List of Cultural Properties of Japan – paintings (Tokyo)

This list is of the Cultural Properties of Japan designated in the category of paintings (絵画, kaiga) for the Metropolis of Tōkyō.[1]

National Cultural Properties

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As of 1 February 2016, six hundred and fourteen Important Cultural Properties have been designated (including sixty-three *National Treasures), being of national significance.[2][3]

Property Date Municipality Ownership Comments Image Dimensions Coordinates Ref.
*Illustrated Biography of Shōtoku Taishi, colour on silk, by Hata no Chitei
綾本著色聖徳太子絵伝(絵殿旧障子絵)〈秦致真筆/(法隆寺献納)〉
ryōhon chakushoku Shōtoku Taishi eden (Edono kyū-shōji-e Hata no Chitei hitsu Hōryūji kennō)
1069 Taitō Tokyo National Museum ten panels; originally mounted on sliding doors at Hōryū-ji       189.2 centimetres (74.5 in) to 190.5 centimetres (75.0 in) by 137.2 centimetres (54.0 in) to 148.2 centimetres (58.3 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [1]
*Portrait of Takami Senseki, light colour on silk, by Watanabe Kazan
絹本淡彩鷹見泉石像〈渡辺崋山筆/〉
kenpon tansai Takami Senseki zō (Watanabe Kazan hitsu)
1837 Taitō Tokyo National Museum   115.1 centimetres (45.3 in) by 57.1 centimetres (22.5 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [2]
*Illustrated Biography of Ippen Shōnin, colour on silk, by En'i
絹本著色一遍上人絵伝〈法眼円伊筆/巻第七〉
kenpon chakushoku Ippen Shōnin eden (Hōgen En'i hitsu maki dai-nana)
1299 Taitō Tokyo National Museum   37.8 centimetres (14.9 in) by 802.0 centimetres (315.7 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [3]
*Kokūzō Bosatsu, colour on silk
絹本著色虚空蔵菩薩像
kenpon chakushoku Kokūzō bosatsu zō
Heian period Taitō Tokyo National Museum   132.0 centimetres (52.0 in) by 84.4 centimetres (33.2 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [4]
*Kujaku Myōō, colour on silk
絹本著色孔雀明王像
kenpon chakushoku Kujaku Myōō zō
Heian period Taitō Tokyo National Museum   147.9 centimetres (58.2 in) by 98.9 centimetres (38.9 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [5]
*Red and White Cotton Roses, colour on silk
絹本著色紅白芙蓉図
kenpon chakushoku kōhaku fuyō zu
Southern Song Taitō Tokyo National Museum by Li Di    25.2 centimetres (9.9 in) by 25.5 centimetres (10.0 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [6]
*Sixteen Arhats, colour on silk
絹本著色十六羅漢像
kenpon chakushoku jūroku rakan zu
Heian period Taitō Tokyo National Museum sixteen scrolls   95.9 centimetres (37.8 in) to 97.2 centimetres (38.3 in) by 51.8 centimetres (20.4 in) to 52.2 centimetres (20.6 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [7]
*Senju Kannon, colour on silk
絹本著色千手観音像
kenpon chakushoku Senju Kannon zō
Heian period Taitō Tokyo National Museum   138.0 centimetres (54.3 in) by 69.4 centimetres (27.3 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [8]
*Pigeon on a Peach Branch, colour on silk
絹本著色桃鳩図〈徽宗筆/大観元年の年記がある〉
kenpon chakushoku momo hato zu (Kisō hitsu Daikan gannen no toshi-ki ga aru)
1107 Tokyo private by Emperor Huizong of Song; dated by its inscription to Daguan 1   28.5 centimetres (11.2 in) by 16.1 centimetres (6.3 in) [9]
*Detached Segment from The Deeds of the Zen Masters, ink on paper
紙本墨画禅機図断簡〈因陀羅筆/(丹霞焼仏図)〉
shihon bokuga zenkizu dankan (Indara hitsu Tanka shōbutsuzu)
Yuan dynasty Machida Ishibashi Foundation
(kept at the Ishibashi Foundation Art Research Center (石橋財団アートリサーチセンター))
