Portal:Rock music

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The Rock Music Portal

Rock is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the genres of blues, rhythm and blues, and from country music. Rock also drew strongly from genres such as electric blues and folk, and incorporated influences from jazz and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a 4
4
time signature
using a verse–chorus form, but the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s.

Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated a rock-informed album era in the music industry for the next several decades. By the late 1960s "classic rock" period, a number of distinct rock music subgenres had emerged, including hybrids like blues rock, folk rock, country rock, southern rock, raga rock, and jazz rock, which contributed to the development of psychedelic rock, influenced by the countercultural psychedelic and hippie scene. New genres that emerged included progressive rock, which extended artistic elements, and glam rock, which highlighted showmanship and visual style. In the second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave, post-punk and eventually alternative rock.

From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge, Britpop, and indie rock. Further fusion subgenres have since emerged, including pop-punk, electronic rock, rap rock, and rap metal. Some movements were conscious attempts to revisit rock's history, including the garage rock/post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. (Full article...)

The following are images from various rock music-related articles on Wikipedia.

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Sum 41 during Rock am Ring in Germany in 2017.
Sum 41 is a Canadian rock band from Ajax, Ontario. The band was formed in 1996 and currently consists of Deryck Whibley (lead vocals, guitars, keyboards), Dave Baksh (lead guitar, backing vocals), Jason McCaslin (bass, backing vocals), Tom Thacker (guitars, keyboards, backing vocals), and Frank Zummo (drums, occasional backing vocals).

In 1999, Sum 41 signed an international record deal with Island Records and released its first EP, Half Hour of Power, in 2000. The band released its debut album, All Killer No Filler, in 2001. The album achieved mainstream success with its first single, "Fat Lip", which reached number one on the Billboard Modern Rock Tracks chart and remains the band's most successful single to date. The album's next singles "In Too Deep" and "Motivation" also achieved commercial success. All Killer No Filler was certified platinum in both the United States and the United Kingdom and triple platinum in Canada. In 2002, the band released Does This Look Infected?, which was also a commercial and critical success. The singles "The Hell Song" and "Still Waiting" both charted highly on the modern rock charts.

The band released its next album, Chuck, in 2004, led by singles "We're All to Blame" and "Pieces". The album proved successful, peaking at number 10 on the Billboard 200. In 2007, the band released Underclass Hero, which was met with a mixed reception, but became the band's highest-charting album to date. It was also the band's last album on Aquarius Records. The band released the album Screaming Bloody Murder, on Island Records in 2011 to a generally positive reception, though it fell short of its predecessors' commercial success. The band's sixth studio album, 13 Voices was released in 2016, through Hopeless Records. IMPALA awarded the album with a double gold award for 150,000 sold copies across Europe. The band's seventh studio album Order in Decline was released on July 19, 2019. It was the band's last album on Hopeless Records. The band's eighth studio album, Heaven :x: Hell, was released on March 29, 2024, through Rise Records. In May 2023, the band announced that the album would be their last as they would be disbanding after its release and a worldwide headlining tour.

The band often performed more than 100 times each year and holds long global tours, most of which lasted more than a year. The group was nominated for seven Juno Awards and won twice – Group of the Year in 2003, and Rock Album of the Year for Chuck in 2005. Sum 41 was nominated for a Grammy Award for Best Hard Rock/Metal Performance for the song "Blood in My Eyes". From their formation to 2016, Sum 41 were the 31st best-selling Canadian artist in Canada. (Full article...)

Selected biography

Neil Peart performing with Rush in 2004.
Neil Ellwood Peart OC (/pɪərt/ PEERT; September 12, 1952 – January 7, 2020) was a Canadian and American musician, known as the drummer and primary lyricist of the rock band Rush. He was known to fans by the nickname 'The Professor', derived from the Gilligan's Island character of the same name. His drumming was renowned for its technical proficiency and his live performances for their exacting nature and stamina. Peart earned numerous awards for his musical performances, including an induction into the Modern Drummer Readers Poll Hall of Fame in 1983 at the age of thirty, making him the youngest person ever so honoured.

Peart was born in Hamilton, Ontario, and grew up in Port Dalhousie (now part of St. Catharines). During adolescence, he floated between regional bands in pursuit of a career as a full-time drummer. After a discouraging stint in England, Peart returned home to concentrate on music where he joined Rush, a Toronto band, in mid-1974, six years after its formation. Together they released nineteen studio albums, with ten exceeding a million copies sold in the United States. Billboard lists the band third in "most consecutive gold or platinum albums by a rock band".

