Release date
|
Title
|
Notes
|
Ref.
|
November 6, 1985 |
Subway |
US distribution only, produced by Gaumont Film Company and TF1
|
|
January 24, 1986 |
The Trip to Bountiful |
|
|
June 13, 1986 |
Mona Lisa |
US distribution only, produced by HandMade Films
|
|
August 8, 1986 |
She's Gotta Have It |
produced by 40 Acres and a Mule Filmworks
|
[1]
|
September 20, 1986 |
Down by Law |
|
|
November 7, 1986 |
Nobody's Fool |
|
|
February 20, 1987 |
Square Dance |
produced in association with NBC Productions and Pacific Arts Corporation
|
|
April 17, 1987 |
Heaven |
|
|
May 8, 1987 |
River's Edge |
produced in association with Hemdale Film Corporation
|
|
June 26, 1987 |
Straight to Hell |
US distribution only
|
|
October 2, 1987 |
Slam Dance |
|
|
November 6, 1987 |
Dark Eyes |
US distribution only
|
|
December 23, 1987 |
The Lonely Passion of Judith Hearne |
US distribution only, produced by HandMade Films
|
|
February 26, 1988 |
A Night in the Life of Jimmy Reardon |
distributed by 20th Century Fox
|
|
April 1, 1988 |
Bellman and True |
US distribution only, produced by HandMade Films and Thames Television
|
|
April 22, 1988 |
Bagdad Cafe |
US distribution only
|
|
July 12, 1988 |
Track 29 |
US distribution only, produced by HandMade Films
|
|
March 31, 1989 |
Crusoe |
|
|
October 13, 1989 |
From Hollywood to Deadwood |
|
|
November 3, 1989 |
Sidewalk Stories |
|
|
November 3, 1989 |
Sweet Lies |
distributed by CBS/Fox Video
|
|
Release date
|
Title
|
Notes
|
Ref.
|
February 7, 1992 |
The Lunatic |
distributed by Triton Pictures
|
|
May 28, 1992 |
Time Will Tell |
distributed by IRS Media
|
|
April 21, 1995 |
The Basketball Diaries |
distributed by New Line Cinema
|
[1]
|
January 12, 1996 |
Don't Be a Menace to South Central While Drinking Your Juice in the Hood |
distributed by Miramax Films
|
|
March 26, 1996 |
The Little Death |
distributed by PolyGram Video
|
|
May 31, 1996 |
Eddie |
produced in association with Hollywood Pictures
|
|
March 21, 1997 |
Mandela |
|
|
March 28, 1997 |
B.A.P.S. |
distributed by New Line Cinema
|
|
August 6, 1997 |
Def Jam's How to Be a Player |
distributed by Gramercy Pictures
|
|
January 23, 1998 |
The Gingerbread Man |
distributed by PolyGram Films
|
[2]
|
April 28, 1998 |
Body Count |
distributed by PolyGram Video
|
|
Release date
|
Title
|
Notes
|
Ref.
|
March 1982 |
Forty Deuce |
|
|
July 1982 |
Countryman |
|
|
June 14, 1983 |
Koyaanisqatsi |
produced by Zoetrope Studios
|
|
November 23, 1983 |
Return Engagement |
produced by Zoetrope Studios
|
|
January 27, 1984 |
El Norte |
distributed by Cinecom
|
|
February 10, 1984 |
Android |
US distribution only
|
|
August 29, 1984 |
Choose Me |
US distribution only
|
|
October 18, 1984 |
Stop Making Sense |
distributed by Cinecom
|
|
November 30, 1984 |
Ski Country |
produced by Warren Miller Entertainment
|
|
January 11, 1985 |
The Inheritors |
US distribution only
|
|
March 1, 1985 |
A Private Function |
US distribution only, produced by HandMade Films
|
|
March 8, 1985 |
The Hit |
US distribution only, produced by Zenith Productions
|
|
March 29, 1985 |
The Lift |
US distribution only
|
|
July 26, 1985 |
Kiss of the Spider Woman |
|
[2]
|
August 2, 1985 |
Insignificance |
US distribution only, produced by Zenith Productions
|
|
August 28, 1985 |
Bullshot Crummond |
US distribution only, produced by HandMade Films
|
|
October 18, 1985 |
A Sense of Freedom |
US distribution only, produced by HandMade Films and Scottish Television
|
|