Talk:Sunny A. Smith

Latest comment: 8 years ago by Strawcraft in topic I am the subject of this article

I am the subject of this article

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Nicole Archer, Security Blankets: Uniforms, Hoods, and the Textures of Terror, Women and Performance, December 6, 2014. [1] [2]

Scarlet Cheng, Labour and Wait displays the melding of art and craft, Los Angeles Times, Los Angeles, CA, August 31, 2013. [3]

Rebecca Uchill, Processing Transactions, Forming Intent: Coproduction and Exchange in the Work of Allison Smith, FutureAnterior 10, no. 1, Summer 2013. [4] [5]

Brooke Hodge, Where Arts and Crafts are One. The New York Times Magazine, New York, NY, July 1, 2013. [6]

Jacquelyn Gleisner, New Kids on the Block: All Who Muster with Allison Smith, art:21, June 10, 2013. [7]

Martha Schwendener, Fifes and Drums as Performance Art, The New York Times, New York, NY, June 7, 2013. [8]

Barbara Pollack, The Civil War in Art, Then and Now, ARTnews, May 15, 2013. [9]

Carol Kino, A Bridge's Golden Years, The New York Times, New York, NY, June 7, 2012. [10]

Sam Whiting, International Orange Opens at Fort Point, May 20, 2012. [11]

Mel Y. Chen, Masked States and the Screen Between Security and Disability, Women's Studies Quarterly 40:1 & 2 Spring/Summer 2012. [12] [13]

Matt Sussman, Pre-Occupied, San Francisco Bay Guardian, San Francisco, CA, December 20, 2011. [14]

Frances Du Vuono, Allison Smith, Museum of Contemporary Art Denver, Art in America, August 27, 2011. [15]

Matt Sussman, Crying in Public, San Francisco Bay Guardian, San Francisco, CA, June 14, 2011. [16]

Nirmala Nataraj, The Cries of San Francisco: Marketplace as Art, San Francisco Chronicle, San Francisco, CA, June 2, 2011. [17]

Gerard Brown, Reenactment and Relic: The Civil War in Contemporary Art. Remixing the Civil War: Meditations on the Civil War Sesquicentennial. Baltimore: Johns Hopkins University Press, 2011. [18]

Pablo Helguera, Education for Socially Engaged Art. New York: Museum of Modern Art, 2011. [19]

Rebecca Schneider, Performing Remains: Art and War in Times of Theatrical Reenactment. London: Routledge, 2011. [20]

Ann Landi, History in the Making, ARTnews, April 1, 2011. [21]

Melissa Feldman, Huckleberry Finn, frieze 137, March 2011. [22]

Kenneth Baker, Huckleberry Finn in Visual Form at CCA, SF Gate, San Francisco, CA, December 2, 2010. [23]

Jennifer Geigel Mikulay, Acts of Association: Allison Smith's Craft as Civic Practice, Journal of Modern Craft, 2, no. 2 (2010). [24]

Geir Heraldseth, Interview with Allison Smith, Acne Paper 7, Paris, France, Autumn 2008.

Holland Cotter, With Politics in the Air, A Freedom Free-for-All Comes to Town, The New York Times, New York, NY, September 22, 2008. [25]

Daniel Kunitz, Artists Soldier for Democracy at the Park Avenue Armory, The Village Voice, New York, NY, September 3, 2008. [26]

Philip Auslander, On Procession, Artforum, May 2008. [27] Julia Bryan-Wilson, The Politics of Craft, Modern Painters, February 2008. [28]

Tavia Nyong'o, Period Rush: Affective Transfers in Recent Queer Art and Performance, Theater History Studies 28, 2008. [29]

Timothy Marvel Hull, Entrenched with Allison Smith, Swingset 8 (2007). Aimee Walleston, Allison Smith's Semantic Battleground, Tokion 2, no. 1 (2007). L.D. Beghtol, Fight Club: Allison Smith's Project Inspires Protest, VillageVoice.com, New York, NY, March 30, 2007. [30]

Grace Glueck, At Mass MOCA, A Carnival of Lost Souls and Masquerades, The New York Times, New York, NY, August 4, 2006. [31]

Cate McQuaid, Blast from the Past, The Boston Globe, Boston, MA, June 9, 2006. [32]

Adrian Plant, Allison Smith: Notion Nanny, a-n, May 2006. [33]

Lisa Pasquariello, Ahistoric Occasion: Artists Making History, Artforum, May 1, 2006. [34]

Eleey, Peter. Best of 2005: Emerging Artists. frieze, January-February 2006. [35]

James Trainor, The Muster, frieze, September 2005. [36]

Nick Stillman, Allison Smith, Flash Art, July/September, 2005.

Alison Benjamin, Allison Smith: Q &A, The Guardian, London, England, August 24, 2005. [37]

Barbara Pollack, Allison Smith, Victory Hall, Time Out New York, New York, NY, June 16-22, 2005.

Nick Stillman, The Business of Art: A Conversation with Allison Smith, NYFA Interactive, June 1, 2005. [38]

Randy Kennedy, Desert Island Fantasy, The New York Times, New York, NY, May 16, 2005. [39]

Christopher Pacetta, Ten-hut! New York Artists Invoke Civil War Imagery to Draw Attention to Their Favorite Causes, New York Daily News, New York, NY, May 14, 2005. [40]

Martha Schwendener, Muster & Commander, Time Out New York, New York, NY, May 12-18, 2005.

Ariella Budick, Enlisting in the Army of Art, New York Newsday, New York, NY, May 12, 2005. Carol Vogel, War & Pieces by Artists, The New York Times, New York, NY, May 6, 2005.

Holland Cotter, Log Cabin, The New York Times, New York, January 28, 2005. [41]

Roberta Smith, Allison Smith, Ellen Altfest, The New York Times, New York, NY, October 4, 2002. [42]

Catalogs: Allison Smith: Cries of San Francisco. Southern Exposure, San Francisco, California, 2016. Allison Smith: Rudiments of Fife and Drum. The Aldrich Contemporary Art Museum, Ridgefield, Connecticut, 2014. Allison Smith: Set Dressing. The Arts Club of Chicago, Illinois, 2014. Allison Smith: Needle Work. Mildred Lane Kemper Art Museum, St. Louis, Missouri, 2010. Allison Smith: The Muster. Public Art Fund, New York, New York, 2007.

Strawcraft (talk) 01:49, 6 March 2016 (UTC)Reply