Hey Jessica it's Angela. I wanted to provide quick feedback, but I think your articles are in great shape. You did a good job of using academic language and explaining these concepts.In general, be sure that you have your sources cited correctly (it looks like your first three sources are all marked as citation #1) and that you have 30 sources appearing at the bottom of the page for the final project (right now you have 15, as expected for the draft version). Also be sure that you hyperlink to other relevant pages on wikipedia, such as "Jim Carrey," "Clueless," "BLM Movement," etc. Other than those few small edits, I think you did a great job!

Thanks,

-Angela

Hi Angela! Thank you so much for your feedback! I wanted to ask about the citation - it appears as citation #1 because I copied and pasted it from the original Wikipedia page but when I edit the source and add my input the citations are correct and are the correct numbers for the respective page. I believe it is 1 because that is the link to the page's citations but since I did a copy and paste, this link does not transfer over to my sandbox. However, when I did copy and paste my new work for these pages, the links work and follow the correct citations. Does this sound right?

Microaggression theory

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Intersectionality

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A microaggression that is intersectional [[1]] [1]is touching a black woman's hair because of the implications that her body (and hair) is on display for anyone to touch. This concept stems back to slavery [in America] in which the black body was on display for auctions of slavery; furthermore, the black woman body was also measured and at risk of her body being used for work, rape, child bearing, etc. Not understanding the implications and historical context of the freedom and agency the black woman's body not given to her during slavery, which have translated to real-time effects[2]. Very recently, microaggressions have transcended into a different type of film: album visuals of Beyonce and her sister Solange. Beyonce's Lemonade and Solange's [A Seat at the Table] have garnered a lot of attention[3], [4] specifically from black audiences, as music telling the story that can be specific to the black women [5].

College campuses

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Microaggressions have been the topic of many social media conversations on college campuses across the U.S. in regards to campus climate [6]. Microagressions often marginalize [7] the demographic that is least represented on campus but can also marginalize individuals in certain spaces on campus. For example, the STEM majors are often disproportionately white and male, so students of color and women, may feel marginalized in this community on campus [8]. Microaggressions are a very important social issue on the college campus as college is a very developing time for self-esteem [9]. Those who are college age will be the future leaders of the world in the coming decades and how they see themselves and those around them are a cornerstone in the way society will move to function.

Ahjayce (talk) 04:47, 23 October 2016 (UTC)

Intersectionality

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Key concepts

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Interlocking matrix of oppression

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Colorism [10] is skin tone stratification and it typically has the lighter skin tones at the top of the hierarchy while darker skin tones are treated less favorably and have been denied of things allocated to those lighter. In America, a common expression of colorism stems from the notion that some African Americans with lighter complexions have ties to "house slaves" [11] and Africans Americans with darker complexions have ancestral ties to "field slaves" [12] Some implications have been that those in the house were being treated better than those in the field because of the intensity of field labor as well as being inside. However, there are two sides that being a "house slave" came with the danger of being subject to more trauma, such as rape, as well as other dangers of interacting with the white slave owners more often. Colorism also exists strongly today on an everyday level with tangible and long-lasting results: the education system [13]. How African Americans and Latino/a students are treated by staff, teachers, administrators, etc. may be biased by the student's skin tone.

Colorism is not a synonym to racism as colorism can occur, and often does, within racial and ethnic groups. The brown paper bag test [14] was used in American for black people to be further divided: those lighter than a brown paper bag were allotted some privilege that those darker were not permitted to. The brown paper bag test and colorism add to the fuel of intersectionality: recognizing the different identities of an individual in order to better understand one's lived experiences which can be different by race, gender, sexuality, as well as color [15], amongst other qualities. The brown paper bag test is not used outright today but there are still implications of colorism; for example in media, lighter skin black females are often more sexualized than their darker counterparts [16].

Opal Tometi

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Activism

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Black Lives Matter

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Tometi is a co-founder, along with Patrisse Cullors and Alicia Garza, of the Black Lives Matters movement. Tometi is credited with setting up the social media aspects of the movement.[4] Black Lives Matter is one of the largest social media movements and is in conversations of all topics: it is in the news, academia, sports, music, and entertainment. One of the larger mediums of Black Lives Matter social forums has been Twitter, which is bringing more media attention to tweets [17]. Tometi's role of social media in the Black Lives Matter movement is paramount to its widespread through online spaces to tangible spaces [18]. The very popular hashtag, #BlackLivesMatter, to Tometi is "an affirmation for our people. It's a love note for our people, but it is also a demand" [19].

Twitter, Instagram, along with other social media platforms, has been used by people to express their standpoint on the topic; social media has become a measure of political views. Millennials' disproportionate use of social media, in relation to older generations, has seen a political resurgence through social media [20]. Black Lives Matter has received mixed responses from Americans but there is no question that it has sparked many conversations, even as a topic in the 2016 U.S. Presidential Debates [21].


