Wikipedia

Najdi architecture

Najdi architecture (Arabic: العمارة النجدية) is a vernacular architecture indigenous to the Najd region of modern-day Saudi Arabia.[1][2][3][4] The style flourished roughly between 13th and 18th centuries and is known for its desert adaptive urban patterns with low-contour earth-structured mudbrick buildings[5][6][7][8] that are characterized by elements such as triangular or rectangular openings (furjat) and battlements (shurfat) as well as peepholes projecting outward from the main facade (tarma).[9] The presence of a central courtyard and open spaces also forms a distinct part of the architectural style.[10][11]

Ruins of Qasr al-Salwa in Diriyah

The influence of Najdi style can be felt in neighboring regions, such as Kuwait and inland Qatar.[12]

Construction method

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One of the most common types of construction in the Najd was the use of clay and mudbrick as well as other materials including stones, tamarisk and palm trees.[13] Given the scarce availability of stones and different varieties of trees suitable for construction, the buildings were built with mud or sun-dried bricks and finished with the application of mud plaster. The walls were very thick to isolate the interior spaces from extreme heat and to achieve greater structural integrity.[14] The mud bricks, composed of a mixture of water, straw, and other fibers, highlight the relationship between architectural artifice and naturalness. Straw and natural elements do not have an ornamental function, but they creep into the walls, creating efflorescence and contributing to the breakdown of the facade.[citation needed]

Architectural features

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Furjat or luhuj

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Rectangular and triangular openings in the Palace of Saad ibn Saud in Diriyah

The furjat (Arabic: فُرجات) or luhuj (Arabic: لُّهُوج) are small rectangular, triangular, square and arrow openings pierced in a wall to promote adequate air movement, lighting to the interior spaces, and the view from inside to outside. These small openings do not have a purely decorative function but are arranged vertically, horizontally, or in stacks, creating a pattern on the facade with different dispositions and densities.[15] The different arrangements of the openings meet the different socio-cultural needs of the population while preserving the technical and environmental characteristics.[16] Furjat also functions as a ventilation structure to isolate hot toxic exhaust gases or smoke.[citation needed]

Shurfat

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Battlements (shurfat) on the railings of Qaṣr al-Badi'a in Riyadh

The shurfat (Arabic: الشرفة) are battlements and graded units in the form of triangles, squares or arrows covered in plaster at the top of a wall or a railing. The hand-molded and layered walls are tapered upwards and finished in a crenelated shape. These decorative elements in the form of triangles or arrows, sometimes alternating between full and empty, create a proportional rhythm by acting as a parapet for the rooftop and, in turn, protecting the facades from rainwater. It is customary to find a horizontal strip engraved in the wall under these elements, with triangles underneath, always upside-down, as protection from rainwater.[citation needed]

Tarma

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A tarma on a traditional house

The tarma (Arabic: الطرمة) has an observation function and is usually arranged on the second floor and above the door of the facade of the buildings, working as a peephole to observe people outside the building without being seen inside. It comes in different shapes and sizes and also has a symbolic value since it helps users of the urban spaces to identify the building and its entrance through the various forms of the element. The size of the interior spaces and the width of the street the building faces also affect the size and shape of the tarma.[17]

Al-Bab

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A traditional door in Diriyah

The al-bab (Arabic: الباب) in Arabic generally translates to a door. They function as an access element to the building and are very particular in design and are usually square in size, single-sided made of wood or palm trees. Some entrance doors are colored, engraved, and painted with geometric motifs, embellished with repetitive designs of a symbolic nature, and very pleasant in style and composition. The door and its visual features, use of color, and ornamentation support non-verbal communication by guiding the visitor to the building.[18]

Types of structures

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Najdi architecture is categorized into three main types: religious, civil, and military.

