan to Musée de Besançon
Henri Matisse, 1916, Still Life with Gourds (Nature morte aux coloquintes), oil on canvas, 100 x 81.3 cm, Barnes Foundation
Henri Matisse, 1916, Studio, Quai Saint-Michel, oil on canvas, 147.9 x 116.8 cm, The Phillips Collection, Washington D.C.
Henri Matisse, 1916-17, Auguste Pellerin II, oil on canvas, 150.2 x 96.2 cm, Centre Georges Pompidou, Paris
Henri Matisse, 1916-17, The Painter and His Model (Le Peintre dans son atelier), oil on canvas, 146.5 x 97 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Henri Matisse, 1916-17, Nu (Lorette allongée sur fond rouge, Sleeping Nude on a Red Background), oil on canvas, 95 x 196 cm, Private collection
Henri Matisse, 1917, Three Sisters and The Rose Marble Table (Les Trois sœurs à La Table de marbre rose), oil on canvas, 194.3 x 96.2 cm, Barnes Foundation, Philadelphia
Henri Matisse, 1917, Portrait de famille (The Music Lesson), oil on canvas, 245.1 x 210.8 cm, Barnes Foundation
Henri Matisse, 1917-18, Fleurs (Bouguet), oil on canvas, 139.7 x 102.2 cm, San Diego Museum of Art
Henri Matisse, 1918, La toque de gouro (The Ostrich-Feather Hat), oil on canvas, Wadsworth Atheneum, Hartford, CT
Henri Matisse, 1918, Portrait de George Besson, oil on panel, 14 x 8 cm, Musée de Besançon
Henri Matisse, 1918, Portrait du peintre (Autoportrait, Self-portrait), oil on canvas, 65 x 54 cm, Matisse Museum (Le Cateau)
Henri Matisse, 1918, Interieur au violon (Interior with a Violin), oil on canvas, 89 x 116 cm, Statens Museum for Kunst
Henri Matisse, 1920, Étretat (The Eel, Le Congre), oil on canvas, 90.2 x 71.1 cm, Columbus Museum of Art, Ohio
Henri Matisse, 1919-21, Woman with a Red Umbrella Seated in Profile (Interior), oil on canvas, 81 x 65 cm, private collection
Henri Matisse, 1920-21, Odalisque, oil on canvas, 61.4 x 74.4 cm, Stedelijk Museum

Sculptures by Matisse edit

Henri Matisse, 1900-1904, Le Serf (The Serf, Der Sklave), bronze
Henri Matisse, 1905, Sleep, wood, exhibition Blue Rose (Голубая Роза), 1907, location unknown
Henri Matisse, 1906-07, Nu couché, I (Reclining Nude, I), bronze, exhibited at Montross Gallery, New York, 1915
Henri Matisse, 1907, Awakening, plaster, exhibition Salon of the Golden Fleece (Салон Золотого Руна) 1908
Henri Matisse, 1908, Figure décorative, bronze

Pablo Picasso edit

Portrait photograph of Pablo Picasso, 1908. Valued image This image has been assessed under the valued image criteria and is considered the most valued image on Wkimedia Commons within the scope: Pablo Picasso, young. You can see its nomination here.

