Jason Salavon (born 1970) is an American contemporary artist. He is noted for his use of custom computer software to manipulate and reconfigure preexisting media and data to create new visual works of fine art.[1]
Early life
edit
The son of an artist, Jason Salavon was born in 1970 in Indianapolis, Indiana and raised in Fort Worth, Texas (Hill 2004).[2] He earned his BA in 1993 from the University of Texas at Austin[3] and his MFA in 1997 from The School of the Art Institute of Chicago. During and after school, Salavon worked as an artist and programmer in the video game industry. After he earned his MFA, he also designed and taught courses as an instructor at The School of the Art Institute of Chicago.[4] Salavon currently lives in Chicago, where he is a studio artist and an associate professor at the University of Chicago.[5][6]
Work
editSalavon is noted for his use of custom computer software to manipulate and reconfigure media and data to create new visual works of art. A significant body of Salavon's work involves two general means of manipulating preexisting media to create works of art: first, by overlaying images (such as multiple photographs) and averaging the result to create visual amalgamations and, second, by distributing processed media (such as individual frames of a movie) side by side or in other configurations. An example of the first means is Salavon's 2004 suite of works, 100 Special Moments, which consists of images based on the average of groups of 100 unique commemorative photographs culled from the Internet.[7][8][9]
An example of the second method of production is his 2000 work, The Top Grossing Film of All Time, 1 x 1, which is a static image showing all of the frames of the movie Titanic reduced to the average color most representative of each frame.[10][11][12] Salavon employed a similar method in his 2003 series Emblem, reducing films such as Stanley Kubrick's 2001: A Space Odyssey to a set of concentric rings of color representing each frame of the film.[4]
A third part of Salavon's work involves the recomposition of statistical data into visual images. For example, in the 2001 works Shoes, Domestic Production, 1960-1998, Salavon organized and transformed a data set concerning the show industry into "psychedelic constellations" bursting with color. A more recent example is Salavon's 2006 work, American Varietal, a commission to transform census data into site-specific art for the new headquarters of the US Census Bureau in Suitland, Maryland.
Salvon's public installation American Varietal is installed at the US Census Bureau in Suitland, Maryland.[13][14]
At one point in time, the Google search results for the term "Playboy" placed Salavon's website in a higher position than Playboy's own website.[15] This was likely the result of extensive blogosphere discussion about and linking to Salavon's website for his works Every Playboy Centerfold, The Decades, amalgamations showing the decade-by-decade evolution of the "average" Playboy centerfold from the 1960s to the 1990s.
In 2018 Salavon's work Everything All at Once(Part III) was displayed in the Chicago New Media 1973-1992 exhibition, curated by jonCates.[16]
Collections
edit- Metropolitan Museum of Art, New York[17]
- National Portrait Gallery, Washington[18]
- the International Center of Photography, New York[19]
References
edit- ^ "What Only Artists Can Teach Us About Technology, Data, and Surveillance".
- ^ "Museum of Contemporary Photography". Archived from the original on 2006-10-01. Retrieved 2007-03-16.
- ^ Communications, Emmis (September 2001). "The Alcalde".
- ^ a b "The University of Chicago Magazine: Features".
- ^ "Department of Visual Arts • Jason Salavon". Archived from the original on 2007-12-04. Retrieved 2007-12-08.
- ^ "Jason Salavon". October 2019.
- ^ "Cabinet". 2004.
- ^ Anderson, Steve F. (2017-10-13). Technologies of Vision: The War Between Data and Images. MIT Press. ISBN 9780262343343.
- ^ Patrick, Keith (January 28, 2005). Contemporary. Art 21. ISBN 9780954673208 – via Google Books.
- ^ Dormehl, Luke (2014-11-04). The Formula: How Algorithms Solve All Our Problems . . . And Create More. Penguin. ISBN 9780698158849.
- ^ Burrough, Xtine (2012-05-23). Net Works: Case Studies in Web Art and Design. Routledge. ISBN 9781136944826.
- ^ Steele, Julie; Iliinsky, Noah (2010-04-23). Beautiful Visualization: Looking at Data through the Eyes of Experts. "O'Reilly Media, Inc.". ISBN 9781449390686.
- ^ https://www.census.gov/content/dam/Census/about/censuscareers/2011-census-guide.pdf [bare URL PDF]
- ^ "United States Census Bureau Headquarters: Suitland, Maryland". 2008.
- ^ "Audible City: Jason Salavon - Gapers Block: Detour | Chicago".
- ^ "Contents May be Extremely Hot". 23 March 2006.
- ^ "Jason Salavon | Portrait (Hals)".
- ^ "TBMA |Late Night Triad (2003) Smithsonian". www.si.edu.
- ^ "Top Grossing Film of All Time, 1x1". International Center of Photography. February 25, 2016.
- Irvine, Karen. "Jason Salavon Archived 2006-10-01 at the Wayback Machine", Museum of Contemporary Photography (Midwest Photographers Project Collection). Retrieved on March 16, 2007.
- "Jason Salavon", Museum of Contemporary Photography (Permanent Collection). Retrieved on March 16, 2007.
- Picard, Caroline (November 29, 2018). "'Chicago New Media 1973-1992' pays tribute to the city's contribution to video games and digital art". Chicago Reader. Retrieved September 25, 2019.
- Cates, Jon (2018). Chicago New Media, 1973-1992. Illinois, United States: University of Illinois. p. 9. ISBN 978-0-252-08407-2.
Further reading
edit- Landsman, Aaron. "Case Study, Jason Salavon: A Thousand Butterflies", Creative Capital Foundation, December 2002. Retrieved on March 16, 2007.