Talk:Night Watch (Discworld)

Latest comment: 6 years ago by 89.134.199.32 in topic wrong assumption

Ned Coates

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I removed this paragraph added by MartinRe because I don't think that the Coates character is important enough to appear in a synopsis and because I don't see what's so surprising (or important) about his "From how far back?" comment. (The image in my mind here is 'Fierce warrior from ancient, barbarian times' which has been used for Vimes-in-action in previous books.) 85.182.9.134 12:13, 26 January 2006 (UTC)Reply

Fair point. The image in my mind when I read Coates's comment originally was a "you too?", but I may be reading too much into it. I think Coates has an interesting part in the book: he's the only one who knew the real Keel; he was a key revolutionary; he is unfraid of Carcer, argueing with him about harming young Vimes; When he resigns, Vimes/Keel talks to him about "revolutions always come around again" (circle of time reference?). Coates also dies in the battle just like Keel/Vimes. He's also very sure ("Yes. I can.") he can imagine what it would be like if Carcer was allowed to stay in this time. (understanding or foreknowledge?) I've have wondered whether Coates is a mirror of Vimes/Keel, only his task was to make sure the revolution took place correctly. All in all, probably a little too tenuous to have in the article, but I still feel there's more to Coates than meets the eye. MartinRe 15:56, 26 January 2006 (UTC)Reply

Addition by a vandal

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The following piecew is removed, since it was added by an anon with many vandalism edits, hence this addition requires independent verification.

Young Vimes believes Vimes to be the real Keel, allowing Vimes to teach Young Vimes the lessons for which Vimes idolised Keel. Essentially this means that Vimes taught and idolised himself, not Keel.
The novel climaxes in the Revolution, hinted at since the start of the book. Vimes baracades a few streets to keep people safe from the rebels, but the baracades are pushed forward gradually during the night to encompass the surrounding streets, until Vimes is under control of more of Ankh-Morpork than the rebels.

mikka (t) 19:40, 22 July 2005 (UTC)Reply

I beg to differ. Lu Tze specifically tells Vimes in the book that Keel DID teach Vimes. The actual explanation is spread over several pages in my edition, but suffice it to say that Vimes is in a parallel universe of sorts. Hence, Vimes did not teach himself, but another incarnation of himself in this parallel universe. Watercleave (talk) 11:02, 8 August 2009 (UTC) Seconded Asdir (talk) 11:28, 25 August 2015 (UTC)Reply

Parody of Les Mis

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I see from the history that this was cut in the middle of a large and beneficial edit, but why is the book no longer regarded as a parody of Les Miserables? While the modified version ("A great deal of the plot is inspired by civil uprisings like the Paris Commune of 1871 and comparable ones, as depicted in Les Miserables, for example") is correct, the book has very strong ties to Les Mis in particular (see LSpace's comments) - while many are coincidental, the references to loaves of bread and the inverted definitions of justice imply a much stronger link. I'm not going to put it back in myself, but if this convinces anyone else then they can. Tyrhinis 10:49, 6 June 2006 (UTC)Reply

That entire section (along with most of this article in fact) is original research and should be sourced or expunged but I don't have the time or the energy to do either at the moment but just something to bring up. Cat-five - talk 02:52, 6 April 2008 (UTC)Reply
Moreover the novel is rather somber in tone, especially for a Pratchett novel. Pratchess knows how to write parody, and this isn't an attempt to do so. --Anticipation of a New Lover's Arrival, The 03:39, 6 April 2008 (UTC)Reply

Buh?

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"It is stated that the event which caused Vimes and Carcer to be sent into the past was a major temporal shattering, the implication being the cause of Vimes going through time is that he was caught in the explosion at the same instant the glass clock struck and time froze in Thief of Time." That's a bit original, eh? Vitriol 16:56, 13 July 2006 (UTC)Reply

Only a bit... they talk about a lightning bolt hitting a clock shop in Cunning Artificers and stopping all the clocks in the shop at once, which would tie in very strongly, and Lu-Tze's dialogue when he's explaining the situation to Vimes suggests that, if it's not happening as part of the fallout from TOT, then the Men in Saffron have managed to have another serious event pretty damn fast considering their previous record of competence. The fight that LZ and Lobsang find on the way to Jeremy's shop (where LZ warns him not to touch the hovering arrow) isn't mentioned, true, but Ankh-Morpork's a big city, I'm sure they can have more than one arrest at once. Tyrhinis 17:13, 24 August 2006 (UTC)Reply
If you really want, you can cite the Annotated Pratchett File for support for the above statement. --Kerowyn Leave a note 19:21, 29 August 2006 (UTC)Reply

Lilac

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Could the lilac-wearing and the relatively non-bloody revolution be an allusion to the Portugese Carnation Revolution? What do you think? PsychoPiglet 21:32, 20 June 2007 (UTC)Reply

