Wikipedia

Søren Dahlgaard

Søren Dahlgaard (born 1973 in Sorgenfri, Denmark) is a Danish visual artist based in Copenhagen, Denmark.[1][2] Dahlgaard's work is known for exploring the absurdity and playfulness of everyday life, transforming mundane objects and activities into action sculptures, and environmental and socially engaged art.[3][4]

Søren Dahlgaard
CitizenshipDanish
Alma materSlade School of Fine Art, University College London
OccupationVisual artist
Notable workThe Dough Portraits series

Career and work

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Education

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Søren Dahlgaard was born in 1973 in the suburb Sorgenfri outside Copenhagen, Denmark. He holds a BA (Hons) degree from the Slade School of Fine Arts, University College London, 2002, where he studied under Professor Phyllida Barlow in the Sculpture department. In 2019, he completed a practice-led PhD from The Victorian College of the Arts, University of Melbourne, Australia. His PhD thesis, titled "Sculpture as Activating Object", introduce a new category within the field of contemporary action-sculpture, and investigates how a sculptural object activates a process of transformation through play.[5][6]

Notable artworks

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Growing Vegetables On a Coral Island, Hibalhidhoo

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In 2002 Søren Dahlgaard created a vegetable farm on the island of Hibalhidhoo in the Maldives. Presented as a conceptual artwork, the agricultural initiative explored the symbiotic relationship between humans and their environment, emphasizing the importance of sustainability, self-sufficiency, and community resilience. Spanning over two years, the farm cultivated the soil to adapt to the lack of fresh groundwater, nutritious soil, and high temperatures. Exhibited at the National Gallery of the Maldives, the Hibalhidhoo vegetable farm was eventually able to produce chili, bell pepper, cucumber, watermelon, and pumpkin. In the subsequent years, local production increased significantly, reducing the import of chili and cucumber by 30%.[7] The project was reconstructed and exhibited in Aarhus Kunsthal in 2011 along with a talk on arts role for the climate crisis with artist and author Rasheed Araeen.[8][9]

The Dough Warrior

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In 2007, Søren Dahlgaard created his alter ego "The Dough Warrior," which performed at the fair Art Copenhagen, Louisiana Museum of Modern Art’s 50th anniversary, and decorated The National Gallery of Denmark’s Christmas tree.[10][11][12] Transforming 70 kg dough into baguettes, his costume became an artistic paintbrush which explored new ways of creating landscape, portrait and still life paintings. Exhibited at Louisiana Museum, Curator Anders Kold explained in the exhibition catalogue; “Perhaps Søren Dahlgaard feels like a Dough Warrior. Perhaps he doesn’t. He appears to be a combination of a human cannonball and a very sensitive individual. He finds himself in the art system and has chosen dough as his medium, but he could just as well have been impeded in his quest by having brushes tied to his body. He is obviously troubled by history, yet his work is not decidedly political and maintains an acknowledgement of art, of artist and different models of existence as fundamental categories At the same time his work is so wacky or distanced from reality that it cannot fail to bring at least a smile to one’s lips. But we don’t just sit and laugh at it.” [13]

The Dough Portraits

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Presented for the first time in 2008, "The Dough Portraits" is an interactive art series where individuals have their faces covered with a 10 kg lump of dough, resulting in unconventional portraits.[14] First exhibited at The National Gallery of Denmark, Dahlgaard invited museum guests to participate which resulted in a photographic series of portraiture that obscured the recognizable features of the subjects.[15] Invited by art galleries, museums, biennales, and institutions globally, including Canada, the United States, Denmark, Brazil, the Maldives, Finland, Kosovo, China, South Korea and Australia. Dahlgaard has photographed more than two thousand individuals of all ages and backgrounds. The collaborative process of creating the portraits is part of the art as the final image. In 2008, "The Dough Portraits" were featured in the TV-programme ‘Den 11. Time’ with journalist Mads Brügger.[16] The series has been exhibited at TarraWarra Biennale – TarraWarra Museum of Art, Lianzhou International Photo Festival, The Photographers Gallery, Venice Biennale, KIASMA Museum for Contemporary Art, The Israeli Center for Digital Art, Gwangju Biennale, ECCO Contemporary Art Center, Brasilia Brazil, JCCAC – Jockey Club Creative Arts Centre, Centre for Contemporary Art Ujazdowski Castle, NAG – National Art Gallery of Maldives, Andipa Gallery, National Art Gallery of Kosovo, Vancouver Biennale and The National Art Gallery of Denmark.[17][18][19][20]