Pablo Picasso, 1901, Old Woman (Woman with Gloves, Woman With Jewelry), oil on cardboard, 67 x 52.1 cm, Philadelphia Museum of Art
Pablo Picasso, 1901, Harlequin and his Companion (Les deux saltimbanques), oil on canvas, 73 x 60 cm, Pushkin Museum, Moscow
Pablo Picasso, 1901, Portrait de Mateu Fernández de Soto, oil on canvas, 61.3 x 46.5 cm, Bundesmuseen, Vienna
Pablo Picasso, 1901-02, Femme au café (Absinthe Drinker), oil on canvas, 73 x 54 cm, Hermitage Museum, Saint Petersburg, Russia
Pablo Picasso, 1901-02, Femme aux Bras Croisés, Woman with Folded Arms (Madchenbildnis), oil on canvas, 81 × 58 cm (32 × 23 in), private collection
Pablo Picasso, 1901-02, Le bock (Portrait de Jaime Sabartes), The Glass of Beer (Portrait of the Poet Sabartes), oil on canvas, 82 x 66 cm, Pushkin Museum, Moscow
Pablo Picasso, 1901-02, Le bock (Portrait de Jaime Sabartes), 82 x 66 cm, Pushkin Museum, Moscow
Pablo Picasso, 1901-02, Maternité (Motherhood), Private collection
Pablo Picasso, 1902, La buveuse assoupie (The Absinthe drinker), oil on panel, 80 x 62 cm, Kunstmuseum Bern
Pablo Picasso, 1902, Woman with Bangs, 61.3 x 51.4 cm, The Baltimore Museum of Art, Maryland
Pablo Picasso, 1902-03, Femme assise (Melancholy Woman), oil on canvas, 100 x 69.2 cm, Detroit Museum of Art, Michigan
Pablo Picasso, 1902-03, Femme accroupie, Crouching Woman (Woman Sitting, with Hood), oil on canvas, 90 x 71 cm, Staatsgalerie Stuttgart
Pablo Picasso, 1902-03, La soupe (The soup), oil on canvas, 38.5 x 46.0 cm, Art Gallery of Ontario, Toronto, Canada
Pablo Picasso, 1903, La Famille Soler, oil on canvas, 150 x 200 cm, Musée des Beaux-Arts de Liège
Pablo Picasso, 1903, Desemparats (Maternité, Mère et enfant au fichu, Motherhood), pastel on paper, 47.5 x 41 cm, Museu Picasso, Barcelona
Pablo Picasso, 1903, L'Étreinte, pastel
Pablo Picasso, 1904, Le repas frugal (The Frugal Repast), etching, Hammer Museum, University of California
Pablo Picasso, 1904, Woman with a Helmet of Hair, gouache on tan wood pulp board, 42.7 x 31.3 cm, Art Institute of Chicago
Pablo Picasso, 1904-05, Les Baladins (Mother and Child, Acrobats), gouache on canvas, 90 x 71 cm Staatsgalerie, Stuttgart
Pablo Picasso, 1904-05, l'Acteur (The Actor), oil on canvas, 196.2 x 115.3 cm, Metropolitan Museum of Art
Pablo Picasso, 1905, Maternité (Mother and Child)
Pablo Picasso, 1905, Au Lapin Agile (At the Lapin Agile), oil on canvas, 99.1 x 100.3 cm, Metropolitan Museum of Art
Pablo Picasso, 1905, Lady with a Fan (Femme à l'éventail), oil on canvas, 100.3 x 81 cm, The National Gallery of Art, Washington, DC.
Pablo Picasso, 1905, Nus (Nudes), pencil on paper
Pablo Picasso, 1905, Acrobat's Family with a Monkey (Famille au Singe), collage, gouache, watercolor, pastel and india ink on cardboard, 104 x 75 cm, Göteborgs Konstmuseum, Goteburg
Pablo Picasso, 1905, Les Saltimbanques (The Acrobats)
Pablo Picasso, 1905, Acrobate à la Boule (Acrobat on a Ball), oil on canvas, 147 x 95 cm, The Pushkin Museum, Moscow
Pablo Picasso, 1905, Fillette nue au panier de fleurs (Le panier fleuri), oil on canvas, 155 x 66 cm, private collection, New York
Pablo Picasso, 1905, Arlequin (Harlequin's head), oil on panel, private collection
Pablo Picasso, 1905, Acrobate et jeune Arlequin (Acrobat and Young Harlequin), oil on canvas, 191.1 x 108.6 cm, The Barnes Foundation, Philadelphia
Pablo Picasso, 1905, La Belle Hollandaise, gouache on cardboard mounted on wood, 77.1 x 65.8 cm, Queensland Art Gallery, Brisbane
Pablo Picasso, 1905, Les Trois Hollandaises, peinture à la colle sur carton, 77 x 67 cm, Musée Picasso, Paris
Pablo Picasso, 1905-06, Les deux frères (The two brothers), oil on canvas, 141.4 x 97.1 cm, Kunstmuseum Basel
Pablo Picasso, 1906, La Mort d'Arlequin (Death of Harlequin), gouache and pencil on board, 68.5 x 96 cm, private collection
Pablo Picasso, 1906, Nu aux mains serrées, gouache on canvas, 96.5 x 75.6 cm, Art Gallery of Ontario
Pablo Picasso, 1906, Femme se coiffant (Woman Combing her Hair), crayon, charcoal on paper. Dimensions and whereabouts unknown
Pablo Picasso, 1906, Seated Male Nude (Homme nu assis), oil on canvas, 34.9 x 24.1 cm, Barnes Foundation
Pablo Picasso, 1907, Nu à la serviette, oil on canvas, 116 x 89 cm
Pablo Picasso, 1907, Femme nue, oil on canvas, 92 x 43 cm, Museo delle Culture, Milano
Pablo Picasso, 1907, Nu aux bras levés (Nude)
Pablo Picasso, 1907, Head of a Sleeping Woman (Study for Nude with Drapery), oil on canvas, 61.4 x 47.6 cm, The Museum of Modern Art, New York
Pablo Picasso, 1907, Les Demoiselles d'Avignon (detail, figure upper right)
Pablo Picasso, 1907, Les Demoiselles d'Avignon (detail, figure lower right)
Pablo Picasso, 1907-08, Vase of Flowers, oil on canvas, 92.1 x 73 cm, Museum of Modern Art
Pablo Picasso, 1907-08, Two Trees (Les Arbres), watercolor on paper, 47.9 x 62.7 cm, Philadelphia Museum of Art
Pablo Picasso, 1908, Woman's Head (Tête de femme), oil on canvas, 73.6 x 60.6 cm, Museum of Modern Art
Pablo Picasso, 1908, Bols et flacons (Pitcher and Bowls), oil on canvas, 66 x 50.5 cm, Hermitage Museum, Saint Petersburg
Pablo Picasso, 1908, Seated Woman, oil on canvas, 150 x 99 cm, Hermitage Museum, Saint Petersburg
Pablo Picasso, 1908, L'amitié (Friendship, Two Nudes), oil on canvas, 151.3 x 101.8 cm, Hermitage Museum
Pablo Picasso, 1908, Dryad, oil on canvas, 185 x 108 cm, The State Hermitage Museum, St Petersburg
Pablo Picasso, 1908, Trois femmes (Three Women), oil on canvas, 200 x 185 cm, Hermitage Museum, Saint Petersburg
Pablo Picasso, 1908, Paysage aux deux figures (Landscape with Two Figures), oil on canvas, 60 x 73 cm, Musée Picasso, Paris
Pablo Picasso, 1908-09, Poissons et bouteilles, oil on canvas, 73.5 x 60 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
Pablo Picasso, 1909, Man with Arms Crossed, watercolor, gouache and charcoal on paper pasted on cardboard, 65.2 x 49.2 cm, Hermitage Museum, St. Petersburg
Pablo Picasso, 1909, Two Nude Figures (Deux figures nues), steel-faced drypoint on Arches laid paper, 13 x 11 cm, printed by Delâtre, Paris, published by Daniel-Henry Kahnweiler
Pablo Picasso, 1909, Nature morte à la brioche
Pablo Picasso, 1909, Brick Factory at Tortosa (L'Usine, Horta de Ebro), oil on canvas, 50.7 x 60.2 cm, The State Hermitage Museum, Saint Petersburg
Pablo Picasso, 1909, Maisons à Horta (Houses on the Hill, Horta de Ebro), oil on canvas, 65 x 81 cm, Berggruen Museum
Pablo Picasso, 1909, The Oil Mill (Moulin à huile), oil on canvas, 38.1 x 45.7 cm (15 x 18 in), Metropolitan Museum of Art
Pablo Picasso, 1909, Still Life, Casket, Cup, Apples and Glass, Bologna Gallery of Modern Art
Pablo Picasso, 1909, Nature morte au compotier (Still Life with Fruit Dish), drypoint
Pablo Picasso, 1909, Harlequin (L'Arlequin)
Pablo Picasso, 1909, Femme à l'éventail (Woman with a Fan), oil on canvas, 101 x 81 cm, Pushkin Museum, Moscow
Pablo Picasso, 1909, Buste de femme (Femme en vert, Femme assise), oil on canvas, 100.3 x 81.3 cm, Van Abbemuseum, Netherlands. This painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
Pablo Picasso, 1909, Head of a Woman (Tête de femme), oil on canvas, 60.3 x 51.1 cm, The Art Institute of Chicago
Pablo Picasso, 1909, Head of a Woman, gouache on paper, 62.2 x 48 cm, Museum of Modern Art
Pablo Picasso, 1909, Femme assise (Sitzende Frau), oil on canvas, 100 x 80 cm, Staatliche Museen, Neue Nationalgalerie, Berlin
Pablo Picasso, 1909, Woman with a Mandolin (Femme à la mandoline), oil on canvas, 92 x 73 cm, Hermitage Museum
Pablo Picasso, 1909–10, Head of a Woman (Fernande), modeled on Fernande Olivier. Photographic reproduction of a bronze cast (right side). Dimensions unconfirmed: 40.5 x 23 x 26 cm
Pablo Picasso, 1909–10, Head of a Woman (Fernande), modeled on Fernande Olivier. Photographic reproduction of a bronze cast. Dimensions unconfirmed: 40.5 x 23 x 26 cm
Pablo Picasso, 1909-10, Le Bock, oil on canvas, 81 x 65.5, Lille Métropole Museum of Modern, Contemporary and Outsider Art
Pablo Picasso, 1909-10, Figure dans un Fauteuil (Seated Nude, Femme nue assise), oil on canvas, 92.1 x 73 cm, Tate Modern, London. This painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
Pablo Picasso, 1910, Woman with Mustard Pot (La Femme au pot de moutarde), oil on canvas, 73 x 60 cm, Gemeentemuseum Den Haag. Exhibited at the Armory Show, New York, Chicago, Boston 1913
Pablo Picasso, c.1910, Studentin, photo Kahnweiler, Paris
Pablo Picasso, 1910, Portrait of Daniel-Henry Kahnweiler, oil on canvas, 100.4 × 72.4 cm, Art Institute of Chicago
Pablo Picasso, 1910, Girl with a Mandolin (Fanny Tellier), oil on canvas, 100.3 x 73.6 cm, Museum of Modern Art, New York
Pablo Picasso, 1910, Portrait of Wilhelm Uhde, oil on canvas, 81 x 60 cm, Joseph Pulitzer Collection
Pablo Picasso, 1910-11, Guitariste, La mandoliniste (Woman playing guitar or mandolin), oil on canvas
Pablo Picasso, 1911, La Femme au Violon, oil on canvas, private collection, on long-term loan to Bavarian State Painting Collections, Pinakothek der Moderne, Munich
Pablo Picasso, 1911, Woman with a Guitar by the Piano, oil on canvas
Pablo Picasso, c.1911, Le Guitariste. Reproduced in Du "Cubisme"
Pablo Picasso, 1911, Still Life with a Bottle of Rum, oil on canvas, 61.3 x 50.5 cm, Metropolitan Museum of Art, New York
Pablo Picasso, 1911, Mandolin and Glass of Pernod, oil on canvas, National Gallery, Prague
Pablo Picasso, 1911, The Poet (Le poète), oil on linen, 131.2 × 89.5 cm (51 5/8 × 35 1/4 in), The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection, Venice
Pablo Picasso, 1911, Clarinet (Still Life with a Clarinet on a Table), oil on canvas, exhibited at Centre for Modern and Contemporary Art (Veletržní Palác), Prague
Pablo Picasso, 1911-12, L'Homme à la clarinette (Man with a Clarinet), oil on canvas, 106 x 69 cm, Museo Thyssen-Bornemisza, Madrid
Pablo Picasso, 1911-12, L'homme à la mandoline (The Mandolin Player), oil on canvas, 100.5 x 69.5 cm, Beyeler Foundation, Riehen, Switzerland
Pablo Picasso, 1911-12, L'Arlesienne, oil on canvas, 71.3 x 54 cm, private collection
Pablo Picasso, 1911-12, Buffalo Bill, oil on canvas, 46 x 33 cm
Pablo Picasso, 1911-12, Violon (Violin), oil on canvas, 100 x 73 cm (oval), Kröller-Müller Museum, Otterlo, Netherlands. This painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
Pablo Picasso, 1912, Le Verre d'Absinthe (Absinthe and Cards, Verre de Pernod et cartes), oil on canvas, 35 x 27 cm, National Gallery, Prague
Pablo Picasso, 1912, Violon, verre, pipe et encrier (Souvenir of Le Havre), oil on canvas, 81 x 54 cm, National Gallery in Prague, Czech Republic
Pablo Picasso, 1912, Violon, verre, pipe et encrier (Souvenir of Le Havre), oil on canvas, 81 x 54 cm, National Gallery in Prague, Czech Republic
Pablo Picasso, 1912, Nature morte Espagnole (Sol y sombra), or Spanish Still Life (Sun and Shadow), Bodegon espanol (sol y sombra), oil and enamel on canvas, 46 x 63 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
Pablo Picasso, 1912, Le violon (Jolie Eva), oil on canvas, 60 x 81 cm, Staatsgalerie Stuttgart
Pablo Picasso, 1912-14, La bouteille de Bass (The Bass Bottle), oil on canvas, 107.5 x 65.5 cm, Museo del Novecento, Milan
Pablo Picasso, 1912, Le poète (The Poet), oil on canvas, 59.9 x 47.8 cm, Kunstmuseum Basel
Pablo Picasso, 1912, Violin and Grapes, oil on canvas, 61 x 50.8 cm, Museum of Modern Art, New York
Pablo Picasso, 1912, Les oiseaux morts (Los pájaros muertos), oil on canvas, 46 x 65 cm, Museo Nacional Centro de Arte Reina Sofía
Pablo Picasso, 1912-13, Guitare (Guitar), oil and charcoal on canvas, oval, 72.4 x 60 cm, National Museum of Art, Architecture and Design, Oslo
Pablo Picasso, 1913, Violin Hanging on the Wall, oil, spackle with sand, enamel, and charcoal on canvas, 65 x 46 cm, Museum of Fine Arts Berne
Pablo Picasso, 1913, L'Arlequin, Céret (Harlequin), oil on canvas, 120.1 x 77.9 cm, Gemeentemuseum Den Haag
Pablo Picasso, 1913-14, Student with a Newspaper, plaster, oil, Conté crayon, and sand on canvas, 73 x 59.7 cm, Metropolitan Museum of Art
Pablo Picasso, 1913-14, Le guéridon (Nature morte, Guitares), oil on canvas, 130.2 x 89.1 cm, Kunstmuseum Basel
Pablo Picasso, 1913-14, Femme assise dans un fauteuil (Eva), Woman in an Armchair, oil on canvas, 149.9 x 99.4 cm, Leonard A. Lauder Cubist Collection
Pablo Picasso, 1913-14, Woman in a Chemise in an Armchair, Femme en chemise assise dans un fauteuil (Eva), oil on canvas, 149.9 x 99.4 cm, Leonard A. Lauder Cubist Collection, Metropolitan Museum of Art
Pablo Picasso, 1913, Bouteille, clarinette, violon, journal, verre, 55 x 45 cm. This painting from the collection of Wilhelm Uhde was confiscated by the French state and sold at the Hôtel Drouot in 1921
Pablo Picasso, 1913, Compotier avec fruits, violon et verre (Bowl with Fruit, Violin, and Wineglass),mixed media, 64.8 x 49.5 cm, Philadelphia Museum of Art
Pablo Picasso, 1913-14, Head (Tête), cut and pasted colored paper, gouache and charcoal on paperboard, 43.5 x 33 cm, Scottish National Gallery of Modern Art, Edinburgh
Pablo Picasso, 1913-14, L'Homme aux cartes (Card Player), oil on canvas, 108 x 89.5 cm, Museum of Modern Art, New York
Pablo Picasso, 1913-14, Ma Jolie, Nature Morte (Musique), oil on canvas, 53.7 × 65.1 cm. Indianapolis Museum of Art
Pablo Picasso, 1914, Ma Jolie (Pipe, verre, as de trèfle, bouteille de Bass, guitare, dé), oil on canvas, 45 x 41 cm, private collection
Pablo Picasso, 1914, Pipe, Glass, Bottle of Rum, 40 x 52.7 cm, Museum of Modern Art
Pablo Picasso, 1914, Instruments de musique et tête de mort, oil on canvas, 43.8 x 61.8 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
Pablo Picasso, spring 1914, Pipe, Glass, Bottle of Vieux Marc (Pipe, verre, bouteille de Vieux Marc), mixed media, 73.2 x 59.4 cm, Peggy Guggenheim Collection, Venice
Pablo Picasso, 1914, Composition à la guitare (lithograph, 47,5 x 36 cm, numbered HC I LX)
Pablo Picasso, 1914-15, Nature morte au compotier (Still Life with Compote and Glass), oil on canvas, 63.5 x 78.7 cm (25 x 31 in), Columbus Museum of Art, Ohio
Pablo Picasso, 1915, Musical Instruments (Instruments de musique), watercolor and charcoal on laid paper, 19.4 x 23.2 cm, Barnes Foundation
Pablo Picasso, 1916, Still-life with Door, Guitar and Bottles, oil on canvas, 152.4 × 205.7 cm, Statens Museum for Kunst, Copenhagen
Pablo Picasso, 1916, L'anis del mono (Bottle of Anis del Mono), oil on canvas, 46 x 54.6 cm, Detroit Institute of Arts, Michigan
Pablo Picasso, reproduced in L'Elan, Number 10, 1 December 1916
Pablo Picasso, Femme assise dans un fauteuil (Woman sitting in an armchair), reproduced in L'Elan, Number 9, 12 February 1916
Pablo Picasso, 1916, Guitare, clarinette et bouteille sur une table (Guitar, Clarinet, and Bottle on a Pedestal Table), dimensions and whereabouts unknown
Pablo Picasso, 1916, Nature morte (Still-life), published in André Salmon, L'Art Vivant, 1920
Costume design by Pablo Picasso representing skyscrapers and boulevards, for Serge Diaghilev's Ballets Russes performance of Parade at Théâtre du Châtelet, Paris 18 May 1917
Costume design by Pablo Picasso for Serge Diaghilev's Ballets Russes performance of Parade at Théâtre du Châtelet in Paris 18 May, 1917
Pablo Picasso, 1917, Harlequin (Arlequín), oil on canvas, 116 x 90 cm, Museo Picasso, Barcelona
Pablo Picasso, 1918, Portrait d'Olga dans un fauteuil (Olga in an Armchair), oil on canvas, 130 x 88.8 cm, Musée Picasso, Paris
Pablo Picasso, 1918, Portrait de Madame Rosenberg et sa fille, 130 x 95 cm, Musée Picasso, Paris
Pablo Picasso, 1918, Arlequin (Harlequin)
Pablo Picasso, 1918, Arlequin au violon (Harlequin with Violin), oil on canvas, 142 x 100.3 cm, Cleveland Museum of Art, Ohio
Pablo Picasso, 1918, Pierrot, oil on canvas, 92.7 x 73 cm, Museum of Modern Art
Pablo Picasso, published in Klingen, Volume 1, Number 10, June 1918
Pablo Picasso, 1918, Arlequin jouant de la guitare (Harlequin)
Pablo Picasso, 1918, Still Life, oil on canvas, 97.2 x 130.2 cm, National Gallery of Art
Pablo Picasso, 1919, La table devant la fenêtre (The Table in front of the Window), oil on canvas
Pablo Picasso, 1919, Sleeping Peasants, gouache, watercolor and pencil on paper, 31.1 x 48.9 cm, Museum of Modern Art, New York
Pablo Picasso, 1919, Paysage (Landscape with Dead and Live Trees), oil on canvas, 49.4 x 65.4 cm, Bridgestone Museum of Art, Tokyo
Pablo Picasso, c.1919, Nature morte au pichet et aux pommes (still-life with a pitcher and apples), work on paper, dimensions and whereabouts unknown
Pablo Picasso, c.1919, Ballerinas (Three Dancers), work on paper (slightly cropped), dimensions and whereabouts unknown
Pablo Picasso, 1921, Nous autres musiciens (Three Musicians), oil on canvas, 204.5 x 188.3 cm, Philadelphia Museum of Art
Pablo Picasso, 1921-22, Les baigneurs (The Bathers)
Pablo Picasso, 1922, Quatre baigneuses (Four Bathers), egg tempera on vellum, mounted on wood panel, 10.16 x 15.24 cm (4 x 6 in), Collection Paul Allen
Pablo Picasso, 1921, Nu assis s'essuyant le pied (Seated Nude Drying her Foot), pastel, 66 x 50.8 cm, Berggruen Museum
Pablo Picasso, 1921, Head of a woman, pastel on paper, 65.1 x 50.2 cm, Metropolitan Museum of Art, New York

