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Sources edit
I am putting the sources, links to them and translations here; I don't speak Italian and this is just in case the facts differ because of my translations.Jacqke (talk) 18:29, 15 September 2015
Il valente suonatore di Violoncello Carlo Curti bolognese il quale in freschissima età ebbe ufficio di Professore nel patrio Liceo di Musica, con proprio decoro con profitto degli alunni; è stato acclamato ora Primo Violoncellista del rinomato Concerto Duca le di Parma, e ne ha ottenuto ampia Patente onorevolissima sui primi di questo mese. — Lode lui ed Bologna, che dona Artisti d' ogni genere tutto il mondo civile!
The talented Bolognese cello player Carlo Curti who in youth took office as Professor in the native School of Music, with its own decor with pupils' progress; he was acclaimed First Cellist of the renowned concert the Duke of Parma, and he has obtained broad license honorable on the first of this month. — Praise him and Bologna, which gives artists d 'all kinds throughout the civilized world!
Carlo CURTI, nacque in Bologna il novembre 1807: fu prima allievo del Rolla per il violino, poscia si de dicò al violoncello sotto la direzione del Parisini. Nel 1853 fu nominato professore nella Scuola di musica in Parma. Scrisse parecchia musica per violoncello varie trascrizioni edite dallo stabilimento Ricordi. Fu artista di grande merito, si distinse per un suono limpido robusto, sentimento ed espressione efficacissimi. Nel 1872, ritiratosi in Bologna in cattivo stato di salute, passò nel numero dei più fra il generale compianto.
Carlo Curti, was born in Bologna in November 1807: was first a student of Rolla for the violin, afterwards it de He says to the cello under the direction of Parisini. In 1853 he was appointed professor in the School of Music in Parma. He wrote a lot of music for cello transcriptions published by the establishment "Ricordi". He was an artist of great merit, he was distinguished by a strong clear sound, feeling and expression efficacious. In 1872, retired in Bologna in poor health, he passed in the number of more of the late general.
http://www.parmaelasuastoria.it/ita/Cosenza-Cysi%20Opizzone.aspx?idMostra=38&idNode=240#curti carlo
CURTI CARLO Bologna 1807-December 29, 1872 Bologna In Bologna he studied cello. Already experienced in this instrument, he took place in the orchestra of the Teatro Regio in Parma in 1838 (the then headed Nicola De Giovanni). The Curti it soon became one of the best instrumentalists. Ascribed to several academies and talented composer, he was a professor teaching at the Royal School of Music in Parma and, in that capacity, had many excellent students. The feeling and expression were the most salient and distinctive character of Curti was able to give to the notes of his instrument a deflection sweet and touching. Retired in 1871, he retired soon after in his hometown, where a cardiac complication caused by the pneumonia died at age 65. SOURCES AND BIBL .: X, in the Gazzetta di Parma 8 January 1873; P. Bettoli, Splendour music, 1875, 181-182.
http://www.parmaelasuastoria.it/ita/Sanviti-Segrè.aspx?idMostra=38&idNode=302
SAVI ALFONSO December 29, 1773 Parma-Parma 8 May 1847 Studied literature and philosophy at the University of Parma and was then a student of cello and counterpoint Gaspare Ghiretti. He was part of the orchestra of the Teatro Ducale in Parma and was active as a composer. On July 1, 1795 (cellist was already eight years) was appointed supernumerary cellist of the Royal Orchestra, alternating with activities instrumental composition (State Archive of Parma, shows and theaters, from 1802 to 1806, B. 6) .The October 31, 1816 he was allowed to put on the uniform decreed by His Majesty for the teachers in the property of the Royal Orchestra.Vice director of vocal music of the Philharmonic Academy of resurgent Parma, until 1831 he played in the chapels Steccata and Cattedrale.Tra 1826 and 1829 he was professor of cello and counterpoint to the College Lalatta and, with the decree establishing the College Maria Luigia (10 December 1831), was named teacher of the instrument. Also appreciated as singing teacher, she boasted several good students. In 1832 he concurred for the post of teacher of singing school established in the Hospice of Beggars, but was preferred Antonio De Cesari. For the death of Peter Rachelle, the Carnival of 1837 he took place in the orchestra of cello at the harpsichord, given that a year later he left to Carlo Curti. The Elders wrote the following plays: The Enchanted cup (Parma, 1811), the trumpet that the two jealous husbands (A. Sarti, Parma, 1812), Louise and Leandro or lover prisoner (L. Romanelli, Parma, 1814 ); and the cunning of a lover, ballet (Parma, 1825). He also wrote masses, psalms, vespers (to Mass and Vespers at large orchestra performed at the funeral of the Duchess Maria Amalia, 1802) and other sacred music, symphonies (including, Pastoral Symphony, 1822), quartets, trios and duets for strings and winds. SOURCES AND BIBL .: C. Gallico, the capital of music, Parma, 1985, 133; Dictionary Musicians UTET, 1988 VI, 593; GNVetro, Dictionary, 1998.