From the Hot Afternoon is an album by American jazz saxophonist Paul Desmond featuring performances recorded in 1969 and released on the CTI label.[2]
| From the Hot Afternoon | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | December 1969/early 1970[1] | |||
| Recorded | June 24–25 & August 13–14, 1969 | |||
| Studio | Van Gelder Studio, Englewood Cliffs, NJ | |||
| Genre | Jazz | |||
| Length | 57:12 Reissue with bonus tracks | |||
| Label | A&M/CTI SP 3024 | |||
| Producer | Creed Taylor | |||
| Paul Desmond chronology | ||||
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Track listing edit
- "October (Outubro)" - (Fernando Brant, Milton Nascimento) - 3:00
- "Round N' Round (Gira Girou)" (Nascimento) - 4:32
- "Faithful Brother (Irmão de Fé)" (Nascimento) - 3:09
- "To Say Goodbye" (Edu Lobo) - 4:01
- "From the Hot Afternoon" (Nascimento) - 3:31
- "Circles" (Lobo) - 3:46
- "Martha & Romao" (Lobo) - 3:05
- "Catavento" (Nascimento) - 2:46
- "Canto Latino (Latin Chant)" (Nascimento) - 4:25
- "Crystal Illusions" (Johnny Guarnieri, Lani Hall, Lobo) - 4:41
- "Gira Girou (Round 'n' Round)" [alternate take] (Nascimento) - 4:21 Bonus track on CD reissue
- "Faithful Brother (Irmão de Fé)" [alternate take] (Nascimento) - 2:49 Bonus track on CD reissue
- "From the Hot Afternoon" [alternate take] (Nascimento) - 3:56 Bonus track on CD reissue
- "Catavento" [alternate take] (Nascimento) - 2:31 Bonus track on CD reissue
- "Canto Latino (Latin Chant)" [alternate take] (Nascimento) - 4:01 Bonus track on CD reissue
- "From the Hot Afternoon" [alternate take 2] (Nascimento) - 2:38 Bonus track on CD reissue
- Recorded at Van Gelder Studio in Englewood Cliffs, New Jersey on June 24 (tracks 1 & 5-7), June 25 (tracks 3, 4, 10 & 12), August 13 (tracks 5, 13 & 16), and August 14 (tracks 2, 8, 9, 11, 14 & 15), 1969
Personnel edit
- Paul Desmond - alto saxophone
- Edu Lobo - guitar
- Dorio Ferreira - guitar
- Ron Carter - bass
- Airto Moreira - drums, percussion
- Marky Markowitz, Marvin Stamm - trumpet, flugelhorn
- Paul Faulise - bass trombone
- James Buffington - French horn
- Phil Bodner, George Marge - saxophone, clarinet, oboe
- Don Hammond, Hubert Laws - flute, alto flute
- Stan Webb, Jr. - flute, alto flute, percussion
- Pat Rebillot - electric piano, keyboards
- Jack Jennings - percussion
- Lewis Eley, Paul Gershmman, George Ockner, Eugene Orloff, Raoul Poliakin, Max Pollikoff, Matthew Raimondi, Sylvan Shulman, Avram Weiss - violin
- Charles McCracken, George Ricci - cello
- Margaret Ross - harp
- Wanda de Sah, Edu Lobo - vocal
- Don Sebesky - arranger
Production edit
- Creed Taylor - producer
- Rudy Van Gelder - engineer
- Pete Turner - photography
Reception edit
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   [3] |
| The Penguin Guide to Jazz Recordings |  [4] |
Allmusic reviewer Richard S. Ginell states "Paul Desmond's first genuine all-Brazilian album under the Creed Taylor signature was a beauty".[3]
References edit
- ^ Billboard Feb 28, 1970
- ^ CTI Records discography accessed February 10, 2012
- ^ a b Ginell, R. S. Allmusic Review accessed February 10, 2012
- ^ Cook, Richard; Morton, Brian (2008). The Penguin Guide to Jazz Recordings (9th ed.). Penguin. p. 369. ISBN 978-0-141-03401-0.
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