Georges Braque edit

Georges Braque, 1906, L'Olivier près de l'Estaque (The Olive tree near l'Estaque). At least four versions of this scene were painted by Braque, one of which was stolen from the Musée d'Art Moderne de la Ville de Paris, May 2010
Georges Braque, 1908, Plate and Fruit Dish, oil on canvas, 46 x 55 cm, private collection
Georges Braque, 1908, Cinq bananes et deux poires (Five Bananas and Two Pears), oil on canvas, 24 x 33 cm, Musée National d'Art Moderne
Georges Braque, 1908, Maisons et arbre (Houses at l'Estaque), oil on canvas, 40.5 x 32.5 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
Georges Braque, 1908, Maisons à l'Estaque (Houses at l'Estaque), oil on canvas, 73 x 59.5 cm, Kunstmuseum Bern
Georges Braque, 1907-08, The Viaduct at L'Estaque (Le Viaduc de l'Estaque), oil on canvas, 65.1 x 80.6 cm, Minneapolis Institute of Arts
Georges Braque, 1908, Le Viaduc de L'Estaque (Viaduct at L'Estaque), oil on canvas, 73 x 60 cm, Tel Aviv Museum of Art
Georges Braque, 1908, Baigneuse (Le Grand Nu, Large Nude), oil on canvas, 140 × 100 cm, Musée National d'Art Moderne, Centre Pompidou, Paris
Georges Braque, 1908-09, Fruit Dish, oil on canvas, 54 x 65 cm, Moderna Museet, Stockholm
Georges Braque, 1909, La Roche-Guyon, le château (The Castle at Roche-Guyon), oil on canvas, 80 x 59.5 cm, Moderna Museet, Stockholm
Georges Braque, 1909, Port en Normandie (Little Harbor in Normandy), 81.1 x 80.5 cm (32 x 31.7 in), The Art Institute of Chicago
Georges Braque, late 1909, Still Life with Metronome (Still Life with Mandola and Metronome), oil on canvas, 81 x 54.1 cm, Metropolitan Museum of Art. Gift from the Leonard A. Lauder Cubist Collection
Georges Braque, 1909 (September), Violin and Palette (Violon et palette, Dans l'atelier), oil on canvas, 91.7 x 42.8 cm, Solomon R. Guggenheim Museum
Georges Braque, 1909-10, La guitare (Mandora, La Mandore), oil on canvas, 71.1 x 55.9 cm, Tate Modern, London
Georges Braque, 1909-10, Pitcher and Violin, oil on canvas, 116.8 x 73.2 cm, Kunstmuseum Basel
Georges Braque, 1910, Violin and Candlestick, oil on canvas, 60.96 x 50.17 cm, San Francisco Museum of Modern Art
Georges Braque, 1910, Femme tenant une Mandoline, 92 x 73 cm, Bavarian State Painting Collections, Munich
Georges Braque, 1910, Violon, verre et couteau (Still Life with Violin, Glass and Knife), oil on canvas, 51 × 67 cm, oval, National Gallery in Prague
Georges Braque, 1910, Portrait of a Woman, Female Figure (Torso Ženy), oil on canvas, 91 x 61 cm, private collection
Georges Braque, 1911, La Tasse (The Cup), oil on canvas, 24.1 x 33 cm (9.5 x 13 in)
Georges Braque, 1911, Nature morte (Still Life), Reproduced in Du "Cubisme", 1912
Georges Braque, 1911, Nature Morte (The Pedestal Table), oil on canvas, 116.5 x 81.5 cm, Georges Pompidou Center, Paris
Georges Braque, 1911-12, Girl with a Cross, oil on canvas, 55 x 43 cm, Kimbell Art Museum, Fort Worth, Texas
Georges Braque, 1911-12, Man with a Guitar (Figure, L’homme à la guitare), oil on canvas, 116.2 x 80.9 cm, Museum of Modern Art, New York. From the collection of Wilhelm Uhde, confiscated by the French state and sold at the Hôtel Drouot in 1921
Georges Braque, 1912, Violin: Mozart Kubelick, oil on canvas, 45.7 x 61 cm, Metropolitan Museum of Art
Georges Braque, 1913, Glass and Card, oil on canvas, oval, 26.7 x 34.9 cm, private collection
Georges Braque, 1913, Femme à la guitare (Woman with Guitar), oil and charcoal on canvas, 130 × 73 cm, Musée National d'Art Moderne, Centre Pompidou, Paris
Georges Braque, 1913, Nature morte (Fruit Dish, Ace of Clubs), oil, gouache and charcoal on canvas, 81 x 60 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris. From the collection of Wilhelm Uhde, confiscated by the French state and sold at the Hôtel Drouot in 1921
Georges Braque, 1913-14, Still Life on a Table (Duo pour Flute), oil on canvas, 45.7 × 55.2 cm, Lauder Cubist Collection, Metropolitan Museum of Art, New York
Georges Braque, 1914, Violin and Glass (Violon et verre), oil, charcoal and pasted paper on canvas, oval, 116 x 81 cm, Kunstmuseum Basel
Georges Braque, 1914, Man With a Guitar, oil on canvas, 130 x 73 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Georges Braque, 1917, Guitare et verre (Guitar and Glass), oil on canvas, 60.1 x 91.5 cm, Kröller-Müller Museum, Otterlo
Georges Braque, 1917, La Joueuse de mandoline, oil on canvas, 92 × 65 cm, Lille Métropole Museum of Modern, Contemporary and Outsider Art
Georges Braque, 1918, Rhum et guitare (Rum and Guitar), oil on canvas, 60 x 73 cm, Colección Abelló, Madrid

Marcel Duchamp edit

Marcel Duchamp, photograph published in Les Peintres Cubistes, 1913
Marcel Duchamp, 1910, Joueur d'échecs (The Chess Game), oil on canvas, 114 x 146.5 cm, Philadelphia Museum of Art
Marcel Duchamp, 1911, Coffee Mill (Moulin à café), oil and graphite on board, 33 x 12.7 cm, Tate, London. Reproduced in Du "Cubisme"
Marcel Duchamp, 1911, La sonate (Sonata), oil on canvas, 145.1 x 113.3 cm, Philadelphia Museum of Art
Marcel Duchamp, 1912, Nude Descending a Staircase, No. 2, oil on canvas, 147 cm × 89.2 cm, Philadelphia Museum of Art
Marcel Duchamp, Nude Descending a Staircase, No. 2, in the Frederick C. Torrey home, c. 1913
Marcel Duchamp, 1911-1912, Nude (Study), Sad Young Man on a Train (Nu, esquisse, jeune homme triste dans un train), oil on cardboard mounted on Masonite, 100 x 73 cm (39 3/8 × 28 3/4 in), Peggy Guggenheim Collection, Venice
Marcel Duchamp, 1912, Le Roi et la Reine entourés de Nus vites (The King and Queen Surrounded by Swift Nudes), oil on canvas, 114.6 x 128.9 cm, Philadelphia Museum of Art
Marcel Duchamp, 1918, A regarder d'un oeil, de près, pendant presque une heure, To Be Looked at (from the Other Side of the Glass) with One Eye, Close to, for Almost an Hour. Photograph by Man Ray, published in 391, July 1920 (N13), Museum of Modern Art, New York

Raymond Duchamp-Villon edit

Raymond Duchamp-Villon, 1910-11, Torse de jeune homme (Torso of a young man), terracotta, 60.4 cm (23 3/4 in), Armory Show postcard, published 1913. Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Raymond Duchamp-Villon, 1911, Baudelaire
Raymond Duchamp-Villon, 1914, Femme assise, plaster, 65.5 cm (25.75 in), photograph by Duchamp-Villon
Raymond Duchamp-Villon, 1911, Vasque décorative (detail)
Raymond Duchamp-Villon, 1912, Croquis pour le Soleil
Raymond Duchamp-Villon, 1912, Study for La Maison Cubiste, Projet d'Hotel (Cubist House)
Le Salon Bourgeois, designed by André Mare inside La Maison Cubiste, in the decorative arts section of the Salon d'Automne, 1912, Paris. Jean Metzinger's Femme à l'Éventail is hanging on the wall to the left
Raymond Duchamp-Villon, 1912, Study for La Maison Cubiste, Projet d'Hotel (Cubist House). Image published in Les Peintres Cubistes, by Guillaume Apollinaire, 17 March 1913. Larger version exhibited at the Armory Show, New York, 1913
Raymond Duchamp-Villon, 1912, Maquette originale de La Maison Cubiste (Cubist House, Façade architecturale), Document du Musée National d'Art Moderne, Paris
Raymond Duchamp-Villon, 1912, La Maison Cubiste (Cubist House) at the Salon d'Automne, 1912, detail of the entrance. Photograph by Duchamp-Villon

Fernand Léger edit

Fernand Léger, 1910, Nudes in the forest (Nus dans la forêt), oil on canvas, 120 x 170 cm, Kröller-Müller Museum
Fernand Léger, 1911, Les Toits de Paris (Roofs in Paris, oil on canvas, private collection. Reproduced in Du "Cubisme", 1912
Fernand Léger, 1910-11, Le compotier (Table and Fruit), oil on canvas, 82.2 x 97.8 cm, Minneapolis Institute of Arts. Reproduced in Du "Cubisme", 1912
Fernand Léger, 1911, Étude pour trois portraits (Study for Three Portraits), oil on canvas, 194.9 × 116.5 cm, Milwaukee Art Museum
Fernand Léger, 1911-12, Les Fumeurs (The Smokers), oil on canvas, 129.2 x 96.5 cm, Solomon R. Guggenheim Museum, New York
Fernand Léger, 1912, Les Fumées, reproduced in Les Peintres Cubistes, 1913 (image from the 1913 publication)
Fernand Léger, La Femme en Bleu (Woman in Blue), 1912, oil on canvas, 193 x 129.9 cm (76 x 51 1/8 in.), Kunstmuseum Basel. Exhibited at the 1912 Salon d'Automne, Paris
Fernand Léger, 1912, Composition (Study for Nude Model in the Studio), Metropolitan Museum of Art
Fernand Léger, 1912-13, Nude Model in the Studio (Le modèle nu dans l'atelier), oil on burlap, 128.6 x 95.9 cm, Solomon R. Guggenheim Museum, New York
Fernand Léger, 1912-13, Paysage (Landscape), oil on canvas, 92 x 81 cm
Fernand Léger, 1913, Contrast of Forms (Contraste de formes), published in Der Sturm, 5 September 1920
Fernand Léger, 1914, Nature morte (Still life)
Fernand Léger, 1914, Paysage No. 1 (Le Village dans la forêt), oil on burlap, 74 x 93 cm, Albright-Knox Art Gallery
Fernand Léger, 1914, Le Fumeur (The Smoker), 1914, oil on canvas, 100.3 x 81.3 cm, Metropolitan Museum of Art
Fernand Léger, 1918, Dans L'Usine, oil on canvas, 56 x 38 cm (22 x 15 in), On the reverse: titled, dated and signed; Esquisse dans l'usine 11-18, F.
Fernand Léger, 1919, The City (La Ville), oil on canvas, 231.1 x 298.4 cm, Philadelphia Museum of Art
Fernand Léger, 1919, Le disque rouge, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (catalogue page)
Fernand Léger, 1922, La femme et l'enfant (Mother and Child), oil on canvas, 171.2 x 240.9 cm, Kunstmuseum Basel

Gino Severini edit

Gino Severini, 1905, La Bohémienne, pastel sur papier marouflée sur toile, Museo dell'Accademia Etrusca e della città di Cortona
Gino Severini, 1910-11, La Modiste (The Milliner), oil on canvas, 64.8 x 48.3 cm, Philadelphia Museum of Art
Gino Severini, 1911, Souvenirs de Voyage (Memories of a Journey, Ricordi di viaggio), oil on canvas, 47 x 75 cm, private collection
Gino Severini, 1911, La danseuse obsedante (The Haunting Dancer, Ruhelose Tanzerin), oil on canvas, 73.5 x 54 cm, private collection
Gino Severini, 1911, Le Boulevard, oil on canvas, 63.5 x 91.5 cm, Estorick Collection, London
Gino Severini, 1911, The Pan Pan Dance, original version. This 1911 version was destroyed. Gino Severini made a new version in 1959-60, now at Musée National d'Art Moderne, Paris
Gino Severini, 1911, The Pan Pan Dance, Armory Show press clipping, March 1913. Original 1911 version, destroyed
Gino Severini, 1912, Dynamic Hieroglyphic of the Bal Tabarin, oil on canvas with sequins, 161.6 x 156.2 cm (63.6 x 61.5 in.), Museum of Modern Art, New York
Gino Severini, 1912, Dynamism of a Dancer (Dinamismo di una danzatrice, Ballerina di chahut), oil on canvas, 60 x 45 cm, Jucker Collection, Pinacoteca di Brera, Milan
Gino Severini, 1912, Dancer at Pigalle, oil and sequins on sculpted gesso on artist's canvasboard, 69.2 x 49.8 cm, Baltimore Museum of Art
Gino Severini, 1913, La danse de l'ours au Moulin Rouge, oil on canvas, 100 x 73.5 cm, Musée National d'Art Moderne, Paris
Gino Severini, 1913, Tango Argentino, work on paper (published in Der Sturm, Volume 4, Number 192-193, 1 January 1914)
Gino Severini, c.1915-16, dimensions and whereabouts unknown, photo Léonce Rosenberg, published in Action: Cahiers Individualistes de Philosophie et d’art, Volume 1, Number 2, March 1920
Gino Severini, 1919, Nature Morte (still life)
Gino Severini, 1919, Nature morte à la guitare. Private collection
Gino Severini, 1919, Bohémien Jouant de L'Accordéon (The Accordion Player), Museo del Novecento, Milan
Gino Severini, 1920, Maternité
Gino Severini, January 1920, Nature morte

Constantin Brâncuși edit

Constantin Brâncuși, 1907-08, Le baiser (The Kiss), Exhibited at the Armory Show and published in the Chicago Tribune, 25 March 1913
Constantin Brâncuși, 1909, Portrait De Femme (La Baronne Renée Frachon), now lost. Armory Show, published press clipping, 1913
Constantin Brâncuși, Portrait of Mademoiselle Pogany, 1912, White marble, limestone block, Philadelphia Museum of Art, Philadelphia. Exhibited at the 1913 Armory Show.
Constantin Brâncuși, 1912, Portrait of Mlle Pogany, Philadelphia Museum of Art, Philadelphia. Armory Show postcard
Constantin Brâncuși, 1912, Une Muse, plaster, 45.7 cm (18 in.) Armory Show postcard. Exhibited: New York, Armory of the 69th Infantry (no. 618); The Art Institute of Chicago (no. 26) and Boston, Copley Hall (no. 8), International Exhibition of Modern Art, February-May 1913

