Presque rien, also titled Almost Nothing in the UK and Come Undone in the US, is a 2000 French-Belgian romantic drama film directed by Sebastien Lifshitz, set in Brittany, depicting a stormy holiday romance between two teenagers and what remains of that relationship eighteen months later.

Presque rien
Theatrical release poster
Directed bySébastien Lifshitz
Written bySébastien Lifshitz
Stéphane Bouquet
Produced byChristian Tison
Jean-Christophe Colson
Cécile Amillat
StarringJérémie Elkaïm
Stéphane Rideau
CinematographyPascal Poucet
Edited byJann Dedet
Music byPerry Blake
Production
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Distributed byPeccadillo Pictures
Release dates
  • 7 June 2000 (2000-06-07) (France)
  • 16 May 2001 (2001-05-16) (Belgium)
Running time
100 minutes
CountriesFrance
Belgium
LanguageFrench
Box office$326,484[1]

Plot

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Upper-middle class Mathieu, is spending his summer vacation on the French coast before beginning studies in the autumn to become an architect. His mother is deeply depressed because of the death of his baby brother from cancer, and is cared for by her sister, while Mathieu and his moody younger sister cannot get along.

Then he meets Cédric at the beach, who is attractive and obviously looking for a boyfriend. The boys embark on a romance, and Mathieu's sudden secrecy and long hours away from home invite the curiosity of both his sister and aunt.

A parallel plotline focuses on Mathieu eighteen months later, as he recovers from the shock of their separation. After Mathieu has tried to commit suicide, he chooses to go back to the small seaside town to learn how to deal with what happened.

The film ends on a hopeful note when Mathieu looks up Pierre, another former boyfriend of Cédric's living in the seaside town, and they overcome past tensions to discover that they understand each other.

Cast

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Production

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Rather than having a clear, chronologically ordered narrative, the movie switches between the summer and the winter plotlines, depicting the differences in Mathieu's life at both points, as well as establishing the contrast between one and the other visually.

Soundtrack

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The soundtrack uses songs by Irish singer and songwriter Perry Blake (from his album Still Life) to convey Mathieu's melancholic, depressive mood.

See also

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References

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