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Portal:Martial arts/Selected article/1

Aikido (Shinjitai: 合気道, Kyūjitai: 合氣道, aikidō, Japanese pronunciation: [aikiꜜdoː]) is a modern Japanese martial art that is split into many different styles, including Iwama Ryu, Iwama Shin Shin Aiki Shuren Kai, Shodokan Aikido, Yoshinkan, Renshinkai, Aikikai and Ki Aikido. Aikido is now practiced in around 140 countries. It was originally developed by Morihei Ueshiba, as a synthesis of his martial studies, philosophy and religious beliefs. Ueshiba's goal was to create an art that practitioners could use to defend themselves while also protecting their attackers from injury. Aikido is often translated as "the way of unifying (with) life energy" or as "the way of harmonious spirit". According to the founder's philosophy, the primary goal in the practice of aikido is to overcome oneself instead of cultivating violence or aggressiveness. Morihei Ueshiba used the phrase masakatsu agatsu katsuhayabi" (正勝吾勝勝速日, "true victory, final victory over oneself, here and now") to refer to this principle.

Aikido's fundamental principles include: irimi (entering), atemi, kokyu-ho (breathing control), sankaku-ho (triangular principle) and tenkan (turning) movements that redirect the opponent's attack momentum. Its curriculum comprises various techniques, primarily throws and joint locks. It also includes a weapons system encompassing the bokken, tantō and jō. Aikido derives mainly from the martial art of Daitō-ryū Aiki-jūjutsu, but began to diverge from it in the late 1920s, partly due to Ueshiba's involvement with the Ōmoto-kyō religion. Ueshiba's early students' documents bear the term aiki-jūjutsu.

Ueshiba's senior students have different approaches to aikido, depending partly on when they studied with him. Today, aikido is found all over the world in a number of styles, with broad ranges of interpretation and emphasis. However, they all share techniques formulated by Ueshiba and most have concern for the well-being of the attacker. (Full article...)

Selected article 2

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A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear.

The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers.

Retiarii first appeared in the arena during the 1st century AD and had become standard attractions by the 2nd or 3rd century. The gladiator's lack of armour and his reliance on evasive tactics meant that many considered the retiarius the lowliest (and most effeminate) of the gladiators, an already stigmatised class. Passages from the works of Juvenal, Seneca, and Suetonius suggest that those retiarii who fought in tunics may have constituted an even more demeaned subtype (retiarii tunicati) who were not viewed as legitimate retiarii fighters but as arena clowns. Nevertheless, Roman artwork, graffiti, and grave markers include examples of specific retiarii who apparently had reputations as skilled combatants and lovers. (Full article...)

Selected article 3

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Daitō-ryū Aiki-jūjutsu (大東流 合気柔術), originally called Daitō-ryū Jujutsu (大東流柔術, Daitō-ryū Jūjutsu), is a Japanese martial art that first became widely known in the early 20th century under the headmastership of Takeda Sōkaku. Takeda had extensive training in several martial arts (including Kashima Shinden Jikishinkage-ryū and Sumo) and referred to the style he taught as "Daitō-ryū" (literally, "Great Eastern School"). Although the school's traditions claim to extend back centuries in Japanese history there are no known extant records regarding the ryū before Takeda. Whether Takeda is regarded as either the restorer or the founder of the art, the known history of Daitō-ryū begins with him. Takeda's best-known student was Morihei Ueshiba, the founder of Aikido. (Full article...)

Daitō-ryū (also known as simply Aiki-jūjutsu) is mostly considered to be a fighting style created by the Seiwa Minamoto clan, and handed down from generation to generation. It was Shinra Saburo Minamoto Yoshimitsu the one who compiled all its teachings around the 11th century. Shinra Saburō Minamoto no Yoshimitsu (新羅 三郎 源 義光, 1045–1127) was a Minamoto clan samurai and member of the Seiwa Genji (the branch of the Minamoto family descended from the 56th imperial ruler of Japan, Emperor Seiwa). Yoshimitsu studied and researched the techniques handed down in his family in more detail. It is also believed that Yoshimitsu dissected the corpses of men killed in battle, studying their anatomy for the purpose of learning techniques for joint-locking and atemi-waza (nerve striking). Daitō-ryū takes its name from the mansion that Yoshimitsu lived in as a child, called "Daitō" (大東), in Ōmi Province (modern day Shiga Prefecture). (Full article...)

