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File:Biblioteca Marciana-Sala sansoviniana-15.tif

Biblioteca_Marciana-Sala_sansoviniana-15.tif ‎(519 × 519 pixels, file size: 1.04 MB, MIME type: image/tiff)

Summary

Artist
Alessandro Varotari  (1588–1649)  wikidata:Q1727824
 
Alessandro Varotari
Alternative names
Padovanino
Description Italian painter
Date of birth/death 4 April 1588 Edit this at Wikidata 20 July 1649 / 29 July 1649 Edit this at Wikidata
Location of birth/death Padua Venice
Work location
Venice (1614–1648) Edit this at Wikidata
Authority file
artist QS:P170,Q1727824
Title
Italiano: Allegoria dell'Astrologia
(Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 November)
English: Allegory of Astrology
Alternative titles
InfoField
"Atlas shouldering the celestial globe, near the Nile River with children around and Astrology" (Ridolfi-1648), "Atlas supporting the World, Astrology, Geometry, the River Nile with children" (Boschini-1664), "Atlas" (Paolucci-1981)
Object type painting
object_type QS:P31,Q3305213
Date 1635
date QS:P571,+1635-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions diameter: 230 cm (90.5 in)
dimensions QS:P2386,230U174728
institution QS:P195,Q578460
Place of creation Venice
Object history Roundel by Alessandro Varotari, called Padovanino, commissioned in 1635 by the Procurators of Saint Mark de supra for the ceiling of the Reading Room of the Biblioteca Marciana in substitution of the damaged roundel by Giambattista Zelotti.[1] All of the roundels (21) were removed by the Austrians at the end of the second period of Austrian occupation (1815–1866) and transported to Vienna. The roundels were restituted as per the Treaty of Vienna of 3 October 1866 between Italy and Austria.
Notes
  1. ↑ The deliberation of the procurators de supra (Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1634, 12 aprile) states the intention to copy two damaged roundels. The originals were by Giulio Licinio and Giambattista Zelotti for which commissions were given to Bernardo Strozzi and Padovanino respectively. Padovanino received higher payment due to the greater number of figures involved (see Archives, PS, Serie Chiesa, Decreti e terminazioni, v. 35, c. 85, 1635, 26 November).
References Ridolfi, Carlo, Le marauiglie dell'arte, ouero Le vite de gl'illustri pittori veneti, e dello Stato, 1648, Venetia, Gio. Battista Sgava, Parte I, p. 352; Boschini, Marco, Le minere della pittura, Venezia, Francesco Nicolini, 1664, p. 90; Zanetti, Antonio Maria, Della pittura veneziana e delle opere pubbliche de' veneziani maestri, 1771, Venezia, Giambatista Albrizzi, p. 369; Lorenzetti, Giulio, Venezia e il suo estuario: guida storico-artistica, 1926, Venezia, Bestetti & Tuminelli, p. 161; Ivanoff, Nicola, La libreria Marciana: arte e iconologia, «Saggi e Memorie», 6, 1967, Firenze, L. S. Olschki, pp. 39 and 41; Paolucci, Antonio, La sala della libreria e il ciclo pittorico in Da Tiziano a El Greco: per la storia del Manierismo a Venezia 1540–1590, 1981, Milano, Electa, p. 293; Hope, Charles, The Ceiling Paintings in the Libreria Marciana in Nuovi Studi su Paolo Veronese, 1990, Venezia, Arsenale Editrice, p. 290; Broderick, Jarrod, M., Custodian of Wisdom: The Marciana Reading Room and the Transcendent Knowledge of God, «Studi veneziani», LXXIII, 2016, pp. 47–50
Source/Photographer Biblioteca Nazionale Marciana Prot. 191-23.01.20
Permission
(Reusing this file)
Italy-MiBAC-disclaimer Further authorizations required by the Italian "Code of Cultural Heritage and Landscape" (Codice Urbani), under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments, regarding the reuse of the picture.
This image reproduces a property belonging to the Italian cultural heritage as entrusted to the Italian government. Such images are regulated by Articles 106 et seq. of the Italian Code of Cultural Heritage and Landscape under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments. These regulations, unrelated to copyright regulations, establish a system for the protection of Italy’s historic and artistic heritage and its standards of dignity. Among other things, these regulations provide for the payment of a concession fee by those who intend to benefit economically from reproductions of property belonging to the Italian cultural heritage. Reproduction of this image is permitted for personal use or study. A further authorization by the Italian Ministry of Heritage and Culture is required for reproduction for any other purpose, and particularly for commercial use. Such commercial use includes, but is not limited to, use in (a) any form of advertising, and (b) any company name, logo, trademark, image, activity, or product. 		Italy

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