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In modern historiography, ancient Rome encompasses the founding of the Italian city of Rome in the 8th century BC, the Roman Kingdom (753–509 BC), Roman Republic (509–27 BC), Roman Empire (27 BC– 395 AD), and the collapse of the Western Roman Empire in the 5th century AD.

Ancient Rome began as an Italic settlement, traditionally dated to 753 BC, beside the River Tiber in the Italian Peninsula. The settlement grew into the city and polity of Rome, and came to control its neighbours through a combination of treaties and military strength. It eventually controlled the Italian Peninsula, assimilating the Greek culture of southern Italy (Magna Grecia) and the Etruscan culture, and then became the dominant power in the Mediterranean region and parts of Europe. At its height it controlled the North African coast, Egypt, Southern Europe, and most of Western Europe, the Balkans, Crimea, and much of the Middle East, including Anatolia, Levant, and parts of Mesopotamia and Arabia. That empire was among the largest empires in the ancient world, covering around 5 million square kilometres (1.9 million square miles) in AD 117, with an estimated 50 to 90 million inhabitants, roughly 20% of the world's population at the time. The Roman state evolved from an elective monarchy to a classical republic and then to an increasingly autocratic military dictatorship during the Empire.

Ancient Rome is often grouped into classical antiquity together with ancient Greece, and their similar cultures and societies are known as the Greco-Roman world. Ancient Roman civilisation has contributed to modern language, religion, society, technology, law, politics, government, warfare, art, literature, architecture, and engineering. Rome professionalised and expanded its military and created a system of government called res publica, the inspiration for modern republics such as the United States and France. It achieved impressive technological and architectural feats, such as the empire-wide construction of aqueducts and roads, as well as more grandiose monuments and facilities. (Full article...)

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A gladiator (Latin: gladiator, "swordsman", from gladius, "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death.

Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world. (Full article...)

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General images

The following are images from various ancient Rome-related articles on Wikipedia.

