This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article is within the scope of the WikiProject Composers, a group of editors writing and developing biographical articles about composers of all eras and styles. The project discussion page is the place to talk about technical and editorial issues and exchange ideas. New members are welcome!ComposersWikipedia:WikiProject ComposersTemplate:WikiProject ComposersComposers articles
This article is within the scope of WikiProject Classical music, which aims to improve, expand, copy edit, and maintain all articles related to classical music, that are not covered by other classical music related projects. Please read the guidelines for writing and maintaining articles. To participate, you can edit this article or visit the project page for more details.Classical musicWikipedia:WikiProject Classical musicTemplate:WikiProject Classical musicClassical music articles
This article is within the scope of WikiProject Chicago, which aims to improve all articles or pages related to Chicago or the Chicago metropolitan area.ChicagoWikipedia:WikiProject ChicagoTemplate:WikiProject ChicagoChicago articles
This article is within the scope of WikiProject Philosophy, a collaborative effort to improve the coverage of content related to philosophy on Wikipedia. If you would like to support the project, please visit the project page, where you can get more details on how you can help, and where you can join the general discussion about philosophy content on Wikipedia.PhilosophyWikipedia:WikiProject PhilosophyTemplate:WikiProject PhilosophyPhilosophy articles
Latest comment: 17 years ago1 comment1 person in discussion
"A simple piece where the audience's expectation for each musical statement was met provided no interest, and no real information to engage the listener. However, a piece where the expectations of the audience were never met voided the probability aspect of the listening experience, and so disengaged the audience." So, the listener never becomes engaged in the music? I don't understand.
I don't think that paragraph is written very clearly, but I can try to explain what it means. In Meyer's book "Emotion and Meaning in Music", he proposes that the emotional response to music comes from both the anticipation of and fulfilment of the listener's expectations. The emotion comes from being led to expect something, and then manipulating those expectations, making the listener wait for it. That's a rough idea of the concept, does it clarify things? That part of the article should probably be rewritten. - Rainwarrior04:12, 23 May 2007 (UTC)Reply
