Silambu (Tamil: சிலம்பு; Malayalam: ചിലമ്പ് /cil’əmpɨ̆/), or Gaggara (Tulu: ಗಗ್ಗರ), is an anklet worn and used in a variety of contexts on the Indian subcontinent.

Top to bottom:
A collection of Silambus from Tamil Nadu.
Chilambu used in Theyyam of Kerala.
Gaggara used in Buta Kola of Karnataka.

Etymology edit

According to Jeyaraj, the word 'silambu' is derived from the verb 'silambal', meaning 'to make sound'.[1]

Description edit

The silambu is a hollow anklet filled with beads that produce noise when the wearer moves or dances.[2] It may be worn on the ankle or the leg. When worn on the leg, it is termed kālchilambu in Tamil.[3]

Some varieties of silambu are made of copper and use iron balls to produce sound.[4] Others are made of silver.[5]

Importance edit

In dance edit

Nautch performers wore silambu.[2] Kandyan dancers may wear silambu.[4]

In art and literature edit

Shiva in his dancing pose nataraja sometimes wears a silambu on his ankle.[citation needed]

 
A statue of Kannagi holding a silambu.

The epic Silappatikaram is structured around the character Kannaki's attempt to sell her silambu, and takes its title from the name of the anklet.[6][7]

In religion and rituals edit

Silambu are sometimes placed on cows' legs during the Pongal festival.[8] In Tamil Nadu, a traditional dance called kai silambu aatam is performed in temples during Amman festivals in which the dancers wear or hold silambus in their hands, which make noise when shaken.[citation needed]

Silambu is also used in ritual dance performances of southern India, such as the Theyyam of Malabar region and the Buta Kola of Tulu Nadu region.

See also edit

Notes edit

  1. ^ Jeyaraj 1999, p. 39.
  2. ^ a b Sambamoorthy 1976, p. 6.
  3. ^ Sambamoorthy 1976, p. 23.
  4. ^ a b Banerji, Projesh (1959). The Folk-Dance of India. Allahabad: Kitabistan. pp. 189–190.
  5. ^ Marcuse, Sibyl (1975). "Silambu". Musical Instruments: A Comprehensive Dictionary. New York: Norton. p. 476. ISBN 9780393007589.
  6. ^ Chakravarti, A. (1944). Jaina Literature in Tamil. New Delhi: Bhāratīya Jñāpītha. p. 51.
  7. ^ The Śilappadikāram. Translated by Dikshitar, V. R. Ramachandra. Oxford University Press. 1939. p. 1.
  8. ^ Sambamoorthy 1976, p. 24.

Sources edit