depicts Tanka burning Buddhist statues; by Indara (Yintuoluo)[4]   35.0 centimetres (13.8 in) by 36.8 centimetres (14.5 in) 35°36′01″N 139°22′55″E / 35.600190°N 139.381941°E / 35.600190; 139.381941 (Ishibashi Foundation Art Research Center) [10]
Portrait of Eroshenko, oil on canvas, by Nakamura Tsune
エロシェンコ像〈中村 彜筆 一九二〇年/油絵 麻布〉
Eroshenko zō (Nakamura Tsune hitsu 1920-nen abura-e mafu)
1920 Chiyoda National Museum of Modern Art, Tokyo   42.0 centimetres (16.5 in) by 45.5 centimetres (17.9 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [11]
Oiran, oil on canvas, by Takahashi Yuichi
花魁〈高橋由一筆/油絵 麻布〉
oiran (Takahashi Yuichi hitsu abura-e mafu)
1872 Taitō The University Art Museum, Tokyo University of the Arts   77.0 centimetres (30.3 in) by 54.8 centimetres (21.6 in) 35°43′10″N 139°46′18″E / 35.71934266°N 139.77162528°E / 35.71934266; 139.77162528 (The University Art Museum, Tokyo University of the Arts) [12]
Kannon Riding a Dragon, oil on canvas, by Harada Naojirō
騎竜観音〈原田直次郎筆 一八九〇年/油絵 麻布〉
kiryū Kannon (Harada Naojirō hitsu 1890-nen abura-e mafu)
1890 Chiyoda Gokoku-ji
(kept at the National Museum of Modern Art, Tokyo)
materials and techniques of western oil painting applied to the Japanese subject of a white-robed Kannon, holding a willow branch in one hand and a water jar in the other[5]   272.0 centimetres (107.1 in) by 181.0 centimetres (71.3 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [13]
Shoemaker, oil on canvas, by Harada Naojirō
靴屋の親爺〈原田直次郎筆 一八八六年/油絵 麻布〉
kutsuya no oyaji (Harada Naojirō hitsu 1886-nen abura-e mafu)
1886 Taitō The University Art Museum, Tokyo University of the Arts   60.3 centimetres (23.7 in) by 46.5 centimetres (18.3 in) 35°43′10″N 139°46′18″E / 35.71934266°N 139.77162528°E / 35.71934266; 139.77162528 (The University Art Museum, Tokyo University of the Arts) [14]
Yoroboshi, colour on silk with gold ground, byōbu by Shimomura Kanzan
絹本金地著色弱法師図〈下村観山筆/六曲屏風〉
kenpon kinji chakushoku Yoroboshi zu (Shimomura Kanzan hitsu rokkyoku byōbu)
1915 Taitō Tokyo National Museum pair of six-fold screens; inspired by the Noh play of the same name    186.4 centimetres (73.4 in) by 406.0 centimetres (159.8 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [15]
Solitary Angler on the Wintery River, light colour on silk, attributed to Ma Yuan
絹本淡彩寒江独釣図〈(伝馬遠筆)/〉
kenpon tansai kankō dokuchō zu (den-Baen hitsu)
Southern Song Taitō Tokyo National Museum   26.7 centimetres (10.5 in) by 50.6 centimetres (19.9 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [16]
Kannon, light colour on silk, by Ryōzen
絹本淡彩観音図〈良全筆/〉
kenpon tansai Kannon zu (Ryōzen hitsu)
Southern Song Taitō Tokyo National Museum 109.6 centimetres (43.1 in) by 44.1 centimetres (17.4 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [17]
Landscape with Calligraphy, ink and light colour on silk, by Dong Qichang
絹本淡彩及墨画山水書画冊〈董其昌筆/〉
kenpon tansai oyobi bokuga sansui shoga satsu (Tō Kishō hitsu)
Ming dynasty Taitō Tokyo National Museum   35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [18]
Eight Views of Miyajima, light colour on silk, by Nagasawa Rosetsu
絹本淡彩宮島八景図〈長沢芦雪筆/甲寅(寛政六年)の款記がある〉
kenpon tansai Miyajima hakkei zu (Nagasawa Rosetsu hitsu kinoetora (Kansei roku-nen) no yoshimi-ki ga aru)
1794 Taitō Agency for Cultural Affairs
(kept at Tokyo National Museum)
one volume   35°43′08″N 139°46′36″E / 35.71896467°N 139.77653504°E / 35.71896467; 139.77653504 (Tokyo National Museum) [19]
