Nikhil S. Praveen is an Indian cinematographer working mainly in Malayalam films. The Kottayam native made his debut with the 2017 film Bhayanakam directed by Jayaraj for which he received Best Cinematography award at the 65th National Film Awards.[1][2]

Nikhil S. Praveen
Born (1991-10-03) October 3, 1991 (age 33)
NationalityIndian
Alma materCochin Media School
OccupationCinematographer
Years active2018 - Present
Notable workBhayanakam, Rowdram 2018, Kaaval, Fredom Fight
AwardsNational Film Award for Best Cinematography, Kerala Film Critics Association Awards for Best cinematographer, Best Cinematographer at Beijing International Film Festival

Filmography

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  • All films in Malayalam unless otherwise noted
Year Title Director Notes
2015 Kuttanad - A Unique Watery Landscape Pradeep Nair Documentary
2017 Crossroad Anthology film - Kodeshyan
2017 Bhayanakam Jayaraj Feature film[3]
2018 Angu Doore Oru Deshathu Joshy Mathew Feature film
Kadammanitta - Prakruthiyude Padayanikkaran Jayaraj Documentary
2019 Thelivu M.A. Nishad Feature film
Roudram 2018 Jayaraj Feature film
2021 Kaaval Nithin Renji Panicker Feature film
2022 Freedom Fight - Ration Francies Louis Anthology film
Kappu Sanju V Samuel Feature film - Upcoming
2023 Live V. K. Prakash [4]
2024 Cup Sanju V Samuel [5]

Awards

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References

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  1. ^ "National Film Awards: Best Cinematographer Nikhil S Praveen". The Times of India. 13 April 2018. Retrieved 15 April 2018.
  2. ^ Nair, Jaikrishnan (14 April 2018). "A wedding videographer proves his mettle". The Times of India. Retrieved 18 September 2019.
  3. ^ "Focussed on his work". The Hindu. 19 April 2018. ISSN 0971-751X. Retrieved 21 August 2023.
  4. ^ "First look of VK Prakash's Live out". The New Indian Express. 16 March 2023. Retrieved 23 March 2023.
  5. ^ Features, C. E. (4 September 2024). "Mathew Thomas-Basil Joseph starrer Cup confirms release". Cinema Express. Retrieved 4 September 2024.
  6. ^ "Malayalam film Bhayanakam wins best cinematography at 2019 Beijing International Film Festival". 21 April 2019.
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