The Light Touch is a 1951 American crime drama film directed by Richard Brooks and starring Stewart Granger, Pier Angeli and George Sanders. It was produced and released by Metro Goldwyn Mayer.
| The Light Touch | |
|---|---|
 | |
| Directed by | Richard Brooks |
| Screenplay by | Richard Brooks Jed Harris Tom Reed |
| Produced by | Pandro S. Berman |
| Starring | Stewart Granger Pier Angeli George Sanders |
| Cinematography | Robert Surtees |
| Edited by | George Boemler |
| Music by | Miklós Rózsa |
Production company | |
| Distributed by | Metro Goldwyn Mayer |
Release date |
|
Running time | 93 minutes |
| Country | United States |
| Language | English |
| Budget | $1,163,000[1] |
| Box office | $1,281,000[1] |
Plot
editArt thief Sam Conride (Stewart Granger) steals a Renaissance-era painting on loan to an Italian museum by a Catholic church. He has been financed by his partner, Felix Guignol (George Sanders). Felix has an obsessed client named Aramescue (Kurt Kasznar) who has agreed to pay $100,000 for the artwork. However, Conride stages a boating accident on the way to the rendezvous in Tunis and tells Felix the painting has been destroyed in a fire.
Knowing that Sam is as unscrupulous and self-serving as he, Felix suspects otherwise. Nonetheless, he accepts Sam's suggestion that they create half a dozen forgeries to sell to unsuspecting art lovers. Felix recommends Anna Vasarri (Pier Angeli) as a painter good enough and poor enough to consider doing the work. When Sam approaches her, however, she is appalled and refuses, especially since the painting is believed by Catholics (and Aramescue) to work miracles. Felix tells Sam to get her to change her mind by romancing her. It works. She falls in love with him.
Meanwhile, Sam contacts R. F. Hawkley (Larry Keating), one of the few art fences capable of selling the famous painting. After his forgery expert, MacWade (Rhys Williams), confirms that the work is genuine, he agrees to pay $100,000. However, he does not have that much money with him, and Felix learns of their meeting.
Sam and Anna get married and travel to Italy for their honeymoon, financed by Felix. There, Anna learns by accident where her husband has hidden the real painting. Felix and his men watch and wait for Sam to meet Hawkley. On his own initiative, Charles (Mike Mazurki), one of Guignol's thugs, tries beating the information out of Anna, but she refuses to betray Sam.
Police officer Lt. Massiro tells her that if she knows where the real painting is, it must be returned, or he will arrest Sam. Anna asks for time to consider what to do. She then switches the painting with the fake that Sam had her create. When Sam shows Aramescu the painting, the man immediately spots it as a copy. Sam confronts Anna. When he discovers she has remained true to him despite being beaten, he comes to the realization she truly loves him, despite his many flaws, and that he loves her. Giving up, she reveals where the painting is hidden and leaves him.
Sam arranges for Massiro to arrest Felix and his men, though they have to be released when it is revealed that the painting they took from Sam is a forgery. However, this gives Sam the time he needs to return the work to its rightful place in the church. Anna returns to him as a result. As the couple walk away, arm in arm, Felix stops Charles from shooting his former partner.
Cast
edit- Stewart Granger as Sam Conride
- Pier Angeli as Anna Vasarri
- George Sanders as Felix Guignol
- Kurt Kasznar as Mr. Aramescu
- Joseph Calleia as Lt. Massiro
- Larry Keating as Mr. R. F. Hawkley
- Rhys Williams as Mr. MacWade
- Norman Lloyd as Anton, one of Felix's henchmen
- Mike Mazurki as Charles
- Ben Astar as Hamadi Mahmoud
- Hans Conried as Leopold
- Renzo Cesana as Father Dolzi
- Vito Scotti as Hotel Clerk
- Mario Siletti as Hotel Manager
Production
editThe original story by famous Broadway producer Jed Harris and Tom Reed was called "Crown of Thorns" and was purchased by MGM in April 1950 for $60,000.[2][3] (The story has some resemblances to the real-life theft of the Mona Lisa.) Pandro S. Berman was assigned to produce.
