Getting There is a studio album by jazz guitarist John Abercrombie recorded in April 1987 and released on ECM February the following year. The trio features rhythm section Marc Johnson and Peter Erskine, with guest appearances from saxophonist Michael Brecker on three tracks.
| Getting There | ||||
|---|---|---|---|---|
_cover_art.jpg) | ||||
| Studio album by | ||||
| Released | February 1988 | |||
| Recorded | April 1987 | |||
| Studio | Power Station, New York City[1] | |||
| Genre | Jazz | |||
| Length | 44:07 | |||
| Label | ECM 1321 | |||
| Producer | Lee Townsend | |||
| John Abercrombie chronology | ||||
| ||||
Reception
editCritic Jim Todd at AllMusic stated: "The music on this 1988 release from guitarist John Abercrombie is groomed to such aseptic perfection that little remains of the musical personalities behind these sounds... Musicians of the caliber of Abercrombie, Johnson, Erskine, and Brecker cannot fail to generate interest when they get together. This time out, though, their efforts would have been better presented as a master class workshop."[2]
The Penguin Guide to Jazz gave the album 3 stars.[3]
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [2] |
| The Penguin Guide to Jazz | [3] |
Tyran Grillo of ECM blog Between Sound and Space commented "Getting There seems, like many of ECM’s dates from the decade, to have been overlooked by many, but its rewards are plentiful... This album is also marked by thoughtful choices in distortion and amplification, as exemplified in the title track, in which Abercrombie lets fly his laser-honed melodies, burning like a welding torch in a silent film... Abercrombie has a tendency to catapult his notes, sending listeners on clean, high lobs. These are some of his brightest, not least because of Lee Townsend’s sparkling production. And in the company of such comparably strong wings, this flock can do no wrong. This is captivating music-making that welcomes us into the joy of musicians at the peak of their expressive powers."[4]
Track listing
editAll tracks are written by John Abercrombie except where noted
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Sidekicks" | 5:22 | |
| 2. | "Upon a Time" | 4:29 | |
| 3. | "Getting There" | 7:39 | |
| 4. | "Remember Hymn" | 5:18 | |
| 5. | "Thalia" | Vince Mendoza | 4:20 |
| 6. | "Furs on Ice" | Marc Johnson | 8:12 |
| 7. | "Chance" | 5:00 | |
| 8. | "Labour Day" | 3:47 | |
| Total length: | 44:07 | ||
Personnel
edit- John Abercrombie – acoustic and electric guitars, guitar synthesizer
- Marc Johnson – double bass
- Peter Erskine – drums
Guest
edit- Michael Brecker – tenor saxophone
Technical personnel
edit- Lee Townsend – producer
- James Farber – engineer
- Don Rodenbach – assistant engineer
- Dieter Rehm – cover design, cover photo
References
edit- ^ "John Abercrombie - Getting There". Discogs. Retrieved 14 December 2019.
- ^ a b Todd, J. AllMusic Review accessed September 26, 2011
- ^ a b Cook, Richard; Brian Morton (2006) [1992]. The Penguin Guide to Jazz Recordings. The Penguin Guide to Jazz (8th ed.). London: Penguin. p. 3. ISBN 978-0-141-02327-4.
- ^ Grillo, Tyran (5 January 2012). "John Abercrombie: Getting There (ECM 1321)". Between Sound and Space: ECM Records and Beyond. Retrieved 14 December 2019.