Selected article 4

Portal:Martial arts/Selected article/4

A ninja (Japanese: 忍者, lit. 'one who is invisible'; [ɲiꜜɲdʑa]) or shinobi (Japanese: 忍び, lit. 'one who sneaks'; [ɕinobi]) was a covert agent, mercenary, or guerrilla warfare expert in feudal Japan. The functions of a ninja included siege and infiltration, ambush, reconnaissance, espionage, deception, and later bodyguarding and their fighting skills in martial arts, including ninjutsu. Their covert methods of waging irregular warfare were deemed dishonorable and beneath the honor of the samurai. Though shinobi proper, as specially trained warriors, spies, and mercenaries, appeared in the 15th century during the Sengoku period, antecedents may have existed as early as the 12th century.

In the unrest of the Sengoku period, jizamurai families, that is, elite peasant-warriors, in Iga Province and the adjacent Kōka District formed ikki – "revolts" or "leagues" – as a means of self-defense. They became known for their military activities in the nearby regions and sold their services as mercenaries and spies. It is from these areas that much of the knowledge regarding the ninja is drawn. Following the unification of Japan under the Tokugawa shogunate in the 17th century, the ninja faded into obscurity, although in the early Edo period, ninja violence was widespread. A number of shinobi manuals, often based on Chinese military philosophy, were written in the 17th and 18th centuries, most notably the Bansenshūkai (1676).

By the time of the Meiji Restoration (1868), shinobi had become a topic of popular imagination and mystery in Japan. Ninja figured prominently in legend and folklore, where they were associated with legendary abilities such as invisibility, walking on water, and control over natural elements. Much of their perception in popular culture is based on such legends and folklore, as opposed to the covert actors of the Sengoku period. (Full article...)

Selected article 5

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Shintō Musō-ryū, or Shindō Musō-ryū (神道夢想流), most commonly known by its practice of jōdō, is a traditional school (koryū) of the Japanese martial art of jōjutsu, or the art of wielding the short staff (jō). The technical purpose of the art is to learn how to defeat a swordsman in combat using the jō, with an emphasis on proper combative distance, timing and concentration. The system includes teachings of other weapon systems which are contained in Shintō Musō-ryū as auxiliary arts (Fuzoku ryuha). The school is sometimes abbreviated as SMR.

The art was founded by the samurai Musō Gonnosuke Katsuyoshi (夢想 權之助 勝吉, fl. c.1605, dates of birth and death unknown) in the early Edo period (1603–1868) and, according to legend, first put to use in a duel with Miyamoto Musashi (宮本 武蔵, 1584–1645). The original art created by Musō Gonnosuke has evolved and been added upon ever since its inception and up to modern times. The art was successfully brought outside of its original domain in Fukuoka and outside Japan itself in the 19th and 20th century. The spreading of Shintō Musō-ryū beyond Japan was largely the effort of Takaji Shimizu, (1896–1978), considered the 25th headmaster, who, unlike many other traditional martial arts teachers, wanted Jodo to be known and taught internationally. With the assistance of his own students and the cooperation of the kendō community, Shimizu spread Shintō Musō-ryū worldwide. (Full article...)

Selected article 6

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A gladiator (Latin: gladiator, "swordsman", from gladius, "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death.

Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world.

The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential feature of politics and social life in the Roman world. Its popularity led to its use in ever more lavish and costly games.

The gladiator games lasted for nearly a thousand years, reaching their peak between the 1st century BC and the 2nd century AD. Christians disapproved of the games because they involved idolatrous pagan rituals, and the popularity of gladatorial contests declined in the fifth century, leading to their disappearance. (Full article...)

Selected article 7

Portal:Martial arts/Selected article/7

Iaidō (居合道), abbreviated iai (居合), is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks.

Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya), striking or cutting an opponent, shaking blood from the blade, and replacing the sword in the scabbard. While beginning practitioners of iaido may start learning with a wooden sword (bokken) depending on the teaching style of a particular instructor, most of the practitioners use a blunt-edged sword called an iaitō or mogitō. Few, more experienced, iaido practitioners use a sharp-edged sword (shinken).

Practitioners of iaido are called iaidoka. (Full article...)

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