Template:Dashboard.wikiedu.org bibliography/sandbox

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Bibliography

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Jones, Jonathan. “For Robert Indiana, Love Was the Message .” The Guardian, Guardian News and Media, 22 May 2018, www.theguardian.com/artanddesign/2018/may/22/for-robert-indiana-there-was-always-power-in-love.


Arn, Jackson. “The Ramshackle Street That Shaped a Generation of Artists.” The New Yorker, 7 Aug. 2023, www.newyorker.com/magazine/2023/08/14/the-slip-the-new-york-city-street-that-changed-american-art-forever-prudence-peiffer-book-review.

“An Artist Guide to Robert Indiana.” Christie’s, 13 Feb. 2020, www.christies.com/en/stories/an-artist-guide-to-robert-indiana-c209e2b764b449d7bf65ee4a03d91613.

Bedwell, Michael. “The Gay L-O-V-e Story behind the Iconic Image Adored around the World.” LGBTQ Nation, LGBTQ Nation, 14 Feb. 2021, www.lgbtqnation.com/2019/10/gay-l-o-v-e-story-behind-iconic-image-adored-around-world/.

Sources for Ellsworth Kelly

References

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Outline of proposed changes

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Introduction Section:

Add more information about the Drogo Sacramentary’s historical context, emphasizing its creation for Drogo, Bishop of Metz, in the mid-9th century. Reference Leesti (1989) and Simon (1975) to establish the connection between Drogo’s patronage and the Carolingian Renaissance, which will provide historical depth and context that is currently lacking.

Iconography Section:

Expand on the iconography of the manuscript, especially the depiction of Christus patiens in the Crucifixion scene. Utilize Simon’s (1975) dissertation and Chazelle (2001) to explain the theological meaning behind these depictions. This will enhance the article by providing an in-depth art historical and theological analysis of the Drogo Sacramentary's most notable imagery.

Liturgical Use Section:

Add a new section on the sacramentary’s liturgical function, detailing how it was used in Mass by Bishop Drogo. Reference Leesti (1989) and Simon (1975) to describe the manuscript’s purpose and how it differs from other liturgical books of its time. This fills in a content gap by connecting the manuscript to its religious use, providing a more complete understanding of its importance.

Theological and Eschatological Themes Section:

Introduce a section that explores the eschatological themes in the manuscript, as analyzed in Simon’s (1975) dissertation. This section will explain how the images reflect theological ideas of the afterlife and judgment, adding depth to the article by examining the broader spiritual implications of the artwork.

Physical Description Section:

Expand the description of the manuscript’s dimensions, materials, and folios. This will provide readers with a better understanding of the manuscript’s physical properties, enhancing their comprehension of its luxurious craftsmanship. Use Simon (1975) for these details, as this dissertation includes a thorough examination of the manuscript's construction.

Notability and Artistic Value Section:

Create a dedicated section that emphasizes the manuscript’s notability and its place in the history of medieval art. Use Chazelle (2001) and Leesti (1989) to discuss why the Drogo Sacramentary is considered a masterpiece of Carolingian art, highlighting its artistic significance and lasting impact. This will improve the article by offering a well-rounded evaluation of the manuscript's legacy.