The Maldives Exodus Caravan Show

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In 2013, Søren Dahlgaard curated "The Maldives Exodus Caravan Show" with Elena Gilbert and Microclima.[21][22] It was first shown at the 55th Venice Biennale with The Museum of Everything at Serra dei Giardini in 2013.[23] Featuring artists such as Bik Van der Pol, Antti Laitinen, Christian Falsnaes, Superflex, Rirkrit Tiravanija, and ten artists from the Maldives, "The Maldives Exodus Caravan Show" was a mobile touring exhibition that promoted environmental and political awareness.[24] It was shown at Te Tuhi Arts Centre in Auckland, Silent Barn Art Center in New York, CCA Andratx in Mallorca and Art+Climate=Change 2015 in Melbourne.[25][26] Søren Dahlgaard’s sculpture "The Inflatable Island" was part of The Maldives Exodus Caravan Show, and also became part of the 11th Global Forum on Migration and Development Summit in Marrakesh, Morocco as part of Migration Week 2018.[27]

The Human Cannonball

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In 2021, Heart Museum for Contemporary Art hosted Søren Dahlgaard’s performative artwork "The Human Cannonball".[28] Exploring the field of action painting, the human cannonball artist was dipped in paint, shot out of the cannon and landed on a large canvas, creating an experimental painting.[29][30] The museum wrote “Of historical and aesthetic significance for Søren Dahlgaard's action paintings are particularly the Japanese art group Gutai from the 1950s, Yves Klein and Piero Manzoni in Europe in the 1960s, as well as the American Paul McCarthy and the Swiss Roman Signer in the 1990s. Central to these artists is the process/action rather than the finished painting object. The painting process as a work contains a physical and bodily potential and statement, which Dahlgaard believes has not been fully explored.”[31]

Collections

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Søren Dahlgaard's work is held in public collections, including KIASMA Museum for Contemporary Art, Museu Arte Rio, Museo National Brasilia, Randers Art Museum, Skovgaard Museum, Statens Kunstfond, and Trapholt Museum of Modern Art.

Exhibitions

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2023

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2019

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  • The Migrating Island, Displacement Uncertain Journeys, Geneva, Switzerland.

2018

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  • Sculpture as Activating Object, Artspace Melbourne, Australia.

2015

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2014

  • Growing Vegetables On a Coral Island Hibalhidhoo, CCA Andratx Contemporary Art Center, Mallorca, Spain.
  • Dough Portraits, Kunsthalle Bregenz, Austria.

2013

2012

  • Seeing is Believing, Viborg Kunsthal, Denmark.
  • Dough Portraits, The National Art Gallery, Maldives.

2011

  • A Hedge is a Lance, Asbæk Gallery, Copenhagen, Denmark.
  • The Beauty of Chaos, ECCO - Art Center, Brasilia, Brazil.
  • Growing Vegetables On a Coral Island, Hibalhidhoo, Kunsthal Aarhus, Denmark.
  • Hibalhidhoo, Galleri Image, Aarhus, Denmark.

2010

  • Søren Dahlgaard – The Dough Show, The National Art Gallery of Kosovo.

2009

  • Challenging Dough, Stalke Gallery, Denmark.

2008

Publications

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  • Ed. Raimar Stange, Pirkko Siitari, Rune Gade, Karen McQuaid, Dough Portraits - Søren Dahlgaard, Art Books Publishing, 2015.
  • Ed. Else Marie Bukdahl, Lisbeth Bonde and Bodil Johanne Monrad, Søren Dahlgaard - Seeing is Believing, Viborg Kunsthal, 2012.
  • Rasheed Araeen and Eliza Tan, Søren Dahlgaard - Growing Vegetables on a Coral Island Hibalhidhoo, Galleri Image, 2011.
  • Anders Kold, The Dough Warrior Project, Stalke Galleri, 2008.
  • Ed. Judi Lund Finderup & Henrik Holm, Søren Dahlgaard – Dough Portraits, Statens Museum for Kunst / The National Gallery, Denmark, 2008
  • Ed Karla Osorio Netto, Aya Kinoshita & Søren Dahlgaard, Søren Dahlgaard – The Beauty of Chaos – expanding painting, ECCO Contemporary Art Center Brasilia, Brazil, 2011. ISBN 978-85-62376-11-5

