Talk:Raymond Torres-Santos

Latest comment: 6 years ago by Jessicapierce in topic Sources

Untitled edit

Wikified as part of the Wikification wikiproject! JubalHarshaw 13:46, 17 October 2006 (UTC)Reply

Sources edit

I've removed the following huge list of "sources" from the article, because they are not useful. If someone wants to use them as a starting point to provide actual citations and/or flesh out the article, that would be great. Jessicapierce (talk) 06:11, 26 March 2018 (UTC)Reply

Cambridge University Press 2012), p. 51

  • Hoover, Maya, ed. “Guide to the Latin American Art Song Repertoire: An Annotated Catalog of

Twentieth-Century Art Songs for Voice and Piano. Indiana University Press, 2010

  • Rodríguez, Jorge. “La canción de las Americas”. Escenario. Música. El Vocero (San Juan).

November 6, 2009

  • Hernández, Carmen Dolores. “El músico y la golondrina: la historia de una ópera”. La Revista. Creación. El Nuevo Día (San Juan). October 7, 2007
  • Chase, Robert, ed. “Raymond Torres-Santos,” Momento Mori (Lanham, Maryland: The Scarecrow Press, Inc., 2007) pp. 268–270
  • Toro Vargas, Cirilo. “Raymond Torres-Santos,” Diccionario biográfico de compositores

Puertorriqueños. 2nd edition (Ponce, Puerto Rico: Guayacán, 2006) p. 265

  • Rivera José. Roberto Sierra’s Missa Latina: Musical Analysis and Historical Perspectives. Doctoral dissertation. Florida State University, 2006, p. 27
  • Flores, Marco. Puerto Rican Contemporary Piano Repertoire: a Performance Project. Doctoral dissertation. Arizona State University, 2005
  • Kuss, Malena, ed. “Puerto Rico,” Music in Latin America and the Caribbean, vol. 2 of Performing the Caribbean Experience: an Encyclopedia History (Austin: University of Texas Press, 2004), pp. 176–177
  • Olivieri, Luis. “Panorama de la actividad coral Puertorriqueña,” in Resonancias: Revista Puertorriqueña de Música (San Juan, Puerto Rico: Instituto de Cultura Puertorriqueña, December 2004), Num. 8 (December 2004), pp. 31–32
  • Who’s Who in Classical Music 2003. Europa Publications, 2003
  • Strimple, Nick. Choral Music in the Twentieth Century (Pompton Plains, New Jersey: Amadeus

Press 2002), p. 206

  • Hall, Charles J. “1958-Composers,” Chronology of Western Classical Music: 1751-1900 (New

York, New York: Routledge 2002), p. 972

  • Alonso, Ernesto. The String Quartets in Puerto Rico: Repertory and Organization. Doctoral dissertation. Catholic University of America, Washington, DC. 2002, pp. 196–204
  • Casares Rodicio, Emilio, ed. “Raymond Torres-Santos,” Diccionario de la Música Española e Hispanoamericana (Madrid: Sociedad General de Autores y Editores, 1999-2002), vol. 10, pp. 419–420 (includes photo)
  • Sadie, Stanley and John Tyrell, ed. “Raymond Torres-Santos,” The New Grove Dictionary of Music and Musicians, second edition (London: MacMillan, 2001), vol. 25, p. 632
  • Heintze, James R. Michael Saffle. Reflections on American Music: The Twentieth Century and the New Millennium: a collection od Essays in Honor of the College Music Society. (Pendragon Press

2000), p. 350

  • Olivieri, Luis. “A Short History of Choral Music in Puerto Rico,” in International Choral Bulletin 20/2, (2000), p. 24
  • Loza, Steve. Barrio Rhythm: Mexican American Music in Los Angeles. (University of Illinois, 1999), pp. 119 and 121
  • Álvarez, Luis Manuel and Cristóbal Díaz Ayala, ed. Acángana: 100 Years of Puerto Rican Music (San Juan, PR: Banco Popular, 2000)
  • Olivieri, Luis. “Apuntes hacia una historia del desarrollo coral en Puerto Rico,” in Coral (San Juan, Puerto Rico: Sociedad Puertorriqueña de Directores de Coros, Inc., 1999), vol. 11, no. 2, p. 17
  • Díaz Ayala, Cristóbal, ed. Antología de las cien mejores canciones populares puertorriqueñas del siglo XX. (San Juan, PR: Disco Hit, 1999)
  • Martínez-Solá, Jorge. “La marcha comienza: La música y los músicos ‘clásicos’ en Puerto Rico en el siglo XX.” La Marcha de los jíbaros 1898-1997: Cien años de música puertorriqueña por el mundo. Cristóbal Díaz Ayala, ed. Cristóbal, ed. (San Juan, PR:

Editorial Plaza Mayor, 1998) p. 41

  • Ficher, Miguel, Martha Furman and John M. Furman, ed. Latin American Classical Composers: a Biographical Dictionary (Maryland: Scarecrow Press, 1994) p. 347
  • Bibliotheque Internationale de Musique Contemporaine, Paris 1998
  • Quintero, Ángel G. Salsa, sabor y control (México: Editorial Siglo XXI, 1998) p. 355
  • Cummings, D.M., ed. “Raymond Torres-Santos,” International Who’s Who in Music, (Cambridge, MA 16/1998)
  • “Raymond Torres-Santos,” Baker’s Biographical Dictionary of 20th Century Classical Musicians, (New York, NY: Schirmer Books, 1997) p. 1397
  • Ortíz, William. “A “Panoramic View of Puerto Rican New Music,” in World New Music Magazine, VI, Cologne, September 1996
  • Special acting appearance in the motion picture, Linda Sara. Directed and produced by Jacobo Morales for Cinesi Films, San Juan, PR 1995
  • Puerto Rico A-to-Z Encyclopedia, San Juan, PR 1995
  • Bio-Bibliographical Dictionary of Latin American Composers, New York, NY 1990/1994
  • Camuñas, Carlos. “Ejemplo del músico ideal,” Diálogo (San Juan, PR) (Oct 1992), p. 36
  • American Keyboard Artists, USA 1990
  • Slonimsky, Nicolas, ed. “Raymond Torres-Santos,” Baker’s Biographical Dictionary of Musicians (New York, NY: Schirmer Books, 1990)
  • Kerlinda Deglans and L.E. Pabón Roca: Catálogo de música clásica contemporánea de Puerto Rico (Río Piedras, PR. 1989)
  • American Keyboard Artists, Chicago Biographical Center, 1988, p. 221
  • S. Lamoutte: “Raymond Torres en pleno apogeo de su carrera,” El Nuevo Día, San Juan, PR 7-I-1988, 78
  • Luis Olivieri. “Elegía de Reyes”, Coral, 4/3 (1987): 9.
  • American Contemporary Composers: a Biographical Dictionary (Boston, MA 1987)
  • García, Tony. “Raymond Torres-Santos: Portrait of a Multi-Talented Musician.” Overture, 56, IX Los Angeles, CA Sept (1986), 12 only.
  • “Raymond Torres-Santos.” Downbeat Magazine, V 1987, 62