Ruth Ann Baldwin[1] (September 30, 1886 – ) was an American journalist who became a silent film writer and director active during the 1910s, one of the few women to direct in the early era of filmmaking. Despite the fact that she was one of the first female directors in America, not much is known about her, but the work she did in the 1910s was relevant to the society she lived in.

Ruth Ann Baldwin
BornSeptember 30, 1886
West Suffield, Connecticut, USA
Occupation(s)Screenwriter, director, journalist
SpouseLeo Pierson (m. 1917)

Early life

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Ruth Ann Baldwin was born in September 1886 in West Suffield, Connecticut, to Charles Baldwin and Abby Taylor.[2] Her father died when she was young, and she and her mother relocated to the San Diego, California, area.[3] Ruth Ann attended school in National City, where her musical talents were evident, before forging a career as a journalist.[4]

After working as a society columnist at The San Diego Sun, she appears to have moved to Los Angeles around 1913. She was engaged to be married to Walter Bullard Ridgeway, a landscape architect, that same year, although that marriage does not seem to have taken place.[5]

Baldwin later married actor Leo Pierson, who appeared in many of the films she directed, including her two feature films, A Wife on Trial and '49–'17.

Career

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In 1913, Universal Film Manufacturing Company hired Baldwin as a writer.[1] She wrote scenarios for a number of films produced over the next few years, beginning with Damon and Pythias (1914). Most of the films for which she received writing credit are shorts, but Baldwin also contributed to feature-length films.

In December 1914, Universal sent Baldwin to London to assist E. Phillips Oppenheim with turning his, The Black Box into a 15-episode serial.[6] Phillips was an experienced novelist, but The Black Box was the first of his works to be adapted for film and Baldwin had gained a reputation for scenario expertise.

In August 1916, after working for Universal for several years as a writer and a six-month stint as a film editor, Baldwin became a director for Universal.[6] Her first directorial effort was The Mother Call (1916), a one-reel drama.[1]

In 1917, she directed a feature-length film called A Wife on Trial.[7] Based on the novel The Rose Garden Husband, and starring her husband and Mignon Anderson, the film centers on a girl who dreams of owning a garden and ends up marrying a paralyzed man who owns one. Critic Robert C. McElravy of Moving Picture World opined, "... it gets over extremely well and will please the average audience immensely".[8]

Post-directing

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'49–'17 is considered Baldwin's final directorial effort. Following '49–'17, Baldwin left Universal and returned to screenwriting. From 1919 until around 1921, Baldwin wrote scenarios and screenplays for many more films.

In June 1921, Baldwin joined the Clubhouse of the Screen Writers Guild, and was elected to the board of directors.[9]

Filmography

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Year Films Credit Notes
1913 The Werewolf Story Lost film
Short
1914 Damon and Pythias Screenwriter
1914 The Big Sister’s Christmas Story Lost film
Short
1914 Traffic in Babies Story
Screenwriter
Lost film
Short
1914 The Prince of Bavaria Screenwriter Lost film
Short
1914 Vagabond Screenwriter Lost film
Short
1915 An Arrangement with Fate Screenwriter Lost film
Short
1915 The Blank Page Story Lost film
Short
1915 A Double Deal in Pork Story Lost film
Short
1915 Pawns of Fate Story Lost film
Short
1916 The End of the Rainbow Assistant Director
1916 The Mother Call Director
Story
Lost film
Short
1916 A Recoiling Vengeance Screenwriter Lost film
Short
1917 Three Women of France Director Lost film
Short
1917 '49-'17 Director
Screenwriter
1917 A Wife on Trial Director
1917 The Black Mantilla Director
Screenwriter
Lost film
Short
1917 Is Money All? Director
Screenwriter
Lost film
Short
1917 The Rented Man Director
Screenwriter
Lost film
Short
1917 The Storm Woman Director
Screenwriter
Lost film
Short
1917 Twixt Love and Desires Director
Screenwriter
Lost film
Short
1917 When Liz Lets Loose Director
Screenwriter
Lost film
Short
1917 The Woman Who Would Not Pay Director
Screenwriter
Lost film
Short
1917 It Makes a Difference Director
Screenwriter
Lost film
Short
1917 A Soldier of the Legion Director
Screenwriter
Lost film
Short
1919 Chasing Rainbows Screenwriter Lost film
1919 Cheating Herself Screenwriter Lost film
1919 The Sneak Screenwriter Lost film
1919 Broken Commandments Screenwriter Lost film
1920 The Devil’s Riddle Screenwriter Lost film
1921 The Marriage of William Ashe Screenwriter Lost film
1921 Puppets of Fate Screenwriter Lost film

References

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  1. ^ a b c Cooper, Mark Garrett (September 27, 2013). "Ruth Ann Baldwin". In Jane Gaines; Radha Vatsal; Monica Dall'Asta (eds.). Women Film Pioneers Project. New York: Center for Digital Research and Scholarship, Columbia University Libraries. Retrieved 2015-09-29.
  2. ^ "Miss Ruth Ann Baldwin Sails For Europe". Moving Picture World. 23 (2): 197. January 9, 1915. Retrieved 2015-09-29 – via Internet Archive.
  3. ^ "General State News". The Morning Journal-Courier. 13 Nov 1891. Retrieved 2021-12-31.
  4. ^ "Scenario Writers and Editors". Motion Picture Studio Directory and Trade Annual: 284. 1921 – via Ancestry.com.
  5. ^ "Announce Engagement of Ruth Baldwin". National City Star-News. 23 Aug 1913. Retrieved 2021-12-31.
  6. ^ a b "Ruth Ann Baldwin is to be Added to Staff of "U" Directors". Motion Picture News. 14 (8): 1214. August 26, 1916. Retrieved 2015-09-29 – via Internet Archive.
  7. ^ "A Wife on Trial (advertisement)". Motion Picture News. 16 (3): 420. July 21, 1917. Retrieved 2015-09-29 – via Internet Archive.
  8. ^ McElvary, Robert C. (August 18, 1917). "A Wife on Trial". Moving Picture World. 33 (7): 1084. Retrieved 2015-09-29 – via Internet Archive.
  9. ^ "Elected". The Photodramatist. III (1): 6. June 1921. Retrieved 2015-09-29 – via Internet Archive.
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