Marc Chagall edit

Marc Chagall, 1911, To My Betrothed, gouache, watercolor, metallic paint, charcoal, and ink on paper, mounted on cardboard, 61 x 44.5 cm, Philadelphia Museum of Art
Marc Chagall, 1911, A la Russie, aux ânes et aux autres (To Russia, Asses and Others), oil on canvas, 157 x 122 cm, Musée National d'Art Moderne, Centre Pompidou, Paris
Marc Chagall, 1911, Trois heures et demie (Le poète), Half-Past Three (The Poet) Halb vier Uhr, oil on canvas, 195.9 x 144.8 cm, The Louise and Walter Arensberg Collection, 1950, Philadelphia Museum of Art
Marc Chagall, 1911, I and the Village, oil on canvas, 192.1 x 151.4 cm, Museum of Modern Art, New York
Marc Chagall, 1911-12, Hommage à Apollinaire, or Adam et Ève (study), gouache, watercolor, ink wash, pen and ink and collage on paper, 21 x 17.5 cm
Marc Chagall, 1911-12, The Drunkard (Le saoul), 1912, oil on canvas. 85 x 115 cm. Private collection
Marc Chagall, 1911-12, Le saint voiturier (The Holy Coachman), oil on canvas, 148 x 117.5 cm, private collection
Marc Chagall, 1912, Le Marchand de bestiaux (The Drover, The Cattle Dealer), oil on canvas, 97.1 x 202.5 cm, Kunstmuseum Basel
Marc Chagall, 1912, Still-life (Nature morte), oil on canvas, private collection
Marc Chagall, 1912, Calvary (Golgotha), oil on canvas, 174.6 x 192.4 cm, Museum of Modern Art, New York. Exhibited: Galerie Der Sturm (Herwarth Walden), Erster Deutscher Herbstsalon, Berlin, 1913
Marc Chagall, 1913, Paris par la fenêtre (Paris Through the Window), oil on canvas, 136 x 141.9 cm, Solomon R. Guggenheim Museum, New York
Marc Chagall, 1913, La femme enceinte (Maternité), oil on canvas, 193 x 116 cm, Stedelijk Museum, Amsterdam

Jacques Lipchitz edit

Jacques Lipchitz, 1914, Acrobat on Horseback (Acrobate à cheval)
Jacques Lipchitz, 1917, L'homme à la mandoline, 80 cm, possibly the version at Musée National d'Art Moderne, Centre Georges Pompidou
Jacques Lipchitz, 1918, Le Guitariste (The Guitar Player)
Jacques Lipchitz, 1918, Instruments de musique (Still Life), bas relief, stone
Jacques Lipchitz, 1919, Pierrot. Published in Action, Cahiers individualistes de philosophie et d’art, July 1920
Jacques Lipchitz, 1919-20, Harlequin with Clarinet
Jacques Lipchitz, 1920, Harlequin with Clarinet
Jacques Lipchitz, 1920, Man with Guitar
Jacques Lipchitz, 1920, Portrait of Jean Cocteau

Juan Gris edit

Juan Gris , 1907, El 1 de mayo en el Kursall. Illustration published in the magazine ¡Alegría!, Madrid 1907
Juan Gris, 1911, Maisons à Paris (Houses in Paris), 1911, oil on canvas, 52.4 x 34.2 cm, Solomon R. Guggenheim Museum, New York
Juan Gris, 1912, Portrait (Etude pour le Portrait de Germaine Raynal), pencil and charcoal on paper, 36 x 26.5 cm, private collection, reproduced in Les Peintres Cubistes, 1913
Juan Gris, 1912, Les Cigares (The Packet of Cigars), oil on canvas, 22 x 28 cm, private collection, reproduced in Les Peintres Cubistes, 1913
Juan Gris, 1912, La Guitare (Guitar and Glasses), oil on canvas, 30 x 58 cm, private collection, reproduced in Les Peintres Cubistes, 1913
Juan Gris, 1913, Guitar and Pipe, oil and charcoal on canvas, 64.77 × 50.17 cm, Dallas Museum of Art
Juan Gris, 1914, Glass of Beer and Playing Cards, oil on canvas, 54.9 x 37.8 cm (21 5/8 x 14 7/8 in.), Columbus Museum of Art
Juan Gris, 1914, Le Compotier (The Fruit Bowl), chalk and oil on canvas, 92 x 65 cm, Kröller-Müller Museum, Otterlo, Netherlands
Juan Gris, 1915, Still Life before an Open Window, Place Ravignan, Philadelphia Museum of Art
Juan Gris, 1915, Nature morte à la nappe à carreaux (Still Life with Checked Tablecloth), oil on canvas, 116.5 x 89.3 cm
Juan Gris, September 1915, Jeu d'échecs (The Checkerboard), oil on canvas, 92.1 x 73 cm, Art Institute of Chicago
Juan Gris, 1916, Woman with Mandolin, after Corot (La femme à la mandoline, d'après Corot), oil on canvas, 92 x 60 cm, Kunstmuseum Basel
Jean-Baptiste-Camille Corot, 1860–65, Girl with Mandolin, oil on canvas, 51.4 x 40.3 cm, Saint Louis Art Museum (cropped).jpg
Juan Gris, October 1916, Portrait of Josette, oil on canvas, 116 x 73 cm, Museo Nacional Centro de Arte Reina Sofía, Madrid
Juan Gris, 1917, Compotier et nappe à carreaux (Fruit Dish on a Checkered Tablecloth), oil on wood panel, 80.6 x 53.9 cm, Guggenheim Museum
Juan Gris, 1919, Arlequin à la guitare (Harlequin with Guitar), oil on canvas, 116 x 89 cm, Musée National d'Art Moderne, Paris

Marie Laurencin edit

Marie Laurencin, 1909, Réunion à la campagne (Apollinaire et ses amis), oil on canvas, 130 x 194 cm, Musée Picasso, Paris. Alternative titles: La Noble compagnie, Le Rendez-vous des amis: Gertrude Stein, Fernande Olivier, a muse, Guillaume Apollinaire, Fricka the dog, Pablo Picasso, Marguerite Gillot, Maurice Cremnitz and Marie Laurencin
Marie Laurencin, 1910-11, Les jeunes filles (Jeune Femmes, Young Girls), oil on canvas, 115 x 146 cm. Exhibited Salon des Indépendants, 1911, Moderna Museet, Stockholm
Marie Laurencin, Femme à l'éventail (Woman with a fan). Reproduced in Du "Cubisme", 1912
Marie Laurencin, 1911, Die Jungen Damen, Les jeunes femmes, The young women, Published in Küppers, Paul Erich, Der Kubismus; ein künstlerisches Formproblem unserer Zeit, 1920
Marie Laurencin, 1913, Le Bal élégant, La Danse à la campagne

André Derain edit

André Derain, 1908, photograph published in Gelett Burgess, The Wild Men of Paris, Architectural Record, May 1910. Sculpture: Nu debout (Standing Woman), 1907
André Derain, 1907 (Automne), Nu debout, limestone, 95 x 33 x 17 cm, Musée National d'Art Moderne
André Derain, 1905, Le séchage des voiles (The Drying Sails), oil on canvas, 82 x 101 cm, Pushkin Museum, Moscow. Exhibited at the 1905 Salon d'Automne
André Derain, 1906, La jetée à L'Estaque, oil on canvas, 38 x 46 cm
André Derain, 1907, Pinède à Cassis (Landscape), oil on canvas, 54 x 65 cm, Musée Cantini, Marseille
André Derain, 1907, Paysage à Cassis, oil on canvas, 54 x 64 cm, Musée d'art moderne de Troyes
André Derain, c.1908, Baigneuses (Esquisse), oil on canvas, 38 x 46 cm, Musée d'Art Moderne de la Ville de Paris
André Derain, 1910, View of Cagnes, oil on canvas, Museum Folkwang, Essen, Germany
André Derain, 1911, La Table (The Table), oil on canvas, 96.5 x 131.1 cm, Metropolitan Museum of Art
André Derain, 1911, The Last Supper, oil on canvas, 227.3 x 288.3 cm, Art Institute of Chicago
André Derain, 1912, Nature morte (Still Life), oil on canvas, 100.5 x 118 cm, The State Hermitage Museum, Saint Petersburg, Russia. Reproduced in Du "Cubisme", 1912
André Derain, 1912, Window on the Park (La Fênetre sur le parc), 130.8 x 89.5 cm (51.5 x 35.25 in), Museum of Modern Art, New York
André Derain, 1913-14, Le Samedi, oil on canvas, 181 x 228 cm, Pushkin Museum, Moscow

Kees van Dongen edit

Kees van Dongen in his studio circa 1910
Kees van Dongen, c.1907-08, Portrait of Daniel-Henry Kahnweiler (Portrait de Kahnweiler), oil on canvas, 65 x 54 cm, Musée du Petit Palais, Geneva
Kees van Dongen, c.1907, Femme aux bas noirs (Woman with Black Stockings), oil on canvas, 129.5 x 195.5 cm
Kees van Dongen, 1907-08, Les lutteuses (Lutteuses du Tabarin), oil on canvas, 105.5 x 164 cm, Nouveau Musée National de Monaco
Kees van Dongen, c.1907-08, The Dancer Anita, oil on canvas, 130.5 x 97 cm, National Gallery of Denmark
Kees van Dongen, 1911, La Femme au Jabot (Woman with Frill), oil on canvas, 98 cm x 79 cm
Kees van Dongen, 1911, En la plaza (Femme a la balustrade, Woman on the balustrade), oil on canvas, 81.3 x 99.1 cm, Annonciade Museum, Saint Tropez. Galeries Dalmau, 1920
Kees van Dongen, c.1919, La robe rose (Ève Francis), oil on canvas, 146.5 x 114.3 cm
Kees van Dongen, 1919, Le lévrier bleu (Le chien bleu, Portrait de Mlle Dumarest), oil on canvas, 195 x 97 cm
Kees van Dongen, before 1920, La femme au foulard, oil on canvas, 92.5 x 73.5 cm
Kees van Dongen, before 1920, Mme Jasmy Alvin, oil on canvas, 195 x 131.5 cm, Musée national d'art moderne
Kees van Dongen, 1920, Le sphinx, oil on canvas, 146 x 113 cm, Musée d'Art Moderne de la Ville de Paris. Alternative titles: La Maharanee, Mlle R. M… (Portrait de Renée Maha)
Kees van Dongen, 1920, La Baigneuse, Deauville, oil on canvas, 195 x 129 cm

Diego Rivera edit

Diego Rivera, 1912-13, Adoration of the Virgin and Child, oil and encaustic on canvas, 150 x 120 cm, private collection
Diego Rivera, 1914, Two Women (Dos Mujeres, portrait of Angelina Beloff and Maria Dolores Bastian), oil on canvas, 197.5 x 161.3 cm, The Arkansas Arts Center, Little Rock, Arkansas
Diego Rivera, 1914, Portrait de Messieurs Kawashima et Foujita, oil and collage on canvas, 78.5 x 74 cm, private collection
Diego Rivera, c.1915, Portrait of Marevna, oil on canvas, 145.7 x 112.7 cm, Art Institute of Chicago
Diego Rivera, after August 1916, Maternidad, Angelina y et niño Diego (Motherhood, Angelina and the Child Diego), oil on canvas, 134.5 x 88.5 cm, Museo de Arte Carrillo Gil, Mexico City
Diego Rivera, 1916, Still Life with Tulips (Naturaleza Muerta con Tulipanes), oil on canvas, 67.8 x 53.7 cm

Cubism, Futurism, press articles and reviews edit

Umberto Boccioni, 1911, La rue entre dans la maison; Luigi Russolo, 1911, Souvenir d’une nuit. (Page 2) Jean Metzinger, 1910–11, Paysage (whereabouts unknown); Gino Severini, 1911, La danseuse obsedante; Albert Gleizes, 1912, l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud). Les Annales politiques et littéraires, Le Cubisme devant les Artistes, 1 December 1912. This is a three page article in which various critics express their often severe opinions on Cubism, Futurism and the underlying theory presented in Du "Cubisme". On the third page Albert Gleizes responds in defense of the new art. (In French)

Albert Gleizes, Broadway (1915), Gleizes in his New York studio with Jazz (1915); Marcel Duchamp's Nude Descending a Staircase, No. 2; Jean Crotti in his studio. The European Art-Invasion, The Mob as Art Critic, The Literary Digest, Letters and Art, 27 November 1915. pp. 1224-1227