Landscape, light colour on silk, by Li Zai
絹本淡彩山水図〈李在筆/〉
kenpon tansai sansui zu (Ri Zai hitsu)
Ming dynasty Taitō Tokyo National Museum 138.8 centimetres (54.6 in) by 83.2 centimetres (32.8 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [20]
Hermit in a Mountainous Area, ink and light colour on silk, by Uragami Gyokudō
絹本淡彩山中結廬図〈浦上玉堂筆/寛政四年の自賛がある〉
kenpon tansai sanchū ketsuro zu (Uragami Gyokudō hitsu Kansei shi-nen no jisan ga aru)
1792 Taitō Tokyo National Museum 65.4 centimetres (25.7 in) by 32.1 centimetres (12.6 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [21]
Landscapes of the Four Seasons, light colour on silk
絹本淡彩四季山水図
kenpon tansai shiki sansui zu
Muromachi period Taitō Tokyo National Museum four scrolls 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [22]
Hen and Bamboo, light colour on silk, by Luo Chang
絹本淡彩竹鶏図〈蘿窓筆/自賛アリ〉
kenpon tansai chiku kei zu (Ra Sō hitsu jisan ari)
Southern Song Taitō Tokyo National Museum 96.3 centimetres (37.9 in) by 42.4 centimetres (16.7 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [23]
Grapes, light colour on silk, by Tachihara Kyōsho
絹本淡彩葡萄図〈立原杏所筆/〉
kenpon tansai buzō zu (Tachihara Kyōsho hitsu)
1835 Taitō Tokyo National Museum   89.7 centimetres (35.3 in) by 40.1 centimetres (15.8 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [24]
Landscape, light colour on silk, by I Fukyū
絹本淡彩離合山水図〈伊孚九筆/自賛がある〉
kenpon tansai rigō sansui zu (I Fukyū hitsu jisan ga aru)
C18 Tokyo private three scrolls     [25]
Landscape with Pavilion, light colour on silk, by Sun Junze
絹本淡彩楼閣山水図〈孫君沢筆/〉
kenpon tansai rōkaku sansui zu (Son Kuntaku hitsu)
Yuan Dynasty Setagaya Seikadō Bunko Art Museum pair of scrolls 35°37′22″N 139°37′10″E / 35.62277756°N 139.61943506°E / 35.62277756; 139.61943506 (Seikadō Bunko Art Museum) [26]
Amida Nyorai, colour on silk
絹本著色阿弥陀如来像
kenpon chakushoku Amida Nyorai zō
1306 Minato Nezu Museum Goryeo Buddhist painting   162.5 centimetres (64.0 in) by 91.7 centimetres (36.1 in) 35°39′44″N 139°43′02″E / 35.66225119°N 139.71708348°E / 35.66225119; 139.71708348 (Nezu Museum) [27]
Aizen Myōō, colour on silk
絹本著色愛染明王像
kenpon chakushoku Aizen Myōō zō
Kamakura period Tokyo [28]
Aizen Myōō, colour on silk
絹本著色愛染明王像
kenpon chakushoku Aizen Myōō zō
Kamakura period Taitō Gokoku-in (護国院) 35°43′10″N 139°46′13″E / 35.719306°N 139.770167°E / 35.719306; 139.770167 (Gokokuin) [29]
Aizen Myōō, colour on silk
絹本著色愛染明王像
kenpon chakushoku Aizen Myōō zō
Kamakura period Minato Nezu Museum   123.8 centimetres (48.7 in) by 95.0 centimetres (37.4 in) 35°39′44″N 139°43′02″E / 35.66225119°N 139.71708348°E / 35.66225119; 139.71708348 (Nezu Museum) [30]
Aizen Myōō, colour on silk
絹本著色愛染明王像
kenpon chakushoku Aizen Myōō zō
Kamakura period Minato Nezu Museum   82.3 centimetres (32.4 in) by 51.0 centimetres (20.1 in) 35°39′44″N 139°43′02″E / 35.66225119°N 139.71708348°E / 35.66225119; 139.71708348 (Nezu Museum) [31]
Aizen Mandala, colour on silk
絹本著色愛染曼荼羅図
kenpon chakushoku Aizen mandara zu
Kamakura period Minato Nezu Museum   121.2 centimetres (47.7 in) by 90.9 centimetres (35.8 in) 35°39′44″N 139°43′02″E / 35.66225119°N 139.71708348°E / 35.66225119; 139.71708348 (Nezu Museum) [32]
Portrait of San'yūtei Enchō, colour on silk, by Kaburagi Kiyokata
三遊亭円朝像(鏑木清方筆/絹本著色)
San'yūtei Enchō zō (Kaburagi Kiyokata hitsu kenpon chakushoku)
