Wikipedia

Heiner Thiel

Heiner Thiel (born January 14, 1957) is a German sculptor and curator. He is an exponent of concrete art.

Heiner Thiel
Born (1957-01-14) January 14, 1957 (age 67)
Bernkastel-Kues, Rhineland-Palatinate, Germany
NationalityGerman
Known forConcrete art sculpture
MovementMinimalism
Websiteheiner-thiel.de
Untitled, 2016

Life edit

Thiel studied history of art from 1978 to 1982 at the Johannes Gutenberg University in Mainz, and then went to the Städelschule in Frankfurt from 1983 to 1985. There he studied sculpture under Michael Croissant [de]. In 1985 he received an award for most promising artist in visual arts of the town of Mainz. The following year he won the most promising award of the federal state of Rhineland-Palatinate. In 1998 Thiel was awarded a scholarship by the Stiftung Rheinland-Pfalz für Kultur [de] – Künstlerhaus Schloss Balmoral [de].[1] Thiel is a member of the Darmstädter Sezession and the Arbeitsgemeinschaft bildender Künstler am Mittelrhein ("association of visual artists in the Middle Rhine").

Work edit

 
Steel-Sheet-Mural relief by Heiner Thiel, 1993

Heiner Thiel works with a variety of sculptural materials. In the 1970s he was fascinated by bronze casting, but in the 1980s he began to experiment with steel sheets, which he pretreated in a complex painting process.[2] He then formed these steel sheets into abstract wall reliefs. Depending on the angle of view, one seems to see a different object, parts of the relief appear in the foreground or disappear, bring out the illusions of perception and thus invite reflection on the theme of perspective.

Thiel designed similar works in the 1990s with his cube-like wall objects made of Metal. Here too, the perspective changes with the viewer's movement in front of the work: «You can observe how the perspective space gradually unfolds until it reaches its optimum form and depth during the shift in position« (in German: «Man kann während der Positionsverschiebung beobachten, wie sich der perspektivische Raum sukzessive entfaltet, bis er seine optimale Form und Tiefe erreicht hat.«)[3]

 
Cubical shaped Mural relief by Heiner Thiel, 1994

The game with the different perspectives revolves around the central question in Thiel's work: «In my artistic work, I am particularly interested in the' border area' between surface, space and colour: when does a space become a space? And what role does color play in this?« (in German: «In meiner künstlerischen Arbeit interessiert mich besonders der 'Grenzbereich' zwischen Fläche, Raum und Farbe: wann wird eine Fläche räumlich und wann ein Körper flächig? Und welche Rolle spielt dabei die Farbe?«)[4]

Color forms one of the central themes in Thiel's more recent works and adds the dimension of light or shadow to the interplay with perspectives, thus creating new experiences of perception for the viewer. At the end of the 1990s, works of aluminium sheet metal were created, which were either concave or convex in shape and provided with a paint application. The paint is applied by anodising and is only 20 thousandths of a mm thick. The production and pre-processing of the aluminium sheets is also carried out industrially, they are parts of large ball elements that are needed for the industry.[5]

Michael Post characterizes this technique:«The method of anodizing allows the creation of colorfulness without the material substance of color becoming visible.« (in German: «Die Methode des Eloxierens gestattet die Herstellung von Farbigkeit, ohne dass die materielle Substanz der Farbe sichtbar wird.«)[6] Once again, Thiel focuses on the viewer's perceptions in these works: viewed from a distance, the concave or convex element of the work loses itself and the work appears like an ordinary square with normal edges. However, when you look from the side, the work begins to emerge from the wall and the curvature becomes overly clear. In addition, the lighting of the values has an influence on perception, the shadow cast by the respective work becomes part of the mystery picture of perception. Hans Zitko writes:«In this event, the objects gain the character of phantoms, which are able to change their form and structure under the glances of the subject«. (in German: «In diesem Geschehen gewinnen die Objekte verschiedentlich den Charakter von Phantomen, die ihre Form und Struktur unter den Blicken des Subjekts zu verändern vermögen.«)[7]

Collections edit

Solo exhibitions edit

Group exhibitions edit

  • 2023: Embodying Colour: Outtakes,[17] Charlotte Jackson Fine Art, Santa Fe, New Mexico, United States

Art in public places edit

 
Offenes Quadrat (English: "Open Square"), 1996, on the Sculpture walk in Karlstal

Curatorial work edit

  • 2015: Curator of the exhibition Embodying Colour at Haus Metternich, Koblenz, Germany (with Michael Post)[21]
  • 2019: Embodying Colour V,[22] Sammlung Schroth at the Museum–Wilhelm-Morgner, Soest, Germany
  • 2021: Curated by… Heiner Thiel: Die Verkörperung der Farbe,[23] Galerie Renate Bender, Munich, Germany

