Anne Mộng-Lan Pham (born 1970), commonly known as Mộng-Lan, is a Vietnamese-born American writer, visual artist, musician, dancer, and educator. She has published seven books of poetry and artwork, three chapbooks, has won numerous prizes such as the Juniper Prize and the Pushcart Prize. Poems have been included in international and national anthologies such as Best American Poetry Anthology and several Norton anthologies. Her books include: Song of the Cicadas (Juniper Prize Winner); Why is the Edge Always Windy?; Tango, Tangoing: poems & art; One Thousand Minds Brimming, 2016; and Dusk Aflame: poems & art, 2018. Her latest music album releases include Arrabal de Tango: Tango por Siempre, voice & guitar, 2020; Perfumas de Amor, de Argentina y Viet Nam, (Tango por Siempre) (voice and guitar), 2018; New Orleans of My Heart, jazz piano, 2019; Dreaming Orchid: Poetry & Jazz Piano, 2016.

Mộng-Lan
Born
Anne Mong-Lan Pham

1970 (age 53–54)
Occupations
  • writer
  • visual artist
  • musician
  • dancer
  • educator
Websitemonglan.com

Early life and education

edit

Anne Mộng-Lan Pham[1] was born in Saigon, South Vietnam in 1970;[2] Her parents were medical doctors[3] before the family left Vietnam in 1975 during the evacuation of Saigon. Mộng-Lan grew up in Houston, where she attended the Glassell School of Art. She later received a Master of Fine Arts from the University of Arizona. Mộng-Lan also received a Stegner Fellowship from Stanford University and completed a Fulbright Fellowship in Vietnam.[2]

Career

edit

Mộng-Lan has published six books of poetry: Song of the Cicadas (2001),[4][5][6] Why is the Edge Always Windy (2005),[7] Tango, Tangoing (2008),[8] Force of the Heart (2011), One Thousand Minds Brimming (2014), and Dusk Aflame (2017). She has also published three chapbooks: Love Poem to Tofu & Other Poems (2007), Love Poem to Ginger & Other Poems (2012), and Tone of Water in a Half-Filled Glass (2018). Her work has also been anthologized in numerous collections, including The Best American Poetry andThe Pushcart Prize Anthology, among others. American poet Robert Creeley called Mộng-Lan "a remarkably accomplished poet", noting that "her poems are deft, extremely graceful in the way words move, and in the cadence that carries them. One is moved by the articulate character of 'things seen,' the subtle shifting of images, and the quiet intensity of their information. Clearly she is a master of the art."[citation needed]

In addition to writing poetry, Mộng-Lan is a musician, singer, and composer. She has released 10 albums, which include works of jazz piano, spoken word poetry, and singing and playing tangos on guitar. She has performed at universities, cultural organizations, clubs and cabarets.[citation needed]

Mộng-Lan has taught at the University of Arizona, Stanford University, the Dallas Museum of Art, the San Diego State University Writers' Conference, in the Asian Division of the University of Maryland University College in Tokyo, and the Jung Center of Houston.[9][non-primary source needed]

Awards and honors

edit

Mộng-Lan received a Dean's Master of Fine Arts Fellowship from the University of Arizona (1999-2000), a Dr. Muriel Pollia Summer Fellowship in Poetry (2001) and a Stegner Fellowship from Stanford University (2000-2002), and completed a Fulbright Fellowship in Vietnam (2002).[2] She was also the inaugural Visual Artist and Poet in Residence at the Dallas Museum of Art, which she received through a National Endowment for the Arts Grant, as well as a Le Chateau de Lavigny International Writer in Residence in Lavigny, Switzerland (summer 2000). Her poetry has been included in The Best American Poetry 2003 and Pushcart Book of Poetry: Best Poems from 30 Years of the Pushcart Prize (2006).[9]

Awards for Mộng-Lan's work
Work Award Result Ref.
Billy Waller Prize in Poetry Winner [9][non-primary source needed]
Song of the Cicadas Juniper Prize for Poetry Winner [10][non-primary source needed]
Song of the Cicadas Great Lakes Colleges Association's New Writers Awards for Poetry Winner [9][non-primary source needed]
Song of the Cicadas Norma Farber First Book Award Finalist [9][non-primary source needed]