1930 Chiyoda National Museum of Modern Art, Tokyo 138.5 centimetres (54.5 in) by 76.0 centimetres (29.9 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [33]
Camellia Petals Scattering, colour on paper with gold ground, byōbu by Hayami Gyoshū
紙本金地著色名樹散椿図〈速水御舟筆/二曲屏風〉
shihon kinji chakushoku meiju chiri tsubaki zu (Hayami Gyoshū hitsu ni-kyoku byōbu)
1929 Shibuya Yamatane Museum pair of two-panel screens   169.6 centimetres (66.8 in) by 167.9 centimetres (66.1 in) 35°39′12″N 139°42′49″E / 35.6532°N 139.7137°E / 35.6532; 139.7137 (Yamatane Museum) [34]
Jo-no-mai, colour on silk, by Uemura Shōen
序の舞〈上村松園筆/絹本著色〉
Jo-no-mai (Uemura Shōen hitsu kenpon chakushoku)
1936 Taitō The University Art Museum, Tokyo University of the Arts   233.0 centimetres (91.7 in) by 141.3 centimetres (55.6 in) 35°43′10″N 139°46′18″E / 35.71934266°N 139.77162528°E / 35.71934266; 139.77162528 (The University Art Museum, Tokyo University of the Arts) [35]
Hair, colour on silk, by Kobayashi Kokei
髪〈小林古径筆/絹本著色〉
kami (Kobayashi Kokei hitsu kenpon chakushoku)
1931 Bunkyō Eisei Bunko Museum   173.5 centimetres (68.3 in) by 108.0 centimetres (42.5 in) 35°42′48″N 139°43′24″E / 35.71323379°N 139.72322345°E / 35.71323379; 139.72322345 (Eisei Bunko Museum) [36]
Mother and Child]], colour on silk, by Uemura Shōen
母子〈上村松園筆/絹本著色〉
boshi (Uemura Shōen hitsu kenpon chakushoku)
1934 Chiyoda National Museum of Modern Art, Tokyo   168.0 centimetres (66.1 in) by 115.5 centimetres (45.5 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [37]
Camp at Kisegawa, colour on paper, byōbu by Yasuda Yukihiko
紙本著色黄瀬川陣〈安田靫彦筆/六曲屏風〉
shihon chakushoku Kisegawa-no-jin (Yasuda Yukihiko hitsu rokkyoku byōbu)
1940/1 Chiyoda National Museum of Modern Art, Tokyo pair of six-fold screens; the subject of Minamoto no Yoshitsune coming to join Minamoto no Yoritomo is based on the Azuma Kagami[5] 167.7 centimetres (66.0 in) by 374.0 centimetres (147.2 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [38]
Dancing in the Flames, colour on silk, by Hayami Gyoshū
絹本著色炎舞図〈速水御舟筆/〉
kenpon chakushoku enbu zu (Hayami Gyoshū hitsu)
1925 Shibuya Yamatane Museum   120.3 centimetres (47.4 in) by 53.8 centimetres (21.2 in) 35°39′12″N 139°42′49″E / 35.6532°N 139.7137°E / 35.6532; 139.7137 (Yamatane Museum) [39]
Serving Girl in a Spa, colour on silk, byōbu by Tsuchida Bakusen
絹本著色湯女図〈土田麦僊筆/二曲屏風〉
kenpon chakushoku yuna zu (Tsuchida Bakusen hitsu nikyoku byōbu)
1918 Chiyoda National Museum of Modern Art, Tokyo pair of two-fold screens   197.6 centimetres (77.8 in) by 195.5 centimetres (77.0 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [40]
Kiyohime at the Hidaka River, colour on silk, by Murakami Kagaku
絹本著色日高河清姫図〈村上華岳筆/〉
kenpon chakushoku Hidaka-gawa Kiyohime zu (Murakami Kagaku hitsu)
1919 Chiyoda National Museum of Modern Art, Tokyo   142.5 centimetres (56.1 in) by 55.7 centimetres (21.9 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [41]
Tabby Cat, colour on silk, by Takeuchi Seihō
絹本著色斑猫図〈竹内栖鳳筆/〉
kenpon chakushoku hanbyō zu (Takeuchi Seihō hitsu)
1924 Shibuya Yamatane Museum   81.9 centimetres (32.2 in) by 101.6 centimetres (40.0 in) 35°39′12″N 139°42′49″E / 35.6532°N 139.7137°E / 35.6532; 139.7137 (Yamatane Museum) [42]
Eight Famous Sights along the Xiao River and the Xiang River, colour on silk, by Yokoyama Taikan
絹本著色瀟湘八景図〈横山大観筆/〉
kenpon chakushoku shōshō hakkei zu (Yokoyama Taikan hitsu)