Early in his career, Peart's performance style was deeply rooted in hard rock. He drew most of his inspiration from drummers such as Keith Moon, Ginger Baker, and John Bonham, players who at the time were at the forefront of the British hard rock scene. As time passed, he began to emulate jazz and big band musicians Gene Krupa and Buddy Rich. In 1994, Peart became a friend and pupil of jazz instructor Freddie Gruber. It was during this time that Peart revamped his playing style by incorporating jazz and swing components.

In addition to serving as Rush's primary lyricist, Peart published several memoirs about his travels. His lyrics for Rush addressed universal themes and diverse subjects including science fiction, fantasy, and philosophy, as well as secular, humanitarian, and libertarian themes. Peart wrote a total of seven nonfiction books focused on his travels and personal stories. He also coauthored with Kevin J. Anderson three steampunk fantasy novels based on Rush's final album, Clockwork Angels. The two also wrote a dark fantasy novella, Drumbeats, inspired by Peart's travels in Africa. (Full article...)

Selected album

Houses of the Holy is the fifth studio album by the English rock band Led Zeppelin, released on 28 March 1973 in the United States and on 30 March 1973 in the United Kingdom by Atlantic Records. The album benefited from two band members installing studios at home, which allowed them to develop more sophisticated songs and arrangements and expand their musical style. Several songs subsequently became fixtures in the group's live set, including "The Song Remains the Same", "The Rain Song" and "No Quarter". Other material recorded at the sessions, including the title track, was shelved and released on the later albums Physical Graffiti (1975) and Coda (1982). All instruments and vocals were provided by the band members Robert Plant (vocals), Jimmy Page (guitar), John Paul Jones (bass, keyboards), and John Bonham (drums). The album was produced by Page and mixed by Eddie Kramer. The cover was the first for the band to be designed by Hipgnosis and was based on a photograph taken at Giant's Causeway in Northern Ireland.

Although critical response was mixed, Houses of the Holy became a commercial success, later receiving a Diamond certification by the Recording Industry Association of America (RIAA) in 1999 for at least 10 million copies sold in the US. In 2020, the album was ranked at number 278 on Rolling Stones 2020 list of the "500 Greatest Albums of All Time". ('Full article...)

Selected song

"Reflektor" is a song by the Canadian indie rock band Arcade Fire. It was released on September 9, 2013, as the first single from and the title track to the band's fourth studio album. Produced by James Murphy, Markus Dravs and the band itself, the song features a guest vocal appearance by David Bowie and was released on a limited edition 12" vinyl credited to the fictional band The Reflektors. Two music videos were made for the song, one regular and one interactive, both being released on the day of the song's release. "Reflektor" was met with positive reviews, with critics often complimenting its musical approach. It also came second in NME's list of best singles of 2013. The song had a positive commercial performance, charting in several countries. (Full article...)

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Credit: William McElligott

(Then) Cat Stevens in Boeblingen, Germany in 1976.

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Post-Britpop is an alternative rock subgenre and is the period in the late 1990s and early 2000s, following Britpop, when the media were identifying a "new generation" or "second wave" of guitar bands influenced by acts like Oasis and Blur, but with less overt British concerns in their lyrics and making more use of American rock and indie influences, as well as experimental music. Bands in the post-Britpop era that had been established acts, but gained greater prominence after the decline of Britpop, such as Radiohead and the Verve, and new acts such as Travis, Keane, Snow Patrol, Stereophonics, Feeder, and particularly Coldplay, achieved much wider international success than most of the Britpop groups that had preceded them, and were some of the most commercially successful acts of the late 1990s and early 2000s. (Full article...)

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Internationalist is the third studio album by Australian alternative rock band Powderfinger. The album was released on 7 September 1998 and was often labelled Powderfinger's most adventurous work, with greater experimentation than in previous works.

Internationalist followed in the success of its predecessor, Double Allergic, and was certified five times platinum in Australia. Internationalist received four ARIA Music Awards, including "Album of the Year". The album produced four singles for the band; "The Day You Come", "Don't Wanna Be Left Out/Good-Day Ray", "Already Gone" and "Passenger", which all appeared on Triple J's Hottest 100 poll in two consecutive years. (Full article...)

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