Tsutsui Tokujirō (1881-1953) was a Japanese performer born in Osaka, Japan.

Tsutsui Tokujirō
Born1881
Osaka
Died1953
Kyoto

Career edit

Tokujirō began his performance career at 19, performing in a shinpa troupe led by Fukui Mohei[1]:23 In 1920 he joined a group of actors who were not satisfied with the work of Sawada Shōjirō [ja], the artistic director of Shinkokugeki [ja] (New National Theatre).[1]:23 Together they formed a new troupe, which toured the Kansai region, though they also had several shows in Asakusa.[1]:23 As part of the troupe he 'established a solid reputation in kengeki [ja] swordplay dramas.[1]:21

Western tour (1930-31) edit

The Tsutsui Troupe was one of the first groups to bring traditional Japanese performance to the United States and Europe.[2] His troupe performed in twenty-two countries,[1]:3 with attendees including seminal directors such as Bertolt Brecht,[3]:255 Jacques Copeau, Charles Dullin,[4] and Vsevolod Meyerhold.[5]:154, n.192

They had a repertoire of sixteen plays that were based on Kabuki plays 'in a mélange of styles with an emphasis on swordplay to appeal to audiences.'[5]:154, n.192 Four of the plays were presented only for Japanese residents in California, and were absent from the rest of the tour.[1]:35 Tsutsui emphasised that he 'wanted to put the Western audience in the presence of the true Japanese theatre, such as the Japanese conceive it'.[3]:135 Contemporary critics, however, questioned this authenticity, noting the number of changes Tsutsui made to traditional Japanese theatre.[3]:136 These included the shortened length of the plays (which had to be under two hours),[1]:33 the use of painted scenery and 'enormous stage settings' in a Western style, 'the troupe's replacement of onnagata', roles traditionally played by male transvestites, with actresses. [3]:136

 
Tokujiro and cast visit Budapest during the time of their performances in Városi Színház (City Theatre) in November, 1930.

Selected performance locations edit

Date City Country Theatre Notes Reference
February 1930 Los Angeles United States Figueroa Theatre Under the production of Michio Itō [5]:154
March-April 1930 New York City United States Booth Theatre [2]:344
2 May-June 1930 Paris France Théâtre Pigalle Attended by Edwin Piscator.[1]:68 [3]:135
24 June 1930 London England Globe Theatre [6]
18-25 August 1930 Paris France Apollo [3]:185
3-9 October, 1930 Berlin Germany Theater des Westens Attended by Bertolt Brecht.[7]:41 [3]:255

References edit

  1. ^ a b c d e f g h Tschudin, Jean-Jacques (2016-01-01). "Kabuki's Early Ventures onto Western Stages (1900‑1930):Tsutsui Tokujirō in the footsteps of Kawakami and Hanako". Cipango - French Journal of Japanese Studies. English Selection (5). doi:10.4000/cjs.1168. ISSN 2268-1744.
  2. ^ a b Tian, Min (2014). "Theater of Transposition: Charles Dullin and the East Asian Theater". Comparative Drama. 48 (4): 333–370. doi:10.1353/cdr.2014.0028. ISSN 1936-1637. S2CID 204681600.
  3. ^ a b c d e f g Tian, Min (2018-11-27). The Use of Asian Theatre for Modern Western Theatre: The Displaced Mirror. Springer. ISBN 978-3-319-97178-0.
  4. ^ Tian, Min (2018), ""Free Transposition": The Use of Nō by Jacques Copeau and Suzanne Bing", The Use of Asian Theatre for Modern Western Theatre, Cham: Springer International Publishing, pp. 99–128, doi:10.1007/978-3-319-97178-0_5, ISBN 978-3-319-97177-3, retrieved 2020-07-24
  5. ^ a b c Rodman, Tara (2017) Altered Belonging: The Transnational Modern Dance of Itō Michio. (PhD Dissertation, Northwestern University). Available athttps://arch.library.northwestern.edu/concern/generic_works/c821gj87v Accessed 25 July 2020.
  6. ^ Tian, Min (2016-08-09). "Authenticity and Usability, or "Welding the Unweldable": Meyerhold's Refraction of Japanese Theatre". Asian Theatre Journal. 33 (2): 310–346. doi:10.1353/atj.2016.0033. ISSN 1527-2109. S2CID 201746999.
  7. ^ Scholz-Cionca, Stanca; Leiter, Samuel L. (2001). Japanese Theatre and the International Stage. BRILL. ISBN 978-90-04-12011-2.