Image 1Dressing of a priestess or bride, Roman fresco from Herculaneum, Italy (30–40 AD) (from Roman Empire)
Image 2A green Roman glass cup unearthed from an Eastern Han dynasty (25–220 AD) tomb in Guangxi, China (from Roman Empire)
Image 3Cinerary urn for the freedman Tiberius Claudius Chryseros and two women, probably his wife and daughter (from Roman Empire)
Image 4Workers at a cloth-processing shop, in a painting from the fullonica of Veranius Hypsaeus in Pompeii (from Roman Empire)
Image 5Pride in literacy was displayed through emblems of reading and writing, as in this portrait of Terentius Neo and his wife (c. 20 AD) (from Roman Empire)
Image 6The administrative divisions of the Roman Empire in 395 AD (from Roman Empire)
Image 7Toga-clad statue, restored with the head of the emperor Nerva (from Culture of ancient Rome)
Image 8Marble relief of Mithras slaying the bull (2nd century, Louvre-Lens); Mithraism was among the most widespread mystery religions of the Roman Empire. (from Culture of ancient Rome)
Image 9A victor in his four-horse chariot (from Roman Empire)
Image 10On the Ludovisi sarcophagus (from Roman Empire)
Image 11Finely decorated Gallo-Roman terra sigillata bowl (from Roman Empire)
Image 12Augustus of Prima Porta (from Roman Empire)
Image 13Funerary urn of the Villanovan culture, precursor to Etruscan civilization (from Founding of Rome)
Image 14Wall painting (1st century AD) from Pompeii depicting a multigenerational banquet (from Culture of ancient Rome)
Image 15Eighteenth century painting by Pompeo Batoni depicting Aeneas fleeing from Troy. Aeneas carries his father. (from Founding of Rome)
Image 16A fresco portrait of a man holding a papyrus roll, Pompeii, Italy, 1st century AD (from Culture of ancient Rome)
Image 17Model of archaic Rome, 6th century BC (from Founding of Rome)
Image 18Bread stall, from a Pompeiian wall painting (from Roman Empire)
Image 19Reconstructed peristyle garden based on the House of the Vettii (from Roman Empire)
Image 20Mosaic from Pompeii depicting the Academy of Plato (from Roman Empire)
Image 21Eggs, thrushes, napkin, and vessels (wall painting from the House of Julia Felix, Pompeii) (from Culture of ancient Rome)
Image 22Recreation of a deer hunt inspired by hunting scenes represented in Roman art. (from Roman Empire)
Image 23A late Republican banquet scene in a fresco from Herculaneum, Italy, c. 50 BC; the woman wears a transparent silk gown while the man to the left raises a rhyton drinking vessel (from Culture of ancient Rome)
Image 24A bust of Cicero, Capitoline Museums, Rome (from Culture of ancient Rome)
Image 25Relief panel from Trajan's Column in Rome, showing the building of a fort and the reception of a Dacian embassy (from Roman Empire)
Image 26A fresco from Pompeii depicting the foundation of Rome. Sol riding in his chariot; Mars descending from the sky to Rhea Silvia lying in the grass; Mercury shows to Venus the she-wolf suckling the twins; in the lower corners of the picture: river-god Tiberinus and water-goddess Juturna. 35–45 AD. (from Founding of Rome)
Image 27Excavation on the Palatine Hill has found the foundations of a hut believed to correspond to the Hut of Romulus, which the Romans themselves preserved into late antiquity (from Founding of Rome)
Image 28Reconstruction of a wax writing tablet (from Roman Empire)
Image 29The Flavian Amphitheatre, more commonly known as the Colosseum (from Roman Empire)
Image 30Statue in Constanța, Romania (the ancient colony Tomis), commemorating Ovid's exile (from Roman Empire)
Image 31Landscape resulting from the ruina montium mining technique at Las Médulas, Spain, one of the most important gold mines in the Roman Empire (from Roman Empire)
Image 32Public toilets (latrinae) from Ostia Antica (from Roman Empire)
Image 33The so-called Primavera of Stabiae, perhaps the goddess Flora (from Culture of ancient Rome)
Image 34Romulus and Remus on the House of the She-wolf at the Grand Place of Brussels (from Founding of Rome)
Image 35All-male theatrical troupe preparing for a masked performance, on a mosaic from the House of the Tragic Poet (from Roman Empire)
Image 36The Zliten mosaic, from a dining room in present-day Libya, depicts a series of arena scenes: from top, musicians; gladiators; beast fighters; and convicts condemned to the beasts (from Roman Empire)
Image 37Antoninus Pius (r. 138–161) wearing a toga (Hermitage Museum) (from Roman Empire)
Image 38Aeneas's route in Virgil's Aeneid. The epic poem was written in the early first century BC. (from Founding of Rome)
Image 39Condemned man attacked by a leopard in the arena (3rd-century mosaic from Tunisia) (from Roman Empire)
Image 40Cityscape from the Villa Boscoreale (60s AD) (from Roman Empire)
Image 41A fresco from Herculaneum depicting Heracles and Achelous from Greco-Roman mythology, 1st century CE (from Culture of ancient Rome)
Image 42Togate statue in the Museo Archeologico Nazionale d'Abruzzo (from Roman Empire)
Image 43Western Europe during its Middle Bronze Age, with the Apennine Culture in blue (from Founding of Rome)
Image 44Musicians playing a Roman tuba, a water organ (hydraulis), and a pair of cornua, detail from the Zliten mosaic, 2nd century AD (from Culture of ancient Rome)
Image 45Fresco of a seated woman from Stabiae, 1st century AD (from Culture of ancient Rome)
Image 46Solidus issued under Constantine II, and on the reverse Victoria, one of the last deities to appear on Roman coins, gradually transforming into an angel under Christian rule (from Roman Empire)
Image 47Roman portraiture fresco of a young man with a papyrus scroll, from Herculaneum, 1st century AD (from Culture of ancient Rome)
Image 48The Temple of Saturn, a religious monument that housed the treasury in ancient Rome (from Roman Empire)
Image 49Silver cup, from the Boscoreale Treasure (early 1st century AD) (from Roman Empire)
Image 50Fragmentary military diploma from Carnuntum; Latin was the language of the military throughout the Empire (from Culture of ancient Rome)
Image 51A 3rd-century funerary stele is among the earliest Christian inscriptions, written in both Greek and Latin. (from Roman Empire)
Image 52Sestertius issued under Hadrian circa AD 134–138 (from Roman Empire)
Image 53The Colosseum in Rome (from Culture of ancient Rome)
Image 54Mosaic depicting a theatrical troupe preparing for a performance (from Culture of ancient Rome)
Image 55Forum of Gerasa (Jerash in present-day Jordan), with columns marking a covered walkway (stoa) for vendor stalls, and a semicircular space for public speaking (from Roman Empire)
Image 56Winged Victory, ancient Roman fresco of the Neronian era from Pompeii (from Roman Empire)
Image 57The Pont du Gard aqueduct, which crosses the river Gardon in southern France, is on UNESCO's list of World Heritage Sites. (from Roman Empire)
Image 58The Roman empire under Hadrian (ruled 117–138) showing the location of the Roman legions deployed in 125 AD (from Roman Empire)
Image 59The Triumph of Neptune floor mosaic from Africa Proconsularis (present-day Tunisia) (from Roman Empire)
Image 60Gold earrings with gemstones, 3rd century (from Roman Empire)
Image 61Plato's Academy mosaic from Pompeii (from Culture of ancient Rome)
Image 62The Barbarian Invasions consisted of the movement of (mainly) ancient Germanic peoples into Roman territory. Historically, this event marked the transition between classical antiquity and the Middle Ages. (from Roman Empire)
Image 63Slave holding writing tablets for his master (relief from a 4th-century sarcophagus) (from Roman Empire)
Image 64The Tabula Peutingeriana (Latin for "The Peutinger Map") an Itinerarium, often assumed to be based on the Roman cursus publicus (from Roman Empire)
Image 65So-called "Bikini Girls" mosaic from the Villa del Casale, Roman Sicily, 4th century (from Roman Empire)
Image 66The Roman Empire by 476, noting western and eastern divisions (from Roman Empire)
Image 67Fragment of a sarcophagus depicting Gordian III and senators (3rd century) (from Roman Empire)
Image 68The Wedding of Zephyrus and Chloris (54–68 AD, Pompeian Fourth Style) within painted architectural panels from the Casa del Naviglio (from Roman Empire)
Image 69Capitoline Wolf, sculpture of the she-wolf feeding the twins Romulus and Remus, the most famous image associated with the founding of Rome. According to Livy, it was erected in 296 BC. (from Founding of Rome)
Image 70A multigenerational banquet depicted on a wall painting from Pompeii (1st century AD) (from Roman Empire)
Image 71Glass cage cup from the Rhineland, 4th century (from Roman Empire)
Image 72A segment of the ruins of Hadrian's Wall in northern England, overlooking Crag Lough (from Roman Empire)
Image 73Still life on a 2nd-century Roman mosaic (from Roman Empire)
Image 74Trio of musicians playing an aulos, cymbala, and tympanum (mosaic from Pompeii) (from Roman Empire)
Image 75The Pantheon in Rome, a Roman temple originally built under Augustus, later converted into a Catholic church in the 7th century (from Roman Empire)
Image 76Circus Maximus, a mass entertainment venue located in Rome (from Culture of ancient Rome)
Image 77Aquae Sulis in Bath, England: architectural features above the level of the pillar bases are a later reconstruction. (from Roman Empire)
Image 78Head of Constantine the Great, part of a colossal statue. Bronze, 4th century, Musei Capitolini, Rome. (from Culture of ancient Rome)
Image 79A teacher with two students, as a third arrives with his loculus, a writing case (from Roman Empire)