The revolutionaries in the book used the lilacs as a method of identification. As far as I can tell from the article on the Carnation Revolution, the revolutionaries there were celebrating.
In any case, the reference isn't explicit, and it seems to me like it's rather unimportant. Watercleave (talk) 11:06, 8 August 2009 (UTC)Reply
I would suggest that much of the events and images of Night Watch may owe more to those of the Paris Commune than to the Carnation Revolution.; they constructed makeshift barricades on the streets (without all the attendant humor found in Night Watch); some 147 members of the Commune were summarily shot and their bodies dumped into a pit at Paris' Père Lachaise Cemetery (where there is a memorial to them known as the Communards' Wall), and some 25,000 marchers in 1880 wore "immortal" red roses in their buttonholes while facing police.
While far from an explicit homage to the Paris Commune, I would argue that Night Watch is much closer to it than to the Carnation Revolution. -- Couillaud 16:33, 30 July 2018 (UTC)

Life on Mars (TV series)

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Somebody has remarked on Talk:Life on Mars (TV series) that Sam Tyler and Sam Vimes seem to have remarkably similar experiences. I don't think it's likely that one influenced the other, however, because the basic concept of Life on Mars seems to have been roughed out in the late 1990s, but the program wasn't made until the mid-noughties, whereas Pratchett seems to have conceived and written this 2002 novel in his usual timescale. --Tony Sidaway 23:06, 26 January 2008 (UTC)Reply

I second this line of inquiry. LoM was written (originally) in ~1998, but not broadcast 'til 2006. Meantime, NW was published in 2002. Either it's a remarkable example of parallel development, or someone talked to someone. I wonder if Pratchett's been asked about it? Srain (talk) 09:04, 7 October 2008 (UTC)Reply
Well, considering that Life On Mars has now turned out to be something completely different...Lots42 (talk) 23:01, 5 April 2009 (UTC)Reply

Funnily enough I got the exact same feeling when I heard the Radio Play version of the book. (I wonder if the Radio Play version tried to copy the style of "Life of Mars" as the introduction by Sam Vimes, is nearly identical to the introduction given by Sam Tyler in LoM. — Preceding unsigned comment added by 212.167.5.135 (talk) 14:44, 15 June 2011 (UTC)Reply

Libertarian Science Fiction

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On the strength of what is this classified as Libertarian Science Fiction? I think it's miscategorized. —Preceding unsigned comment added by 136.159.187.3 (talk) 19:10, 4 February 2008 (UTC)Reply

On the basis of it winning the Prometheus Award in 2003, presumably. 205.167.180.130 (talk) 20:52, 5 February 2008 (UTC)Reply
Whatever you may think of some libertarians, the Prometheus has gone to a surprising range of novels by a variety of authors, by no means all Randroids or even Friedmanites. --Orange Mike | Talk 19:43, 10 April 2009 (UTC)Reply

Fair use rationale for Image:Night watch discworld.jpg

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BetacommandBot (talk) 00:58, 14 February 2008 (UTC)Reply

BBC Radio Adaption

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There's currently a serialised radio adaption on BBC Radio 4 - Does anyone have any info on that that can be added to the article? (Not a big diskworld fan, myself, but I was hooked after the first episode of the Radio play) 81.149.182.210 (talk) 22:00, 2 March 2008 (UTC)Reply

What year?

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In what year did the Glorious Revolution of the Twenty-Fifth of May take place? Can we tell? --Orange Mike | Talk 19:41, 10 April 2009 (UTC)Reply

The Discworld uses a strange method of named years, and not numeric dates, as far as I can tell. FOr example, most of the books take place in the Century of the Fruitbat. Watercleave (talk) 11:08, 8 August 2009 (UTC)Reply

Re write

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I'm currently planning to rewrite and source this article, if anyone could provide any sources that'd be great, I'm specifically after stuff on development of the book, rather than reviews. Cheers! Rehevkor 18:09, 14 August 2009 (UTC)Reply

Kidby tribute to Kirby

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The last paragraph of the lede section, about the cover illustration of the British edition, included the following sentence:

Kidby pays tribute to the late artist by placing him in the picture, in the position where Rembrandt painted himself.[citation needed]

I have changed it to

Kidby pays tribute to the late artist by placing him in the picture, in the position where Rembrandt is said to have painted himself.

removing the tag and adding a link to Talk:The_Night_Watch#comment_on_trivia_item.


That section discusses the hypothesis of Rembrandt's self-insertion:

First trivia item states: "Rembrandt cleverly included himself in the painting. In the background, slightly above and to the left of the Captain's head, all that is visible of him is an eye, a nose, part of a forehead, and his painter's beret." Agreed that trivia does not belong; though artist's self depiction in famous painting might fit in narrative and not be considered trivia. However, no citation is provided and the curatorial materials at the Rijksmuseum note that *some believe* this figure to be a self portrait, but experts are not in agreement about it.


The entire Trivia section has since been removed, sometime after being renamed "Other Representations". --Thnidu (talk) 02:51, 7 October 2013 (UTC)Reply

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wrong assumption

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background and publication section has rembrandts picture of a nightwatch which says in its memo: "The book's cover parodies Rembrandt's The Night Watch." this seems to be an erraneous assumption. the cover (picture at the top of the article) is a close remake, could be called a tribute, or reminiscence, or epigonism, whichever suits you but, has nothing satirical or caricaturistical about it, without wich theres no reason to call it a parody. 89.134.199.32 (talk) 20:04, 26 May 2018 (UTC).Reply