Publications

edit

Anthology contributions

edit
  • Kim, Elaine H.; Villanueva, Lilia V.; Asian Women United of California, eds. (1995). "Silence of Form". Making More Waves: New Writing by Asian American Women. Beacon Press. pp. 278–282.
  • Creeley, Robert, ed. (2002). "Trail". Best of Best American Poetry 2002. New York, NY: Scribner Poetry. ISBN 978-0-7432-0385-2.[11]
  • Chang, Victoria, ed. (2004). "Mộng-Lan". Asian American Poetry: The Next Generation. University of Illinois Press. pp. 100–105. ISBN 978-0-252-07174-4.[12]

Books

edit

Chapbooks

edit

Art exhibitions

edit

Mộng-Lan has had shows of her artwork and tango drawings and paintings in numerous public exhibitions in the U.S.[13]

Discography

edit
  • LAN Tango: La Voz de Mộng-Lan, independent, 2013.
  • LAN: Tango y Más, independent, 2014.
  • Diary: Voyages, piano compositions & solos, 2015.
  • Visions: Diary, piano compositions & solos, 2015.
  • City of Dreams / Ciudad de Sueños, piano compositions & solos, 2015.
  • Equivalences / Synchronicities, piano compositions & solos, 2015.
  • Under 13 Moons, piano compositions & solos, 2015.
  • The Cosmic Blues ~ Dragonfly Dances, 2016.
  • Dreaming Orchid: Poetry & Jazz Piano, 2018.
  • Perfumas de Amor: de Argentina y Viet Nam (Tango por Siempre), 2018.
  • New Orleans of My Heart, 2019.
  • Arrabal de Tango: Tango por Siempre, 2020.

[14]

References

edit
  1. ^ Pham, Anne Mong-Lan. "Song of the Cicadas". UBC Press. Archived from the original on October 4, 2024. Retrieved October 4, 2024.
  2. ^ a b c "Mong-Lan". Poetry Foundation. Archived from the original on June 2, 2022. Retrieved October 4, 2024.
  3. ^ Kenrick, Vivienne (March 4, 2006). "Mong-Lan". The Japan Times. Archived from the original on March 5, 2024. Retrieved October 4, 2024.
  4. ^ Gotera, Vince (2002). "Synecdoche: Brief Poetry Notices". The North American Review. 287 (1): 44. ISSN 0029-2397. JSTOR 25126721.
  5. ^ "SONG OF THE CICADAS by Mong LAN, Mong-Lan". Publishers Weekly. April 16, 2001. Archived from the original on October 4, 2024. Retrieved October 4, 2024.
  6. ^ Massé, Johanna (September–October 2001). "Review of Song of the Cicadas". Foreword Reviews. Archived from the original on October 4, 2024. Retrieved October 4, 2024.
  7. ^ Gotera, Vince (2006). "Synecdoche: Brief Poetry Reviews". The North American Review. 291 (3/4): 84. ISSN 0029-2397. JSTOR 25127639.
  8. ^ Gotera, Vince (2008). "Synecdoche: BRIEF POETRY REVIEWS". The North American Review. 293 (3/4): 76. ISSN 0029-2397. JSTOR 41220320.
  9. ^ a b c d e "Mong-Lan Biography". Mong-Lan. Archived from the original on September 4, 2020. Retrieved October 4, 2024.
  10. ^ "Song of the Cicadas". University of Massachusetts Press. Archived from the original on February 22, 2022. Retrieved October 4, 2024.
  11. ^ "THE BEST AMERICAN POETRY 2002 by". Publishers Weekly. July 22, 2002. Archived from the original on October 4, 2024. Retrieved October 4, 2024.
  12. ^ Yu, Timothy (2006). "Review of Asian American Poetry: The Next Generation". Chicago Review. 51/52 (1): 222–230. ISSN 0009-3696. JSTOR 40784111.
  13. ^ "Mong-Lan Artwork". monglan.com. Archived from the original on October 4, 2024. Retrieved June 6, 2020.
  14. ^ "Mong-Lan: Music". monglan.com. Archived from the original on October 4, 2024. Retrieved June 6, 2020.
edit