References edit

  1. ^ Vita Heiner Thiel – Biographie Website Darmstädter Sezession. Retrieved 2016-07-11
  2. ^ Michael Post, Carl-Jürgen Schroth, Hans Zitko (January 14, 2017), Heiner Thiel. Werkschau 40 Jahre. Katalog zur Ausstellung (in German), Soest: Stiftung für Konzeptionelle Kunst, ISBN 978-3000551703{{citation}}: CS1 maint: multiple names: authors list (link) | S.39-45
  3. ^ Michael Post, Carl-Jürgen Schroth, Hans Zitko (January 14, 2017), Heiner Thiel. Werkschau 40 Jahre. Katalog zur Ausstellung (in German), Soest: Stiftung für Konzeptionelle Kunst, ISBN 978-3000551703{{citation}}: CS1 maint: multiple names: authors list (link) | S.56
  4. ^ Heiner Thiel: Künstlerisches Statement. In: Zeitraum Zeitung für aktuelle Kunst. Nr. 2, 1990, S.13 ISBN 3-926663-52-9
  5. ^ Michael Post, Carl-Jürgen Schroth, Hans Zitko (January 14, 2017), Heiner Thiel. Werkschau 40 Jahre. Katalog zur Ausstellung (in German), Soest: Stiftung für Konzeptionelle Kunst, ISBN 978-3000551703{{citation}}: CS1 maint: multiple names: authors list (link) | S.82
  6. ^ Michael Post, Carl-Jürgen Schroth, Hans Zitko (January 14, 2017), Heiner Thiel. Werkschau 40 Jahre. Katalog zur Ausstellung (in German), Soest: Stiftung für Konzeptionelle Kunst, ISBN 978-3000551703{{citation}}: CS1 maint: multiple names: authors list (link) | S.19
  7. ^ Michael Post, Carl-Jürgen Schroth, Hans Zitko (January 14, 2017), Heiner Thiel. Werkschau 40 Jahre. Katalog zur Ausstellung (in German), Soest: Stiftung für Konzeptionelle Kunst, ISBN 978-3000551703{{citation}}: CS1 maint: multiple names: authors list (link) | S.91
  8. ^ "Heiner Thiel - Ohne Titel". Bundeskunstsammlung. 1990. Retrieved April 2, 2022.
  9. ^ "Heiner Thiel". Albright-Knox Art Gallery. Retrieved April 2, 2022.
  10. ^ "Künstler der Sammlung Deutsche Bank". Deutsche Bank (in German). Archived from the original on June 12, 2018. Retrieved July 12, 2016.
  11. ^ a b c "Heiner Thiel". www.akm-koblenz.de. Retrieved July 6, 2019.
  12. ^ a b "Schwarz auf Weiß. Highlights aus der Sammlung Maximilian und Agathe Weishaupt und der Stiftung für Konkrete Kunst und Design". www.mkk-ingolstadt.de. Retrieved July 6, 2019.
  13. ^ a b "Heiner Thiel". www.multipleart.net. Retrieved July 6, 2019.
  14. ^ "Heiner Thiel". www.mgk-otterndorf.de. Retrieved April 2, 2022.
  15. ^ Redaktionsteam (January 12, 2017). "Soest: Werkschau von Heiner Thiel". Westfalium.de (in German). Retrieved February 4, 2017.
  16. ^ Heiner Thiel: Retrospective 40 years on YouTube, Video to the exhibition, 2017
  17. ^ "Last Exhibition: Embodying Colour". charlottejackson.com. Retrieved September 14, 2023.
  18. ^ "Ökumene in der Festungskirche". Kirche Koblenz (in German). Retrieved December 12, 2015. Bild Heiner Thiel Ewiges Licht
  19. ^ "Offenes Quadrat". pfalz.de (in German). 1996. Retrieved September 14, 2023.
  20. ^ Christine Jäckel (April 23, 2022). "Werk von Post und Thiel: Brückenhäuser schmücken jetzt die Bad Kreuznacher Polizeidienststelle" [Work of Post and Thiel: Bridging houses now embellish the Bad Kreuznach police station]. Rhein-Zeitung. Retrieved April 25, 2022.
  21. ^ "Embodying Colour. Catalogue accompanying an ongoing Exhibition-Project, curated by German Artists Heiner Thiel and Michael Post". issuu.com (in German). 2013. Retrieved December 12, 2015.
  22. ^ "Embodying Colour V". www.skk-soest.de. Retrieved December 5, 2020.
  23. ^ "Curated by… Heiner Thiel: Die Verkörperung der Farbe" [Curated by... Heiner Thiel: The embodiment of language]. galerie-bender.de. Retrieved March 4, 2023.

Further reading edit

  • Michael Post und Heiner Thiel (Hrsg.): Embodying Colour. Mit Beiträgen von u. a. Matthias Bleyl, Invar-Torre Hollaus, Urs Bugmann, Hans Zitko. Katalog zur Ausstellung in der Kunsthalle Wiesbaden, 18. Oktober bis 15 Dezember 2013, Ippenschied 2013, ISBN 978-3-00-043205-7
  • Michael Post und Heiner Thiel (Hrsg.): Embodying Colour. Mit Beiträgen von u.a. Marcia Hafif, Dóra Maurer, Peter Fitz. Katalog zur Ausstellung im Vasarely Museum, 9. Oktober 2014 bis 11. Januar 2015, Ippenschied 2014, ISBN 978-3-00-046982-4
  • Ruth Martius (Hrsg.): Die krumme Wahrheit des Raums. Katalog zur Ausstellung Der krumme Raum, 5. November bis 22. Dezember 2007 im Kunstbüroberlin, Bremen 2007, Verlag Hachmannedition, ISBN 978-3-93-942937-1
  • Ulrike Schuck: Heiner Thiel. Arbeiten 1987–1989, Verlag: Galerie-Dorothea-van-der-Koelen, Mainz 1989, ISBN 978-3-92-666308-5
  • Post, Michael; Schroth, Carl-Jürgen; Zitko, Hans (January 14, 2017). Heiner Thiel. Werkschau 40 Jahre. Catalogue of the exhibition (in German and English). Soest, Germany: Stiftung für Konzeptionelle Kunst. ISBN 978-3000551703.

External links edit

 
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