1912 Taitō Tokyo National Museum eight scrolls: Clouds and Sails off Distant Shore (遠浦雲帆), Night Rain over the Xiao and Xiang (瀟湘夜雨), Evening Bell from a Distant Temple (烟寺晩鐘), Mountain Village after Storm (山市晴嵐), Fishing Village in Sunset Glow (漁村返照), Autumn Moon Over Lake Dongting (洞庭秋月), Wild Geese Descending to Sandbar (平沙落雁), and River Sky in Evening Snow (江天暮雪); Natsume Sōseki observed that the paintings have "a charm that appears to be sophisticated and fatuous at the same time" (気の利いた様な間の抜けた様な趣)[6]          113.6 centimetres (44.7 in) by 60.6 centimetres (23.9 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [43]
Metempsychosis, ink on silk, by Yokoyama Taikan
絹本墨画生々流転図〈横山大観筆/〉
kenpon bokuga seisei ruten zu (Yokoyama Taikan hitsu)
1923 Chiyoda National Museum of Modern Art, Tokyo a drop of water from the vapours in the sky transforms into a mountain stream, which flows into a great river and on into the sea, whence rises a dragon (pictured) which again turns to vapour[5][7]   55.3 centimetres (21.8 in) by 4,070.0 centimetres (1,602.4 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [44]
Eight Famous Sights of Ōmi, colour on paper, by Imamura Shikō
紙本著色近江八景図〈今村紫紅筆/〉
shihon chakushoku Ōmi hakkei zu (Imamura Shikō hitsu)
1912 Taitō Tokyo National Museum eight scrolls; see Eight Views of Ōmi   165.0 centimetres (65.0 in) by 56.9 centimetres (22.4 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [45]
Parting Spring, colour on paper, byōbu by Kawai Gyokudō
紙本著色行く春図〈川合玉堂筆/六曲屏風〉
shihon chakushoku yukuharu zu (Kawai Gyokudō hitsu rokkyoku byōbu)
1916 Chiyoda National Museum of Modern Art, Tokyo pair of six-fold screens    183.0 centimetres (72.0 in) by 390.0 centimetres (153.5 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [46]
Sceneries in the Tropical Land, colour on paper, by Imamura Shikō
紙本著色熱国の巻〈今村紫紅筆/〉
shihon chakushoku nekkoku no maki (Imamura Shikō hitsu)
1914 Taitō Tokyo National Museum pair of scrolls, morning and evening   morning: 47.5 centimetres (18.7 in) by 954.5 centimetres (31 ft 3.8 in); evening: 45.7 centimetres (18.0 in) by 966.0 centimetres (31 ft 8.3 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [47]
Road Cut Through a Hill, oil on canvas, by Kishida Ryūsei
切通しの写生〈岸田劉生筆 一九一五年/油絵 麻布〉
kiridōshi no shasei (Kishida Ryūsei hitsu 1915-nen abura-e mafu)
1915 Chiyoda National Museum of Modern Art, Tokyo   56.0 centimetres (22.0 in) by 53.0 centimetres (20.9 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [48]
Nude, colour on silk, by Murakami Kagaku
裸婦図〈村上華岳筆/絹本著色〉
rafu zu (Murakami Kagaku hitsu kenpon chakushoku)
1920 Shibuya Yamatane Museum   163.6 centimetres (64.4 in) by 109.1 centimetres (43.0 in) 35°39′12″N 139°42′49″E / 35.6532°N 139.7137°E / 35.6532; 139.7137 (Yamatane Museum) [49]
Portrait of Reiko, oil on canvas, by Kishida Ryūsei
麗子微笑〈岸田劉生筆 一九二一年/油絵 麻布〉
Reiko bishō (Kishida Ryūsei hitsu 1921-nen aburae mafu)
1921 Taitō Tokyo National Museum   44.2 centimetres (17.4 in) by 36.4 centimetres (14.3 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [50]
Bodhisattva Kenshu, colour on silk, by Hishida Shunsō
絹本著色賢首菩薩図〈菱田春草筆/〉
kenpon chakushoku Kenshu Bosatsu zō (Hishida Shunsō hitsu)
1907 Chiyoda National Museum of Modern Art, Tokyo Kenshu, also Genju or Fazang, third patriarch of the Kegon (Huayan) school, explains the Kegon Sutra (Flower Garland Sutra) to Empress Wu Zetian using the analogy of a golden lion[5]   185.7 centimetres (73.1 in) by 99.5 centimetres (39.2 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [51]