Tomi Lahren

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Controversy

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Tomi Lahren has been a voice [22] of representation for conservative [23] millennials as a very well-watched online political personality [24]. Her videos have reached both supporters and those who oppose her views, specifically in her commentary against Black Lives Matter protests. Lahren has received raving reviews from watchers, who support her views and comment on the vitality that she brings about to this issues while others have received her videos with disdain as she seems apathetic and unknowledgeable of the reasoning behind social progression in America and commentary of America many movements have been making.

In February 2016, Lahren's criticism of Beyoncé's performance at the Super Bowl 50 halftime show [25] Tinsley, Omise'eke Natasha, and Caitlin O'Neill. "Beyonce's 'Formation' Is Activism for African Americans, Women and LGBTQ." Time.Com (February 8, 2016): 33. Middle Search Plus, EBSCOhost (accessed November 14, 2016). </ref> as supporting the Black Panthers caused controversy.[11] This was referenced and a quote sampled, in Pusha T's song "Drug Dealers Anonymous", featuring Beyoncé's husband Jay Z. [26] Lahren took an approach that Beyoncé's audience is a diverse group and that focusing on her black audience is marginalizing the demographics of her fanbase, specially younger white girls, is unthoughtful. Beyoncé's "Formation" and in a larger picture, Lemonade (Beyoncé Album), was Beyoncé's voice on social black issues, such as hair, facial features, relationships, children, and more but Lahren, as well as other critics to Beyoncé's performance, thought this was a marginalizing act as the Super Bowl is a time that all Americans could gather together and watch something that is innately America: football, regardless of race. Beyoncé's musical performance as a political platform for the Black Lives Matter movement was not alone as Kendrick Lamar also performed a political piece [27].

In July 2016, Lahren issued a tweet comparing the Black Lives Matter movement to the Ku Klux Klan. As a result, tens of thousands of people signed a Change.org petition asking for her to be fired from TheBlaze. [28] This idea of comparing Black Lives Matter (and the Black Panthers) to the Ku Klux Klan [29]. Lahren says that the Black Lives Matter movement is comparable to the Ku Klux Klan because of the similarities of focusing on the needs of one race, the black and the white, respectively. However, the Black Lives Matter movement does not advocate for the hierarchy of race based on the belief that the black race is the superior race, unlike the Ku Klux Klan with the belief that white race is the superior race [30]. The Black Lives Matter movement was birthed at the wake of Trayvon Martin's death and grew larger by the black deaths that followed by the hands of the police, as a statement that the black life matters and should not be treated as expendable. Lahren's video, however, sees the commonality that the Black Lives Matter movement and the Ku Klux Klan advocate for one race.

In November 2016, Lahren released a video on the protests that have risen as a result of Donald Trump's winning of the President-Elect over Hillary Clinton [31]. She comments that "a bunch of sore losers gathered together isn't a protest, it's a tantrum". [32] Lahren retweeted a tweet saying "Protestors have been rioting for 5 days straight. If they were Republicans they would have lost their jobs by now." Many protests have commenced in America over the election of Donald Trump and Lahren pokes fun at those who opposed a Trump presidency by showing video of protests. Lahren does this to comment on the position that a that majority of uneducated Americans voted for Trump and by commenting that a piece of paper should not be the measure of an education as many of these protests are on college campuses.

