List of compositions by Johann Adolph Hasse

This is a list of the musical compositions of Johann Adolph Hasse (1699–1783) sorted by genre, and then chronologically.

Johann Adolph Hasse in 1740, painted by Balthasar Denner

Opera

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Oratorios

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  • Il cantico de' tre fanciulli (The Song of the Three Holy Children) (Stefano Benedetto Pallavicino; Dresden 1734)
  • Le virtù appiè della croce (Stefano Benedetto Pallavicino; Dresden 1737)
  • Serpentes ignei in deserto (Bonaventura Bonomo; Venice 1740)
  • Giuseppe riconosciuto (Pietro Metastasio; 1741)
  • I pellegrini al sepolcro di Nostro Signore (The Pilgrims at the Tomb of Our Lord), Oratorio in 2 parts (Stefano Benedetto Pallavicino; Dresden 1742)
  • Ci'l un parantê und parsol scelopgrini (Stefano Benedotto Pallavicino, 1744)
  • La Caduta di Gerico (Giovanni Claudio Pasquini; Dresden 1745)
  • Santa Elena al Calvario (Pietro Metastasio; 1747, second version 1772)
  • La conversione di Sant' Agostino (The Conversion of Saint Augustine), Oratorio in 2 parts (Maria Antonia Walpurgis von Sachsen; Dresden 1750)
  • S. Petrus et S. Maria Magdalena; Venice 1758)

Cantatas and ballads

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  • Chieggio ai gigli ed alle rose (Pietro Metastasio; Naples 1727/1729)
  • Il nome or Scrivo in te l'amato nome (Pietro Metastasio; Naples 1727/1729)
  • È ver, mia Fille, è vero (Pietro Metastasio; Naples 1727/1729)
  • La Scusa (Pietro Metastasio; Vienna 1761)
  • Il Nome (Pietro Metastasio; Vienna 1761)
  • L'Armonica or Ah perché col canto mio (with glass harmonica) (Pietro Metastasio; Vienna 1769)
  • La Gelosia (Pietro Metastasio; Vienna 1769)
  • Il Ciclope (Pietro Metastasio; Venice 1775/1776)
  • La Danza (Pietro Metastasio; Venice 1775/1776)
  • Ah, Troppo è Ver
  • Bella, Mi Parto
  • Bell' Aurora
  • Clori, Clori, mia vita
  • Euridice e Orfeo – cantata a due
  • Per palesarti appieno
  • Se il cantor trace, oh Dio
  • Quel vago seno
  • Fille dolce, mio bene
  • Venetian Ballads for the German flute, violin or harpsichord (London, 1735)
    • Cosa e' sta Cossa?
    • Grazie agli inganni tuoi
    • No ste' a condanarme
    • Si', la gondola avere', no crie'

Church music

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  • Litaniae Lauretanae in F minor
  • Liltaniae Lauretanae in G major
  • Magnificat in F major
  • Missa in D minor (1751)
  • Miserere in D minor
  • Miserere in F major
  • Miserere in C minor
  • Missa in E-flat (1779)
  • Missa ultima in G minor (Venice, 1783)
  • Regina coeli in D major
  • Requiem in C major (Dresden, 1763)
  • Requiem in E-flat major (Dresden, 1764)
  • Salve Regina in A major (1736)
  • Salve Regina in E-flat major
  • Salve Regina in F major
  • Salve Regina in G major (1744)
  • Regina Coeli in D major
  • Sub tuum praesidium in B-flat major
  • Sub tuum praesidium in C minor
  • Te Deum in D major (1751)
  • Te Deum in G major (1776)
  • Venite pastores. Motetto pastorale

For vespers

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Instrumental music

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  • Six sonatas for cembalo (pianoforte)
  • Six trio sonatas, Op. 2, Amsterdam: Witvogel 1730, Paris: Le Clerc, n.d. (=Op. 1, c. 1735, London: John Walsh)
    • Sonata I in E minor
    • Sonata II in C major (=QV 2 Anh. 1 by Quantz)
    • Sonata III in A major
    • Sonata IV in G major
    • Sonata V in E major
    • Sonata VI in D major (=QV 2 Anh. 7 by Quantz)
  • Six violin sonatas
  • Six concertos for organ solo (J. Walsh, London, ca. 1743)
    • Concerto No. 1 in F major
    • Concerto No. 2 in G major
    • Concerto No. 3 in G major
    • Concerto No. 4 in D major
    • Concerto No. 5 in F major
    • Concerto No. 6 in D major
  • Cello Concerto in D major
  • Flute Concerto in D major
  • Flute Concerto in B minor
  • Concerto for Two Flutes in G major
  • Oboe Concerto in F major
  • Mandolin Concerto in G major
  • 6 Sonatas or trios for 2 flutes or violins and continuo (London, 1739) = Op. 3, London: J. Oswald, n.d. (ca.1757).
  • Solos for a German flute or violin, with a through bass for the harpsichord or violoncello, Op. 2 (London, 1740)
  • 12 Concertos for flute, strings and continuo, Op. 3 (London, 1741)
  • 6 Concertos for violins, French horns or oboes & c. with a thorough bass for harpsichord or violoncello in eight parts, Op. 4 (London, 1741)
  • Solos for flute or violin, Op. 5 (London, 1744)
  • 6 Sinfonias, Op. 5
  • 6 Sonatas for harpsichord, Op. 7 (London, 1758)

Sources

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