Kumarasinghe Rajapakse (9 April 1934 – 13 June 1983 කිංස්ලි රාජපක්ෂ), popularly known as Kingsley Rajapakse was a film director and actor in Sri Lankan cinema.[1]
Kingsley Rajapakse කිංස්ලි රාජපක්ෂ | |
|---|---|
| Born | Kumarasinghe Rajapakse April 9, 1934 Nuwara Eliya, Sri Lanka |
| Died | June 13, 1983 (aged 49) Colombo, Sri Lanka |
| Nationality | Sri Lankan |
| Education | St. Sylvester's College |
| Occupation(s) | Actor, Filmmaker |
| Years active | 1955–1983 |
| Spouse | Iranganie Bulathsinhala |
| Children | 5 |
Personal life
editKumarasinghe was born on 9 April 1934 in Udamadura village, Rikillagaskada, Walapane, Sri Lanka. His father, K. S. D. Rajapaksa was a teacher. His mother Weerasinghe Menike was a housewife. He was educated at St. Sylvester College, Kandy.[2]
He had seven brothers including: Wijewardena, Wickramaratne, Premachandra and a sister named Indrani. Among these, Wijewardene Rajapaksa, was involved in cinema, produced the films Ran Kurullo and Rathu Makara directed by Kingsley. His brother Premachandra Rajapaksa, was a retired teacher. His son Dhammika Rajapaksa works as a lighting and assistant costume designer for films and teledramas at a Nugegoda Production Company.[2]
He was married to his longtime partner, Iranganie Bulathsinhala. He had five children: eldest daughter Saman Rajapaksa who was married to Shantha Karunaratne, son of Prof. W. S. Karunaratne, former Ambassador of Sri Lanka to the United States of America and Indumathi Karunaratne. Other sons are Chandana and Mangala. Mangala died in 2018. Youngest daughter is Chandrika.[2]
Kingsley was ill for several years and left the film industry. He died of a heart attack on 13 June 1983, at the age of 49.[2]
Career
editHe loved cinema from the time he was in school and was known as a student who was punished for sneaking out of the College dormitory and watching Hindi and English movies.[2] In 1955, Kumarasinghe submitted an application for the film advertisement Perakadoru Bana published by Willy Jayamanne. Out of hundreds of applications, Kumarasinghe was able to play a minor role in the film.[3]
However, he had a tough time with economy during this period. Then he produced a stage play named Daivaya along with one of his friends. Later in 1956, he was introduced to film director T.K. Somasekaran by his friend. At that time, Somasekaran was preparing to direct the film Saradam.[4] In the film, Kumarasinghe was selected to write the dialogue and co-direct it as well as played a minor role. Meanwhile, Somasekaran insisted Kumarasinghe to change his name. Then he gave the name 'Kingsley' which is appropriate for the screen.[2]
In 1958, he played an antagonist character in the film Suneetha directed by P. Neelakantan. During the set, he met Asoka Ponnamperuma who became a close friend. After the film Saradam, Kingsley co-directed the film Aviswasaya with Somasekaran which was released in 1958. At the same time, he played a supporting role in the film Sri 296 directed by Premanath Moraes. He then starred in Somasekaran's Pirimiyek Nisa in 1960. In 1963, he worked as an assistant director and played a supportive role in the film Wena Swargayak Kumatada?.[2]
In the meantime, he worked in an advertising campaign in the commercial sector of Sri Lanka Broadcasting Corporation. In 1963, he made his directorial debut Deepashika with the guidance of Douglas Kothalawala.[3] In the film, Kingsley also played a sub-lead role whereas Jeevarani Kurukulasuriya, Sandhya Kumari and Kithsiri Perera played lead roles. Although the film was extremely popular, it was an excerpt from the story of the Tamil film Anbu Engai. In 1965, he made the commercially successful film Handapana where the film received critical acclaim for its background music. For the music in the film, Sisira Senaratne won the award for the Best Music Direction at 1966 Sarasaviya Awards.[2]
Kingsley later directed the films Hitata Hitha (1965), Singithi Surathal, Indunila (1968), Kalana Mithuro (1971), Suhada Pathuma, Sinavai Inavai, Sadhana (1973) and Sudu Pareviyo (1977). In 1979, he wrote the screenplay and directed his last film Raan Kurallo.[3] With his 1971 film Kalana Mithuro, he introduced Tissa Wijesurendra into Sinhala cinema.[5]
Filmography
edit| Year | Film | Roles | Ref. |
|---|---|---|---|
| 1954 | Saradam | Co–director | |
| 1955 | Perakadoru Bena | ||
| 1958 | Deyyange Rate | ||
| 1958 | Suneetha | ||
| 1958 | Sepali | ||
| 1959 | Avishwasaya | Dialogue Writer, Raja | |
| 1959 | Sri 296 | Assistant Director, Norton | |
| 1960 | Pirimiyek Nisa | Assistant director, Dialogue Writer | |
| 1963 | Wena Swargayak Kumatada? | Co–director | |
| 1963 | Deepashika | Director, Actor: Lucky | [6] |
| 1965 | Handapana | Director | [7] |
| 1965 | Hithata Hitha | Director, Screenwriter | |
| 1968 | Singithi Surathal | Director | |
| 1968 | Indunila | Director, Screenwriter | |
| 1971 | Kalana Mithuro | Director, Art Director | |
| 1973 | Suhada Pethuma | Director | [8] |
| 1973 | Sinawai Inawai | Director | |
| 1976 | Ganga | Composer | |
| 1977 | Sudu Paraviyo | Director, Screenwriter, Film Editor | |
| 1979 | Raan Kurullo | Director, Screenwriter, Film Editor |
References
edit- ^ "Kingsly Rajapaksha කිංස්ලි රාජපක්ෂ filmography". Digital Identity of Sinhala Cinema. Retrieved 2021-02-20.
- ^ a b c d e f g h "Kingsley Rajapaksa ignited the cinema with Deepashika". Sarasaviya. Retrieved 2021-02-20.
- ^ a b c "Seven people who have graced the cinema with acting and directing". Sarasaviya. Retrieved 2021-02-20.
- ^ "Early Patriotic Song Prosperity". Sarasaviya. Retrieved 2021-02-20.
- ^ "Tissa Wijesurendra, the Sudhir Kumar of Sinhala cinema, became a doctor and became a Baiscope madman". Divaina. Retrieved 2021-02-20.
- ^ "Deepashika". vodtv. Retrieved 2021-02-20.
- ^ "Handapana / හඳපාන [ Black & White 35mm ] Film No : 109". Digital Identity of Sinhala Cinema. Retrieved 2021-02-20.
- ^ "In the shadows cold writing: Suhada Pathuma". Sarasaviya. Retrieved 2021-02-20.