| This article must adhere to the biographies of living persons (BLP) policy, even if it is not a biography, because it contains material about living persons. Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libellous. If such material is repeatedly inserted, or if you have other concerns, please report the issue to this noticeboard.If you are a subject of this article, or acting on behalf of one, and you need help, please see this help page. |
 | This article is rated Stub-class on Wikipedia's content assessment scale. It is of interest to the following WikiProjects: | ||||||||||||||||||||
| |||||||||||||||||||||
Potential Sources
editHere are some potential resources which might be useful for editors interested in improving this article:
- "Split With the Kind Knife": Salvage Ethnography and Poetics of Appropriation in Jordan Abel's The Place of Scraps
- Decolonial gestures in Canada’s settler state: contemporary Indigenous writers Jordan Abel and Leanne Simpson
- What Place Takes Place in Jordan Abel’s The Place of Scraps?
- The Decolonization of Print, Digital, and Oral Spaces in Jordan Abel’s Injun
- James Mackay interviews Jordan Abel
- Memory and Monuments (Book Review)
- Nishga (Book Review)
- Indigenous Voices Awards Nominee