The script was written by Richard Brooks, who also directed.[4] This was Richard Brooks' second film as director. His first, Crisis, had starred Cary Grant and Grant was originally announced for the lead.[5] Eventually the lead roles were signed to Stewart Granger and Pier Angeli, who had both just signed long-term contracts with MGM.
Granger had done location shooting for a movie Constable Pedley (which later became The Wild North) – filming on that was halted so Granger could make The Light Touch.[6] George Sanders made the film as the first of a 3-picture deal with MGM.[7]
Stewart Granger later wrote in his memoirs he had to make the film or go on suspension:
I wasn't particularly enamored of the thought of working with [Richard Brooks] as I had heard he had reduced a small-part actor to tears. That actor was Ramon Novarro. The thought of anyone reducing one of my childhood heroes to tears filled me with anger, but that's Hollywood. When a star is down he's fair game for anyone. I had to agree in order to avoid suspension and went along to meet Brooks. His opening words [were], 'I have to tell you that I wanted Cary Grant... [He then introduced the leading lady.]'That's Anna Maria Pierangeli who'll play opposite you. Doesn't speak very good English but we'll get round that.' I spoke very good English but wondered how the hell I would get round his dialogue.[8]
Filming started April 1951 and took place on location in Taormina, Sicily, and Tunis, before returning to the MGM studios for two weeks.[9]
Writer Truman Capote was living in Taorima at the time of filming and persuaded Brooks to place him in a street scene. However, while screening the rough cut, Berman spotted Capote's face and had him edited out.[10]
Granger recalled, "Making The Light Touch was fairly uneventful and I knew as I made it that it would add nothing careerwise to anybody connected with it. Pier Angeli was adorable with an anxious mother in attendance at all times and Brooks was his apparently usual, unpleasant self.[8]
Reception
editAccording to MGM records, the movie earned $438,000 in the US and Canada and $843,000 internationally, leading to a loss of $406,000.[1]
It recorded admissions of 10,277 in France.[11]
References
edit- ^ a b c 'The Eddie Mannix Ledger’, Margaret Herrick Library, Center for Motion Picture Study, Los Angeles
- ^ Schallert, Edwin (June 17, 1950). "Drama: Jed Harris, Tom Reed Again Scripting; Boy Actor on Stardom Road". Los Angeles Times. p. 9.
- ^ THOMAS F. BRADY (Apr 11, 1950). "BRANDO IS SIGNED FOR WARNER FILM: Actor Will Get $75,000 to Play Role in 'Streetcar Named Desire' He Did on Stage". New York Times. p. 27.
- ^ A.H. WEILER (Nov 26, 1950). "BY WAY OF REPORT: Fox Prepares Movie About Newspaper's Struggle for Survival--Other Notes". New York Times. p. X5.
- ^ Hopper, Hedda (Oct 20, 1950). "Red Skelton Is Likely to Get His Wish for Clown Role: Looking at Hollywood...". Chicago Daily Tribune. p. b6.
- ^ Schallert, Edwin (Feb 24, 1951). "Drama: Granger, Pier Angeli Will Costar; Margaret Sheridan in New Deal". Los Angeles Times. p. 11.
- ^ THOMAS F. BRADY (Mar 23, 1951). "COLUMBIA CANCELS LARRY PARKS FILM: Actor Who Confessed He Was Former Communist Won't Be Used by Studio in 1951". New York Times. p. 16.
- ^ a b "The Light Touch", Turner Classic Movies, accessed 26 September 2022
- ^ THOMAS F. BRADY (Mar 29, 1951). "REMAKE OF COMEDY LISTED AT WARNERS: 'Sons O'Guns,' 1929 Musical by Donahue and Thompson, on Weisbart Schedule". New York Times. p. 41.
- ^ Clarke, Gerald (1988). "Chapter 25". Capote: A Biography. Fresno, CA: Linden Pub. ISBN 9780671228118.
- ^ Box office information for Stewart Granger films in France at Box Office Story