Elizabeth Williams was an American stage actress and theater impresario who was actively performing during the first half of the 20th century. She was part of the first generation of black actresses in the dramatic repertory on the American stage, and is believed to be one of the first African-American women to establish her own stock theatre company, the Oriental Empire Stock Company, in 1902. She later was an active member of the Lafayette Stock Company in Harlem. In addition to her work in stage plays, she also performed in Broadway musicals.
Career
editWilliams was part of the first generation of black actresses to achieve success in the dramatic repertory on the American stage.[1] She established the Oriental Empire Stock Company, an all-black repertory theatre troupe, in 1902.[2] It was possibly the first stock theatre company established by an African-American woman.[3] The company gave its first performance on October 16, 1902, at Ebling's Casino in New York City; presenting Colin Henry Hazlewood's stage adaptation of the novel Lady Audley's Secret with Williams in the title role.[2] The company continued to give performances in New York City at the Murray Hill Lyceum in 1903,[4] and the Palm Garden Theatre in 1904.[5] It was still active as late as 1905.[6] She later was an active member of the Lafayette Stock Company in Harlem;[1] a ground-breaking theatre company in the history of African-American theatre.[7]
On Broadway, Williams made her debut at the Grand Opera House in 1907 as Aunt Phoebe Jackson in the J. Rosamond Johnson and Bob Cole musical The Shoo-Fly Regiment (1907).[8] In 1909 she portrayed Lucretia Martin in the Johnson and Cole musical The Red Moon.[9] In 1926 she originated the role of Mrs. Bowtelle in Edward Sheldon and Charles MacArthur's hit Broadway play Lulu Belle.[10] She starred in two more plays on Broadway; portraying Aunt Rebecca in Ernest Howard Culbertson's Goat Alley (1927, Princess Theatre)[11] and Ma Williams in William Jourdan Rapp's Harlem (1930, Eltinger Theatre).[12]
References
editCitations
edit- ^ a b Tanner 1989, p. 103.
- ^ a b "Elizabeth Williams' Oriental Stock Company". The Colored American Magazine. 5. Negro Universities Press, republication 1969. 1902.
- ^ "Elizabeth Williams". Encore American & Worldwide News. 4: 53. 1975.
- ^ "The Literary Lyceums and A Peep Into the Social World". Colored American Newspaper. May 9, 1903. p. 2.
- ^ "Notes of the Theatres". The New York Times. October 30, 1904. p. 20.
- ^ Seniors, p. 168
- ^ Hill 2018, p. xxvi.
- ^ Dietz 2022, p. 426.
- ^ Dietz 2022, p. 543.
- ^ "Belasco; Lulu Belle". Billboard. August 13, 1927. p. 69.
- ^ Mantle 1927, p. 514.
- ^ "Harlem (Ettinger)". Billboard. September 6, 1930. p. 78.
Bibliography
edit- Dietz, Dan (2022). The Complete Book of 1900s Broadway Musicals. Rowman & Littlefield Publishers. ISBN 9781538168943.
- Hill, Anthony D. (2018). Historical Dictionary of African American Theater. Rowman & Littlefield Publishers. ISBN 9781538117293.
- Mantle, Burns, ed. (1927). The Best Plays of 1926-27 and The Year Book of Drama in America. Dodd, Mead & Co.
- Tanner, Jo A. (1989). The Emergence and Development of the Black Dramatic Actress, 1890-1917. City University of New York Press.