"D.I.Y." is a song written and recorded by English musician Peter Gabriel. The song first premiered on Gabriel's first solo tour in 1977 and was later included as the opening track on his 1978 self-titled solo album. For the album's accompanying tour, the song served as the set opener.[1]
| "On the Air" | |
|---|---|
| Song by Peter Gabriel | |
| from the album Peter Gabriel | |
| Released | 1978 |
| Length | 5:30 |
| Label | Charisma |
| Songwriter(s) | Peter Gabriel |
| Producer(s) | Robert Fripp |
Background
editGabriel wrote "On the Air" about a fictional character named Mozo, a derelict alienated by the world around him who attempts to attain fame through the medium of shortwave radio by concocting an alter-ego that closely aligns with his aspirations.[2][3]
There is a story here concerning this character Mozo who is mentioned. At this point, he's an outsider and he lives in a hollow in a dump on the outside of an anonymous town and he lives out his fantasies on the radio. Through shortwave he becomes whoever he wants, but on the street, he's totally ignored.[2]
Gabriel attributed some of the inspiration of Mozo to a childhood memory of a dilapidated caravan in Horsell Common that he used to think was occupied by a witch.[4] In July 1978, Gabriel considered the idea of expanding the story of Mozo with Radúz Činčera and had been working with Stuart Kranz in 1979 to develop ideas for the story.[2][3] By 1987, Gabriel had considered the idea of transforming the Mozo story into a movie, but none of these projects ever came to fruition. Gabriel's idea of scattering songs surrounding the character of Mozo across his studio albums was pursued through his 1986 album So, specifically with "Red Rain" and "That Voice Again".[5] He intended for these songs to exist as part of an overarching story surrounding Mozo, with "On the Air" representing the fantasy world that Mozo occupies. Another song on Gabriel's 1978 eponymous album, "Exposure", was also included within the Mozo story, although "On the Air" was the first and only time the character was explicitly mentioned in the lyrics.[2][5]
Live performances
editGabriel debuted "On the Air" during his first tour in the United States prior to the release of his second eponymous album as the second song of the set.[6] It then appeared during the European leg of the tour later in the set. The synthesiser parts for these performances were played by Bayete.[7]
During Gabriel's tour promoting his 1978 eponymous release, he and his band members navigated through the aisles donning fluorescent orange construction vests and searchlights that they shone into the crowd as Larry Fast's "Disruption in World Communication" instrumental played through the loudspeakers.[8][9] Upon reaching the stage, the band turned their backs to their audience before playing the first chords of "On the Air."[1] Fast, who played synthesisers on this tour, developed some of the sequencing at home on his Apple computer and transferred the data onto cassettes and ROMS. He constructed a case for his single-board machine, which he used to access the coded information.[10]
Critical reception
editAlong with "D.I.Y.", Stephen Thomas Erlewine described "On the Air" as "stunning slices of modern rock circa 1978, bubbling with synths, insistent rhythms, and polished processed guitars, all enclosed in a streamlined production that nevertheless sounds as large as a stadium."[11] The Chicago Sun-Times also identified these songs as the only two highlights on the album.[12] Dave Marsh of Rolling Stone was complimentary of "On the Air", labeling it as a "good rock number".[13] Ultimate Classic Rock placed particular attention on Fripp's production choices, specifically the delay applied to Gabriel's vocals.[14] The Rolling Stone Album Guide thought that the song's "Who-style pomp" demonstrated Gabriel's reluctance at the time to shed his progressive rock inclinations.[15]
Personnel
edit- Peter Gabriel – lead vocals
- Robert Fripp – electric guitar
- Sid McGinnis – electric guitar
- Tony Levin – bass guitar, backing vocals
- Roy Bittan – keyboards
- Larry Fast – synthesizers, treatments
- Jerry Marotta – drums, backing vocals
References
edit- ^ a b Provick, Bill (16 October 1978). "Rock Star Makes Unusual Music". Ottawa Citizen. p. 36. Retrieved 14 August 2024 – via The Genesis Archive.
- ^ a b c d Birch, Ian (1 July 1978). "Peter Gabriel, Latest Edition". Melody Maker. pp. 10, 46 – via The Genesis Archives.
- ^ a b Sweeting, Adam (January 1979). "Peter Gabriel - Past, Present and Future". International Musician and Recording World. pp. 39, 41. Retrieved 16 August 2024.
- ^ Scarfe, Graeme (2021). Peter Gabriel: Every Album, Every Song. United Kingdom: SonicBond. pp. 17–18. ISBN 978-1-78952-138-2.
- ^ a b Bright, Spencer (1988). Peter Gabriel: An Authorized Biography. London, UK: Sidgwick & Jackson. pp. 126–129. ISBN 0-283-99498-3.
- ^ KMET (10 April 1977), Peter Gabriel The Roxy LA 4.10.77 KMET FM, retrieved 14 August 2024
- ^ Gill, Andy (24 September 1977). "Angel Gabriel and the Last Triumph". NME. Retrieved 14 August 2024 – via The Genesis Archive.
- ^ Morse, Steve (3 November 1978). "Grooving With Peter Gabriel". Boston Globe. Retrieved 16 August 2024 – via The Genesis Archive.
- ^ Sachs, Lloyd (13 October 1978). "Peter Gabriel: Wacky But Wonderful". Rolling Stone. p. 108. Retrieved 16 August 2024 – via The Genesis Archive.
- ^ Sokal, Roman (2003). "Larry Fast: Synth Pioneer w/ Peter Gabriel, etc". tapeop.com. Retrieved 16 August 2024.
- ^ Erlewine, Stephen Thomas. "Peter Gabriel [2] – Peter Gabriel". AllMusic. Retrieved 14 August 2024.
- ^ DeRogatis, Jim (4 July 1993). "A Solo Discography". HighBeam Research. Archived from the original on 19 November 2018. Retrieved 22 March 2024.
- ^ Marsh, Dave (26 July 2001). "Peter Gabriel [2]". Rolling Stone. Retrieved 14 August 2024.
- ^ Reed, Ryan (24 June 2024). "35 Years Ago: Peter Gabriel's Second Solo Album Released". Ultimate Classic Rock. Retrieved 16 August 2024.
- ^ Considine, J. D. (2004). "Peter Gabriel". In Brackett, Nathan; Hoard, Christian (eds.). The New Rolling Stone Album Guide (4th ed.). Simon & Schuster. pp. 319–20. ISBN 0-7432-0169-8.