Religious architecture

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Mosques

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Courtyard and minaret of Dakhna Grand Mosque in Riyadh, 1952

Mosques are the main place of worship in Islam. Muslims are called to prayer five times a day and participate in prayers together as a community, facing towards the qibla (direction of prayer). Every neighborhood normally had one or many mosques in order to accommodate the spiritual needs of its residents. Historically, there was a distinction between regular mosques and "Friday mosques" or "grand mosques", which were larger and had a more important status by virtue of being the venue where the khutba (sermon) was delivered on Fridays. Friday noon prayers were considered more important and were accompanied by preaching, and also had political and social importance as occasions where news and royal decrees were announced, as well as when the current ruler's name was mentioned.[citation needed]

Traditional mosques built in the Najd are constructed mostly using raw materials[19] and are influenced by four main factors; climate, locally sourced building materials, already-existing skill sets, and the sub-cultural background of the builder. Materials used in the construction typically include mud, timber, tamarisk tree log beams, stone, clay, and thatch.[citation needed]

Mosques in the Najd have historically been devoid of decorations in order to resemble the puritanical nature of the Salafi sect of Islam adhered by the locals.[20] Triangular or rectangular openings known as furjat are considered to be one of the features of the mosques built in Najdi architectural style. Other distinctive features also include carved wall panels, an arcade element, colonnade and a well-designed mihrab with intricate floral gypsum motifs.[21][22] Unlike the other parts of the Islamic world, domes are usually found to be absent in Najdi mosques.[23] The mosque's external characters are also defined by cylindrical or rectangular minarets connected with a staircase.[24][25][26][27]

Four components comprise the architectural style of Najdi mosques, that are al-sarha (courtyard), al-misbah (prayer hall), al-sath (roof) and al-khalwa (basement). The khalwa is mainly used to accommodate worshippers during winters.[28]

Civil architecture

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Houses

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Bassam mansion in Unaizah

Traditional houses in the Najd are built from mudbricks mixed with straw and water whereas the roofs and doors made of tamarisk wood. They are usually low-countour, comprising one or two floors around an inner courtyard. The upper floors are characterized by a lack of external openings, while the openings on the ground floor are very small to preserve the privacy of residents.[29]

 
A traditional majlis in Unaizah

The exterior of the houses are characterized by lack of ornamentation and architectural details. However, these details increase in the interior, where ornaments mostly reflect the social status of the owner of the house.[29] The external facades are characterized by the presence of graded units in the form of triangles, rectangles, squares and arrows known as furjat, followed by an inclined decorative strip of prominent inverted triangles (altaf, alhadair, alfariez) placed under a recessed strip (alhaqqaf), which is an engraved line made of wood. In addition to the presence of rectangular or triangular holes, called furjat, to provide light and ventilation, the tarma element can be seen in the walls of external buildings and near the doors to allow those inside to see who is outside without being seen in return. The decoration of al-qahwa (majlis) is given special attention to, which demonstrates generosity and and excitement in receiving the guests.[29]

