Talk:The Stepford Wives (1975 film)/Archive 1
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BetacommandBot (talk) 06:50, 25 February 2008 (UTC)
Joanna and Bobbie picture
This says that "they are "Liberated Women" of the early-mid 70s". It should surely say either 'early' or 'mid'. 'Early-mid' sounds like exactly 1973.Myrvin (talk) 20:09, 21 June 2009 (UTC)
Nanette Newman's casting
I have some vague recollection Bryan Forbes said in an interview with The Daily Telegraph that he was pressured by the film's producers to cast his wife. Verification? 78.146.86.175 (talk) 16:42, 21 June 2009 (UTC)
- Couldn't say about the article, but according to documentary, they came as a pair. Seems like it was fine w the producers, but the writer wasn't happy about it, which created other hard feelings. Cbradshaw (talk) 17:26, 21 June 2009 (UTC)
- In Adventures in the Screen Trade, Goldman wrote a whole chapter about this film and how (he says) he ruined it (and more or less knew he was doing so) with the words "She's a perfectly good actress; I think she'd be fine" when Forbes asked him about Newman. In addition to what's already explained in the article about how this forced a change in the look he'd envisioned for the film (on the theory that if the men of Stepford were so fearful of their wives becoming liberated, they'd want them replaced with absolutely gorgeous robot versions rather than tamely domestic ones), he notes that they'd had trouble as it was finding a director and didn't want to have to go through that all again (or, rather, he didn't want to be the one whose fault it was that they had to.
Also in that book (but not in that chapter), he complained that the studio's release strategy hurt the film ... they needed some cash fast, so they flooded the theaters with it for three weeks and then pulled it back drastically. Might be worth adding. I have the book somewhere but I can't remember. Daniel Case (talk) 16:41, 5 June 2010 (UTC)
- In Adventures in the Screen Trade, Goldman wrote a whole chapter about this film and how (he says) he ruined it (and more or less knew he was doing so) with the words "She's a perfectly good actress; I think she'd be fine" when Forbes asked him about Newman. In addition to what's already explained in the article about how this forced a change in the look he'd envisioned for the film (on the theory that if the men of Stepford were so fearful of their wives becoming liberated, they'd want them replaced with absolutely gorgeous robot versions rather than tamely domestic ones), he notes that they'd had trouble as it was finding a director and didn't want to have to go through that all again (or, rather, he didn't want to be the one whose fault it was that they had to.
Serious horror film?
"Serious horror film?" This sounds more like a fantasy film to me. 174.71.93.245 (talk) 09:15, 13 January 2011 (UTC)
A theme of patriarchal critique
The plot also continues a theme of patriarchal critique dating at least from Mary Shelley's 1818 novel "Frankenstein", which, unlike most movies of the same name, is intimately concerned with the implications of men's control of the manipulation of life, a concern of outstanding relevance today, when genetic engineering, DNA therapy, cloning, and synthetic life <http://www.jcvi.org/cms/press/press-releases/full-text/article/first-self-replicating-synthetic-bacterial-cell-constructed-by-j-craig-venter-institute-researcher/home/>are all in the cards.
This is a feministic interpretation lacking any factual basis and should be removed from the article.217.94.195.76 (talk) 13:45, 20 January 2013 (UTC)