Jean Metzinger, April 1916, Femme au miroir (Femme à sa toilette, Lady at her Dressing Table), The Sun, New York, Sunday 28 April 1918
Paintings by Albert Gleizes, 1910-11, Paysage, Landscape; Juan Gris (drawing); Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs. Published on the front page of El Correo Catalán, 25 April 1912
(center) Jean Metzinger, c.1913, Le Fumeur (Man with Pipe), Carnegie Museum of Art, Pittsburgh; (left) Alexander Archipenko, 1914, Danseuse du Médrano (Médrano II), (right) Archipenko, 1913, Pierrot-carrousel, Solomon R. Guggenheim Museum, New York. Published in Le Petit Comtois, 13 March 1914
Paintings by Fernand Léger, 1912, La Femme en Bleu, Woman in Blue, Kunstmuseum Basel; Jean Metzinger, 1912, Dancer in a café, Albright-Knox Art Gallery; and sculpture by Alexander Archipenko, 1912, La Vie Familiale, Family Life (destroyed). Published in Les Annales politiques et littéraires, n. 1529, 13 October 1912
Paintings by Gino Severini, 1911, La Danse du Pan-Pan, and Severini, 1913, L’autobus. Published in Les Annales politiques et littéraires, Le Paradoxe Cubiste, 14 March 1920
Paintings by Gino Severini, 1911, Souvenirs de Voyage; Albert Gleizes, 1912, Man on a Balcony, L’Homme au balcon; Severini, 1912-13, Portrait de Mlle Jeanne Paul-Fort; Luigi Russolo, 1911-12, La Révolte. Published in Les Annales politiques et littéraires, Le Paradoxe Cubiste, n. 1916, 14 March 1920
Paintings by Henri Le Fauconnier, 1910-11, L'Abondance, Haags Gemeentemuseum; Jean Metzinger, 1911, Le goûter (Tea Time), Philadelphia Museum of Art; Robert Delaunay, 1910-11, La Tour Eiffel. Published in La Veu de Catalunya, 1 February 1912
Jean Metzinger, 1910-11, Paysage (whereabouts unknown); Gino Severini, 1911, La danseuse obsedante; Albert Gleizes, 1912, l'Homme au Balcon, Man on a Balcony (Portrait of Dr. Théo Morinaud). Published in Les Annales politiques et littéraires, Sommaire du n. 1536, décembre 1912
Jean Metzinger, c.1911, Nature morte, Compotier et cruche décorée de cerfs; Juan Gris, 1911, Study for Man in a Café; Marie Laurencin, c.1911, Testa ab plechs; August Agero, sculpture, Bust; Juan Gris, 1912, Guitar and Glasses, or Banjo and Glasses. Published in Veu de Catalunya, 25 April 1912
Jean Metzinger, 1911, Le goûter (Tea Time), Philadelphia Museum of Art. Published in Le Journal, 30 September 1911
Paintings by Juan Gris, Bodegón; August Agero (sculpture); Jean Metzinger, 1910-11, Deux Nus, Two Nudes, Gothenburg Museum of Art; Marie Laurencin (acrylic); Albert Gleizes, 1911, Paysage, Landscape. Published in La Publicidad, 26 April 1912
Umberto Boccioni, 1911, La rue entre dans la maison; Luigi Russolo, 1911, Souvenir d’une nuit. Published in Les Annales politiques et littéraires, 1 December 1912
The "Cubists" Dominate Paris' Fall Salon, The New York Times, October 8, 1911. Reproduced are Picasso's 1908 Seated Woman (Meditation); Picasso in his studio; Metzinger's Baigneuses (1908-09); works by Derain, Matisse, Friesz, Herbin, and a photo of Braque
Francis Picabia, paintings published in the New York Tribune, 9 March 1913. Picabia held his first one-man show in New York, Exhibition of New York studies by Francis Picabia, at 291 art gallery (formerly Little Galleries of the Photo-Secession), March 17 - April 5, 1913
Joseph Csaky, Head, 1913, plaster lost; Robert Delaunay, Hommage à Blériot, 1914 (Kunstmuseum Basel); Henri Ottmann, The Hat Seller, published in The Sun (New York), 15 March 1914
Luigi Russolo, Carlo Carrà, Filippo Tommaso Marinetti, Umberto Boccioni, Gino Severini, The Sun, 25 February 1912
Marcel Duchamp, Nude Descending a Staircase, No. 2; Tobeen, Pelotaris; Pierre Dumont, Cathédrale de Rouen; Francis Picabia, Musique en procession, Henry Valensi [fr], Moscou la sainte; Juan Gris, Man in a Café. Le Cubisme à l'Exposition de la Section d'Or, Excelsior, 18 October 1912
Albert Gleizes and his wife Juliette Roche-Gleizes, published in the New York Tribune, New York, 9 October 1915
Albert Gleizes, (left) in front of his painting Jazz; Jean Crotti (center) studying his Femme à la toque rouge; Marcel Duchamp (right) at his drawing board, in front of Jacques Villon's Portrait de M. J. B. peintre, The Sun, New York, 2 January 1916
Albert Gleizes (with Chal Post, 1915); Marcel Duchamp (with his brother Jacques Villon's Portrait de M. J. B. peintre (Jacques Bon) 1914); Jean Crotti; Hugo Robus; Stanton MacDonald-Wright; and Frances Simpson Stevens (center), Sometimes we dread the future, Every Week, Vol. 4, No. 14, April 2, 1917, p. 14
Tobeen, Pelotaris (1912), Constantin Brâncuși, Portrait of Mademoiselle Pogany (1912), Jean Metzinger, La Femme à l'Éventail (Woman with a Fan) and En Canot (Im Boot), both of 1913. Zlatá Praha, 13 March 1914, for the occasion of the Mánes Pavilion in Prague
Page of the newspaper Excelsior, article title Au Salon d'Automne, Les Indépendants, printed October 1912. Works by Jean Metzinger, Albert Gleizes, František Kupka, Roger de La Fresnaye and others are reproduced
La Section d'Or, numero special, 9 Octobre 1912
Frederick William MacMonnies, Albert Gleizes, Jean Crotti, Yvonne Chastel Crotti, Francis Picabia, Juliette Roche-Gleizes, Marcel Duchamp, New York Tribune, 24 October 1915

Wassily Kandinsky edit

Wassily Kandinsky, Improvisation 27 (Garden of Love II), 1912, oil on canvas, 47 3/8 x 55 1/4 in. (120.3 x 140.3 cm), The Metropolitan Museum of Art, New York. Exhibited at the 1913 Armory Show
Wassily Kandinsky, 1908, Murnau, Dorfstrasse (A Village Street), oil on cardboard, later mounted on wood panel, 48 x 69.5 cm, The Merzbacher collection, Switzerland
Wassily Kandinsky, 1911, Reiter (Lyrishes), oil on canvas, 94 x 130 cm, Museum Boijmans Van Beuningen, Rotterdam, Netherlands
Wassily Kandinsky, 1912, Landscape With Two Poplars, 78.8 x 100.4 cm, The Art Institute of Chicago
Wassily Kandinsky, Aquarell 6, Kunstdrucke auf japanpapier

Roger de La Fresnaye edit

Roger de La Fresnaye, 1910, Deux nus dans un paysage, oil on canvas, 59 x 74 cm, MNAM, Centre Georges-Pompidou, Paris
Roger de La Fresnaye, 1911, Cuirassier, oil on canvas, 175.9 x 179 cm, Musée des Beaux-Arts, Lyon
Roger de La Fresnaye, 1912, Les Baigneuses (The Bathers), oil on canvas, 162 x 130 cm (63 3/4 x 51 3/16 in.), National Gallery of Art, Washington DC.
Roger de La Fresnaye, 1912, Jeanne d'Arc, oil on canvas, 200 x 100 cm, Musée d'art moderne de Troyes
Roger de La Fresnaye, 1913, The Conquest of the Air, oil on canvas, 235.9 x 195.6 cm (7' 8 7/8" x 6' 5"), Museum of Modern Art, New York

Umberto Boccioni edit

Umberto Boccioni, 1909-10, Three Women (Tre donne), oil on canvas, 180 × 132 cm , Banca Commerciale Italiana
Umberto Boccioni, 1910, The City Rises, oil on canvas, 199.3 x 301 cm, Museum of Modern Art, New York
Umberto Boccioni, 1911, The Street Enters the House, oil on canvas, 100 x 100.6 cm, Sprengel Museum
Umberto Boccioni, c. 1911-12, Visioni simultanee (Simultanvisionen), oil on canvas, 60.5 × 60.5 cm, Von der Heydt Museum
Umberto Boccioni, Head + House + Light, 1912, sculpture destroyed. Published in 1914 and 1919, in Cubists and Post-Impressionism, by Arthur Jerome Eddy
Umberto Boccioni, 1912, Elasticity (Elasticità), oil on canvas, 100 x 100 cm, Museo del Novecento
Umberto Boccioni, Spiralförmige ausdehnung von muskeln in bewegung, plaster. Exhibited at Erster deutscher Herbstsalon, Berlin 1913. Leitung: Herwarth Walden. Published 1913 catalogue by Der Sturm in Berlin
Umberto Boccioni, Spiral Expansion of Muscles in Action, plaster, photograph published in 1914 and 1919, in Cubists and Post-Impressionism, by Arthur Jerome Eddy
Umberto Boccioni, 1913, Synthèse du dynamisme humain (Synthesis of Human Dynamism), sculpture destroyed
Umberto Boccioni, 1913, Dynamism of a Cyclist (Dinamismo di un ciclista), oil on canvas, 70 x 95 cm, Gianni Mattioli Collection, on long-term loan to the Peggy Guggenheim Collection, Venice
Umberto Boccioni, 1913, Dynamism of a Soccer Player, oil on canvas, 193.2 x 201 cm, The Sidney and Harriet Janis Collection, Museum of Modern Art, New York
Umberto Boccioni, portrait photograph

Carlo Carrà edit

Carlo Carrà, 1911, Funeral of the Anarchist Galli, oil on canvas, 198.7 x 259.1 cm, Museum of Modern Art, New York
Carlo Carrà, 1911, Rhythms of Objects (Ritmi d'oggetti), oil on canvas, 53 x 67 cm, Pinacoteca di Brera
Carlo Carra, 1912, Woman on the Balcony, (Simultaneità, La donna al balcone), Collezione R. Jucker, Milan, Italy
Carlo Carrà, 1918, L'Ovale delle Apparizioni (The Oval of Apparition), oil on canvas, 92 x 60 cm, Galleria Nazionale d’Arte Moderna, Rome, or Collezioni R. Jucker, Milan
Carlo Carrà, 1919, Le figlie di Loth, oil on canvas, 111 x 80 cm, Museum of Modern and Contemporary Art of Trento and Rovereto

Giorgio de Chirico edit

Giorgio de Chirico, 1914, The Song of Love, oil on canvas, 73 × 59.1 cm, Museum of Modern Art, New York
Giorgio de Chirico, 1914-15, Le mauvais génie d’un roi (The Evil Genius of a King), oil on canvas, 61 × 50.2 cm (24 x 19 3/4 in.), Museum of Modern Art, New York
Giorgio de Chirico, 1914-15, The Seer, oil on canvas, 89.6 x 70.1 cm, Museum of Modern Art
Giorgio de Chirico, 1917, Il grande metafisico (The Grand Metaphysician), oil on canvas, 104.8 x 69.5 cm
Giorgio de Chirico, 1917, Great Metaphysical Interior, oil on canvas, 95.9 x 70.5 cm, Museum of Modern Art, New York
Giorgio de Chirico, 1920, Self-portrait (Autoritratto), oil on wood, 50.2 x 39.5 cm, Pinakothek der Moderne

Moïse Kisling edit

Moïse Kisling, 1913, Nu sur un divan noir, oil on canvas, 97 x 130 cm, published in Montjoie!, 1914
Moïse Kisling, 1916, La Sieste à Saint-Tropez, Kisling avec Renée
Moïse Kisling, Portrait du peintre (Autoportrait), oil on canvas, 81.3 x 60.3 cm, private collection
Moïse Kisling, 1921, Nu assis, oil on canvas, private collection
Moïse Kisling, c.1920, Le pêcheur (The Fisherman), oil on canvas, 82 x 61.7 cm, private collection
Moïse Kisling, Nature morte (Still Life), Action, Cahiers Individualistes De Philosophie Et D’art, August 1921

André Lhote edit

André Lhote, 1912, Paysage français (French Landscape), oil on canvas, 89 x 116 cm, Musée des Beaux-Arts de Bordeaux
André Lhote, 1913, L'Escale, oil on canvas, 210 x 185 cm, Musée d'Art Moderne de la Ville de Paris
André Lhote, 1913, Dessin pour L'escale, published in Montjoie, n.5, 14 April 1913
André Lhote, 1913-14, 14 juillet, Port de Bordeaux-Poincaré, oil on canvas, 65 x 81.5 cm, private collection

Man Ray edit

Man Ray, 1919, Seguidilla, airbrushed gouache, pen & ink, pencil, and colored pencil on paperboard, 55.8 x 70.6 cm, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
Man Ray, 1920, The Coat-Stand (Porte manteau), reproduced in New York dada (magazine), Marcel Duchamp and Man Ray, April, 1921
Man Ray, Lampshade, reproduced in 391, n. 13, July 1920
Man Ray, c. 1921-22, Rencontre dans la porte tournante, published on the cover of Der Sturm, Volume 13, Number 3, 5 March 1922
Man Ray, c. 1921-22, Dessin (Drawing), published on page 43 of Der Sturm, Volume 13, Number 3, 5 March 1922
Man Ray, 1922, Untitled Rayograph, gelatin silver photogram, image/sheet: 23.5 x 17.8 cm (9¼ x 7in.)

