This article is within the scope of WikiProject Biography, a collaborative effort to create, develop and organize Wikipedia's articles about people. All interested editors are invited to join the project and contribute to the discussion. For instructions on how to use this banner, please refer to the documentation.BiographyWikipedia:WikiProject BiographyTemplate:WikiProject Biographybiography articles
This article has been automatically rated by a bot or other tool because one or more other projects use this class. Please ensure the assessment is correct before removing the |auto= parameter.
This article is within the scope of WikiProject Classical music, which aims to improve, expand, copy edit, and maintain all articles related to classical music, that are not covered by other classical music related projects. Please read the guidelines for writing and maintaining articles. To participate, you can edit this article or visit the project page for more details.Classical musicWikipedia:WikiProject Classical musicTemplate:WikiProject Classical musicClassical music articles
This article is within the scope of the WikiProject Composers, a group of editors writing and developing biographical articles about composers of all eras and styles. The project discussion page is the place to talk about technical and editorial issues and exchange ideas. New members are welcome!ComposersWikipedia:WikiProject ComposersTemplate:WikiProject ComposersComposers articles
Unencyclopedic text without sources from original article moved here
Latest comment: 17 years ago1 comment1 person in discussion
Antonio Lolli, who was born at Bergamo about 1730, appears to have been
somewhat of a charlatan. He was self-taught, and, though a performer of
a good deal of brilliancy, was but a poor musician. He was restless,
vain, and conceited, and addicted to gambling. He is said to have played
the most difficult double-stops, octaves, tenths, double-shakes in
thirds and sixths, harmonics, etc., with the greatest ease and
certainty. At one time he appeared as a rival of Nardini, with whom he
is said to have had a contest, and whom he is supposed to have defeated.
According to some accounts, he managed to excite such universal
admiration in advance of the contest that Nardini withdrew.
Lolli was so eccentric that he was considered by many people to be
insane, and Doctor Burney, in writing of him, says, "I am convinced that
in his lucid intervals, he was in a serious style a very great,
expressive, and admirable performer;" but Doctor Burney does not mention
any lucid interval.