Black Cat, colour on silk, by Hishida Shunsō
絹本著色賢首菩薩図〈菱田春草筆/〉
kenpon chakushoku kuroki neko zu (Hishida Shunsō hitsu)
1910 Bunkyō Eisei Bunko Museum   35°42′48″N 139°43′24″E / 35.71323379°N 139.72322345°E / 35.71323379; 139.72322345 (Eisei Bunko Museum) [52]
Kannon as Compassionate Mother, colour on silk, by Kanō Hōgai
絹本著色悲母観音像〈狩野芳崖筆/〉
kenpon chakushoku hibo Kannon zō (Kanō Hōgai hitsu)
1888 Taitō The University Art Museum, Tokyo University of the Arts   195.8 centimetres (77.1 in) by 86.1 centimetres (33.9 in) 35°43′10″N 139°46′18″E / 35.71934266°N 139.77162528°E / 35.71934266; 139.77162528 (The University Art Museum, Tokyo University of the Arts) [53]
Dragon and Tiger, colour on silk, byōbu by Hashimoto Gahō
絹本著色竜虎図〈橋本雅邦筆/六曲屏風〉
kenpon chakushoku ryū-ko zu (Hashimoto Gahō hitsu rokkyoku byōbu)
1895 Setagaya Seikadō Bunko Art Museum pair of six-fold screens    35°37′22″N 139°37′10″E / 35.62277756°N 139.61943506°E / 35.62277756; 139.61943506 (Seikadō Bunko Art Museum) [54]
Lakeside, oil on canvas, by Kuroda Seiki
湖畔〈黒田清輝筆 一八九七年/油絵 麻布〉
kohan (Kuroda Seiki hitsu 1897-nen abura-e mafu)
1897 Taitō Tokyo National Museum   69.0 centimetres (27.2 in) by 84.7 centimetres (33.3 in) 35°43′08″N 139°46′24″E / 35.71886768°N 139.77328704°E / 35.71886768; 139.77328704 (Tokyo National Museum) [55]
Black Fan, oil on canvas, by Fujishima Takeji
黒扇〈藤島武二筆/油絵 麻布〉
kokusen (Fujishima Takeji hitsu abura-e mafu)
1908/9 Machida Ishibashi Foundation
(kept at the Ishibashi Foundation Art Research Center (石橋財団アートリサーチセンター))
  42.4 centimetres (16.7 in) by 63.7 centimetres (25.1 in) 35°36′01″N 139°22′55″E / 35.600190°N 139.381941°E / 35.600190; 139.381941 (Ishibashi Foundation Art Research Center) [56]
Reminiscence of the Tempyō Era, oil on canvas, by Fujishima Takeji
天平の面影〈藤島武二筆/油絵麻布〉
Tenpyō no omokage (Fujishima Takeji hitsu aburae mafu)
1902 Machida Ishibashi Foundation
(kept at the Ishibashi Foundation Art Research Center (石橋財団アートリサーチセンター))
the artist observed a kugo in the Shōsōin and references the ancient subject of a beauty under a tree[8]   197.5 centimetres (6 ft 5.8 in) by 94.0 centimetres (3 ft 1.0 in) 35°36′01″N 139°22′55″E / 35.600190°N 139.381941°E / 35.600190; 139.381941 (Ishibashi Foundation Art Research Center) [57]
Paradise under the Sea, oil on canvas, by Aoki Shigeru
わだつみのいろこの宮〈青木繁筆/油絵麻布一九〇七年〉
Wadatsumi no iroko no miya (Aoki Shigeru hitsu aburae mafu)
1907 Machida Ishibashi Foundation
(kept at the Ishibashi Foundation Art Research Center (石橋財団アートリサーチセンター))
on the subject of Umisachihiko and Yamasachihiko from the Kojiki[8]   180.0 centimetres (5 ft 10.9 in) by 68.3 centimetres (2 ft 2.9 in) 35°36′01″N 139°22′55″E / 35.600190°N 139.381941°E / 35.600190; 139.381941 (Ishibashi Foundation Art Research Center) [58]
A Gift of the Sea, oil on canvas, by Aoki Shigeru
海の幸〈青木繁筆/油絵麻布〉
Umi no kō (Aoki Shigeru hitsu aburae mafu)
1904 Machida Ishibashi Foundation
(kept at the Ishibashi Foundation Art Research Center (石橋財団アートリサーチセンター))
[8]   70.2 centimetres (2 ft 3.6 in) by 182.0 centimetres (5 ft 11.7 in) 35°36′01″N 139°22′55″E / 35.600190°N 139.381941°E / 35.600190; 139.381941 (Ishibashi Foundation Art Research Center) [59]
Landscapes of the Four Seasons, light colour on silk, attributed to Sesshū Tōyō
絹本淡彩四季山水図〈(伝雪舟筆)/〉
kenpon tansai shiki sansui zu (den-Sesshū Tōyō hitsu)
C15 Machida Ishibashi Foundation