References

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  1. ^ "Performativ æstetik". kunsten.nu - Online magasin og kalender for billedkunst (in Danish). 2012-07-03. Retrieved 2024-07-10.
  2. ^ "kriger i baguettes Kunstner bager sig selv ind i 70 kilo dej i dag". Politiken (in Danish). 2007-09-21. Retrieved 2024-07-10.
  3. ^ Christensen, Anders Ladefoged (2023-09-25). "Han er kendt for dejportrætter og oppustelige øer: »Jeg griner selv over min egen kunst«". Jyllands-Posten (in Danish). Retrieved 2024-07-10.
  4. ^ "Mobile Island - Søren Dahlgaard". Gertrude. Retrieved 10 July 2024.
  5. ^ Jakobsen, Ole Bak (2020-05-19). "Praksisbaseret Kunstforskning: Søren Dahlgaard: Den aktiverende skulptur". kunsten.nu (in Danish). Retrieved 2024-07-10.
  6. ^ Dahlgaard, Søren. "PhD thesis: Sculpture as activating object". Retrieved 10 July 2024.
  7. ^ "Kunst kan forandre verden". kunsten.nu (in Danish). 2011-02-16. Retrieved 2024-07-10.
  8. ^ "Kunstner udstiller sine grønne fingre". DR (in Danish). 2011-01-25. Retrieved 2024-07-10.
  9. ^ "Grøntsager på Maldiverne i den postpetrolistiske tidsalder". kunsten.nu (in Danish). 2011-01-24. Retrieved 2024-07-10.
  10. ^ "kriger i baguettes Kunstner bager sig selv ind i 70 kilo dej i dag". Politiken (in Danish). 2007-09-21. Retrieved 2024-07-10.
  11. ^ "farlig kunst Dejkrigeren er ramt af gærinfektion". Politiken (in Danish). 2008-07-14. Retrieved 2024-07-10.
  12. ^ "Dejkriger pynter juletræ". DR (in Danish). 2008-11-24. Retrieved 2024-07-10.
  13. ^ "The Dough Warrior Project! by Søren Dahlgaard - Issuu". issuu.com. 2012-09-26. Retrieved 2024-07-10.
  14. ^ "Dejkrigeren fordrejer hovedet på folket". Politiken (in Danish). 2016-01-04. Retrieved 2024-07-10.
  15. ^ "Er det ikke lige så absurd at være bankmand?". kunsten.nu (in Danish). 2009-01-06. Retrieved 2024-07-10.
  16. ^ Den Ellevte Time (2017-05-09). Den 11. time afsnit 99, Musikeren Snöleoparden og dej-kunstneren Søren Dahlgaard. Retrieved 2024-07-10 – via YouTube.
  17. ^ "'Whisper In My Mask' Explores The Stunning Complexities Of Disguise". HuffPost. 2014-08-29. Retrieved 2024-07-10.
  18. ^ Rainforth, Dylan (2014-10-06). "Melborne Festival exhibition goes behind the Dreamtime tale mask in Tarrawarra Biennial". The Sydney Morning Herald. Retrieved 2024-07-10.
  19. ^ "Malene fik klasket surdej ud over hovedet: - Det var faktisk ret beroligende | viborg-folkeblad.dk". viborg-folkeblad.dk (in Danish). 2023-09-25. Retrieved 2024-07-10.
  20. ^ Gru, Signe. "Bizart? Børn og og voksne klasker dej i hovedet". TV2 Nord (in Danish). Retrieved 2024-07-10.
  21. ^ Buncombe, Andrew (12 June 2013). "Political turmoil in the Maldives reverberates all the way to the Venice Biennale 2013". The Independent. Retrieved 10 July 2024.
  22. ^ "The Maldives Exodus Caravan Show - Announcements - e-flux". www.e-flux.com. Retrieved 2024-07-10.
  23. ^ "Not waving, drowning". NZ Herald. 2024-07-11. Retrieved 2024-07-10.
  24. ^ ""Klimakunst nytter"". kunsten.nu (in Danish). 2016-09-06. Retrieved 2024-07-10.
  25. ^ "Political / Climate Change". eyecontactmagazine.com. Retrieved 2024-07-10.
  26. ^ Warden, Ian (2016-07-12). "Gang-gang. Art show tropical island to pop up in cold Canberra". The Canberra Times. Retrieved 2024-07-10.
  27. ^ "Displacement: Uncertain Journeys". Creative Carbon Scotland. Retrieved 2024-07-10.
  28. ^ 19:30 - 28. aug 2021 (in Danish). 2021-08-28. Retrieved 2024-07-10 – via www.tvmidtvest.dk.
  29. ^ "Se video. Søren Dahlgaard maler med kanonkonge". kunsten.nu (in Danish). 2021-09-15. Retrieved 2024-07-10.
  30. ^ "Søren Dahlgaard: Kanonkongens Papkanon - Driftskontoret". kunsten.nu (in Danish). 2023-10-18. Retrieved 2024-07-10.
  31. ^ "Første kanonkonge-maleri nogensinde! Oplev et brag af et kunstevent på Heart". via.ritzau.dk (in Danish). Retrieved 2024-07-10.
  32. ^ Svanholm, Lars (2023-09-26). "Havenisser og oppustelige tropeøer: En absurd humor blander sig med alvorlige temaer i et historisk kunstprojekt". Jyllands-Posten (in Danish). Retrieved 2024-07-10.
  33. ^ "Manden, der skar i sig selv, er en af de kunstoplevelser, som anmelderne ikke vil misse dette efterår". Politiken (in Danish). 2023-08-17. Retrieved 2024-07-10.
  34. ^ "SkovgaardMuseet". www.skovgaardmuseet.dk. Retrieved 2024-07-10.
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