Le Corbusier, Amédée Ozenfant edit

Le Corbusier (Charles-Édouard Jeanneret), 1920, Still Life, oil on canvas, 80.9 x 99.7 cm, Museum of Modern Art
Le Corbusier (Charles-Édouard Jeanneret), 1920, Guitare verticale (2ème version), oil on canvas, 100 x 81 cm, Fondation Le Corbusier, Paris
Le Corbusier, 1921, Nature morte (Still Life), oil on canvas, 54 x 81 cm, Musée National d'Art Moderne
Le Corbusier (Charles Edouard Jeanneret), 1922, Nature morte verticale (Vertical Still Life), oil on canvas, 146.3 x 89.3 cm, Kunstmuseum Basel
Amédée Ozenfant, 1920, Still Life, Dishes, oil on canvas, 72 x 59.5 cm, Hermitage Museum
Amédée Ozenfant, 1920-21, Nature morte (Still Life), oil on canvas, 81.28 cm x 100.65 cm, SFMOMA
Amédée Ozenfant, 1921, Nature morte au verre de vin rouge (Still Life with Glass of Red Wine), oil on canvas, 50.6 x 61.2 cm, Kunstmuseum Basel

Other works edit

Edwin Scharff, before 1920, Großer Schreitender Mann (Man of the border), sculpture
Andrew Dasburg, ca. 1912, Lucifer, plaster of Paris, exhibited at the 1913 Armory show, no. 647 of the catalogue. Dasburg extensively reworked by carving directly into a sculpture of a life-size plaster head by Arthur Lee.(American Studies at the University of Virginia)
Pierre Dumont, c.1912, Cathédrale de Rouen (Rouen Cathedral), oil on canvas, 192.4 x 138.7 cm, Milwaukee Art Museum
Jean Lambert-Rucki, 1919, La Visite, 65 x 92 cm, Musée des Années 30, Boulogne-Billancourt, Dépôt du Centre Georges Pompidou, MNAM, Paris
Morgan Russell, 1913-14, Synchromy in Orange, To Form, oil on canvas
Amedeo Modigliani, 1919, La Femme à l'éventail (Woman with a Fan), oil on canvas, 100 x 65 cm, stolen from Musée d'Art Moderne de la Ville de Paris
Emil Nolde, 1915, The Burial (Die Grablegung, Begravelsen), oil on canvas, 87 x 117 cm, Stiftung Nolde, Seebüll, Nasjonalmuseet, National Museum of Art, Architecture and Design, Norway
Max Pechstein, 1911, Under the Trees (Akte im Freien), oil on canvas, 73.6 x 99 cm (29 x 39 in), Detroit Institute of Arts
August Macke, 1912, Rokoko, oil on canvas, 89 x 89 cm, National Museum of Art, Architecture and Design, Norway
Lyonel Feininger, 1914, Benz VI, oil on canvas, 100 x 125 cm (39.3 x 49.2 in)
František Kupka, Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912, oil on canvas, 210 x 200 cm, Narodni Galerie, Prague. Published in Au Salon d'Automne "Les Indépendants" 1912, Exhibited at the 1912 Salon d'Automne, Paris
Jean Crotti, 1915, Portrait of Marcel Duchamp (Sculpture made to measure), mixed media. Exhibited Montross Gallery 4-22 April 1916, New York City. Sculpture lost or destroyed. Photo: MoMA
Jean Crotti, 1915, Portrait of Marcel Duchamp (Sculpture made to measure), mixed media. Exhibited Montross Gallery 4–22 April 1916, New York City. Sculpture lost or destroyed
Ossip Zadkine, 1913, Maternité, painted elmwood, 81 cm, exhibited Salon des Indépendants, 1914, Paris. Published in Montjoie!, 1914
Ossip Zadkine, 1918, Femme au violon (Woman with a Violin). Published in Action: Cahiers Individualistes De Philosophie Et D’art, October 1920
Ossip Zadkine, 1920, Venus, published in Action: Cahiers individualistes de philosophie et d’art, Volume 1, Number 4, July 1920
Albert Lebourg, Bords de Seine à Chatou, oil on canvas, 46.4 by 65.1 cm (18.25 by 25.6 in)
Albert Lebourg, before 1918, Paris, l'écluse de la Monnaie. Soleil d'hiver, oil on canvas, 81.5 x 115.5 cm, Musée d'Orsay, Paris
William Didier-Pouget, 1906 engraving
William Didier-Pouget circa 1907 in his studio, 12 Boulevard de Clichy, Paris (Postcard)
William Didier-Pouget, ca.1909, Matinée dans le Limousin, Bruyères en fleurs, oil on canvas, 240 x 170 cm. Sale, Tajan Paris, Monday 18 November 2002, Lot 205 (entitled Bergère).
William Didier-Pouget, Ajoncs et Bruyères, Salon 1912, postcard
William Didier-Pouget, ca.1902-1903, Hauts Plateaux de la Corrèze, oil on canvas, 47.5 x 83.5 cm. (18 3/4 x 32 3/4 in.). Sale, Bonhams London, Tuesday, March 27, 2007, Lot 76 (entitled Bruyères en fleurs).
William Didier-Pouget, ca.1907-1908, Bruyères en Fleurs, Le Matin, oil on canvas, 129.5 x 209.6 cm (51 x 82.5 inches). Sale, Sotheby's New York: Thursday, October 24, 1996, Lot 302 (entitled Bruyeres en fleurs: Le matin).
William Didier-Pouget, ca.1907-1908, Le Matin, Bruyères en Fleurs (Auvergne), oil on canvas, 182.9 x 251.8 cm (detail). Sale: Sotheby's New York, Wednesday, October 13, 1993, Lot 16 (entitled Ruins of Crozant (Creuze)).
William Didier-Pouget, Lande aux Bruyères, Plateau de Ger (Hautes-Pyrénées), oil on canvas, 55 x 85 cm, Collection d'Art de la Ville de Paris, Palais des Beaux-Arts, Paris.
William Didier-Pouget in his studio, 12 Boulevard de Clichy, Paris, circa 1907, Postcard (detail). This postcard was postmarked and mailed in 1907
William Didier-Pouget, Le soir dans les Hautes Pyrénées, Salon 1904, postcard
William Didier-Pouget Matinée dans le Limousin, Bruyères en fleurs, postcard, Salon 1910
Henri Biva, 1903, The Artist at Villeneuve l'Etang (detail)
Henri Biva, ca 1905-06, Matin à Villeneuve (From Waters Edge), oil on canvas, 60 1/2 x 50 inches (153.7 x 127 cm), painted at Villeneuve l'Etang, Marnes-la-Coquette (Seine-et-Oise), France, private collection
Henri Biva, By the river, signed Henri Biva (lower left) oil on canvas, 122 by 162 cm.
Henri Biva, Bord de rivière ensoleillé, signed Henri Biva (lower left), oil on canvas, 53.3 by 59.7 cm.
Henri Biva, A quiet stretch of the river, signed Henri Biva (lower right), oil on canvas, 50 by 61 cm.
Henri Biva, Sur le Pont de Villeneuve, Temps couvert before 1914. Postcard for the Salon the Paris, 1914. Location, Marnes-la-Coquette (Seine-et-Oise), France
Henri Biva, Le Matin embrumé à Villeneuve-l'Etang, Postcard for the Salon de Paris, 1910
Henri Biva, ca. 1909, The artist painting at Villeneuve-l'Etang, Marnes-la-Coquette (Seine-et-Oise), France
Camille Bouvagne, Le Bistrot, oil on canvas, 40 x 55 cm
Gustave Caillebotte, c.1880, L'homme au balcon, Man on a Balcony, oil on canvas, 116 x 97 cm, private collection
Louis Tocqué, c.1758, Portrait of Anna Stroganova (1743-1769), oil on canvas
Jean Carolus, L'atelier du peintre, oil on panel, 47 x 24.4 cm
Joachim Patinir, St Christopher Bearing the Christ Child, oil on panel, 48 x 59.5 cm (18.9 x 23.4 in), Rockoxhuis, Antwerp, Belgium
Master of Frankfurt, Saint Odile and Saint Cecilia, ca. 1503–1506, oil on panel, 113 x 67.9 cm (44 1/2 x 26 3/4 in.), Historical Museum, Frankfurt. This painting, rendered in grisaille, forms part of the outer wings of the Altarpiece of St. Anne commissioned for the Dominican Church of Frankfurt circa 1504.
Lambda-CDM model, Accelerated Expansion of the Universe. The time-line in this schematic diagram extends from the big bang/inflation era 13.7 Gyr ago to the present cosmological time. (Personal work)
Georges Seurat, 1889-90, Le Chahut, Kröller-Müller Museum, Otterlo, Netherlands
Georges Seurat, 1891, Le Cirque (The Circus), oil on canvas, 185 x 152 cm, Musée d'Orsay, Paris (includes frame painted by Seurat)
Georges Seurat, 1891, Le Cirque (The Circus), oil on canvas, 186 x 152 cm, Musée d'Orsay, Paris
Henri-Edmond Cross, 1907-08, La Pleine de Bormes, oil on canvas, 73.1 x 91.8 cm. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
Paul Signac, 1890, Portrait of Félix Fénéon, Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, oil on canvas, 73.5 x 92.5 cm, Museum of Modern Art, New York
Bohumil Kubišta, 1908, Self portrait (Autoportrét, Vlastní podobizna v haveloku), oil on canvas, 91 x 65 cm, Galerie regionale des arts plastiques (Krajská galerie výtvarného umění ve Zlíně), Zlin, Czech Republic
Page of the newspaper Excelsior, article title Au Salon d'Automne, Les Indépendants, printed October 1912. Works by Jean Metzinger, Albert Gleizes, František Kupka, Roger de La Fresnaye and others are reproduced
The Salon d'Automne of 1912, held in Paris at the Grand Palais from 1 October to 8 November. Metzinger's Danseuse is exhibited second to the right. Other works are shown by Joseph Csaky, František Kupka, Francis Picabia, Amedeo Modigliani and Henri Le Fauconnier
Étienne-Jules Marey, Cheval blanc monté, 1886, locomotion du cheval, expérience 4, Chronophotography sur plaque fixe, négatif
Eadweard Muybridge, 1887, Animal Locomotion, Plate 187, Dancing, fancy, no. 12, Miss Larrigan
Eadweard Muybridge, 1887, Animal Locomotion, Woman Dancing (fancy), plate 187, animated using still photographs: one of the production experiments that led to the development of motion pictures
L'Oiseau Bleu, The Blue Bird (play) by Maurice Maeterlinck, Moscow Art Theatre MKhT, Photographer Fischer, 1908
Eadweard Muybridge, Cockatoo flying, 1887, Collotype process, Animal Locomotion collection, plate 758. Animated using still photographs: one of the production experiments that led to the development of motion pictures.
Jacques Villon, 1912, Girl at the Piano (Fillette au piano), oil on canvas, 129.2 x 96.4 cm (51 x 37.8 in), oval, Museum of Modern Art, New York. Exhibited at the 1913 Armory Show, New York, Chicago and Boston. Purchased from the Armory Show by John Quinn
Jacques Villon, 1913, Portrait of Marcel Duchamp, oil on canvas, 60 x 48.5 cm
Jacques Villon, 1914, Portrait de M. J. B. peintre (Jacques Bon), oil on canvas, 121.92 x 81.28 cm, Columbus Museum of Art
Armory Show, 1913, New York Tribune, February 17, 1913 (p. 7). Left to right: Raymond Duchamp-Villon, La Maison Cubiste; Marcel Duchamp Nude (Study); Albert Gleizes, l'Homme au Balcon; Marcel Duchamp, Nude Descending a Staircase, No. 2; Alexander Archipenko, La Vie Familiale
Armory Show, International Exhibition of Modern Art, Chicago, 1913. The Cubist room, Gallery 53 (northeast view), Art Institute of Chicago, March 24–April 16, 1913
Installation shot of the Matisse room, 1913 Armory Show, published in the New York Tribune (p. 7), February 17, 1913
Armory Show artists and members of the press at the beefsteak dinner given by the Association of American Painters and Sculptors, 8 March 1913
Othon Friesz, 1907, Paysage à La Ciotat, oil on canvas, 59.9 x 72.9 cm
Othon Friesz, 1907-1908, Le Travail à l'Automne, oil on canvas, 200.5 x 250 cm, National Museum of Art, Architecture and Design, Oslo
Othon Friesz, 1908, Les Baigneuses des Andelys (The Bathers of Andelys), oil on canvas, 97 x 162 cm, Musée du Petit Palais, Geneva
Robert Winthrop Chanler (American, 1872–1930), 1912, Leopard and Deer, Gouache or tempera on canvas, mounted on wood, 194.3 × 133.4 cm (76.5 × 52.5 in), Rokeby Collection. Exhibited at the Armory Show, New York, 1913
Robert Winthrop Chanler, 1905, Giraffes, portion of a screen. Print, published 1922
Robert Winthrop Chanler, Stained Glass windows (one of seven, and a study drawing) in the Whitney Studio, New York City, 1918-1923. Private Collection
Otto Gutfreund, Violoncelliste (Cellist), 1912–13
Henri Gaudier-Brzeska, 1914, Boy with a Coney (Boy with a rabbit), marble
Léopold Survage, 1920, La Ville (The Town), oil on canvas, 254 x 152 cm (black and white photographic reproduction)
Léopold Survage, La Ville (Stadt)
Pablo Gargallo, 1913, Masque de Picasso (Portrait of Picasso), sculpture, from Maurice Raynal, 1921
Arthur Dove, 1911-12, Based on Leaf Forms and Spaces, pastel on unidentified support. Now lost
Arthur Dove, Cow, 1914, pastel on canvas, 45.1 x 54.6 cm, Metropolitan Museum of Art, New York
Arthur Dove, 1930, Clouds and Water, oil on canvas, 75.2 x 100.6 cm, Metropolitan Museum of Art
Arthur Dove, 1935, Moon, oil on canvas, 88.9 x 63.5 cm, National Gallery of Art, Washington DC
Albert Bloch, 1916, Summer Night, oil on canvas, 119 x 114 cm, private collection
Paul Gauguin, 1889, Soyez amoureuses vous serez heureuses, relief, Museum of Fine Arts, Boston
Paul Gauguin, 1889, Pot Anthropomorphe, partially glazed stoneware, 28.4 cm, Musée d'Orsay, Paris
Paul Gauguin, 1894, Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm, Musée d'Orsay, Paris. Photo: Coldcreation
Paul Gauguin, 1894, Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm, Musée d'Orsay, Paris. Photo: Coldcreation
Paul Gauguin, 1894, Oviri (Sauvage), partially glazed stoneware, 75 x 19 x 27 cm, Musée d'Orsay, Paris
Paul Gauguin, ca.1891-1893, Tehura (Teha'amana), polychromed pua wood (Perfume Flower Tree), H. 22.2 cm. Realized during Gauguin's first voyage to Tahiti. Musée d'Orsay, Paris. Photo: Coldcreation
After Paul Gauguin, Oviri, carved wood, Paul Gauguin Cultural Center, Atuona, on Hiva ‘Oa, in the Marquesas Islands, French Polynesia