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Halotus (c. 20–30 AD – c. 70–80 AD) was a eunuch servant to the Roman Emperor Claudius, the fourth member of the Julio-Claudian dynasty. He served Claudius as a taster and as a chief steward; it was because of his occupation, which entailed close contact with Claudius, that he is and was a suspect in the murder of the latter by poison. Along with Agrippina the Younger, the wife of Claudius, Halotus was considered one of the most likely to have committed the murder, although speculation by ancient historians suggest that he may have been working under orders of Agrippina.

Following the death of Claudius, much public outrage ensued, and there was a clear desire in the general public that Halotus and several other suspects (such as Tigellinus, another servant who served Claudius), be executed. Nero, who acceded to the throne, allowed Halotus to continue as chief steward and taster; Halotus served Nero until the latter's death in 68, and Galba's assumption of the throne. (Full article...)

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...That the Pater familias of a family, had the power to sell his children into slavery?
...That Trajan was the last Roman Emperor to harry the coast of Arabia with the Roman Navy?
...That Trajan was born at Italica, in Spain and adopted by the Roman Emperor Nerva and made his heir, which entitled Trajan to call himself the son of Nerva
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Marcus Aurelius (April 26, 121 CE. – March 17, 180 CE.), was Roman Emperor from CE 161 to 180 who defeated several significant invasions and put down a revitalisation of the Parthian Empire. His Stoic tome Meditations, which he wrote while on campaign, is still revered as a literary monument to a philosophy of service and duty.

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The following WikiProjects are related to Ancient Rome:

WikiProject Classical Greece and Rome: The project regularly invites its members to collaborate on article development.
WikiProject Rome: Includes stylistic help and lists of articles requiring attention or expansion.
WikiProject Military history: Highly-active WikiProject with regular competitions to improve military history articles.

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Quotes

“

[...] Caesar is a god in his own city. Outstanding in war or peace, it was not so much his wars that ended in great victories, or his actions at home, or his swiftly won fame, that set him among the stars, a fiery comet, as his descendant. There is no greater achievement among Caesar's actions than that he stood father to our emperor. Is it a greater thing to have conquered the sea-going Britons; to have led his victorious ships up the seven-mouthed flood of the papyrus-bearing Nile; to have brought the rebellious Numidians, under Juba of Cinyps, and Pontus, swollen with the name of Mithridates, under the people of Quirinus; to have earned many triumphs and celebrated few; than to have sponsored such a man, with whom, as ruler of all, you gods have richly favoured the human race? Therefore, in order for the emperor not to have been born of mortal seed, Caesar needed to be made a god. [...]

Augustus, his 'son', will ensure that he ascends to heaven as a god, and is worshipped in the temples. Augustus, as heir to his name, will carry the burden placed upon him alone, and will have us with him, in battle, as the most courageous avenger of his father's murder. Under his command, the conquered walls of besieged Mutina will sue for peace; Pharsalia will know him; Macedonian Philippi twice flow with blood; and the one who holds Pompey's great name, will be defeated in Sicilian waters; and a Roman general's Egyptian consort, trusting, to her cost, in their marriage, will fall, her threat that our Capitol would bow to her city of Canopus, proved vain.

Why enumerate foreign countries or the nations living on either ocean shore? Wherever earth contains habitable land, it will be his: and even the sea will serve him!

”

— Ovid, Metamorphoses, XV, 745–842

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