(kept at the Ishibashi Foundation Art Research Center (石橋財団アートリサーチセンター))
     70.6 centimetres (27.8 in) by 44.2 centimetres (17.4 in) 35°36′01″N 139°22′55″E / 35.600190°N 139.381941°E / 35.600190; 139.381941 (Ishibashi Foundation Art Research Center) [60]
Salmon, oil on paper, by Takahashi Yuichi
鮭〈高橋由一筆/油絵 紙〉
sake (Takahashi Yuichi hitsu abura-e kami)
c.1877 Taitō The University Art Museum, Tokyo University of the Arts   140.0 centimetres (55.1 in) by 46.5 centimetres (18.3 in) 35°43′10″N 139°46′18″E / 35.71934266°N 139.77162528°E / 35.71934266; 139.77162528 (The University Art Museum, Tokyo University of the Arts) [61]
White Clouds and Autumn Leaves, colour on paper, by Hashimoto Gahō
紙本著色白雲紅樹図〈橋本雅邦筆/〉
shihon chakushoku hakuun kōju zu (Hashimoto Gahō hitsu)
1890 Taitō The University Art Museum, Tokyo University of the Arts   265.8 centimetres (104.6 in) by 159.3 centimetres (62.7 in) 35°43′10″N 139°46′18″E / 35.71934266°N 139.77162528°E / 35.71934266; 139.77162528 (The University Art Museum, Tokyo University of the Arts) [62]
Fudō Myōō, colour on paper, by Kanō Hōgai
紙本著色不動明王図〈狩野芳崖筆/〉
shihon chakushoku Fudō Myōō zu (Kanō Hōgai hitsu)
1887 Taitō The University Art Museum, Tokyo University of the Arts   158.0 centimetres (62.2 in) by 78.8 centimetres (31.0 in) 35°43′10″N 139°46′18″E / 35.71934266°N 139.77162528°E / 35.71934266; 139.77162528 (The University Art Museum, Tokyo University of the Arts) [63]
Fallen Leaves, colour on paper, byōbu by Hishida Shunsō
紙本著色落葉図〈菱田春草筆/六曲屏風〉
shihon chakushoku rakuyō zu (Hishida Shunsō hitsu rokkyoku byōbu)
1909 Bunkyō Eisei Bunko Museum pair of six-fold screens    35°42′48″N 139°43′24″E / 35.71323379°N 139.72322345°E / 35.71323379; 139.72322345 (Eisei Bunko Museum) [64]
Harvest, oil on canvas, by Asai Chū
収穫〈浅井忠筆 一八九〇年/油絵 麻布〉
shūkaku (Asai Chū hitsu 1890-nen abura-e mafu)
1890 Taitō The University Art Museum, Tokyo University of the Arts   69.6 centimetres (27.4 in) by 98.2 centimetres (38.7 in) 35°43′10″N 139°46′18″E / 35.71934266°N 139.77162528°E / 35.71934266; 139.77162528 (The University Art Museum, Tokyo University of the Arts) [65]
Spring Ridge, oil on canvas, by Asai Chū
春畝〈浅井 忠筆 一八八八年/油絵 麻布〉
shunpo (Asai Chū hitsu 1888-nen abura-e mafu)
1888 Taitō Tokyo National Museum   84.0 centimetres (33.1 in) by 102.5 centimetres (40.4 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [66]
Wisdom Impression Sentiment, oil on canvas, by Kuroda Seiki
智・感・情〈黒田清輝筆 一八九九年/油絵 麻布〉
chi-kan-jō (Kuroda Seiki hitsu 1899-nen abura-e mafu)
1899 Taitō Tokyo National Museum     180.6 centimetres (71.1 in) by 99.8 centimetres (39.3 in) 35°43′08″N 139°46′24″E / 35.71886768°N 139.77328704°E / 35.71886768; 139.77328704 (Tokyo National Museum) [67]
Maiko, oil on canvas, by Kuroda Seiki
舞妓〈黒田清輝筆/油絵 麻布〉
maiko (Kuroda Seiki hitsu abura-e mafu)
1893 Taitō Tokyo National Museum   80.4 centimetres (31.7 in) by 65.3 centimetres (25.7 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [68]
Nude Beauty, oil on canvas, by Yorozu Tetsugorō
裸体美人〈萬鐵五郎筆/油絵 麻布〉
ratai bijin (Yorozu Tetsugorō hitsu abura-e mafu)
1912 Chiyoda National Museum of Modern Art, Tokyo   162.0 centimetres (63.8 in) by 97.0 centimetres (38.2 in) 35°41′26″N 139°45′17″E / 35.6905681°N 139.75472526°E / 35.6905681; 139.75472526 (National Museum of Modern Art, Tokyo) [69]
Summer Landscape, ink on silk, by Chen Shaoying
絹本墨画夏景山水図〈陳紹英筆/順治十年九月の年記がある〉
