Genieve Figgis (born 1972[1]) is an Irish artist who started her artistic career using social media. She is known for her vibrant colors and ghoulish or macabre imagery. According to an article in Flaunt magazine: "Her unique brand of painting—which uses acrylics “slathered heavily” on canvas and often references works of the canon as viewed through a melted macabre filter—is at once classical and utterly contemporary."[2]
Genieve Figgis | |
|---|---|
| Born | Dublin, Ireland |
| Nationality | Irish |
| Education | Gorey School of Art, National College of Art and Design Dublin |
| Known for | Painting |
| Website | genievefiggis |
Education edit
Figgis graduated in 2006 from the Gorey School of Art in Wexford with a Bachelor in Fine Arts. She completed her studies in 2012 with a Masters of Fine Arts at the National College of Art and Design in Dublin, Ireland.[3]
Early career edit
Figgis' use of Twitter to display her artwork in 2014 caught the attention of American artist Richard Prince and introduced Figgis into the New York art scene.[4] Olivia Parkes writes "An unconventional rising art star, she started her family before she started art school, and received recognition for her work online before the gallery world caught up. It's the kind of story that makes you love the internet: for bringing us the good stuff, faster than we would have gotten it otherwise."[5] Figgis made her American debut exhibition at Harpers Books in East Hampton, New York in the summer of 2014 while also publishing her first book at the same time titled Making Love With the Devil.[6] Since 2015, she is represented by Almine Rech Gallery.[7]
From the outset, Figgis has played with the culture of upper class luxury culture portrayed in the art canon by artists such as Diego Velázquez, Francisco Goya, Fragonard, Édouard Manet, Henri de Toulouse-Lautrec, James Ensor and François Boucher.[8][9]
Style edit
_2018_23x31_inches_Acrylic_in_canvas_37kB.JPEG)
Figgis' style strikes a balance between figuration and abstraction. Her paintings are reminiscent of 18th century Rococo style as she recreates cheery Victorian photographs, and paintings with thick paint, causing the subjects to appear as melting, zombie-like creatures.[10] Figgis values the use of paint for its ability to surprise, and is the medium she uses to form her figures of drips and swirls giving them a ghoulish imagery in her paintings.[11] Her paintings technique involves dripping paint onto a canvas allowing gravity and colour-bleeding along to do most of the work with subtle surface marks to create specific details and textures.[8] She cites Marlene Dumas, Cecily Brown and Jenny Saville as her heroes.[12]
Her work has been influenced by growing up in Ireland with the rules of the Catholic Church and the scenic countryside she is surrounded by in her everyday life, living in County Wicklow.[13] Figgis believes having a knowledge of a Spirit and becoming one with nature allows one to become more connected with the Earth's energy.[14] This expression of spiritual beliefs can be seen through her works with her use of rich colors that "bubble, ooze and marbleize as if alive."[15][16]
Figgis painted a version of Leda and the Swan in 2018 after an earlier work by François Boucher. Figgis’ contemporary version reinvents an idyllic romantic scene of lavish playfulness with a dark humor creating a scene of profanity and horror.[17][8][18]
References edit
- ^ Hessel, Katy (2019). Great women artists. Phaidon Press. p. 136. ISBN 978-0714878775.
- ^ "Flaunt Magazine | Art: Genieve Figgis". Flaunt Magazine. Retrieved 4 March 2017.
- ^ "Genieve Figgis | painttube". painttube.wordpress.com. Retrieved 4 March 2017.
- ^ "Art: Genieve Figgis". Flaunt Magazine. Retrieved 4 March 2017.
- ^ "The Irish Artist Attacking the Female Figure with Paint". Broadly. Retrieved 4 March 2017.
- ^ "Genieve Figgis". painttube.wordpress.com. 25 October 2014. Retrieved 4 March 2017.
- ^ "Genieve Figgis". Almine Rech Gallery. Retrieved 13 February 2023.
- ^ a b c Irwin, Michael (10 February 2022). "Genieve Figgis". Ocula.
- ^ "The Great Women Artists: Genieve Figgis on Apple Podcasts". Apple Podcasts. Retrieved 13 February 2023.
- ^ "Artist Brings Back Rococo Painting In Most Deliciously Grotesque Way Possible". The Huffington Post. 17 September 2014. Retrieved 4 March 2017.
- ^ "The Irish Artist Attacking the Female Figure with Paint". Broadly. Retrieved 4 March 2017.
- ^ "The Great Women Artists: Genieve Figgis on Apple Podcasts". Apple Podcasts. Retrieved 13 February 2023.
- ^ Eastham, Ben (16 November 2015). "Up and Coming: Genieve Figgis Weaves Dark Narratives into Art-Historical Paintings". Artsy. Retrieved 4 March 2017.
- ^ "Art: Genieve Figgis". Flaunt Magazine. Retrieved 4 March 2017.
- ^ Smith, Roberta (23 October 2014). "Genieve Figgis: 'Good Morning, Midnight'". The New York Times. ISSN 0362-4331. Retrieved 4 March 2017.
- ^ "'Flat Earth' by Genieve Figgis at Half Gallery, New York". BLOUIN ARTINFO. 19 September 2018. Retrieved 17 October 2018.
- ^ Chen, Xi (5 February 2021). "Being So Caught up: Exploring Religious Projection and Ethical Appeal in Leda and the Swan". Religions. 12 (2). MDPI: 107. doi:10.3390/rel12020107.
- ^ "Leda and the Swan Theme". methoduspi.com.br. 2 October 2020. doi:10.3390/rel12020107. Retrieved 3 October 2020.