Károly Vass (1896–1953) was a Hungarian cinematographer. He worked in Germany during the silent era where he was often credited as Karl Vass.[1]
Károly Vass | |
---|---|
Born | 20 June 1896 |
Died | 3 October 1953 Budapest, Hungary |
Other names | Karl Vass, Karl Vash |
Occupation | Cinematographer |
Years active | 1917–1944 (film) |
Selected filmography
edit- Casanova (1918)
- Lili (1918)
- The Hustler (1920)
- Lucrezia Borgia (1922)
- The Island of Tears (1923)
- Paganini (1923)
- The Wonderful Adventure (1924)
- Should We Get Married? (1924)
- The Hanseatics (1925)
- Ballettratten (1925)
- Two and a Lady (1926)
- The Island of Forbidden Kisses (1927)
- The Hunt for the Bride (1927)
- Vacation from Marriage (1927)
- Intoxicated Love (1927)
- Nameless Woman (1927)
- Only a Viennese Woman Kisses Like That (1928)
- Sweet Pepper (1929)
- The Night Without Pause (1931)
- Grandstand for General Staff (1932)
- The Call of the Jungle (1936)
- Rosemary (1938)
- No Coincidence (1939)
- Wildflowers of Gyimes (1939)
- Sarajevo (1940)
- Gábor Göre Returns (1940)
- On the Way Home (1940)
- Taken by the Flood (1941)
- Left-Handed Angel (1941)
- Sister Beáta (1941)
- Yellow Rose (1941)
- Costume Ball (1942)
- The Perfect Family (1942)
- The Last Song (1942)
References
edit- ^ Krautz p.147
Bibliography
edit- Krautz, Alfred. International directory of cinematographers set- and costume designers in film: Volume VIII. Saur, 1989.
External links
edit- Károly Vass at IMDb