kenpon bokuga kakei sansui zu (Chen Shaoying hitsu Junchi jū-nen ku-gatsu no nenki ga aru)
1653 Setagaya Seikadō Bunko Art Museum dated by an inscription to the tenth year of the Shunzhi Emperor 35°37′22″N 139°37′10″E / 35.62277756°N 139.61943506°E / 35.62277756; 139.61943506 (Seikadō Bunko Art Museum) [70]
Excellent Ox, light colour on paper
紙本淡彩駿牛図断簡
shihon tansai sungyū zu dankan
Kamakura period Taitō Tokyo National Museum   27.2 centimetres (10.7 in) by 32.4 centimetres (12.8 in) 35°43′12″N 139°46′32″E / 35.71994403°N 139.77563736°E / 35.71994403; 139.77563736 (Tokyo National Museum) [71]
Excellent Ox, light colour on paper
紙本淡彩駿牛図断簡
shihon tansai sungyū zu dankan
Kamakura period Taitō Agency for Cultural Affairs
(kept at Tokyo National Museum)
  35°43′08″N 139°46′36″E / 35.71896467°N 139.77653504°E / 35.71896467; 139.77653504 (Tokyo National Museum) [72]
Excellent Ox, light colour on paper
紙本淡彩駿牛図断簡
shihon tansai shungyū zu dankan
Kamakura period Setagaya Gotoh Museum   31.5 centimetres (12.4 in) by 32.4 centimetres (12.8 in) 35°36′44″N 139°38′08″E / 35.61229621°N 139.63557325°E / 35.61229621; 139.63557325 (Gotoh Museum) [73]

Prefectural Cultural Properties

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As of 10 February 2016, twenty-four properties have been designated at a metropolitan level.[9]

Property Date Municipality Ownership Comments Image Dimensions Coordinates Ref.
Yakusha-e, colour on wooden boards, by Torii Kiyonaga
板絵着色役者絵 鳥居清長筆
ita-e chakushoku yakusha-e Torii Kiyonaga hitsu
Edo period Nerima Chōmei-ji (長命寺)   121 centimetres (48 in) by 136 centimetres (54 in) 35°44′38″N 139°36′52″E / 35.743806°N 139.614528°E / 35.743806; 139.614528 (Chōmeiji) [74]
Nichiren Shōnin, oil on canvas
麻布油絵日蓮聖人像
mafu abura-e Nichiren Shōnin zō
1876 Suginami Myōhō-ji (妙法寺) by Takahashi Yuichi   54.4 centimetres (21.4 in) by 63.2 centimetres (24.9 in) 35°41′33″N 139°39′07″E / 35.692444°N 139.651806°E / 35.692444; 139.651806 (Chōmeiji) [75]

See also

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References

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  1. ^ "Cultural Properties for Future Generations". Agency for Cultural Affairs. Retrieved 10 February 2016.
  2. ^ 国宝・重要文化財 [Number of National Treasures and Important Cultural Properties by Prefecture] (in Japanese). Agency for Cultural Affairs. 1 February 2016. Retrieved 10 February 2016.
  3. ^ "Database of National Cultural Properties: 国宝・重要文化財(美術品)(絵画 東京都)" (in Japanese). Agency for Cultural Affairs. Archived from the original on 2 May 2017. Retrieved 10 February 2016.
  4. ^ "Detached Segment from The Deeds of the Zen Masters". Ishibashi Museum of Art. Archived from the original on 31 May 2014. Retrieved 30 May 2014.
  5. ^ a b c d "Masterpieces". National Museum of Modern Art, Tokyo. Retrieved 13 February 2016.
  6. ^ "Eight famous sights along the Xiao River and the Xiang River". National Institutes for Cultural Heritage. Retrieved 7 April 2016.
  7. ^ 横山大観 生々流転 [Metempsychosis by Yokoyama Taikan] (in Japanese). National Institutes for Cultural Heritage. Retrieved 13 February 2016.
  8. ^ a b c "Japanese Western-style Painting". Ishibashi Museum of Art. Archived from the original on 31 March 2014. Retrieved 30 May 2014.
  9. ^ 有形文化財(絵画 絵画・典籍 典籍・絵画) [Tangible Cultural Properties - Paintings] (in Japanese). Tokyo Metropolis. Retrieved 10 February 2016.
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