  1. ^ http://frontiersjournal.org/wp-content/uploads/2015/11/WILLIS-FrontiersXXVI-StillWeRise.pdf
  2. ^ http://time.com/4280707/black-women-beauty-myths/
  3. ^ http://www.nytimes.com/2016/09/29/arts/music/drake-please-forgive-me-beyonce-videos.html?rref=collection%2Ftimestopic%2FKnowles%2C%20Beyonce&action=click&contentCollection=timestopics&region=stream&module=stream_unit&version=latest&contentPlacement=2&pgtype=collection&_r=0
  4. ^ https://www.theguardian.com/music/2016/sep/30/solange-a-seat-at-the-table-a-stately-sprawling-celebration-of-black-identity
  5. ^ http://www.voxmagazine.com/music/sisters-beyonc-and-solange-bring-visibility-to-the-black-female/article_e7728378-915d-11e6-a8ec-ebca6bbada66.html
  6. ^ Campus climate : toward appreciating diversity : a report. n.p.: Long Beach, Calif. : California State University, Office of the Chancellor, [1990], 1990. OskiCat, EBSCOhost (accessed November 14, 2016).
  7. ^ Sue, Derald Wing. Microaggressions and marginality : manifestation, dynamics, and impact. n.p.: Hoboken, N.J. : Wiley, c2010., 2010. OskiCat, EBSCOhost (accessed November 14, 2016).
  8. ^ Martin, David C.1. "It's not my Party: A Critical Analysis of Women and Minority Opposition towards STEM." Critical Questions In Education 7, no. 2 (Summer2016 2016): 96-115. Education Source, EBSCOhost (accessed November 14, 2016).
  9. ^ Kiviruusu, Olli, et al. "Interpersonal Conflicts and Development of Self-Esteem from Adolescence to Mid-Adulthood. A 26-Year Follow-Up." Plos ONE 11, no. 10 (October 18, 2016): 1-17. Academic Search Complete, EBSCOhost (accessed November 14, 2016).
  10. ^ http://www.abpsi.org/pdf/Dark_Girls_ABPsi_ARTICLE_FINAL_JUNE_23_2013_Dr%20Grills.htm
  11. ^ http://ccnmtl.columbia.edu/projects/mmt/mxp/speeches/mxa17.html
  12. ^ http://ccnmtl.columbia.edu/projects/mmt/mxp/speeches/mxa17.html
  13. ^ Hunter, Margaret. "Colorism in the Classroom: How Skin Tone Stratifies African American and Latina/o Students." Theory Into Practice 55, no. 1 (Winter2016 2016): 54-61. Business Source Complete, EBSCOhost (accessed November 14, 2016).
  14. ^ Norwood, Kimberly Jade. "'If you is white, you's alright....': stories about colorism in America." Washington University Global Studies Law Review no. 4 (2015): 585. InfoTrac LegalTrac, EBSCOhost (accessed November 14, 2016).
  15. ^ http://www.huffingtonpost.com/sil-lai-abrams/your-blackness-isnt-like-_b_10704520.html?
  16. ^ http://www.theroot.com/blog/the-grapevine/viola_davis_says_that_the_paperbag_test_and_colorism_are_alive_and_well/
  17. ^ http://www.nytimes.com/2015/08/11/us/twitter-black-lives-matter-ferguson-protests.html
  18. ^ http://mashable.com/2016/09/19/black-lives-matter-social-good-summit-2016/#6CzhJYv.cgqO
  19. ^ https://www.thenation.com/article/qa-opal-tometi-co-founder-blacklivesmatter/
  20. ^ http://www.forbes.com/sites/jefffromm/2016/06/22/new-study-finds-social-media-shapes-millennial-political-involvement-and-engagement/#783b9d8615de
  21. ^ https://ballotpedia.org/2016_presidential_candidates_on_the_Black_Lives_Matter_movement
  22. ^ http://eds.b.ebscohost.com/eds/detail/detail?vid=3&sid=d211ede3-893e-41ef-a512-bdd3cea3e098%40sessionmgr104&hid=127&bdata=JnNpdGU9ZWRzLWxpdmU%3d#AN=119300679&db=edb
  23. ^ Olsen, Henry, and Dante J. Scala. 2016. The Four Faces of the Republican Party and the Fight for the 2016 Presidential Nomination. Basingstoke, Hampshire: Palgrave Macmillan, 2016. eBook Collection (EBSCOhost), EBSCOhost (accessed November 14, 2016
  24. ^ Foot, Kirsten. "The online emergence of pushback on social media in the United States: a historical discourse analysis." International Journal Of Communication (Online) (2014): 1313. Literature Resource Center, EBSCOhost (accessed November 14, 2016).
  25. ^ http://www.dailymail.co.uk/news/article-3557430/Controversial-news-anchor-blasted-Beyonce-politicising-Superbowl-s-half-time-refuses-allow-singer-use-clip-rant-world-tour.html
  26. ^ http://genius.com/Pusha-t-drug-dealers-anonymous-lyrics
  27. ^ Faraji, Salim. "Kendrick Lamar's Grammy Performance points to a Simple Truth, #Black Lives Matter When Africa Matters." Journal Of Pan African Studies 9, no. 2 (April 2016): 3-6. Academic Search Complete, EBSCOhost (accessed November 14, 2016).
  28. ^ http://college.usatoday.com/2016/07/13/over-56000-people-want-tomi-lahren-fired-from-the-blaze-after-kkk-tweet/
  29. ^ Allen-Bell, Angela A. "The Incongruous Intersection of the Black Panther Party and the Ku Klux Klan." Seattle University Law Review 39, no. 4 (June 2016): 1157. Publisher Provided Full Text Searching File, EBSCOhost (accessed November 14, 2016).
  30. ^ The Ku Klux Klan, Fascism, and White Supremacy. n.p.: 2016. Gale Virtual Reference Library, EBSCOhost (accessed November 14, 2016).
  31. ^ Bryant, Nick. "CLINTON VS TRUMP HOW DID IT COME TO THIS?." Australian Women's Weekly 86, no. 3 (March 2016): 86. Publisher Provided Full Text Searching File, EBSCOhost (accessed November 14, 2016).
  32. ^ Bode, Mark. 2016. "INTERVIEW: TOMI LAHREN." Harvard Political Review 43, no. 3: 40. Publisher Provided Full Text Searching File, EBSCOhost (accessed November 14, 2016).