Raoul Dufy, 1914, Le Cavalier arabe (Le Cavalier blanc), oil on canvas, 66 x 81 cm, Musée d'Art Moderne de la Ville de Paris. At the outbreak of World War I this painting was confiscated from the collection of Wilhelm Uhde by the French state and sold at Hôtel Drouot in 1921
Auguste Herbin, 1911, Le pont de fer (Iron Bridge), oil on canvas, 63.5 x 80 cm. At the outbreak of World War I this painting was confiscated from the collection of Wilhelm Uhde by the French state and sold at Hôtel Drouot in 1921
Auguste Herbin, 1912, Les roses, oil on canvas, 92.1 x 60.3 cm. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (page from the catalogue)
Aristide Maillol, Bas Relief, terracota, Armory Show catalogue image (no. 110 of the catalogue)
Auguste Rodin, before 1886, The three shades, plaster, 97 x 91.3 x 54.3 cm. In Dante’s Divine Comedy, the shades, i.e. the souls of the damned, stand at the entrance to Hell, pointing to an unequivocal inscription, “Abandon hope, all ye who enter here”. Rodin assembled three identical figures that seem to be turning around the same point.
Auguste Rodin, The three shades (Les Trois Ombres), for the top of The Gates of Hell, before 1886, plaster.
Auguste Rodin, 1881-1904, L'Ombre (The Shade), bronze, Jardin des Tuileries, Paris. Photo: Coldcreation
Auguste Rodin, 1881-ca.1899, Éve, bronze, Jardin des Tuilleries, Paris. Photo by Coldcreation
Auguste Rodin, 1881-ca.1905, Méditation avec bras, bronze, Jardin des Tuilleries, Paris. Photo by Coldcreation
Wilhelm Lehmbruck, 1911, Femme á genoux (The Kneeling One), cast stone, 176 x 138 x 70 cm (69.2 x 54.5 x 27.5 in), Armory Show postcard
Abastenia St. Leger Eberle, 1912-13, The White Slave. Photograph: The Survey, Journal Publication, Ohio, 3 May, 1913, Exhibited at the Armory Show
George Grey Barnard, The Birth, marble, exhibited at the Armory Show, 1913
Vincent van Gogh, c. 1887, Self-Portrait, oil on canvas, 40 x 34 cm (15 ¾ by 13 ⅜ in), Wadsworth Athenaeum Museum of Art, Hartford, CT
Georges Lacombe, 1894, 1896, L'Existence, carved wood (Bas-relief en bois de noyer), 68.5 x 141.5 x 6 cm, Musée d'Orsay, Paris. Photo: Coldcreation
Georges Lacombe, Femmes Damnées, bas-relief. Published in Gustave Coquiot, Cubistes, futuristes, passéistes, Essai sur la jeune peinture et la jeune sculpture, 1914. Photo: Coldcreation
Antoine Bourdelle, 1907, Bacchante aux raisins, plaster, 82 x 53 x 20 cm, Musée Ingres, Montauban, France
Ernesto De Fiori, Nu, sculpture. Image published in 1914, Gustave Coquiot, Cubistes, futuristes, passéistes, Essai sur la jeune peinture et la jeune sculpture
Francisco Durrio de Madrón, Fragment du Monument Arriaga, pour la Ville de Bilbao, sculpture. Image published in Cubistes, futuristes, passéistes, 1914
Henri Rousseau, ca.1905-07, Eve and the Serpent, oil on canvas, 61 x 46 cm, Kunsthalle Hamburg, Germany
Andries Cornelius Lens, Dance of the Maenad (The transformation of an Apulian man into an olive tree), c.1765, oil on canvas, 100 x 118 cm, Kunsthistorisches Museum, Vienna, Austria
Georges Rouault, 1905, Jeu de massacre (Slaughter), (Forains, Cabotins, Pitres), (La noce à Nini patte en l'air), watercolor, gouache, India ink and pastel on paper, 53 x 67 cm, Centre Georges Pompidou, Paris
Cover of the Catalogue for the 1911 Salon d'Automne, Paris
Eugène Carrière, 1899, Le Réveil, Le Baiser à la mère (Her Mother's Kiss), oil on canvas, 94 x 120 cm, Pushkin Museum, Moscow
Paul Cézanne, 1888-90, Madame Cézanne (Hortense Fiquet, 1850–1922) in a Red Dress, oil on canvas, 116.5 x 89.5 cm, The Metropolitan Museum of Art, New York
Paul Cézanne, 1890-94, Madame Cézanne in a Red Dress, oil on canvas, 93.3 × 74 cm (36.7 × 29.1 in), Vermelho, São Paulo Museum of Art. (Black and white). Reproduced in Du "Cubisme"
Tobeen, 1912, Pelotaris, oil on canvas, 147.5 x 115.5 cm, shown at Salon des Indépendants 1912, and Moderni Umeni, SVU Mánes, Prague, 1914
Marcel Duchamp, Jacques Villon, Raymond Duchamp-Villon in the garden of Villon's studio, Puteaux, France, c.1913
Cycles J.B. Louvet, Poster Tour de France 1912, Collection Ivan Bonduelle
Deer hunting scene. Miniature from the Le Livre de chasse de Gaston Phébus (original work written in 1387-89), 1405-1410, Musée national du Moyen Âge, Musée de Cluny, Paris
Gustave Courbet, 1856, The Quarry (La Curée), oil on canvas, 210.2 x 183.5 cm, Museum of Fine Arts, Boston
Georges Valmier, 1928, Les Tulipes (The Tulips), oil on canvas, 92 x 65 cm, private collection
Joseph Delattre circa 1880
Pierre-Auguste Renoir as a young man
Pierre-Auguste Renoir, photograph c. 1900
Paul Cézanne
Guillaume Apollinaire, 1902, Cologne
Joaquim Sunyer, c.1920, La sandía (The Watermelon), oil on canvas, 59 x 71.5 cm, Museu Nacional d'Art de Catalunya, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
Paul-Élie Gernez [fr], Saint-Claude, Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920 (catalogue)
Albert Marquet, 1906, Fécamp (The Beach at Sainte-Adresse), oil on canvas, 64.5 x 80 cm
Albert Marquet, 1919, La femme blonde (Femme blonde sur un fond de châle espagnol), oil on canvas, 98.5 x 98.5 cm, Musée National d'Art Moderne, Centre Georges Pompidou, Paris
Louis Valtat, 1913, Nu au fauteuil (Nu sur fond rose), oil on canvas, 81.4 x 65.4 cm, private collection. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
André Dunoyer de Segonzac, 1911, Les Boxeurs (The Boxers), location unknown, presumed destroyed by the artist. Black and white reproduction in Huntly Carter, The new spirit in drama & art, 1912
Ivan Puni, 1914, Portrait of Artist's Wife (Портрет жены художника), The Russian Museum, St Petersburg
Jean Puy, 1905, Flânerie sous les pins, oil on canvas, 81 x 115 cm, Musée Paul-Dini de Villefranche-sur-Saône. Exhibited at the 1905 Salon d'Automne
Ardengo Soffici, 1912-13, Deconstruction of the Planes of a Lamp, oil on panel, 45 x 35 cm, Estorick Collection, London
Béla Czóbel, Portrait de Femme, c. 1908-09
Jacques Doucet’s hôtel particulier, 33 rue Saint-James, Neuilly-sur-Seine, 1929, photograph Pierre Legrain
Max Beckmann, 1918-19, The Night (Die Nacht), oil on canvas, 133 x 154 cm, Kunstsammlung Nordrhein-Westfalen, Düsseldorf
Maurice de Vlaminck, 1906, The Seine at Chatou, oil on canvas, 82.6 x 101.9 cm, Metropolitan Museum of Art, New York
Maurice de Vlaminck, 1905-06, Barges on the Seine (Bateaux sur la Seine), oil on canvas, 81 x 100 cm, Pushkin Museum, Moscow
Maurice de Vlaminck, c.1909, Town on the Bank of a Lake, oil on canvas, 81.3 x 100.3 cm, Hermitage Museum, Saint Petersburg
Maurice de Vlaminck, c.1912, Village, oil on canvas, 73.7 x 92.1 cm (29 x 36 1/4 in.), Art Institute of Chicago
Giacomo Balla, 1912, Dynamism of a Dog on a Leash, oil on canvas, 89.8 x 109.8 cm, Albright-Knox Art Gallery
Giacomo Balla, 1912, Dinamismo di un Cane al Guinzaglio (Dynamism of a Dog on a Leash), Albright-Knox Art Gallery
Futurists Luigi Russolo, Carlo Carrà, Filippo Tommaso Marinetti, Umberto Boccioni and Gino Severini in front of Le Figaro, Paris, February 9, 1912
Luigi Russolo, 1911, The Revolt (La rivolta), oil on canvas, 150.8 x 230.7 cm, Gemeentemuseum Den Haag
Luigi Russolo, 1911, Souvenir d'une nuit (Memories of a Night), oil on canvas, 99 x 99 cm, private collection
Luigi Russolo, 1912, Sintesi plastica dei movimenti di una donna (Synthèse plastique des mouvements d'une femme), oil on canvas, 86 x 65 cm, Musée de Grenoble
Joseph Stella, 1919-20, Brooklyn Bridge, oil on canvas, 215.3 x 194.6 cm, Yale University Art Gallery
Joseph Stella, 1913-14, Battle of Lights, Coney Island, Mardi Gras, oil on canvas, 195.6 × 215.3 cm, Yale University Art Gallery
Entartete Kunst, Degenerate Art Exhibition poster, 1938
Entartete Kunst poster, Berlin, 1938
Joan Miró, Carrer de Pedralbes, drawing, published in Troços, Segona sèrie, N. 4, March 1918
Joan Miró, 1918, La casa de la palmera (House with Palm Tree), oil on canvas, 65 x 73 cm, Museo Nacional Centro de Arte Reina Sofía
Joan Miró, 1918, Portrait of Heriberto Casany (Le chauffeur), oil on canvas, 70.2 x 62 cm, Kimbell Art Museum. Exhibited at Galerie La Licorne, Paris, 1921, reproduced in the catalogue
Joan Miró, 1919, Nu au miroir (Nude with a Mirror, Naakt met mirror), oil on canvas, 113 x 102 cm, Kunstsammlung Nordrhein-Westfalen. Exhibited at Galerie La Licorne, Paris, 1921, reproduced in the catalogue
Joan Miró, 1920, Horse, Pipe and Red Flower, oil on canvas, 82.6 x 74.9 cm, Philadelphia Museum of Art. Exposició d'Art francès d'Avantguarda, Galeries Dalmau, Barcelona, 1920
Joan Miró, 1920, Les cartes espagnoles (The Spanish Playing Cards), oil on canvas, 63.5 x 69.5 cm, Minneapolis Institute of Arts
Henri Laurens, Céline Arnauld, Tournevire, 1919
Henri Laurens, 1920, Le Petit boxeur, 43 cm, reproduced in Život 2 (1922), p 53
Henri Manguin, 1905, La Sieste (Le repos, Jeanne, Le rocking-chair), oil on canvas, 88.9 x 116.84 cm, Villa Flora, Winterthur
Henri Manguin, 1906, Baigneuse (Woman Bather), oil on canvas, Pushkin Museum, Moscow
Henri Manguin, 1906, Le Rocher (La Naïade, Cavalière), oil on canvas, 71 × 89 cm, private collection
George Grosz, Daum marries her pedantic automaton George in May 1920, John Heartfield is very glad of it, Berlinische Galerie
Emil Filla, c.1912, Nude, watercolor on board, 43.18 x 62.23 cm
Jean Arp, reproduced in 391, No. 8, Zurich, February 1919
Olaf Rude, 1918, Sankt Georg og dragen (Saint George and the dragon), oil on canvas, 99.7 x 79.9 cm, ARoS Aarhus Kunstmuseum
Chana Orloff, 1915, Amazone, bronze, 73.5 cm
Wyndham Lewis, 1912, The Dancers
Joan Rebull, sculpture, stone, approximately 170 x 300 cm, Passeig de Sant Joan 102, Barcelona. Photo: Coldcreation
Vicenç Navarro Romero, sculpture, stone, approximately 240 cm, Passeig de Sant Joan 102, Barcelona. Photo: Coldcreation
Enric Monjo, sculpture, stone, approximately 240 cm, Location, Passeig de Sant Joan 102, Barcelona. Photo: Coldcreation
Rafael Atché i Ferré, 1888, Catalunya, Monument to Columbus, Two workers cleaning the Monument to Columbus, Catalunya (detail). Photo: Coldcreation
Rossend Nobas, Quadriga de l'Aurora, fosa de ferro colat originalment daurat, Parc de la Ciutadella, Cascada, Barcelona. Photo: Coldcreation
Alfredo Lanz, 2004, Homenatge a la natació, sculpture, Barcelona
Roy Lichtenstein, Cap de Barcelona, sculpture, mixed media, Barcelona. This is technically the verso (back) of the sculpture. Photo: Coldcreation
Ricardo Bofill (Ricard Bofill Leví) Richard Bofill, Les quatre barres de la senyera catalana, circa 2010, near Hotel W Barcelona, Plaça de la Rosa del Vents 1, Barcelona. The Senyera ("flag" in Catalan), is a vexillological symbol based on the coat of arms of the Crown of Aragon. Photo: Coldcreation
Ricardo Bofill (Ricard Bofill Leví), Les quatre barres de la senyera catalana, circa 2010, near Hotel W Barcelona, Plaça de la Rosa del Vents 1, Barcelona. The Senyera ("flag" in Catalan), is a vexillological symbol based on the coat of arms of the Crown of Aragon. Photo: Coldcreation
Ricardo Bofill, Les quatre barres de la senyera catalana, circa 2010, Hotel W Barcelona, Plaça de la Rosa del Vents 1, Barcelona. The Senyera ("flag" in Catalan), is a vexillological symbol based on the coat of arms of the Crown of Aragon. Photo: Coldcreation
Josep Llimona, 1903, Desconsol, white marble, copy from 1984, Parc de la Ciutadella, Barcelona. Photo: Coldcreation
Josep Llimona, 1903, Desconsol, white marble, copy from 1984, Parc de la Ciutadella, Barcelona. Photo: Coldcreation
Antoine Bourdelle, ca.1922, Monument La France, H. 9 m, bronze, fondue par Hohwiller, érigée le 18 juin 1948 sur le parvis du Musée d'art moderne de la Ville de Paris, Palais de Tokyo. Photo: Coldcreation
Théâtre des Champs-Élysées, 15 Avenue Montaigne, Paris. Opened in 1913, designed by French architect Auguste Perret, with bas-reliefs Antoine Bourdelle. Photo: Coldcreation
Antoine Bourdelle, 1910-12, Apollon et sa méditation entourée des 9 muses (The Meditation of Apollon and the Muses), bas-relief, Théâtre des Champs Elysées. Photo: Coldcreation
Antoine Bourdelle, 1910-12, Apollon et sa méditation entourée des neuf muses, bas-relief, Théâtre des Champs-Élysées. Photo: Coldcreation
Antoine Bourdelle, 1910-12, Apollon et sa méditation entourée des neuf muses, bas-relief, Théâtre des Champs-Élysées, Paris. Photo: Coldcreation
Antoine Bourdelle, 1910-12, Apollon et sa méditation entourée des neuf muses, bas-relief, Théâtre des Champs-Élysées, Paris. Photo: Coldcreation
Antoine Bourdelle, 1910-12, La Musique, bas-relief, Théâtre des Champs-Élysées, Paris. Photo: Coldcreation

