Emma Webster is a British-American painter.[1] She refabricates nature from still life models and scenographic studies using VR technology.[2][clarification needed][3][4][5]

Emma Webster
EducationStanford University
Yale School of Art
Websiteemmawebster.com

Career

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Webster's exhibitions have been reviewed in publications including The New York Times W Magazine ARTnews The New Yorker,[6] Los Angeles Times,[7] Artforum International,[8] and Artsy;[9][10][11] her paintings have appeared in Harper's Magazine,[12] New American Paintings,[13] and Jana Prikryl's Midwood (cover).[14] In 2022, she was the recipient of the Jericho Fellowship, Venice Italy.

Notable collections

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Works about Emma Webster

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  • Emma Webster: Green Iscariot, 2021, Alexander Berggruen[16][17]
  • Lonescape: Green, Painting and Mourning Reality, 2021, Emma Webster[18][19]

References

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  1. ^ "Stems Gallery | Emma Webster - Ready the lanterns!". Stemsgallery.com. Retrieved 18 July 2022.
  2. ^ McDermott, Emily (2022-09-02). "Emma Webster Is Reinventing Landscape Painting Using VR Technology". ARTnews.com. Retrieved 2023-05-05.
  3. ^ Fontaine, Pearl. "Emma Webster Paints Ethereal Landscapes from a Virtual Reality". Whitewall. ART, 28 December 2021.
  4. ^ Alfred, Brian. "Episode 291 / Emma Webster". Sound & Vision (podcast), 11 November 2021.
  5. ^ 2019 Abrams, Loney. "Highlights from UNTITLED, Art Miami Beach 2019". Artspace, 3 December 2019.
  6. ^ 2021 Fateman, Johanna. "Emma Webster". The New Yorker, 27 September 2021.
    From review: "It's an imaginative approach to the centuries-old genre of landscape, one that the artist shares with other Fauvist-inspired contemporary painters, including Shara Hughes and Matthew Wong. But the strange, engulfing sense of depth in Webster's luscious canvases also hints at the 3-D seduction of virtual-reality adventures..."
  7. ^ Pagel, David. "Review: Emma Webster's Landscapes Take You into a Sublime, Magical World". Los Angeles Times, 10 March 2019, p. F2.
    From review: "Emma Webster's paintings are grand affairs: sweeping landscapes filled with forests and mountains and rivers and lakes, some bathed in golden light and others shrouded in shadows so deep you shudder."
  8. ^ Malone, Tyler. "Critic's Pick Los Angeles: Emma Webster at Diane Rosenstein". Artforum International, 4 March 2019.
    From review: "Yet the postlapsarian world of Webster's pastoral dreamscapes somehow retains an Edenic sublimity through its foregrounded artificiality—these locales, while uncannily familiar, are like no place on earth, each so perfect a model of a model of some heavenly dwellings."
  9. ^ "Emma Webster - 3 Artworks, Bio & Shows on Artsy". Artsy.net. Retrieved 18 July 2022.
  10. ^ "Summer's Not Over Yet: A New NorCal Exhibition Celebrates the Dog Days of Our Favorite Season". Artsy.net. 1 September 2014. Retrieved 18 July 2022.
  11. ^ From review: "Webster applies colorful brush strokes to compose a rich jungle landscape... Webster's paintings stitch together abstract gestures into a legible portrait."
  12. ^ Harper's Magazine,, October 2021, p. 13.
  13. ^ New American Paintings Pacific Issue 139 (2019). Print. New American Paintings Pacific Issue 127 (2016). Print.
  14. ^ ISBN 978-1-324-03521-3,
    via author's Instagram
  15. ^ "Golden Hour - Institute of Contemporary Art, Miami". Icamiami.org.
  16. ^ ISBN 978-1-7342921-4-5, Dimensions: 12 x 9 x 0.27 in., Publisher: Alexander Berggruen, Year: 2021, Pages: 60
  17. ^ "Emma Webster: Green Iscariot". Alexanderberggruen.com. Retrieved 18 July 2022.
  18. ^ ISBN 978-1-7375585-0-4, Dimensions: 7 x 4 1/4 in. (17.8 x 10.8 cm.), Publisher: Emma Webster, Year: 2021, page: 240
  19. ^ "Lonescape | Emma Webster". Alexanderberggruen.com. Retrieved 18 July 2022.