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References

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  1. ^ Hernandez, S. (2022-09-13). Islamic Heritage Architecture IV. WIT Press. ISBN 978-1-78466-475-6.
  2. ^ Arabian Studies. C. Hurst. 1982. ISBN 978-0-905906-31-7.
  3. ^ Institute, The Getty Conservation (1991-02-28). 6th International Conference on the Conservation of Earthen Architecture: Adobe 90 Preprints. Getty Publications. ISBN 978-0-89236-181-6.
  4. ^ Jaidah, Ibrahim Mohamed (2022-03-25). Qatari Style: Unexpected Interiors. Hirmer Verlag. ISBN 978-3-7774-4006-4.
  5. ^ Pacetti, M.; Passerini, G.; Brebbia, C. A.; Latini, G. (2012-05-07). The Sustainable City VII: Urban Regeneration and Sustainability. WIT Press. ISBN 978-1-84564-578-6.
  6. ^ Anishchenkova, Valerie (2020-06-01). Modern Saudi Arabia. Bloomsbury Publishing USA. ISBN 978-1-4408-5705-8.
  7. ^ Architecture + Design. Media Transasia. 1996.
  8. ^ Long, David E. (2005-07-30). Culture and Customs of Saudi Arabia. Bloomsbury Publishing USA. ISBN 978-0-313-06279-7.
  9. ^ ""فلسفة المثلث" في العمارة الطينية". www.alriyadh.com. 21 February 2023. Retrieved 28 August 2024.
  10. ^ Mostyn, Trevor (1983). Saudi Arabia. Middle East Economic Digest. ISBN 978-0-946510-00-9.
  11. ^ Catalani, Anna; Nour, Zeinab; Versaci, Antonella; Hawkes, Dean; Bougdah, Hocine; Sotoca, Adolf; Ghoneem, Mahmoud; Trapani, Ferdinando (2018-05-01). Cities' Identity Through Architecture and Arts: Proceedings of the International Conference on Cities' Identity through Architecture and Arts (CITAA 2017), May 11-13, 2017, Cairo, Egypt. Routledge. ISBN 978-1-351-68032-5.
  12. ^ علي, ثويني ، معمار (2009). العمارة الإسلامية: سجالات في الحداثة (in Arabic). الدار العربية للعلوم - ناشرون،. ISBN 978-9953-87-742-6.
  13. ^ "تراث العمارة في نجد". www.al-jazirah.com. Retrieved 2024-08-27.
  14. ^ Ishteeaque, Ellahi M. (2008). The Native Architecture of Saudi Arabia: Architecture and Identity. Riyadh Municipality. pp. 51–85. ISBN 978-603-8014-02-8.
  15. ^ Ghazala, AASA (2021). "The concept of visual scope for heritage values and vocabulary as an introduction to restoring urban identity in the twenty-first century. A case study of the Kingdom of Saudi Arabia". Architecture Research. 11 (1): 1–10.
  16. ^ Alnaim, Mohammed Mashary (2021). "Traditional Najdi settlement architectural elements: Harmonizing function, aesthetics, and shared socio-cultural meaning". Journal of Architecture and Planning. 33 (2): 261–276.
  17. ^ Alnaim, MM (2020). "Understanding the Traditional Saudi Built Environment: The Phenomenon of Dynamic Core Concept and Forms". World Journal of Engineering and Technology: 292–321.
  18. ^ Kamel, Mohammed K.; Mahgoub, Yassir M. (2021). "The Role of Decorative Design In Reviving The Aesthetics Of The Gulf Architectural Heritage". Psychol. Educ. 58: 1055–1066.
  19. ^ Facey, William (1997). Back to Earth: Adobe Building in Saudi Arabia. Al-Turath. ISBN 978-1-900404-13-6.
  20. ^ Gharipour, Mohammad (2019-07-30). Calligraphy and Architecture in the Muslim World. Edinburgh University Press. ISBN 978-1-4744-6842-8.
  21. ^ Anderson, James Norman Dalrymple (2006). The Kingdom of Saudi Arabia. Stacey. ISBN 978-0-9552193-0-6.
  22. ^ Arabian Studies. C. Hurst. 1982. ISBN 978-0-905906-31-7.
  23. ^ Freeth, Zahra (2017-08-17). A New Look at Kuwait. Routledge. ISBN 978-1-351-66992-4.
  24. ^ Mohareb, Nabil; Cardaci, Alessio; Maruthaveeran, Sreetheran; Cavalagli, Nicola (2022-07-29). Cities’ Identity Through Architecture and Arts. Springer Nature. ISBN 978-3-030-99480-8.
  25. ^ ليوا: مجلة شهرية تصدر عن مركز الوثائق والبحوث، ديوان رئيس الدولة. مركز الوثائق والبحوث، ديوان رئيس الدولة،. 2010.
  26. ^ King, Geoffrey R. D. (1986). The Historical Mosques of Saudi Arabia. Longman. ISBN 978-0-582-78392-8.
  27. ^ Planet, Lonely; Keith, Lauren; Lee, Jessica; Quintero, Josephine; Walker, Jenny; Bremner, Jade; Hussain, Tharik (2019-09-01). Lonely Planet Oman, UAE & Arabian Peninsula. Lonely Planet. ISBN 978-1-78868-707-2.
  28. ^ Habib (2022-04-25). Ibn Sa'ud's warriors of Islam: The Ikhwan of Najd and their role. BRILL. ISBN 978-90-04-49184-7.
  29. ^ a b c Hernandez, S. (2022-09-13). Islamic Heritage Architecture IV. WIT Press. ISBN 978-1-78466-475-6.
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