Antoine Bourdelle, 1910-12, Apollon et sa méditation entourée des 9 muses (The Meditation of Apollo and the Muses), bas-relief, Théâtre des Champs Elysées, Paris. This work represents one of the earliest examples of what would become known as Art Deco sculpture. Photo: Coldcreation

Robert Antoine Pinchon edit

See uploads of Robert Antoine Pinchon material at Wikimedia Commons

Bridge scenes

Robert Antoine Pinchon, 1904, Triel sur Seine, le pont du chemin de fer, 46 x 55 cm
Robert Antoine Pinchon, 1905, La Seine à Rouen au crépuscule, oil on paperboard, 65 x 54 cm
Robert Antoine Pinchon, 1905, Le Pont aux Anglais, Rouen, oil on canvas, 32 x 47 cm, private collection
Robert Antoine Pinchon, Rouen, Le Pont aux Anglais. This work is closely related to Le Pont aux Anglais, soleil couchant (Musée des Beaux-Arts de Rouen)

Flowers and gardens

Robert Antoine Pinchon, 1915-20, Pots de géraniums, oil on board, 72.8 x 91.5 cm
Robert Antoine Pinchon, c.1920, Le jardin aux iris, oil on canvas, 80.9 x 116.2 cm
Robert Antoine Pinchon, Un après-midi à l'Ile aux Cerises, Rouen, oil on canvas, 50 x 61.2 cm
Robert Antoine Pinchon, c.1906, Le jardin aux pavots, oil on canvas, 73 x 92 cm

Harbors and boats

Robert Antoine Pinchon, 1904, Le Pré-aux-Loups, soleil couchant, oil on canvas, 50 x 73 cm, private collection
Robert Antoine Pinchon, Le port de Fécamp, oil on canvas, 60 x 73 cm
Robert Antoine Pinchon, Bateaux au port, oil on carton, 46 x 55 cm
Robert Antoine Pinchon, Vue du Tréport, oil on canvas, 65 x 81 cm

Landscapes and fields

Robert Antoine Pinchon, c. 1905, Hameau des environs de Rouen, oil on canvas, 22 x 33 cm
Robert Antoine Pinchon, 1921, Le Jardin maraicher, oil on canvas, 74 x 100 cm, Musée des Beaux-Arts de Rouen
Robert Antoine Pinchon, 1912, Le Talus de chemin de fer, oil on canvas, 81 x 100 cm
Robert Antoine Pinchon, Les chardons en bord de Seine (Chardons en fleurs), oil on canvas, 65 x 81 cm

River scenes

Robert Antoine Pinchon, Promenade sur le chemin de Halage, oil on canvas, 81 x 65 cm
Robert Antoine Pinchon, 1909-10, Les coteaux de Belbeuf (Barques), oil on canvas, 65.5 x 81 cm
Robert Antoine Pinchon, Rouen, La Seine, Vue depuis le Hauteurs de Caudbec, oil on canvas, 73.7 x 92.4 cm
Robert Antoine Pinchon, Rouen, vue de la Seine, oil on canvas, 48.9 x 94 cm

Winter scenes

Robert Antoine Pinchon, 1905, Paysage d'hiver (Le chemin, neige), oil on canvas, 60 x 73 cm, private collection
Robert Antoine Pinchon, Le bassin, neige, oil on canvas, 50 x 60 cm
Robert Antoine Pinchon, Le pont d'Elbeuf sous la neige, oil on canvas, 54 x 92 cm
Robert Antoine Pinchon, Village enneigé, oil on canvas, 73 x 92 cm

Non-free images edit

Coldcreation upload log

Wiki Loves Public Art 2013 edit

1st place: Les quatre barres de la senyera catalana by Ricardo Bofill in Barcelona, Catalonia. Photo: Coldcreation.

Wiki Loves Public Art 2013 is an European wide public photo contest around public art work, organized by Wikimedia chapters and groups. The contest was initiated by Wikimedia Sverige and Europeana and took place for the first time in May 2013. Over 9,250 images were uploaded as part of the contest.

The international jury consisted of Arild Vågen (Sweden), (Anav Sonara) (India), Ingrida Vosyliūtė (Lithuania) and Michael Kramer (Germany). Commons:Wiki Loves Public Art 2013

"We awarded the first prize to Coldcreation's image of Ricardo Bofill's artwork Les quatre barres de la senyera catalana in Barcelona. Comment from the jury: Simple and bright, well balanced, good composition, lighting, catches the spirit of Barcelona." Commons:Wiki Loves Public Art 2013, Wikimedia Blog/Drafts/WLPA

Wikipedia Main Page articles edit

DYK for Robert Antoine Pinchon edit

A fact from Coldcreation appeared on Wikipedia's Main Page in the Did you know column on 24 March 2012 (check views). The text of the entry was as follows:

Did you know... that Robert Antoine Pinchon was referred to by Claude Monet as a "surprising touch in the service of a surprising eye"?

A record of the entry may be seen at Wikipedia:Recent additions/2012/March.

DYK for En Canot, Im Boot (Metzinger) edit

A fact from Coldcreation appeared on Wikipedia's Main Page in the Did you know column on 19 June 2013 (check views). The text of the entry was as follows:

Did you know... that Jean Metzinger's painting En Canot (pictured in black and white) appeared in the Nazi Degenerate Art catalogue with the notation "Even this was once taken seriously and bought for good money!"?

A record of the entry may be seen at Wikipedia:Recent additions/2013/June.

This image appeared on Wikipedia's Main Page in the Did you know? column on 20 June 2013 (see archives).

Wikipedia

Article	Image	DYK views	Views / hour	DYK hook
En Canot, Im Boot (Metzinger)		4,718 + 570 = 5,288	661	... that Jean Metzinger's painting En Canot (pictured in black and white) appeared in the Nazi Degenerate Art catalogue with the notation "Even this was once taken seriously and bought for good money!"?

DYK for Soldier at a Game of Chess edit

A fact from Coldcreation appeared on Wikipedia's Main Page in the Did you know column on 8 May 2015 (check views). The text of the entry was as follows:

Did you know... that Jean Metzinger painted Soldier at a Game of Chess (pictured) 100 years ago while mobilized in World War I?

A record of the entry may be seen at Wikipedia:Recent additions/2015/May. The nomination discussion and review may be seen at Template:Did you know nominations/Soldier at a Game of Chess.

DYK for The Cubist Painters, Aesthetic Meditations edit

On 5 March 2015, Did you know was updated with a fact from the article The Cubist Painters, Aesthetic Meditations, which you recently created or substantially expanded. The fact was ... that Guillaume Apollinaire wrote in The Cubist Painters (1913), "A man like Picasso studies an object as a surgeon dissects a cadaver"? The nomination discussion and review may be seen at Template:Did you know nominations/The Cubist Painters, Aesthetic Meditations. You are welcome to check how many page hits the article got while on the front page (here's how, live views, daily totals), and it may be added to the statistics page if the total is over 5,000. Finally, if you know of an interesting fact from another recently created article, then please feel free to suggest it on the Did you know talk page.

— Coffee // have a cup // beans // 22:42, 5 March 2015 (UTC)

Other highlights edit

	The Original Barnstar
	For creating an amazing page for La danse, Bacchante (Metzinger) 08:02, 27 May 2013 (UTC)

Geometric abstraction
Thank you for creating and contributing to quality articles on art, artists and their works, such as Geometric abstraction, Antoni Tàpies, En Canot, and for defining yourself by your and their work alone with that gallery of a user page, - you are an awesome Wikipedian!

	The Original Barnstar
	Excellent article on Société Normande de Peinture Moderne! Amanda Jane Mason (talk) 21:44, 12 September 2013 (UTC)

	L’étoile originale
	thank you for your photographs, specially for Georges Braque. Lepetitlord (talk) 10:12, 26 March 2014 (UTC)

		The Barnstar of High Culture
		For a multitude of contributions to subjects in the fine arts...Modernist (talk) 13:35, 27 November 2014 (UTC)

	The Original Barnstar
	Superb images. Thank you so much. Mary Mark Ockerbloom (talk) 00:49, 4 February 2015 (UTC)

		The Tireless Contributor Barnstar
		For all your work on the visual arts and imagery...Modernist (talk) 14:57, 18 March 2015 (UTC)

	The Original Barnstar
	For all your work on the visual arts and imagery. This barnstar is awarded to recognize particularly fine contributions to Wikipedia, to let people know that their hard work is seen and appreciated. Hafspajen (talk) 16:43, 18 March 2015 (UTC)

Thanks for the help and editing. Tatesic (talk) 18:49, 20 July 2015 (UTC)

An image created by you has been promoted to featured picture status

Your image, File:Fra Angelico, Fra Filippo Lippi, The Adoration of the Magi.jpg, was nominated on Wikipedia:Featured picture candidates, gained a consensus of support, and has been promoted. If you would like to nominate an image, please do so at Wikipedia:Featured picture candidates. Thank you for your contribution! Armbrust ^{The Homunculus} 06:40, 31 August 2015 (UTC)

Further topics of interest edit

Artist series edit

Alex Mittelmann, 1995, Paris, Artsenal studio
Alex Mittelmann studio, 1989, 30 rue Boinod, 75018 Paris, B&W
Alex Mittelmann's studio in an art squat at the intersection of rue Juliette Dodu and rue Sambre et Meuse, Paris, 1990
Alex Mittelmann in his studio, 1990, Europe Factory, Centre d'Art Contemporain, Paris, Pantin
Europe Factory, Centre d'Art Contemporain (1990-1991), Société d'exploitation industrielle des tabacs et des allumettes, SEITA (1957-1982) Paris, Pantin (photograph 2014)
Before becoming a military installation the building was occupied by Usine Electrique Westinghouse, quai d'Issy, Issy-les-Moulineaux. Postcard circulated 1909. 47 artists appropriated the space in 1992 under the name Artsenal
Les Ateliers de construction d'Issy-les-Moulineaux, 1935, used for the construction of tanks such as the AMC 35 ACG 1; this structure built by Gustave Eiffel prior to 1900 later became artist studios
Alex Mittelmann, 1997, untitled self-portrait, Paris
Coldcreation stand, Observatori 2004, Ciutat de les Arts i les Ciències (City of Arts and Sciences), Museu de les Ciències Príncipe Felipe, Valencia, Spain
Coldcreation stand at Observatori 2004, Ciutat de les Arts i les Ciències (City of Arts and Sciences), Museu de les Ciències Príncipe Felipe, Valencia, Spain

WikiProjects etc. edit

Between 2002 and 2006 I curated exhibitions involving a large number of artists. In order to avoid any charges of conflict of interest I have refrained (for the most part) from editing articles related to these artists. The few edits to date have been primarily to revert vandalism, filling in bare URLs citations, and other such edits, both fair and neutral. If need be, I will provide citations published by reliable sources on respective Talk pages or notice boards when notability is questioned, or if other issues arise: per WP:YESPOV, WP:BIO, and WP:Artist. Coldcreation (talk) 03:20, 22 September 2015 (UTC)